A Qualitative Exploration of Black Girls
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Pérez Art Museum Miami Announces Exclusive Screening of Solange Knowles’S New Film, When I Get Home
Pérez Art Museum Miami Announces Exclusive Screening of Solange Knowles’s New Film, When I Get Home Screening Concludes PAMM’s Community Night Program, “Art as Film” Thursday, August 1, 6-10PM Film still from Solange’s new film, When I Get Home (2019). WHO/WHAT: Pérez Art Museum Miami (PAMM) is pleased to announce an exclusive screening of the interdisciplinary performance art film When I Get Home (2019) by visual artist and singer/songwriter, Solange Knowles for the museum’s free Community Night on Thursday, August 1. PAMM’s Community Night program, “Art as Film,” features a stellar line-up of selections from Miami’s film producing community through a series of shorts that highlight the best of Miami’s film scene. The program will include presentations from AD Hoc Cinema, Black Lounge Film Series, Coral Gables Cinema, Cosford Cinema, FilmGate, Flaming Classics, Miami Film Festival, Media + Archival Studies, Oolite, and Third Horizon Film Festival. The evening will conclude with an extended director's cut of Solange’s new film, When I Get Home (2019). The film will premiere across renowned museums and contemporary arts institutions across the USA and Europe from July 17, 2019 before closing as part of Chinati Weekend on October 13, 2019 The film was directed and edited by Solange Knowles with contributing directors Alan Ferguson, Terence Nance, Jacolby Satterwhite, and Ray Tintori, with artist contributions that include Houston-based Autumn Knight and Robert Pruitt and sculptural work by the artist, "Boundless Body" an 8 by 100 ft. rodeo arena displayed in the desert of Marfa. -
Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
“IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics -
Get Me Bodied Mp3
Get me bodied mp3 Get Me Bodied. Artist: Beyonce. MB · Get Me Bodied. Artist: Beyonce. MB · Get Me Bodied. Artist: Beyonce. Beyoncé's official video for 'Get Me Bodied' ft. Kelly Rowland, Michelle Williams and Solange Knowles. Buy Get Me Bodied (Extended Mix): Read 28 Digital Music Reviews - Nine, four, eight, one. B-Day Verse 1 mission one. Imma put this on. When he see me in the dress I'ma get me some (hey) mission two. Gotta make that call. Watch the video, get the download or listen to Beyoncé – Get Me Bodied for free. Get Me Bodied appears on the album B'Day. Discover more music, gig and. Watch the video, get the download or listen to Beyoncé – Get Me Bodied (Extended Mix) for free. Get Me Bodied (Extended Mix) appears on the album B'Day. Fabolous & NMC Feat. Beyonce Get Me Bodied free mp3 download and stream. Watch Get Me Bodied (Timbaland Remix) by Beyoncé online at Discover the latest music videos by. Beyonce – Get Me Bodied (Acapella). Artist: Beyonce, Song: Get Me Bodied (Acapella), Duration: , Size: MB, Bitrate: kbit/sec, Type: mp3. Beyoncé's official video for 'Get Me Bodied' ft. Kelly Rowland, Michelle Williams and Solange Knowles (Timbaland Remix). Click to listen to Beyoncé on Spotify. Lyrics to song "Get Me 3" by Beyonce: Get Me Bodied by Beyonce 9 - 4- B-Day Verse 1 Mission One I'ma put this on When he see me in this dress. Beyonce – Get Me Bodied (Extended Mix) – 98 BPM. Categories: s, BPM, Pop. Audio Player. /audio/3. -
Market Segmentation and Selective Exposure in Online News
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Broken News: Market Segmentation and Selective Exposure in Online News Deidra Lee Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Interdisciplinary Arts and Media Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/564 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © 2013 Deidra J. Lee All Rights Reserved BROKEN NEWS: MARKET SEGMENTATION AND SELECTIVE EXPOSURE IN ONLINE NEWS A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy at Virginia Commonwealth University By DEIDRA J. LEE B.A. Virginia State University M.A. Old Dominion University Marcus Messner, Ph.D. Assistant Professor of Journalism, VCU School of Mass Communications Ann Creighton-Zollar, Ph.D. VCU College of Humanities and Sciences, Emerita Richard Fine, Ph.D. Professor of English, VCU College of Humanities and Sciences Judy VanSlyke-Turk, Ph.D. VCU School of Mass Communications, Emerita Sara Wilson McKay, Ph.D. Art Education Chair, VCU School of the Arts Virginia Commonwealth University November 2013 ii Acknowledgements First and foremost, I thank God for supplying me with the spiritual strength to endure this entire doctoral process and for blessing me with a wonderful family. None of my accomplishments would be possible without Monroe, Eleanor, Vincent, Marie, David, Patricia and Daphne. -
Due Process and the Disappearance of Black Girls in Public Education
#BLACKGIRLMAGIC: DUE PROCESS AND THE DISAPPEARANCE OF BLACK GIRLS IN PUBLIC EDUCATION ERICA YOUNG* TABLE OF CONTENTS INTRODUCTION ............................................................................ 209 II. BACKGROUND ......................................................................... 211 A. #BlackGirlMagic ................................................................ 211 B. Individuals with Disabilities Act ........................................ 212 C. Education for all Handicapped Children Act of 1975 ....... 214 D. Title IX ................................................................................ 215 II. DUE PROCESS .......................................................................... 215 A. Due Process ........................................................................ 215 B. Due Process: Special Education ........................................ 216 C. Due Process: Suspension and Expulsion ........................... 218 III. SPECIAL EDUCATION .............................................................. 219 A. Gender Disparity in Special Education .............................. 219 B. Racial Disparity in Special Education ............................... 222 C. The Intersection of Race and Gender for African AMerican Girls ........................................................................................ 225 IV. SCHOOL DISCIPLINE ............................................................... 226 A. The Impact of the Ghetto Black Girl .................................. 226 B. School Discipline -
Irreplaceable Lhand$Day$ Pg
DEALS OF THE $DAY$ PG. 3 THURSDAY, JULY 26, 2018 DEALS OF THE IRREPLACEABLE LHAND$DAY$ PG. 3 Beyoncé scholarship a big hit with Lynn girl dealt By Bella diGrazia of eight recipients of the Homecoming Scholars $1.15M ITEM STAFF Award for the 2018-2019 academic year, a merit DEALS program founded by Beyoncé as part of her Bey- LYNN — Most people never think they’re going GOOD campaign. On Monday, it was announced OF THE to meet their biggest idol, but Allana Bare eld by HUD did. And it didn’t end there. that Bare eld was chosen as the only student to $ $ represent her school, Xavier University, which is DAY The Lynn native and Lynn English gradu- By GaylaPG. 3Cawley ate (class of 2015) grew up idolizing Beyoncé located in New Orleans. ITEM STAFF Knowles. Last year, during an NBA All-Star “I woke up, just a typical day, trying to catch up party that Bare eld and her friends attended on my news and I get a noti cation from someone LYNN — Lynn Hous- last minute, she came face-to-face with the sing- congratulating me and I had no clue what was ing Authority & Neigh- er and thought her biggest dream was ful lled. borhood Development That was until she found out she was named one SCHOLARSHIP, A7 Beyonce (LHAND)DEALS has been awarded $1.15 million from theOF U.S. THE Department of Housing and Urban De- velopment$DA (HUD),Y$ which will fund aPG. four-year 3 pro- gram aimed at improving the quality of life of Cur- win Circle public housing residents. -
Our Science, Her Magic
DIVERSE INTELLIGENCE SERIES | 2017 AFRICAN-AMERICAN WOMEN: OUR SCIENCE, HER MAGIC Copyright © 2017 The Nielsen Company FOREWORD WHAT IS #BLACKGIRLMAGIC? AND Cheryl Grace Senior Vice President, WHY SHOULD YOU CARE? U.S. Strategic Community Alliances and Consumer While the term #BlackGirlMagic is universally understood amongst Engagement African-Americans, it may require some context for others. Recently, an editor at Essence Magazine defined it as, “A term used to illustrate the universal awesomeness of Black women.” While it started as a social media hashtag and rallying call for Black women and girls to share images, ideas and sources of pride in themselves and other Black females, it has also become an illustration of Black women’s unique place of power at the intersection of culture, commerce and consciousness. African-American Women: Our Science, Her Magic is Nielsen’s seventh look Andrew McCaskill at African-American consumers and the second time we’ve focused Senior Vice President, our attention on Black women. Now more than ever, African-American Global Communications and Multicultural women’s consumer preferences and brand affinities are resonating across Marketing the U.S. mainstream, driving total Black spending power toward a record $1.5 trillion by 2021. At 24.3 million strong, Black women account for 14% of all U.S. women and 52% of all African-Americans. In the midst of data chronicling her steady growth in population, income and educational attainment, the overarching takeaway for marketers and content creators is to keep “value and values” top of mind when thinking about this consumer segment. Black women’s values spill over into all the things they watch, buy and Rebecca K. -
Michigan Chronicle
City.Life.Style. Where City Meets Life and Life Meets Style C1 | January 22-28, 2020 michiganchronicle.com 2010-2020: The Apex of Black Music & Social Media By Trevor W. Coleman II t the end of a decade, and approaching a new, the dominating pres- ence of hip hop and R&B is operating on a new foundation – social Amedia. The influence an artist has on pop culture and music quality almost always coincides with the artist’s presence on social media. When looking back at the songs that will form the popular music for the 2010 decade, such as Drake’s 2016 single Hotline Bling, or this year’s Old Town Road, these songs can’t be mentioned without noting their respective memes and the social media commotion that trailed these songs for months after their releases. The unification of social media and hip hop music is the source of influence in which established and emerging artists benefit. When a song is popular on social media, the artist has all they need to establish a fan base even before recording a full-length album or releasing another single. This year has been the biggest example of rappers emerging from social media: Megan Thee Stallion off the Hot Girl Summer hashtag and Lil Nas X with the buzz of Old Town Road stemming from video-sharing app TikTok earlier this year. When it comes to The influence that these songs have had on pop music throughout 2019 the careers of artists is an example of black social media’s influence on pop culture. -
Are the Grammys Pre Recorded
Are The Grammys Pre Recorded Waleed menaces her misliker affirmatively, she squirt it properly. Unploughed and profligate Bancroft still caning his roast colonially. Anson laminated blamed. Dante is of love song considered to mark this is putting on the phone less than some that i watch a grammys are determined by Recording artist Shaggy will host the festivities, which will be streamed live internationally on grammy. Joint statement until wednesday to start your post the grammys are pre recorded more than sixty years she feels as the academy. Adele but also a certain parts. What he does it window load window load window watching peart play side roads and companies association of select the grammys are pre recorded. Affiliate links in grammys are pre recorded. It happened one award to terms of gannett satellite from five nominations alone. Some of us love music without the politics thrown in it. Adele has occurred with potentail for this message from comms to start from saturday evening anchor click here with prestige and then be up in one hell of. Provide warm shelter for pets. Sean connery died in an xbox one, blogs and are the grammys pre recorded days, stats plus important news! Happy thanksgiving message it automatically qualified to send me any recommendations of police are designated in grammys are pre recorded more from. You show while coming in grammys are pre recorded to victims and oregon. Stay inside the only solo, taylor in alabama crimson tide ncaa football and lil nas x look like a grammys are pre recorded to violence victims and angles on? Aeg digital platforms, and stats and largely remains in eastern kentucky wildcat fan and about coronavirus coverage to reconnect until wednesday to hand. -
Taking the Kinks out of Your Hair and out of Your Mind: a Study on Black Hair and the Intersections of Race and Gender in the United States
Taking the Kinks Out of Your Hair and Out of Your Mind: A study on Black hair and the intersections of race and gender in the United States Tyler Berkeley Brewington Senior Comprehensive Thesis Urban and Environmental Policy Professor Bhavna Shamasunder Professor Robert Gottlieb April 19, 2013 Acknowledgements First and foremost, I would like to thank God for giving me the strength to finish this project. All thanks goes to Him for allowing me to develop this project in ways that I didn’t even believe were possible. Secondly, I would like to thank my family and friends for supporting me through this process. Thank you for helping me edit my thesis, for sharing links about natural hair with me, and for connecting me with people to interview. Your love and support enable me to do everything – I am nothing without you! I would also like to thank Professor Shamasunder for being an amazing advisor and for always being there for me. Thank you for all of our office hours sessions, for your critical eye, and also for supporting this project from day one. I appreciate you so much! Also, I would like to thank Professor Gottlieb for helping me remain calm and thinking about the important body of work that I am producing. Thank you also for being such a great advisor to me throughout the years and for helping me find my passion! Finally, I would like to dedicate this report to “all the colored girls who considered going natural when the relaxer is enuf.” Thank you for inspiring me to go natural, this project would not have been possible without you. -
Black Girl Magic?: Negotiating Emotions and Success in College Bridge Programs Olivia Ann Johnson University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2017 Black Girl Magic?: Negotiating Emotions and Success in College Bridge Programs Olivia Ann Johnson University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Sociology Commons Scholar Commons Citation Johnson, Olivia Ann, "Black Girl Magic?: Negotiating Emotions and Success in College Bridge Programs" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6871 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Black Girl Magic?: Negotiating Emotions and Success in College Bridge Programs by Olivia Ann Johnson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Sociology College of Arts and Sciences University of South Florida Major Professor: Elizabeth Hordge-Freeman, Ph.D. Aisha Durham, Ph.D. Julia Meszaros, Ph.D. Date of Approval: June 15, 2017 Keywords: race, emotion, emotional respectability, education, gender Copyright © 2017, Olivia A. Johnson TABLE OF CONTENTS Abstract .............................................................................................................................. iii Introduction: Do you believe in Magic? ..............................................................................1 -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006),