King Asoka As a Role Model of Buddhist Leadership
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The Emergence of the Mahajanapadas
The Emergence of the Mahajanapadas Sanjay Sharma Introduction In the post-Vedic period, the centre of activity shifted from the upper Ganga valley or madhyadesha to middle and lower Ganga valleys known in the contemporary Buddhist texts as majjhimadesha. Painted grey ware pottery gave way to a richer and shinier northern black polished ware which signified new trends in commercial activities and rising levels of prosperity. Imprtant features of the period between c. 600 and 321 BC include, inter-alia, rise of ‘heterodox belief systems’ resulting in an intellectual revolution, expansion of trade and commerce leading to the emergence of urban life mainly in the region of Ganga valley and evolution of vast territorial states called the mahajanapadas from the smaller ones of the later Vedic period which, as we have seen, were known as the janapadas. Increased surplus production resulted in the expansion of trading activities on one hand and an increase in the amount of taxes for the ruler on the other. The latter helped in the evolution of large territorial states and increased commercial activity facilitated the growth of cities and towns along with the evolution of money economy. The ruling and the priestly elites cornered most of the agricultural surplus produced by the vaishyas and the shudras (as labourers). The varna system became more consolidated and perpetual. It was in this background that the two great belief systems, Jainism and Buddhism, emerged. They posed serious challenge to the Brahmanical socio-religious philosophy. These belief systems had a primary aim to liberate the lower classes from the fetters of orthodox Brahmanism. -
Predictive Modelling for Archaeological Sites: Ashokan Edicts from the Indian Subcontinent
GENERAL ARTICLES Predictive modelling for archaeological sites: Ashokan edicts from the Indian subcontinent Thomas W. Gillespie*, Monica L. Smith, Scott Barron, Kanika Kalra and Corey Rovzar This article focuses on the stone inscriptions ascribed to Ashoka, the 3rd century BC ruler of the Mauryan dynasty in ancient India. The locations of 29 known inscriptions and 8 environmental predictors at 1 km pixel resolution were entered into a species distribution model, that reliably pre- dicted the distribution of known Ashokan edicts (AUC score 0.934). Geologic substrate (33%), population density in AD 200 (21%), and slope (13%) explained majority of the variance in the Ashokan edict locations. We have identified 121 possible locations in the Indian subcontinent that conform to the same criteria where yet undiscovered inscriptions may be found. Keywords: Archaeology, edict locations, environmental metrics, species distribution models, stone inscriptions. TWO factors have combined that could increase the use of provide confirmation that people found the locations suit- modelling in archaeology: the availability of global land- able and worthy of investment. scape geographic information system (GIS) datasets, and The predictability of archaeological site location is the need to identify and protect sites in areas jeopardized by based on a variety of criteria, not all of which are imme- development and other human impacts. An important po- diately apparent. For example, our earliest ancestors hun- tential contributor to this process is species distribution dreds of thousands of years ago utilized caves as shelters modelling, which has been increasingly used across a va- prior to the development of built architecture, but not all riety of fields, including biogeography, ecology, conserva- known caves were occupied within a given region due to tion biology, and climate change science to identify metrics additional factors of selection, such as the preference for that define and predict species and ecosystems ranges1–4. -
Iasbaba's 60 Days Plan – Day 35 (History)
IASbaba’s 60 Days Plan – Day 35 (History) 2018 Q.1) Consider the following pairs. Sculpture Material made from 1. Mother goddess Stone 2. Bearded priest Terracotta 3. Dancing girl Copper Which of the above pairs is/are correctly matched? a) 1 and 3 only b) 3 only c) All the above d) None Q.1) Solution (d) Terracotta: Terracotta figures are more realistic in Gujarat sites and Kalibangan. Toy carts with wheels, whistles, rattles, bird and animals, gamesmen, and discs were also rendered in terracotta. The most important terracotta figures are those represent Mother Goddess. Stone Statues: Stone statues found in Indus valley sites are excellent examples of handling the 3D volume. Two major stone statues are: Bearded Man (Priest Man, Priest-King) and Male Torso Bronze Casting: Bronze casting was practiced in wide scale in almost all major sites of the civilization. The technique used for Bronze Casting was Lost Wax Technique. Dancing girl and bull from Mohenjo-Daro. Do you know? Thousands of seals were discovered from the sites, usually made of steatite, and occasionally of agate, chert, copper, faience and terracotta, with beautiful figures of animals such as unicorn bull, rhinoceros, tiger, elephant, bison, goat, buffalo, etc. Some seals were also been found in Gold and Ivory. THINK! 1 IASbaba’s 60 Days Plan – Day 35 (History) 2018 Harappan pottery. Q.2) Arrange the following parts of stupa from top to bottom. 1. Yasti 2. Harmika 3. Chatras 4. Anda Select the correct answer using the codes given below. a) 3-1-2-4 b) 3-2-1-4 c) 2-3-1-4 d) 2-1-3-4 Q.2) Solution (a) Stupa dome is called as Anda. -
The Edicts of King Ashoka
THE EDICTS OF KING ASHOKA An English rendering by Ven. S. Dhammika THE EDICTS OF KING ASHOKA Table of Contents THE EDICTS OF KING ASHOKA........................................................................................................................1 An English rendering by Ven. S. Dhammika.................................................................................................1 PREFACE......................................................................................................................................................1 INTRODUCTION.........................................................................................................................................2 THE FOURTEEN ROCK EDICTS...............................................................................................................4 KALINGA ROCK EDICTS..........................................................................................................................8 MINOR ROCK EDICTS...............................................................................................................................9 THE SEVEN PILLAR EDICTS..................................................................................................................10 THE MINOR PILLAR EDICTS..................................................................................................................13 NOTES.........................................................................................................................................................13 -
DIRECTORY 2018-19 New .Cdr
Directory2019 YJCCI DHARMA CHAKRA at Village Topra Kalan, Distt. Yamunanagar YAMUNANAGAR - JAGADHRI CHAMBER OF COMMERCE AND INDUSTRY Yamunanagar, Haryana, INDIA C/o. ORIENTAL ENGG. WORKS PVT. LTD., INDUSTRIAL AREA, YAMUNA NAGAR -135001 (HARYANA) Tel. : +91 1732-251750 • E-mail : [email protected], [email protected] • Web : www.yjcci.com Special Steel Components Corporation · AN ISO 9001, ISO 14001 & OHSAS 18001 CERTIFIED COMPANY · Process Control Solutions & Turnkey Instrumentation Projects for Oil and Gas Refineries and Petrochemical Industries. World Class & Hightech Equipment, Safety Fittings, Valves / Gauges and Computerized System For Large LPG Storage & Bottling Plants. TM BSI OF MULTI ER LAT B ER M A E L M R E T C IAF N O E GN EM ACCREDITED ITION ARRANG INTEGRATED MANAGEMENT SYSTEM In Technical Collaboration With: MIDLAND ROCHESTER GAUGES MANUFACTURING CORPORATION INTERNATIONAL S.A. USA & EUROPE TOKYO KEISO CO., LTD. JAPAN USA METAL GOODS M A N U F O PRODUCTS A C T M U MGM LP-GAS EQUIPMENT R GI N G M EXCESS FLOW CHECK VALVES Engineered Controls COMPANY USA International, Inc. SCG (Thailand) Germany With Best Compliments From: NK Gupta, Vinod Gupta & Vishal Gupta M-9, Industrial Area, Yamunanagar - 135 001 (Haryana) INDIA Tel.: +91-1732-255055 to 60 • Fax: +91-1732-255057 • E-mail: [email protected] • Web: www.specialsteel.net 1 2 UPPER INDIA Mfrs of ZINC OXIDE 382715: +91-9978629532, +91-8572800368 UPPER INDIA 9215822418 3 EXECUTIVE COUNCIL For the Year 2018-2019 ATUL GUPTA RAJESH KHARBANDA MUNISH DHIMAN President Vice President Secretary ISH ANAND SAMIRA SALUJA VARINDER MEHANDIRATTA Treasurer Secretary General Joint Secretary EXECUTIVE MEMBERS Arun Oberoi Jaideep S. -
8. States After the Maurya Empire
8. States after the Maurya Empire 8.1 The Shunga dynasty 8.1 The Shunga dynasty 8.2 Indo-Greek kings After Emperor Ashoka, Maurya power 8.3 Kushana kings started declining. The last Maurya Emperor 8.4 The Gupta dynasty was called Brihadratha. The Maurya 8.5 The Vardhan dynasty General Pushyamitra Shunga revolted against Brihadratha, killed him and 8.6 Powers in Northeast India became the king himself. 8.2 Indo-Greek kings Emperor Kanishka : Kanishka’s During this period, there were several empire extended from Kabul in the west small kingdoms ruled by Greek kings to to Varanasi in the east. Gold and copper the northwest of the Indian subcontinent. coins minted by him have been found in Those kings are known as Indo-Greek North India. The fourth Buddhist kings. In the history of the coins of ancient Council was held in Kashmir during his India, the coins of these kings are very reign. He established the city of important. They had a tradition of putting Kanishkapur in Kashmir. It is believed the picture of the king on one side and that the village of Kampur near Srinagar that of a deity on the other side. This today could be Kanishkapur. tradition later took root in India. One of The well-known poet Ashvaghosh the famous Indo-Greek kings was lived during the reign of Kanishka. He Menander, who discussed Buddhist wrote the texts ‘Buddhacharita’ and philosophy with the Buddhist bhikkhu, ‘Vajrasuchi’. The famous vaidya Nagasena. Menander is also referred to as Charaka was also in Kanishka’s court. -
Depiction of Asoka Raja in the Buddhist Art of Gandhara
Journal of the Research Society of Pakistan Volume No. 54, Issue No. 2 (July - December, 2017) Mahmood-ul-Hasan * DEPICTION OF ASOKA RAJA IN THE BUDDHIST ART OF GANDHARA Abstract Asoka was the grandson of the Chndragupta Maurya, founder of one of the greatest empires of the ancient India (321-297 BC). The empire won by Chandragupta had passed to his son Bindusara, after his death, it was again transmitted to his son Asoka. During early years of his kingship he was a very harsh ruler. But after witnessing the miseries and suffering of people during the Kalinga War (260 BCE.) Ashoka converted to Buddhism and decided to substitute the reign of the peace and tranquility for that of violence. Due to his acts of piety and love for the Buddhist faith he become the most popular and personality after Buddha for the Buddhists. Many legends associated with him i.e. “a handful dust”, “redistribution of Relics”, “ his visit of underwater stupa at Ramagrama” are depicted in Gandhara Art. In the present article an effort has been made to identify and analyze the legends of Ashoka in the light of their historical background. Keywords: Chandragupta Maurya, Bindusara, Ashoka, Kalanga war, Buddhism. Introduction The Buddhist Art of Gandhara came in to being in the last century before the Christian era, when the Sakas were ruling in the North-West (Marshall, 1973:17) and further developed during the Parthian period (1st century A.D.). Like the Sakas, the Parthians were confirmed philhellenes and proud of their Hellenistic culture, and not only had they large numbers of Greek subjects in their empire but they were in a position to maintain close commercial contacts with the Mediterranean coasts (Ibid: 6). -
VIOLENCE and DISRUPTION in SOCIETY a Study of the Early
VIOLENCE AND DISRUPTION IN SOCIETY A Study of the Early Buddhist Texts by Elizabeth J. Harris The Wheel Publication No. 392/393 ISBN 955-24-0119-4 Published in 1994 Copyright 1990 by Elizabeth J. Harris Originally published in //Dialogue//, New Series Vo. XVII (1990) by The Ecumenical Institute for Study & Dialogue, 490/5 Havelock Road, Colombo 6, Sri Lanka. Reprinted in the Wheel Series with the consent of the author and the original publisher. BUDDHIST PUBLICATION SOCIETY KANDY SRI LANKA * * * DharmaNet Edition 1994 Formatted for DharmaNet by John Bullitt via DharmaNet by arrangement with the publisher. DharmaNet International P.O. Box 4951, Berkeley CA 94704-4951 * * * * * * * * CONTENTS Introduction Part 1. The Forms of Violence Part 2. Reasons for Buddhism's Attitude to Violence Part 3. The Roots of Violence Part 4. Can Violent Tendencies Be Eradicated? Conclusion Notes * * * * * * * * INTRODUCTION At 8.15 a.m. Japanese time, on August 6th 1945, a U.S. plane dropped a 1 bomb named "Little Boy" over the center of the city of Hiroshima. The total number of people who were killed immediately and in the following months was probably close to 200,000. Some claim that this bomb and the one which fell on Nagasaki ended the war quickly and saved American and Japanese lives -- a consequentialist theory to justify horrific violence against innocent civilians. Others say the newly developed weapons had to be tested as a matter of necessity. Hiroshima and Nagasaki ushered in a new age. Humankind's tendency towards conflict and violence can now wipe out the entire human habitat. -
Buddhapada and the Bodhisattva Path
Contents List of Figures 7 Foreword 9 Michael Zimmermann and Steffen Döll Introduction 11 1 Seeing the Footprint 15 1.1 Introduction 15 1.2 Translation 17 1.3 The Nature of an Awakened One 20 1.4 The Different Footprints 23 1.5 Problems with Marks on the Footprint 27 1.6 The Thousand Spokes 30 1.7 The Wheel 36 1.8 Summary 41 2 A Vision of the Thirty-two Marks 43 2.1 Introduction 43 2.2 Translation 44 2.3 The Webbed Feet and the Protuberance 51 2.4 The Buddha’s Footprints on the Stairs from Heaven 55 2.5 The Buddha’s General Appearance 57 2.6 The Significance of the Thirty-two Marks 61 2.7 The Thirty-two Marks as Brahminical Lore 63 2.8 Summary 68 3 The Great Lineage of Buddhas 71 3.1 Introduction 71 3.2 Translation 75 3.3 Visual Elements in the Description of Vipaśyin 84 3.4 The Marks and dharmatā 87 3.5 The Birth of a Buddha 89 3.6 Seeing the Marks as a Means of Conversion 94 3.7 Seeing the Marks as a Means of Healing 100 3.8 Summary 101 4 The Karma of the Wheel-mark 103 4.1 Introduction 103 4.2 Translation 105 4.3 Assessing the Lakkhaṇa-sutta 106 4.4 Introducing the Karmic Perspective 110 4.5 The Marks in Their Karmic Setting 113 4.6 Aspiring to Be Endowed with the Marks 122 4.7 The Marks and Masculinity 128 4.8 Summary 134 Conclusion 137 Abbreviations 141 References 143 Index 171 List of Figures Figure 1: Fragment Description of Footprint 24 Figure 2: Different Footprints 25 Figure 3: Footprints with Wheel 39 Figure 4: Worshipping the Buddha’s Footprints 40 Figure 5: Buddha with Webbed Hand 53 Figure 6: The Buddha’s Descent from Heaven 56 Figure 7: Footprints with svastikas 62 Figure 8: The Buddha and His Six Predecessors 73 Figure 9: Baby Footprints 86 Figure 10: Footprint with Birds 99 Figure 11: Footprint-Wheels with many Spokes 104 Figure 12: Lion Capital 116 Figure 13: Wheel-marks on the Feet of a Seated Buddha 127 Foreword About Hamburg Buddhist Studies Ever since the birth of Buddhist Studies in Germany more than 100 years ago, Buddhism has enjoyed a prominent place in the study of Asian reli- gions. -
The Transformations of a Buddhist Symbol of Evil
ABSTRACT MALLEABLE MāRA: THE TRANSFORMATIONS OF A BUDDHIST SYMBOL OF EVIL by Michael David Nichols Despite its importance to the legend of the Buddha’s enlightenment and numerous Buddhist texts, a longitudinal, diachronic analysis of the symbol of Māra has never been done. This thesis aims to fill that gap by tracing the Evil One’s development in three spheres. Chapter one deals with Māra in the Nikāya texts, in which the deity is portrayed as a malign being diametrically opposed to the Buddha and his teachings. Chapter two discusses how that representation changes to ambivalence in certain Mahāyāna sūtras due to increased emphasis on the philosophical concepts of emptiness and non-duality. Finally, chapter three charts the results of a collision between the two differing representations of Māra in Southeast Asia. The concludes that the figure of Māra is malleable and reflects changes in doctrinal and sociological situations. Malleable Māra: The Transformations of a Buddhist Symbol of Evil A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Comparative Religion by Michael David Nichols Miami University Oxford, Ohio 2004 Adviser _______________________ Prof. Elizabeth Wilson Reader _______________________ Prof. Julie Gifford Reader _______________________ Prof. Lisa Poirier CONTENTS INTRODUCTION . 2 CHAPTER ONE “MāRA OF THE MYRIAD MENACES” . 6 CHAPTER TWO “MāRA’S METAMORPHOSIS” . 24 CHAPTER THREE “MāRA MIXED UP” . 46 CONCLUSION “MāRA MULTIPLIED” . 62 BIBLIOGRAPHY . 67 ii Introduction “The eye is mine, ascetic, forms are mine…The ear is mine, ascetic, sounds are mine…The nose is mine, ascetic, odors are mine…The tongue is mine, ascetic, tastes are mine…The body is mine, ascetic, tactile objects are mine…The mind is mine, ascetic, mental phenomenon are mine…Where can you go, ascetic, to escape from me?”1 The deity responsible for these chilling lines has many names. -
192. Great Stupa at Sanchi Madhya Pradesh, India. Buddhist, Maurya
192. Great Stupa at Sanchi Madhya Pradesh, India. Buddhist, Maurya, late Sunga Dynasty. c. 300 B.C.E. – 100 C.E. Stone masonry, sandstone on dome The Great Stupa at Sanchi is the oldest stone structure in India[1] and was originally commissioned by the emperor Ashoka the Great in the 3rd century BCE built over the relics of the Buddha It was crowned by the chatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics 54 feet tall and 120 feet in diameter The construction work of this stupa was overseen by Ashoka's wife, Devi herself, who was the daughter of a merchant of Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. In the 1st century BCE, four elaborately carved toranas (ornamental gateways) and a balustrade encircling the entire structure were added With its many tiers it was a symbol of the dharma, the Wheel of the Law. The dome was set on a high circular drum meant for circumambulation, which could be accessed via a double staircase Built during many different dynasties . An inscription records the gift of one of the top architraves of the Southern Gateway by the artisans of the Satavahana king Satakarni: o "Gift of Ananda, the son of Vasithi, the foreman of the artisans of rajan Siri Satakarni".[ o Although made of stone, they were carved and constructed in the manner of wood and the gateways were covered with narrative sculptures. They showed scenes from the life of the Buddha integrated with everyday events that would be familiar to the onlookers and so make it easier for them to understand the Buddhist creed as relevant to their lives At Sanchi and most other stupas the local population donated money for the embellishment of the stupa to attain spiritual merit. -
Diversity in the Women of the Therīgāthā
Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Mindfulness Studies Theses (GSASS) Spring 5-6-2020 Diversity in the Women of the Therīgāthā Kyung Peggy Meill [email protected] Follow this and additional works at: https://digitalcommons.lesley.edu/mindfulness_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Meill, Kyung Peggy, "Diversity in the Women of the Therīgāthā" (2020). Mindfulness Studies Theses. 29. https://digitalcommons.lesley.edu/mindfulness_theses/29 This Thesis is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Mindfulness Studies Theses by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected], [email protected]. DIVERSITY IN THE WOMEN OF THE THERĪGĀTHĀ i Diversity in the Women of the Therīgāthā Kyung Peggy Kim Meill Lesley University May 2020 Dr. Melissa Jean and Dr. Andrew Olendzki DIVERSITY IN THE WOMEN OF THE THERĪGĀTHĀ ii Abstract A literary work provides a window into the world of a writer, revealing her most intimate and forthright perspectives, beliefs, and emotions – this within a scope of a certain time and place that shapes the milieu of her life. The Therīgāthā, an anthology of 73 poems found in the Pali canon, is an example of such an asseveration, composed by theris (women elders of wisdom or senior disciples), some of the first Buddhist nuns who lived in the time of the Buddha 2500 years ago. The gathas (songs or poems) impart significant details concerning early Buddhism and some of its integral elements of mental and spiritual development.