Calendar Item Press Release Larry Coryell Live in Concert January 10
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Downbeat-2-19-Soul-Fingers-Pages
Jazz / BY DENISE SULLIVAN MAGNUS CONTZEN Draksler/Eldh/Lillinger Punkt.Vrt.Plastik INTAKT 318 ++++ Bobby Broom The lineup of any ensemble has an alchemical quality to it. The right combination of personal- A Personalized Perspective ities and styles can yield nothing less than gold. Three trios and a quartet—led by a drummer, guitarist John Chiodini (Natalie Cole, Tony But throw in one bad element and it quickly can a guitarist, a keyboardist and a bassist, re- Bennet) and organist Joe Bagg (Madeleine turn leaden. spectively—demonstrate an ability to cast a Peyroux, Larry Coryell) through two pieces That was the risk drummer Christian wide net and still remain within the jazz tradi- by Brazilian musician César Camargo Maria- Lillinger and bassist Petter Eldh took when they tion. From originals to classic rock standards, no, plus a samba, “Cascades Of The 7 Water- started working with pianist Kaja Draksler in a soul, blues and a touch of Brazil, these play- falls” by Alex Malheiros, as well as the Chiod- new trio. The pair already were familiar with ers rely on their deep love and knowledge of ini-penned “Cheetahs And Gazelles,” with its one another, having provided the backbone for modes and material, and a commitment to own Brazilian changes. Seiwell was a found- the marvelous free-jazz quartet Amok Amor. laying it down. ing member of Paul McCartney’s Wings and Draksler was the X-factor they brought into their Known for his work on the Hammond there’s a dramatic version of “Live & Let Die” creative partnership, a new source of heat that B-3 organ, Raphael Wressnig lets loose included here, plus a guest appearance by on Chicken Burrito (Pepper Cake 2110; rocker Edgar Winter, who hits the saxophone could bend their playing into new shapes. -
Lecture Outlines
CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS Lecture Outlines Lecture 1: Hip-Hop and Techno I. Hip-Hop Breaks Out (1980s–1990s) A. In the mid-1980s, rap moved into the popular mainstream. B. 1986 saw the release of the first two multiplatinum rap albums: 1. Raising Hell by Run-D.M.C. a) Number Three on Billboard’s pop albums chart b) Over three million copies sold 2. Licensed to Ill by the Beastie Boys a) Number One for seven weeks b) Over seven million copies sold 3. Expansion of the audience for hip-hop music was the key to the commercial success of these albums. a) Included millions of young white fans, attracted by the rebelliousness of the genre C. Both Raising Hell and Licensed to Ill were released on a new independent label called Def Jam. CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS 1. Co-founded in 1984 by the hip-hop promoter Russell Simmons and the musician-producer Rick Rubin 2. Cross-promoting a new generation of artists 3. Expanding and diversifying the national audience for hip-hop 4. In 1986, Def Jam became the first rap-oriented independent label to sign a distribution deal with one of the “Big Five” record companies, Columbia Records. D. Run-D.M.C. 1. Trio: a) MCs Run (Joseph Simmons, b. 1964) and D.M.C. (Darryl McDaniels, b. 1964) b) DJ Jam Master Jay (Jason Mizell, b. 1965) 2. Adidas Corporation and Run-D.M.C. -
An Exploration of Recording and the Music Business
Bowling Green State University ScholarWorks@BGSU Honors Projects Honors College Spring 4-30-2017 An Exploration of Recording and the Music Business Erika Nalow [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/honorsprojects Part of the Arts Management Commons, Audio Arts and Acoustics Commons, and the Music Performance Commons Repository Citation Nalow, Erika, "An Exploration of Recording and the Music Business" (2017). Honors Projects. 258. https://scholarworks.bgsu.edu/honorsprojects/258 This work is brought to you for free and open access by the Honors College at ScholarWorks@BGSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@BGSU. Erika Nalow HNRS 4990 Honors Project Conclusion An Exploration of Recording and the Music Business The following questions were initially proposed during the planning of my Honors Project. I have chosen to organize the final project results around these questions and how they were specifically answered through conducting my creative project. “Can an independent artist record, mix, produce, promote, and distribute their own original work successfully?” o To answer this part of the research thoroughly, I will give a detailed recitation of the planning and execution of this project. This project began with me writing an original song entitled “Upside Down.” After composing it, I went to my project advisor, Mark Bunce, and reserved a day in the Kuhlin Center recording studio on BGSU’s campus to record the song. I then arranged additional music for the song- writing parts for trombone, trumpet, alto saxophone, acoustic guitar, electric guitar, bass, drums, piano, and vocals. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 10/06/2010 to 10/12/2010 Last Period (TP) = 09/29/2010 to 10/05/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 24 Tom Rizzo Imaginary Numbers Origin 2010 11 4 7 2 1 The Marsalis Family Music Redeems Marsalis 2010 10 12 -2 2 288 The Clayton Brothers The New Song And Dance ArtistShare 2010 10 0 10 4 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 8 0 4 4 Conrad Herwig The Latin Side Of Herbie Half Note 2010 8 8 0 Hancock 4 10 Jim Rotondi 1000 Rainbows Posi-Tone 2010 8 7 1 4 10 James Moody Moody 4B IPO 2010 8 7 1 4 24 Mauricio De Souza Here. There... Pulsa 2010 8 4 4 4 288 Bobby Watson The Gates BBQ Suite Lafiya 2010 8 0 8 10 3 Tomas Janzon Experiences Changes 2010 7 9 -2 10 13 Stephen Anderson Nation Degeneration Summit 2010 7 6 1 10 24 Steve Turre Delicious & Delightful HighNote 2010 7 4 3 10 288 Mary Stallings Dream HighNote 2010 7 0 7 14 4 Larry Coryell Prime Picks HighNote 2010 6 8 -2 14 30 Chicago Afro Latin Jazz Blueprints Chicago Sessions 2010 6 3 3 Ensemble 16 4 Nobuki Takamen Live: At The Iridium Summit 2010 5 8 -3 16 13 Royce Campbell Trio What Is This Thing Called? Philology 2010 5 6 -1 16 13 Regina Carter Reverse Thread E1 2010 5 6 -1 16 17 Chris Massey Vibrainium Self-Released 2010 5 5 0 20 2 Kenny Burrell Be Yourself HighNote 2010 4 11 -7 20 4 Danilo Perez Providencia Mack Avenue 2010 4 8 -4 20 4 Curtis -
Larry Coryell Offering Mp3, Flac, Wma
Larry Coryell Offering mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Offering Country: UK Released: 1972 Style: Fusion MP3 version RAR size: 1326 mb FLAC version RAR size: 1997 mb WMA version RAR size: 1917 mb Rating: 4.1 Votes: 592 Other Formats: DXD ADX AAC ASF VQF RA XM Tracklist Hide Credits Foreplay A1 8:11 Written-By – Larry Coryell Ruminations A2 4:17 Written-By – Doug Davis Scotland I A3 6:26 Written-By – Larry Coryell Offering B1 6:37 Written-By – Harry C. Wilkinson* The Meditation Of November 8th B2 5:12 Written-By – Larry Coryell Beggar's Chant B3 8:07 Written-By – Doug Davis Companies, etc. Recorded At – Vanguard Studios Printed By – Upton Printing Group Manufactured By – RCA Ltd. Distributed By – RCA Ltd. Credits Art Direction – Jules Halfant Bass – Mervin Bronson Drums – Harry Wilkinson Electric Piano [Electric Piano With Fuzz-wah] – Mike Mandel Engineer – Jeff Zaraya Guitar – Larry Coryell Photography By [Back Cover] – John Gruen Photography By [Cover] – Frances Ing* Producer [Produced By] – Danny Weiss Soprano Saxophone [Soprano Sax] – Steve Marcus Notes Recorded January 17, 18, 20, 1972; Vanguard Studios, New York Other versions Category Artist Title (Format) Label Category Country Year VSD-79319 Larry Coryell Offering (LP, Promo) Vanguard VSD-79319 US 1972 VSD-79319 Larry Coryell Offering (LP, Promo) Vanguard VSD-79319 Australia 1972 VSD 79319 Larry Coryell Offering (LP, Album) Vanguard VSD 79319 US 1972 VSD-79319 Larry Coryell Offering (LP, Album) Vanguard VSD-79319 US 1972 VSD 79319 Larry Coryell Offering (LP, Album) Vanguard VSD 79319 US 1972 Related Music albums to Offering by Larry Coryell Larry Coryell - Barefoot Boy Larry Coryell - Planet End Larry Coryell & The Eleventh House - At Montreux Larry Coryell - Basics Larry Coryell - Spaces Larry Coryell - Laid Back & Blues Larry Coryell - Vanguard Visionaries The Eleventh House With Larry Coryell - Introducing The Eleventh House Larry Coryell - Coryell Larry Coryell - The Real Great Escape. -
Revision Guide
Music Industry Revision Guide MUSICIAN LIVE SOUND TECHNICIAN (1) Carry out sound checks before show (1) Train and practise regularly to keep (2) Choose suitable microphones and equipment instrumental skills to a high standard (3) Position and rig-up microphones (2) Turn up on time and prepared (4) Operate the sound desk during a performance (3) Look after instrument/voice (4) Learn new music for a show (5) Perform at various venues MUSICAL DIRECTOR / Sound Desk CONDUCTOR Performance (1) Unify performers (2) Set tempo and execute clear & Creative performance indications by conducting (3) Give instructions and shape the sound Roles of the ensemble, e.g. orchestra, choir (4) Choose the music and study the scores (5) Relay ideas to performers COMPOSER/ SONG-WRITER (1) Compose music for a TV programme INSTRUMENTAL SUPPORT (2) Write a song for a famous singer (3) Keep to a deadline ROADIE (1) Takes care of instruments (4) Work with the performers to ensure (1) Carry equipment (2) Provides backline technical support for composition/song is at a suitable standard (2) Set up before event a band (5) Check and liaise with employer (whoever (3) Look after equipment (3) Gives advice to band of best equipment commissioned composition) to make sure (4) Pack away after event (4) Fixes broken guitar strings or other the music fits what is asked equipment during a show MASTERING ENGINEER: SESSION MUSICIAN (1) Does the final edit (changes) of the recording (1) Turn up on time creating the final ‘master’ version (2) Rehearse the given music and keep (2) -
Session and Guest Musicians
Sessionand Guert Musicians Tbe aiewsand opinions expressedin this article part of your group by virtue of their NeighbouringRights not n eant to substitute for legal adztice contribution or where they have performed Neighbouring rights are an exciting wbich should be sougbt in eacb partimlar for free. development for session musicians. While "neighbouring Youcanhelp avoid such complications by not a copyright per se, rights including in the contract a declaration that are the performance rights performers Introduction you are the exclusive owner of the entire have in their performances, the makers of right, tide and interest in and to all of the Whether you are a major label recording sound recordings have in their recordings, 'artist masters that are the subject matter of the or an independentmusician paying for and broadcasters have in the communication Agreement (Sanderson,3lT), free of any (Paul own recording, you may occasionally signals they broadcast" Sanderson's, claims bythe session musician. Furthermore, ire a sessionmusician to record tracks on Musicians and the Lazl In Canada, pg. 15). you may stipulate that the session musician your record.Session musicians could include Neighbouring rights became statutory after irrevocably assigns to you, in perpetuity, all backupvocalist, cello players,a hot guitar t l99V amendment to the Copyright Act, ffia righs in and to said recordinp, thus ensuring and shortly thereafter the Neighbouring brought in to spiceup a recording, "hired S Nplayer that the gun" retains no stock in the * =ffio. it could include an entire bandbrought Rights Collective of Canada (I\trRCC) was material beyond fulfillment of the to playbehindavocalist. -
Career Challenges Musicians Face in the United States Ying Zhen, Ph.D
This is a preliminary draft. Please do not cite or circulate without the permission of the author. Career Challenges Musicians Face in the United States Ying Zhen, Ph.D. Associate Professor of Business and Economics Wesleyan College Macon, GA, U.S.A. Phone: 478-757-3917 Email: [email protected] Abstract1 This study summarizes and analyzes the challenges and opportunities that musicians face in the United States, based on a survey of 1,227 musicians in the U.S. in 2018, which was conducted by the Music Industry Research Association (MIRA) and the Princeton University Survey Research Center, in partnership with MusiCares. The results reveal that although “artistic expression” is highlighted as musicians’ favorite aspect of being a musician, 61 percent of musicians’ music- related income is not sufficient to meet their living expenses. Such a share among male musicians is slightly lower than that of female musicians: 58.4 percent vs. 66.3 percent, respectively. However, such a share among white musicians is significantly lower than that of non-white musicians: 57.0 percent vs. 75.5 percent, respectively. The average American earns income from 3.5 music-related activities per year. The most common income source is live performances, followed by music lessons and performing in a church choir or other religious service. MusiCares membership has a negative effect on music-related earnings. All else being equal, musicians with a MusiCares membership make about 40% less music-related income than those without the membership. This might be in consistent with the role MusiCares plays as the charitable arm of the Recording Academy. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
To Download a PDF Copy of Catalog 18
1 LYSERGIC SOUND DISTRIBUTORS RARE RECORD CATALOG – 2016 GRADING – Cover/disc. We use a slight variation of The Goldmine System with similar abbreviations. If you don’t understand, just ask. Most albums are play graded. One in a while, a problem may occur. If there is a problem, contact us at once and we will work it out. All records are 1st press stereo U.S. unless noted otherwise. Factory sealed records are guaranteed only if they are returned in a still-sealed condition. PAYMENT – We accept most forms of payment including checks drawn on U.S. banks. Checks may be held for a period of time for clearance. All prices are in U.S. dollars. POSTAGE – One album, media rate, is $4. Multiple media rate albums, priority postage & foreign postage will be calculated at actual rates. TRADES – Always looking for trades but usually not until this catalog has been out for about a month. LYSERGIC SOUND DISTRIBUTORS 8751 Old Spanish Trail Tucson, AZ. 85710 1-877-353-1775 Toll Free WWW.LSDSOUNDS.COM Like us on Facebook 2 7001 RECORD COLLECTORS DREAMS - HANS POKORA'S NEWEST HARDCOVER BOOK The cream of Folk, Psychedelic, Progressive, Garage and Beat music. Over 1000 professional colour photographs of the rarest 60s and 70s album covers from around the world. The rarest releases from AUSTRIA to NEW ZEALAND. A kaleidoscopic overview of the rarest and most expensive collectible albums from all over the world. An indispensable book for all serious collectors of 60's and 70's rare records, compiled from the collector Hans Pokora Includes accurate description of: Origin, Label, Value and Rarity. -
Larry Coryell Quotes (Pdf)
Quotes on Larry Coryell " Probably the most adventurous, daring and exciting guitarist playing rock or jazz is Larry Coryell ." -- East Village Other (1969) ". ..without question the most inventive and original guitarist to appear since Charlie Christian ." -- New Yorker / Whitney Balliet (1969) " It is super rock, and may be one of the most important things to happen to rock this year. " -- New York Times / Mike Kahn (1969) " He is now a guitar player’s guitar player " -- Bob Palmer (1971) " Coryell is perhaps the most original guitarist around... Lord, the wonderfully fresh things he plays! " -- Down Beat (1978) " the stormmaker " -- Gary Giddins (1978) " ...high volume and fast fingerwork... " -- The Rolling Stone Encyclopedia of Rock & Roll (1983) " Though Larry Coryell is one of the most creative and accomplished modern electric guitarists, he has never been as popular as many less capable but better promoted musicians. " -- The Rolling Stone Jazz Record Guide (1985) " ...high velocity runs with heavy-metal chord patterns ." -- The Rolling Stone Jazz Record Guide (1985) " ...beautiful, intelligent music with guts and urgency ." -- The Rolling Stone Jazz Record Guide (1985) " Coryell has marvelous skills; he can play entrancing melodies, lightning fast phrases, spectacular solos or soothing statements. He's equally masterful on electric or acoustic, and has creatively used wah-wah pedals, attachments, distortion, dissonance and feedback." -- All-Music Guide / Ron Wynn " A major player on the scene for the past 30 years, he has earned critical accolades and the respect of his contemporaries while influencing a generation of guitar players with his combination of blazing speed, unerring sense of swing, taste, finesse and a brilliant, blues- inspired style. -
2013 Tour Dates
Randy Brecker 2013 Tour Dates Website: http://www.randybrecker.com/ Email: [email protected] January 16 Recording with Igor Butman/Nick Levinofsky's Fusion Big Band Project at Avatar Studios. New York, NY January 17 -- 6:00pm & 8:30pm All that Jazz Cabaret Series The Philharmonic Center for the Arts 5833 Pelican Bay Boulevard Naples, FL 34108 (239) 597-1111 January 18-19 -- 8:00pm & 10:00pm Special Guest with John Toomy Quartet Havana Nights 4517 Commerce Street Virginia Beach, VA 23462 (855) 301-2822 January 23 Recording with Tsuyoshi Niwa Brooklyn, NYC January 25 -- 8:00pm Arts Garage 180 NE 1st St. Delray Beach, FL 33444 (561) 450-6357 January 27 - February 3 The Jazz Cruise Leaving from Fort Lauderdale, FL January 27 - February 3 The Jazz Cruise Leaving from Fort Lauderdale, FL February 9 With Jeff Lindberg's Chicago Jazz Orchestra plus Randy Brecker & Art Davis "Tribute to Art Farmer" Evanston Jazz Festival / Evanston Township HS 1600 Dodge Avenue Evanston, IL 60201 (847) 424-7000 February 14-16 Leslie Man Doki Soul-Mates Project with Jack Bruce, Bill Evans, and others Budapest, Hungary February 21 Ecuador Jazz Fest Quito with Ada Rovatti and "Pies en la Tierra" Festival Internacional de Jazz Quito Teatro Nacional Sucre Manabi No 8 - 131 entre Guayaquil y Flores Quito, Ecuador Phone: (593) 2572-823, or (593) 2280-982, or (593) 2570-299 Email: [email protected] February 23-24 Concert/Clinics with Caleb Chapman Peaks Jazz Festival Salt Lake City, UT February 27-28 Special guest w/Mike Stern Quartet Regatta Bar 1 Bennett