DOCSLIB.ORG

Dossier Programación

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dossier Programación Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 2 www.madrid.org/artesacro XXV FESTIVAL DE ARTE SACRO DE LA COMUNIDAD DE MADRID Del 19 de febrero al 28 de marzo de 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 3 www.madrid.org/artesacro Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 4 www.madrid.org/artesacro Índice Arte Sacro 2015 19 28 PRÓLOGO 7 FEB AL MAR 2015 LAS CIFRAS DEL FESTIVAL 9 XXV FESTIVAL DE PROGRAMACIÓN 13 ARTEDOCUMENTACIÓN MÚSICA, TEATRO Y DANZA Homenaje a Santa Teresa 19 SAcRMúsicao sacra en la época de los Reyes Católicos 23 Laudate Dominum 27 MÚSICA TEATRO DANZALas sieteCINE últimas palabras de Cristo en la Cruz, de Franz Joseph Haydn 31 Para el espíritu: órgano y gregoriano 37 EN IGLESIAS Y TEATROS Depósito Legal: M-36985-2014 Depósito Legal: DE LA COMUNIDAD DEEl CoroMADRID y la Orquesta en el Barroco religioso 41 www.madrid.org/artesacroÁvila en el Renacimiento. 500 Aniversario del nacimiento de Santa Teresa 45 Réquiem en Sol menor de Domenico Cimarosa 49 Mapping 59 Zuipaqui 63 Auto Sacramental (Teatro y música en directo) 67 PATROCINA COLABORAN Nova et VeteraPARA MÁS INFORMACIÓN DEL FESTIVAL 69 La música sacrafacebook.com/CulturaComunidadMadrid en el tango 73 #artesacro De lo bello y sus formas 77 Omaggio a Santa Teresa de Ávila 83 Oficio de Semana Santa de Tomás Luis de Victoria 87 Concierto Música Sacra 93 El Códice de las Huelgas. Cantos femeninos del siglo XIV 97 Stabat Mater de Vivaldi y de Pergolesi 99 Misa de Santa Teresa, de Johann Michael Haydn 103 Todo Bach 107 Stabat Mater, de Francisco Andreví 111 Las siete palabras de Cristo en la Cruz. Música religiosa en España en la segunda mitad del siglo XVIII 119 Danzas y Músicas religiosas árabes (Danza y música en directo) 123 Te Deum, de Marc-Antoine Charpentier 125 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 5 www.madrid.org/artesacro Arte Sacro 2015 Cantos litúrgicos afrocubanos 129 De la mística en la música. Tras las huellas de Santa Teresa 133 La lírica espiritual en los trovadores medievales 137 Bach en suite 141 Cantigas Centenales. Corazón de Castilla 145 Lamentaciones de Jeremías 149 Música litúrgica en tiempo de Teresa de Jesús 153 Espirituales negros 157 El Cristo de la Quebrada 161 Maria et sacris canticis 165 Misterio del Cristo de los Gascones (Teatro y música en directo) 167 Sonatas de Albarracín 171 Canto Gregoriano para Cuaresma y Pascua 173 Cuarteto para el fin de los tiempos, de Olivier Messiaen 175 De lo profano a lo sacro 179 Réquiem, de Wolfgang Amadeus Mozart 185 CICLO DE ÓRGANO Órgano romántico en el Madrid de 1900. Presentación 195 Primer Concierto Inaugural del Órgano de la Iglesia de Santa Cruz 197 Segundo Concierto Inaugural del Órgano de la Iglesia de Santa Cruz 201 Tercer Concierto Inaugural del Órgano de la Iglesia de Santa Cruz 203 CICLO DE CINE El cielo sobre Berlín 207 El tercer milagro 207 Samsara 207 La noche oscura 207 La Biblia 207 DIRECCIONES 209 AGRADECIMIENTOS 215 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 6 www.madrid.org/artesacro XXV FESTIVAL DE ARTE SACRO 2015 Arte Sacro 2015 PRÓLOGO La espléndida acogida de público que goza el Festival de Arte Sacro nos anima a proseguir ofreciendo a los madrileños, y a todos cuantos nos visitan, unas propuestas caracterizadas por su cuidada selección y su repertorio menos frecuente. El festival constituye una manifestación artística original, única en su género, ya que, a diferencia de otros certámenes de temática religiosa o espiritual, no se limita exclusivamente a la música. Arte Sacro, en su vigésimo quinto aniversario, durante seis semanas, del 19 de febrero al 28 de marzo, ofrecerá un total de 56 funciones de música, teatro, danza y cine, en 40 espacios escénicos repartidos por toda la región. La programación del Festival se conjuga con espacios emblemáticos como iglesias, palacios, edificios históricos y teatros, así como con la utilización de órganos restaura- dos por la Comunidad de Madrid. En esta edición proponemos un ciclo en la Parroquia de la Santa Cruz, cuyo órgano ha sido restaurado en 2014. De este modo, el Gobierno regional revaloriza nuestro rico patrimonio histórico y arquitectónico. Como corresponde a una región caracterizada por la extensión y la calidad de su pro- ducción artística, contaremos con 24 compañías procedentes de Madrid. No obstante, el Festival, acorde con nuestra perspectiva de que la apertura cultural nos enriquece, acogerá a grupos de otras partes de España, y a un buen número de extranjeros pro- cedentes de Alemania, Argentina, Cuba, Siria, Estados Unidos, Francia, Italia, Republi- ca Checa e Israel. Durante esas semanas tendrán lugar 28 estrenos, tanto absolutos como europeos, en España o en la Comunidad de Madrid. En la presente edición, Arte Sacro prestará especial atención a la conmemoración del V Centenario del nacimiento de Santa Teresa de Jesús, efeméride que constituirá uno de los ejes de la programación del Festival. Con este motivo, seis conciertos serán dedicados a la santa de Ávila. Quisiera, para concluir, animar a todos los madrileños y a aquellos que se acerquen a Madrid durante esas fechas a que participen y disfruten, un año más, de Arte Sacro. Ana Isabel Mariño Ortega Consejera de Empleo, Turismo y Cultura Comunidad de Madrid Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 7 www.madrid.org/artesacro Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 Arte Sacro 2015 8 www.madrid.org/artesacro XXIV FESTIVAL DE ARTE SACRO 2015 Arte Sacro 2015 LAS CIFRAS DEL FESTIVAL FECHAS Y ESPECTÁCULOS Fechas: Del 19 de febrero al 28 de marzo de 2015 XXV edición La programación está ordenada en 3 apartados: MÚSICA, TEATRO Y DANZA CICLO DE ÓRGANO CICLO DE CINE En total se presentan: 49 espectáculos Música – 41 Teatro - 2 (con música en directo) Danza – 1 (1 con música en directo) Cine – 5 43 compañías: 35 españolas, 8 extranjeras 56 funciones Música – 48 Teatro - 2 Danza – 1 Cine – 5 48 conciertos 9 conciertos con solistas, coro y orquesta 4 conciertos con solistas y orquesta 3 conciertos de coro y orquesta 3 conciertos de coro y órgano 6 conciertos corales 23 conciertos de música de cámara 28 estrenos Estrenos absolutos: 5 Estreno en Europa: 1 Estrenos en España: 12 Estrenos en la Comunidad de Madrid: 8 Recuperación musicológica. Estreno en tiempos modernos: 2 35 espectáculos españoles 1 de Albacete, Soria, Madrid y Zamora 1 de Aragón 1 de Asturias y Murcia 4 de Castilla-León 9 www.madrid.org/artesacro XXIV FESTIVAL DE ARTE SACRO 2015 Arte Sacro 2015 LAS CIFRAS DEL FESTIVAL 2 de Cataluña 1 de Cataluña y Extremadura 24 de la Comunidad de Madrid 1 de Valencia 13 espectáculos internacionales 1 de Alemania 1 de Argentina y España 1 de Argentina, España y República Checa 1 de Cuba 1 de Egipto, Siria, Marruecos y Sudán 2 de Estados Unidos 1 de Estados Unidos y España 1 de Francia 1 de Francia y España 1 de Italia 1 de India, Francia, Italia y Alemania 1 de Israel. ESPACIOS ESCÉNICOS Los espectáculos tendrán lugar en 40 espacios diferentes: 21 espacios en Madrid Capital: Ateneo de Madrid, Centro Cultural de los Ejércitos, Centro Cultural Paco Rabal-Palomeras Bajas, Centro Cultural Pilar Miró, Escuela Téc- nica Superior de Ingenieros de Telecomunicación de la Universidad Politécnica de Ma- drid, Iglesia de San Jerónimo el Real, Iglesia de San Pedro el Viejo, Iglesia de Santa Teresa y Santa Isabel, Iglesia de Santiago y San Juan Bautista, Iglesia Parroquial de San José, Iglesia Santuario de Nuestra Señora del Perpetuo Socorro, Parroquia de la Concepción de Nuestra Señora, Parroquia de la Santa Cruz, Parroquia Nuestra Se- ñora de los Ángeles, Parroquia de Nuestra Señora del Carmen y San Luis Obispo, Parroquia de San Manuel y San Benito, Parroquia Santuario de María Auxiliadora, Real Conservatorio Superior de Música, Real Parroquia de San Ginés, Teatro de la Escuela Superior de Canto (Palacio Bauer), Teatros del Canal (Sala Verde). 19 espacios en 18 municipios de la Comunidad de Madrid: Alalpardo (Iglesia Parro- quial de San Cristóbal), Alcalá de Henares (Catedral Magistral de los Santos Niños), Cabanillas de la Sierra (Iglesia Parroquial de San Juan Bautista), Colmenar de Oreja (Iglesia Parroquial de Santa María la Mayor), Colmenar Viejo (Basílica de la Asunción de Nuestra Señora), Collado Villalba (Parroquia de la Virgen del Camino), El Molar (Iglesia Parroquial de Nuestra Señora de la Asunción), Getafe (Iglesia Catedral de Santa María Magdalena), Hoyo de Manzanares (Teatro Municipal Las Cigüeñas), La Cabrera (Centro Comarcal de Humanidades Cardenal Gonzaga Sierra Norte), Navalafuente (Parroquia de San Bartolomé), Paracuellos de Jarama (Teatro Centro Cultural e Iglesia Parroquial San Vicente Mártir), Pinto (Teatro Municipal Francisco Rabal), Rascafría (Monasterio de Santa María de El Paular), San Lorenzo de El Escorial (Real Coliseo Carlos III), San Se- bastián de los Reyes (Iglesia Parroquial de San Sebastián Mártir), Torrelodones (Teatro Bulevar), Torremocha de Jarama (Iglesia de San Pedro Apóstol). 10 www.madrid.org/artesacro XXIV FESTIVAL DE ARTE SACRO 2015 Arte Sacro 2015 LAS CIFRAS DEL FESTIVAL Todos los espectáculos son de entrada libre, excepto: 20 de febrero, en el Ateneo de Madrid: 5 euros (socios, entrada gratuita). 21 de febrero, en el Ateneo de Madrid: 5 euros (socios, entrada gratuita).
Load more

Recommended publications
  • Encyclopedia Dresden Nr. 14 EN
    ABSENCE / ANIMALS / CARUS, CARL GUSTAV / CASTLE / COMMUNITY / DANCE / DESIRE / ESCAPE MOVEMENT / EVANESCENCE / FANTASY / FRAGMENT / GARBOLOGY / GUIDED TOUR / IDYLL / INTOXICATION / INTROVERSION / IRONY / LANDSCAPE / LOVE / MARKET / M ELANCHOLY / MYTHOLOGY / MUSIC / NATURE / RE- PRODUCTION / RESTORATION / SHADOWS / THE SUN, THE MOON AND THE STARS / SYMBOLS COUNSELLING AND PRACTICAL EXERCISES / REPLACEMENT ABSENCE Dr Anke Froehlich, freelance Art Historian in Dresden, published her doctoral thesis on “Landscape Painting in Saxony in the 2nd half of the 18th Century” (2002) Is there a God in the Landscape? Why artists “give a mysterious colour to the ordinary, and the dignity of the unknown to the common things” ANIMALS Kati Bischoffberger, Painter, Graphic Designer, Homeopath-in-training, Dresden Self-Portrait with a Sheep, or: What Art has to do with Homeopathy Dr Matthias Goerbert, Director of the Saxonian Stud Farm Administration Moritzburg, graduated about the Selection Criteria among Warm-blooded Mares Sports Equipment, Status Symbol, and Strong Friend. On the Horse Market Boom, especially for Racing Horses and heavy Warm-blooded Horses Local Historians in a Hybrid Game (Katja Hoffmann Wildner and Elke Schindler), Artists from Dresden The Marriage of the Birds—Phenomenological Local History based on a Sorbian Custom, or: Watching the Border on this side of Nebelschuetz Dr Petra Kuhlmann-Hodick, Conservator at the “Kupferstich-Kabinett” [Copperplate Museum], Dresden State Art Collections The Fly on the Apollo. The Perception of Nature
    [Show full text]
  • The German Romantic Movement
    The German Romantic Movement Start date 27 March 2020 End date 29 March 2020 Venue Madingley Hall Madingley Cambridge CB23 8AQ Tutor Dr Robert Letellier Course code 1920NRX040 Director of ISP and LL Sarah Ormrod For further information on this Zara Kuckelhaus, Fleur Kerrecoe course, please contact the Lifelong [email protected] or 01223 764637 Learning team To book See: www.ice.cam.ac.uk or telephone 01223 746262 Tutor biography Robert Ignatius Letellier is a lecturer and author and has presented some 30 courses in music, literature and cultural history at ICE since 2002. Educated in Grahamstown, Salzburg, Rome and Jerusalem, he is a member of Trinity College (Cambridge), the Meyerbeer Institute Schloss Thurmau (University of Bayreuth), the Salzburg Centre for Research in the Early English Novel (University of Salzburg) and the Maryvale Institute (Birmingham) as well as a panel tutor at ICE. Robert's publications number over 100 items, including books and articles on the late seventeenth-, eighteenth- and early nineteenth-century novel (particularly the Gothic Novel and Sir Walter Scott), the Bible, and European culture. He has specialized in the Romantic opera, especially the work of Giacomo Meyerbeer (a four-volume English edition of his diaries, critical studies, and two analyses of the operas), the opera-comique and Daniel-François-Esprit Auber, Operetta, the Romantic Ballet and Ludwig Minkus. He has also worked with the BBC, the Royal Opera House, Naxos International and Marston Records, in the researching and preparation of productions. University of Cambridge Institute of Continuing Education, Madingley Hall, Cambridge, CB23 8AQ www.ice.cam.ac.uk Course programme Friday Please plan to arrive between 16:30 and 18:30.
    [Show full text]
  • Certamen Coral De Tolosa 2017
    Antolatzailea Organizador Tolosako Ekinbide Etxea Centro de Iniciativas de Tolosa Babesleak Patrocinadores Laguntzaile bereziak Ohorezko lehendakaria Excmo.Sr.D. Iñigo Urkullu Colaboradores especiales Presidente de honor Eusko jaurlaritzako lehendakaria Ohorezko batzordea Excmo. Sr. D. Markel Olano Comité de honor Gipuzkoako foru aldundiko aldun nagusia Excmo. Sr. D. Bingen Zupiria Eusko jaurlaritzako kultura kontseilaria Ilmo. Sra. Dña. Olatz Peon Tolosako alkatea Laguntzaileak Agua de Insalus Colaboradores Colegio Hirrikide Jesuitinak Comunidad Convento Santa Clara Distribuciones Mendieta Batzorde exekutiboa D. Julián Lacunza Euskalherriko abesbatzen elkartea Comité ejecutivo D. Luis Miguel Espinosa Harizpe D. Xabier Ormazabal 4 5 Kaiz Lorategia Dña. Idoya Otegui P.P. Franciscanos Sociedades populares de tolosa Udaberri dantza taldea Batzorde teknikoa D. Enrique Azurza Comité técnico D. Jon Bagües D. Javier Busto D. José Antonio Sainz Alfaro D. Xabier Sarasola tolosako abesbatza lehiaketa · certamen coral de tolosa · concours choral de tolosa · tolosa choral contest tolosako abesbatza lehiaketa · certamen coral de tolosa · concours choral de tolosa · tolosa choral contest Lehiaketako batzordeak / Comités del certamen Batzorde artistikoa Luis Miguel Espinosa Musika artxiboa Zerkausiko bazkariak Mónica Alfaro Abesbatza laguntzaileak Imanol Aramendi Xabier Ormazabal Comité artístico (Director) Archivo musical Comidas Zerkausi José Luis García Acompañantes coros Raquel Etxabe Xabier Ormazabal Janariak S.A. Aitor Imaz CD-aren edizioa Aitor
    [Show full text]
  • The Effect of Carl Maria Von Weber E Flat Major Op. 26 Clarinet Concertino on the Performance of Clarinet
    Annals of the „Constantin Brâncuși” University of Târgu Jiu, Letter and Social Science Series, 2/2017 THE EFFECT OF CARL MARIA VON WEBER E FLAT MAJOR OP. 26 CLARİNET CONCERTINO ON THE PERFORMANCE OF CLARİNET İlkay AK Anadolu University, [email protected] Abstract: Solo and chamber music works for clarinet of Carl Maria von Weber create a quite important part of clarinet repertoire. These works which are also used for training repertoires are the works that provide technical and musical development for the students. Weber clarinet concertino is among these works. This concertino with single part consists of three parts in itself. These are Adagio ma non troppo, Andante and Allegro. There are more or less technical and musical difficulties of the concertino that changes from one clarinetist to the other. However, each teacher and student have his/her own methods to solve these difficulties. What is important is to be aware of these difficulties and to apply a correct way to study it. In this study, first, some information about Romantic Period music is presented in a historical order, the place and the importance of Weber in the history of music are mentioned, and some methods are described in order to decrease the musical and technical difficulties in clarinet concertino. Keywords: Romantic Period, Weber, Clarinet, Baermann, Concertino. ** This paper has been presented at 4th International Conference on Humanities and Educational Research held in Istanbul, Turkey on December 8-10, 2017. INTRODUCTION: ROMANTIC PERIOD Romantic period is a period which covers entire 19th century. This period reaches out till the beginning of 20th century.
    [Show full text]
  • The Music of Three Dublin Musical Societies of the Late Eighteenth And
    L ,0 . L \\(o l> NUI MAYNOOTH 011scoi 1 na h£ireann M3 Nuad The music of three Dublin musical societies of the late eighteenth and nineteenth centuries: The Anacreontic Society, The Antient Concerts Society and The Sons of Handel. A descriptive catalogue. Catherine Mary Pia Kiely-Ferris Volume I of IV: The Anacreontic Society Main Catalogue Thesis submitted to National University of Ireland, Maynooth for the Degree of Master of Literature in Music. Head of Department: Professor Gerard Gillen Music Department National University of Ireland, Maynooth Maynooth Co. Kildare Supervisor: Dr Barra Boydell Music Department National University of Ireland, Maynooth Maynooth Co. Kildare July 2005 LIST OF VOLUMES 1. The Anacreontic Society Main Catalogue 2. The Anacreontic Society Bound Sets Catalogue 3. The Sons of Handel Catalogue and The Antient Concerts Society Catalogue 4. The Antient Concerts Society Bound Sets Catalogue TABLE OF CONTENTS Volume I of TV List of volumes...............................................................................................i Table of contents.......................................................................................... ii Preface.......................................................................................................... iii I: Introduction.........................................................................................1 2: Cataloguing procedures and user guide............................................ 8 3: The Anacreontic Society Main Catalogue.....................................
    [Show full text]
  • Nature, Weber and a Revision of the French Sublime
    Nature, Weber and a Revision of the French Sublime Naturaleza, Weber y una revisión del concepto francés de lo sublime Joseph E. Morgan Nature, Weber, and a Revision of the French Sublime Joseph E. Morgan This article investigates the emergence Este artículo aborda la aparición y and evolution of two mainstream evolución de dos de los grandes temas romantic tropes (the relationship románticos, la relación entre lo bello y between the beautiful and the sublime lo sublime, así como la que existe entre as well as that between man and el hombre y la naturaleza, en la nature) in the philosophy, aesthetics filosofía, la estética y la pintura de la and painting of Carl Maria von Weber’s época de Carl Maria von Weber. El foco time, directing it towards an analysis of se dirige hacia el análisis de la expresión Weber’s musical style and expression as y el estilo musicales de Weber, tal y manifested in his insert aria for Luigi como se manifiesta en la inserción de Cherubini’s Lodoïska “Was Sag Ich,” (J. su aria “Was sag ich?” (J.239) que 239). The essay argues that the escribió para la ópera Lodoïska de Luigi cosmopolitan characteristic of Weber’s Cherubini. Este estudio propone que el operatic expression, that is, his merging carácter cosmopolita de las óperas de of French and Italian styles of operatic Weber (con su fusión de los estilos expression, was a natural consequence operísticos francés e italiano) fue una of his participation in the synaesthetic consecuencia natural de su movement of the Romantic era.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990
    BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA 109TH SEASON 1989-90 G* wr > i * 0*m MPORTED 750 ml 94.6 PROW <§> SPECIAL DRY vuti/lec^ m <-*%jj± : CHARLES TANQUERAY & C° L! ~ '£ : * LONDON. ENGLAND. "MUCE Of ENGLAND IOO% GRAIN NEUTRALS?'" zz^ssszz -~;3*SS*k ^^r Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°), 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W.
    [Show full text]
  • Dramatic and Choral Music
    Chapter 17 Dramatic and Choral Music Thursday, February 7, 13 Opera • Italy in the Early 19th Century: Rossini - Gioacchino Rossini (1792-1868) enjoyed unquestioned preeminence in world of opera - helped establish bel canto style (beautiful singing) • Italian opera style • lyrical melodies • legato phrasing • seemingly effortless vocal technique - Il Barbiere di Siviglia (The Barber of Seville, 1816), integrates traditions of opera buffa into style of bel canto Thursday, February 7, 13 Opera • Rossini Il Barbiere di Siviglia (1816) - most popular of Rossini’s operas - integrates opera buffa and bel canto styles - “Una voce poco fa” (A voice a short while ago) • aria exhibits bel canto style • two part aria slow opening plus lively conclusion (cabaletta) Thursday, February 7, 13 Opera • Italy at midcentury: Verdi - Giuseppe Verdi (1813-1901) was leading composer of Italian opera in middle of 19th century - devoted increasing attention to issues of dramatic integrity - key characteristics of new approach: • dramatic realism • use of scena (scene) as unit of dramatic organization • dramatically justified virtuosity Thursday, February 7, 13 Opera • Italy at midcentury: Verdi - dramatic realism- committed to idea of realism on stage and sought librettos of high literary quality - large units of dramatic organization - extended spans of music and drama uninterrupted by scenery changes or obvious opportunities for applause - dramatically justified virtuosity - arias never interrupt flow of drama and always reflect character of singer Thursday, February 7, 13 Opera and Politics • influence of opera extended beyond music into realm of social and political expression • opera house was meeting place for socialites and businesspeople and a forum for often symbolic dramatization of political and moral ideas Thursday, February 7, 13 Verdi When preparing a new opera for production, Verdi’s attention to detail was legendary.
    [Show full text]
  • Happy Hanukkahhanukkah
    The National Jewish Post &Opinion Volume 76, Number 6 • December 2, 2009 • 15 Kislev 5770 Two Dollars www.jewishpostopinion.com HappyHappy HanukkahHanukkah Art by John Domont NAT 2 December 2, 2009 Hunger is increasing around the world About the Cover and one billion people go hungry every Editorial Shabbat Shalom day. We give thanks for the blessings in Hanukkah 5770 our lives, but let us also help others find I encourage you to take notice of the BY RABBI JON ADLAND blessing in their lives as well. It is not front cover art of this issue and also the John Domont speaking about his art, November 20, 2009, Toldot an unreasonable goal to think that the one for the next issue, Dec. 16. They light, and Hanukkah: (Genesis 25:19–28:9), 3 Kislev 5770 people of this world and the governments were specially created just for you, dear It is said that although who manage the resources can find a way readers, by artist John Domont. If you this is the physically Next Thursday we celebrate to eliminate hunger. The goal may be a like the art, be sure to visit his Web site darkest time of the Thanksgiving. Many of us will gather decade or two away, but that doesn’t www.domontgallery.com and/or email year, it is the time of with family or friends for a meal, some mean we shouldn’t try to find a way today John at [email protected] to greatest spiritual light! football, a warm fire, and a quiet day of to keep 16,000 children around the world thank him for his beautiful work.
    [Show full text]
  • Telephone Directory
    United States Department of State Telephone Directory This customized report includes the following section(s): Organizational Directory 5/2/2011 Provided by The Office of Global Publishing Solutions, A/ISS/GPS Cover UNCLASSIFIED Organizational Directory United States Department of State 2201 C Street NW, Washington, DC 20520 Office of the Secretary (S) Editor Editor 7516 202-647-1512 The Watch 7516 202-647-1512 Secretary Crisis Management Staff 7516 202-647-7640 Secretary Hillary Clinton 7th Floor 202-647-5291 Emergency and Evacuations Planning 7516 202-647-7640 Office Manager Claire Coleman 7226 202-647-7098 Emergency Relocation 7516 202-647-7640 Counselor and Chief of Staff Cheryl Mills 7226 202-647-5548 Military Representative Lt. Col. Paul Matier 7516 202-647-6097 Deputy Chief of Staff for Operations Huma Abedin 202-647-9572 7226 Office of the Executive Director (S/ES-EX) Deputy Chief of Staff for Policy Jacob Sullivan 7226 202-647-9572 Scheduling Lona Valmoro 7226 202-647-9071 Executive Director, Deputy Executive Secretary 202-647-7457 Lewis A. Lukens 7507 Scheduling Linda Dewan 7226 202-647-5733 Deputy Executive Director Mark R. Brandt 7507 202-647-5467 Executive Assistant Joseph Macmanus 7226 202-647-9572 Personnel Officer Cynthia J. Motley 7515 202-647-5638 Special Assistant Laura Lucas 7226 202-647-9573 Budget Officer Reginald J. Green 7515 202-647-9794 Special Assistant Timmy T. Davis 7226 202-647-6822 General Services Officer Dwayne Cline 7519 202-647-9221 Staff Assistant Lauren Jiloty 7226 202-647-5298 Staff Assistant Daniel Fogarty 7226 202-647-9572 Ombudsman for Civil Service Employees (S/CSO) Executive Secretariat (S/ES) Ombudsman Shireen Dodson 7428 202-647-9387 Special Assistant to the Secretary and the Executive 202-647-5301 Secretary of the Department Stephen D.
    [Show full text]
  • January 2004
    Non-Profit Organization Please share this Newsletter with your colleagues and circulate among organization staff. U.S. Postage Paid Call for Papers for Symposium 26 in Detroit on page 27. Akron, OH Permit Number 222 Association for the Advancement of Social Work with Groups, Inc. An International Professional Organization c/o The University of Akron Akron, OH 44325-8050 U.S.A. ADDRESS SERVICE REQUESTED SOCIAL WORK WITH GROUPS NEWSLETTER Current News and Cumulative Reference. ISSN 1084-6816 Advocacy and Action in Support of Group Work Practice, Education, Research, and Publication. Enhancing the Quality of Group Life throughout the World. Published at the University of Akron School of Social Work by the Association for the Advancement of Social Work with Groups, Inc., An International Professional Organization. Vol. 19, #3, Issue #52 January 2004 THE PRESIDENT'S PEN SAVE THE DATES NOW WELCOME ABELS A Partial View JOIN YOUR AS NEW PRESIDENT, Paul Abels, President COLLEAGUES ANDREWS AS Florence Kelly, who had worked at Hull House and later became head of the OCTOBER 21-24 VICE PRESIDENT, AND National Consumer's League, once said, IN DETROIT ALVAREZ, GALINSKY, "You know at twenty I signed up to serve SPELTERS AT LARGE my country for the duration of the war on The theme of the 26th International poverty and on injustice and on oppres- Symposium is "Group Work Reaching After finishing his undergraduate sion and I take it...that it will last out my across Boundaries: Disciplines, Practice degree at Rutgers as a Psychology major, life and yours and our children's lives." Settings, Seasons of Life, Cultures and our new President, Paul A.
    [Show full text]
  • The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA
    The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA August 22- 28, 2011 Founders From the KlezKanada Board of Directors Hy and Sandy Goldman Again we are so privileged to welcome you (and welcome you back) to KlezKanada on behalf of the Board, our faculty and artistic staff. As we arrive at Camp B’nai Brith, we marvel when our Artistic Coordinator, Summer Festival gem of Jewish culture comes alive, in its sounds, songs, language, dance and performance. It Frank London binds us as a community committed to connect, not to a lost past, but to a living present. We are grounded in our contact with our treasured giants, such as Flory Jagoda and Theodore Bikel, and Artistic Coordinator, Local Programming and Montreal Jewish Music Festival nourished and realized in the work of our faculty who created the renaissance and the generation Jason Rosenblatt of younger leaders who carry it to new places. Our pride, our nakhes, knows no limit when we see artists who came of age in our scholarship and fellowship programs, now take the world Founding Artistic Director and Senior Artistic Advisor stage. Jeff Warschauer We are also extremely gratified that KlezKanada has now linked up with the McGill University Board of Directors Schulich School of Music through the Department of Jewish Studies and will be hosting a group of McGill students for the week. This sets a precedent and augers well for future academic Bob Blacksberg, Stan Cytrynbaum (legal consultant), Tzipie Freedman (secretary), Hy associations. Goldman (chair), Sandra Goldman (registrar), Adriana Kotler, Robin Mader, Sandra Mintz, Bernard Rosenblatt, Roslyn Rosenblatt, Herschel Segal, David Sela, Robert Smolkin, Eric Now 16 years strong, we feel we have just begun.
    [Show full text]