Larry Coryell Planet End Mp3, Flac, Wma

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Larry Coryell Planet End mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Planet End Country: UK Released: 1976 Style: Fusion MP3 version RAR size: 1781 mb FLAC version RAR size: 1334 mb WMA version RAR size: 1447 mb Rating: 4.3 Votes: 493 Other Formats: AIFF VOX DMF VQF WMA ADX ASF Tracklist A1 Cover Girl 5:38 A2 Tyrone 11:38 B1 Rocks 4:48 B2 The Eyes Of Love 3:21 B3 Planet End 8:45 Companies, etc. Manufactured By – Pye Records (Sales) Ltd. Distributed By – Pye Records (Sales) Ltd. Published By – Mouzon Music Co. Published By – United Artists Music Published By – Bowery Music Published By – Ryerson Music Published By – Coryell Publishing Credits Design – Jules Halfant Engineer – David Baker Painting – Jacques Wrys* Photography By – Joel Brodsky Producer – Danny Weiss Notes © 1976. Barcode and Other Identifiers Rights Society: MCPS Other versions Category Artist Title (Format) Label Category Country Year VSD 79367 Larry Coryell Planet End (LP, Album) Vanguard VSD 79367 US 1975 K20P-6198 Larry Coryell Planet End (LP, Album) Vanguard K20P-6198 Japan 1983 VSD 79367 Larry Coryell Planet End (LP, Album) Vanguard VSD 79367 US 1975 0062.168 Larry Coryell Planet End (LP, Album) Vanguard 0062.168 Germany 1975 VSD 79367 Larry Coryell Planet End (LP, Album) Vanguard VSD 79367 Greece 1975 Related Music albums to Planet End by Larry Coryell Larry Coryell & The Eleventh House - At Montreux Alphonse Mouzon & Larry Coryell - The 11th House Larry Coryell - Basics Larry Coryell - Spaces Larry Coryell - Laid Back & Blues Larry Coryell - Vanguard Visionaries The Eleventh House With Larry Coryell - Introducing The Eleventh House Larry Coryell - Offering Larry Coryell - Coryell Larry Coryell - The Real Great Escape.

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Downbeat-2-19-Soul-Fingers-Pages
Jazz / BY DENISE SULLIVAN MAGNUS CONTZEN Draksler/Eldh/Lillinger Punkt.Vrt.Plastik INTAKT 318 ++++ Bobby Broom The lineup of any ensemble has an alchemical quality to it. The right combination of personal- A Personalized Perspective ities and styles can yield nothing less than gold. Three trios and a quartet—led by a drummer, guitarist John Chiodini (Natalie Cole, Tony But throw in one bad element and it quickly can a guitarist, a keyboardist and a bassist, re- Bennet) and organist Joe Bagg (Madeleine turn leaden. spectively—demonstrate an ability to cast a Peyroux, Larry Coryell) through two pieces That was the risk drummer Christian wide net and still remain within the jazz tradi- by Brazilian musician César Camargo Maria- Lillinger and bassist Petter Eldh took when they tion. From originals to classic rock standards, no, plus a samba, “Cascades Of The 7 Water- started working with pianist Kaja Draksler in a soul, blues and a touch of Brazil, these play- falls” by Alex Malheiros, as well as the Chiod- new trio. The pair already were familiar with ers rely on their deep love and knowledge of ini-penned “Cheetahs And Gazelles,” with its one another, having provided the backbone for modes and material, and a commitment to own Brazilian changes. Seiwell was a found- the marvelous free-jazz quartet Amok Amor. laying it down. ing member of Paul McCartney’s Wings and Draksler was the X-factor they brought into their Known for his work on the Hammond there’s a dramatic version of “Live & Let Die” creative partnership, a new source of heat that B-3 organ, Raphael Wressnig lets loose included here, plus a guest appearance by on Chicken Burrito (Pepper Cake 2110; rocker Edgar Winter, who hits the saxophone could bend their playing into new shapes.
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Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 10/06/2010 to 10/12/2010 Last Period (TP) = 09/29/2010 to 10/05/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 24 Tom Rizzo Imaginary Numbers Origin 2010 11 4 7 2 1 The Marsalis Family Music Redeems Marsalis 2010 10 12 -2 2 288 The Clayton Brothers The New Song And Dance ArtistShare 2010 10 0 10 4 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 8 0 4 4 Conrad Herwig The Latin Side Of Herbie Half Note 2010 8 8 0 Hancock 4 10 Jim Rotondi 1000 Rainbows Posi-Tone 2010 8 7 1 4 10 James Moody Moody 4B IPO 2010 8 7 1 4 24 Mauricio De Souza Here. There... Pulsa 2010 8 4 4 4 288 Bobby Watson The Gates BBQ Suite Lafiya 2010 8 0 8 10 3 Tomas Janzon Experiences Changes 2010 7 9 -2 10 13 Stephen Anderson Nation Degeneration Summit 2010 7 6 1 10 24 Steve Turre Delicious & Delightful HighNote 2010 7 4 3 10 288 Mary Stallings Dream HighNote 2010 7 0 7 14 4 Larry Coryell Prime Picks HighNote 2010 6 8 -2 14 30 Chicago Afro Latin Jazz Blueprints Chicago Sessions 2010 6 3 3 Ensemble 16 4 Nobuki Takamen Live: At The Iridium Summit 2010 5 8 -3 16 13 Royce Campbell Trio What Is This Thing Called? Philology 2010 5 6 -1 16 13 Regina Carter Reverse Thread E1 2010 5 6 -1 16 17 Chris Massey Vibrainium Self-Released 2010 5 5 0 20 2 Kenny Burrell Be Yourself HighNote 2010 4 11 -7 20 4 Danilo Perez Providencia Mack Avenue 2010 4 8 -4 20 4 Curtis
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Larry Coryell Offering Mp3, Flac, Wma
Larry Coryell Offering mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Offering Country: UK Released: 1972 Style: Fusion MP3 version RAR size: 1326 mb FLAC version RAR size: 1997 mb WMA version RAR size: 1917 mb Rating: 4.1 Votes: 592 Other Formats: DXD ADX AAC ASF VQF RA XM Tracklist Hide Credits Foreplay A1 8:11 Written-By – Larry Coryell Ruminations A2 4:17 Written-By – Doug Davis Scotland I A3 6:26 Written-By – Larry Coryell Offering B1 6:37 Written-By – Harry C. Wilkinson* The Meditation Of November 8th B2 5:12 Written-By – Larry Coryell Beggar's Chant B3 8:07 Written-By – Doug Davis Companies, etc. Recorded At – Vanguard Studios Printed By – Upton Printing Group Manufactured By – RCA Ltd. Distributed By – RCA Ltd. Credits Art Direction – Jules Halfant Bass – Mervin Bronson Drums – Harry Wilkinson Electric Piano [Electric Piano With Fuzz-wah] – Mike Mandel Engineer – Jeff Zaraya Guitar – Larry Coryell Photography By [Back Cover] – John Gruen Photography By [Cover] – Frances Ing* Producer [Produced By] – Danny Weiss Soprano Saxophone [Soprano Sax] – Steve Marcus Notes Recorded January 17, 18, 20, 1972; Vanguard Studios, New York Other versions Category Artist Title (Format) Label Category Country Year VSD-79319 Larry Coryell Offering (LP, Promo) Vanguard VSD-79319 US 1972 VSD-79319 Larry Coryell Offering (LP, Promo) Vanguard VSD-79319 Australia 1972 VSD 79319 Larry Coryell Offering (LP, Album) Vanguard VSD 79319 US 1972 VSD-79319 Larry Coryell Offering (LP, Album) Vanguard VSD-79319 US 1972 VSD 79319 Larry Coryell Offering (LP, Album) Vanguard VSD 79319 US 1972 Related Music albums to Offering by Larry Coryell Larry Coryell - Barefoot Boy Larry Coryell - Planet End Larry Coryell & The Eleventh House - At Montreux Larry Coryell - Basics Larry Coryell - Spaces Larry Coryell - Laid Back & Blues Larry Coryell - Vanguard Visionaries The Eleventh House With Larry Coryell - Introducing The Eleventh House Larry Coryell - Coryell Larry Coryell - The Real Great Escape.
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Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
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Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
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To Download a PDF Copy of Catalog 18
1 LYSERGIC SOUND DISTRIBUTORS RARE RECORD CATALOG – 2016 GRADING – Cover/disc. We use a slight variation of The Goldmine System with similar abbreviations. If you don’t understand, just ask. Most albums are play graded. One in a while, a problem may occur. If there is a problem, contact us at once and we will work it out. All records are 1st press stereo U.S. unless noted otherwise. Factory sealed records are guaranteed only if they are returned in a still-sealed condition. PAYMENT – We accept most forms of payment including checks drawn on U.S. banks. Checks may be held for a period of time for clearance. All prices are in U.S. dollars. POSTAGE – One album, media rate, is $4. Multiple media rate albums, priority postage & foreign postage will be calculated at actual rates. TRADES – Always looking for trades but usually not until this catalog has been out for about a month. LYSERGIC SOUND DISTRIBUTORS 8751 Old Spanish Trail Tucson, AZ. 85710 1-877-353-1775 Toll Free WWW.LSDSOUNDS.COM Like us on Facebook 2 7001 RECORD COLLECTORS DREAMS - HANS POKORA'S NEWEST HARDCOVER BOOK The cream of Folk, Psychedelic, Progressive, Garage and Beat music. Over 1000 professional colour photographs of the rarest 60s and 70s album covers from around the world. The rarest releases from AUSTRIA to NEW ZEALAND. A kaleidoscopic overview of the rarest and most expensive collectible albums from all over the world. An indispensable book for all serious collectors of 60's and 70's rare records, compiled from the collector Hans Pokora Includes accurate description of: Origin, Label, Value and Rarity.
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Larry Coryell Quotes (Pdf)
Quotes on Larry Coryell " Probably the most adventurous, daring and exciting guitarist playing rock or jazz is Larry Coryell ." -- East Village Other (1969) ". ..without question the most inventive and original guitarist to appear since Charlie Christian ." -- New Yorker / Whitney Balliet (1969) " It is super rock, and may be one of the most important things to happen to rock this year. " -- New York Times / Mike Kahn (1969) " He is now a guitar player’s guitar player " -- Bob Palmer (1971) " Coryell is perhaps the most original guitarist around... Lord, the wonderfully fresh things he plays! " -- Down Beat (1978) " the stormmaker " -- Gary Giddins (1978) " ...high volume and fast fingerwork... " -- The Rolling Stone Encyclopedia of Rock & Roll (1983) " Though Larry Coryell is one of the most creative and accomplished modern electric guitarists, he has never been as popular as many less capable but better promoted musicians. " -- The Rolling Stone Jazz Record Guide (1985) " ...high velocity runs with heavy-metal chord patterns ." -- The Rolling Stone Jazz Record Guide (1985) " ...beautiful, intelligent music with guts and urgency ." -- The Rolling Stone Jazz Record Guide (1985) " Coryell has marvelous skills; he can play entrancing melodies, lightning fast phrases, spectacular solos or soothing statements. He's equally masterful on electric or acoustic, and has creatively used wah-wah pedals, attachments, distortion, dissonance and feedback." -- All-Music Guide / Ron Wynn " A major player on the scene for the past 30 years, he has earned critical accolades and the respect of his contemporaries while influencing a generation of guitar players with his combination of blazing speed, unerring sense of swing, taste, finesse and a brilliant, blues- inspired style.
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2013 Tour Dates
Randy Brecker 2013 Tour Dates Website: http://www.randybrecker.com/ Email: [email protected] January 16 Recording with Igor Butman/Nick Levinofsky's Fusion Big Band Project at Avatar Studios. New York, NY January 17 -- 6:00pm & 8:30pm All that Jazz Cabaret Series The Philharmonic Center for the Arts 5833 Pelican Bay Boulevard Naples, FL 34108 (239) 597-1111 January 18-19 -- 8:00pm & 10:00pm Special Guest with John Toomy Quartet Havana Nights 4517 Commerce Street Virginia Beach, VA 23462 (855) 301-2822 January 23 Recording with Tsuyoshi Niwa Brooklyn, NYC January 25 -- 8:00pm Arts Garage 180 NE 1st St. Delray Beach, FL 33444 (561) 450-6357 January 27 - February 3 The Jazz Cruise Leaving from Fort Lauderdale, FL January 27 - February 3 The Jazz Cruise Leaving from Fort Lauderdale, FL February 9 With Jeff Lindberg's Chicago Jazz Orchestra plus Randy Brecker & Art Davis "Tribute to Art Farmer" Evanston Jazz Festival / Evanston Township HS 1600 Dodge Avenue Evanston, IL 60201 (847) 424-7000 February 14-16 Leslie Man Doki Soul-Mates Project with Jack Bruce, Bill Evans, and others Budapest, Hungary February 21 Ecuador Jazz Fest Quito with Ada Rovatti and "Pies en la Tierra" Festival Internacional de Jazz Quito Teatro Nacional Sucre Manabi No 8 - 131 entre Guayaquil y Flores Quito, Ecuador Phone: (593) 2572-823, or (593) 2280-982, or (593) 2570-299 Email: [email protected] February 23-24 Concert/Clinics with Caleb Chapman Peaks Jazz Festival Salt Lake City, UT February 27-28 Special guest w/Mike Stern Quartet Regatta Bar 1 Bennett
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Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
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Downbeat.Com April 2021 U.K. £6.99
APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
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The End of Education?
Multiworld Multiversity Taleemnet The End of Education 1 Eurocentrism in Social Science 3 To School or Not to School 7 Network websites 2 Universidad de la Tierra 4 Interview with “walk-outs” 8 Multiversity Tracts 5 Vinoba Bhave on Teaching 9 Vazhviyal Multiversity goes to Unschooling in Pakistan 10 Malaysia 6 Love Letters to Kamiriithu 11 Ploughing a Lonely Furrow 12 2003 Vol.I No.2 War on Iraq: The End of Education? In the intervening period between the priceless heirlooms of the ancient publication of the first and second issues of civilisations of Mesopotamia, Sumeria, Kamiriithu, the world of human beings has Babylon? How do we teach the next genera- been transformed in a most profound and tions that the destruction of history and tumultuous manner. scholarship was required in order to safe- The illegal invasion and occupation of Iraq guard fuel supplies for American cars, stub- by a country reported to be celebrating for bornly pursuing not just the end of history, some time now “the end of history” has but the end of the planet as well? frontally assaulted our most cherished Can any decent, civilised citizen from any human ideals. We have to seriously consider part of the remaining profoundly human now whether the “end of history” in the societies of Asia, Africa or South America United States of America has come to mean ever again pretend that flying to the US will the “end of education” there as well. any longer get him or her an “education”? What kind of “education” would allow the What education? Education to become a brutalisation of the innocent people of Iraq, plague, a pathogen, a disease? and earlier, of Afghanistan? Which system Post-Iraq, many will say that the direction in of learning would justify the open theft of which we are headed is largely towards resources from a nation kept forcibly impov- making the planet a more miserable place for erished for a dozen all the people fated to live in these times.
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18 Th and 19 Th Century Who Had an Impact on Later Developments in Jazz Guitar
The development of the Electric Jazz Guitar in the 20 th century – by Pebber Brown One of the areas that is historically very important but sorely missing from any music texts, is that of the history of the jazz guitar and its players. In this essay, I will explore some of its early origins as an instrument and briefly look at some of the significant early guitar players of the 18 th and 19 th century who had an impact on later developments in jazz guitar. Moving into the early part of the 20 th century, I will also explore some of the influential non-classical guitarists who influenced the acceptance of the guitar as a viable jazz instrument, and lastly I will explore the importance of the invention of the electric guitar an look at some of the less well known but very important jazz guitarists of the 20 th century. Some insight into the origins of the guitar The guitar was invented many centuries ago in Spain as a predecessor of older Middle-Eastern stringed instruments such as the Zither, and the Lyre. The first guitars had less strings on them and were called "Chitarra." These instruments were played up until the 17th century when the more modern "Guitarra" was invented in Spain. The Guitarra later became the "Guitar," and it made its way to Northern Europe and in England and the Netherlands they created their own version of it called the Lute. Lutes are most called "Baroque" lutes pertaining to the music played on them during the Baroque period.
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