Rufus Wainwright Prima Donna a Symphonic Visual Concert Rufus Does Judy Selections
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Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Interview with Rufus Wainwright
PRIMA DONNA/RUFUS WAINWRIGHT INTERVIEW WITH RUFUS WAINWRIGHT In 2009, you presented Prima Donna, the opera, a project that grew over time to become first a film, then a visual concert. How was this project born? Rufus Wainwright: I’ve always loved the opera. It’s a form that’s part of my musical culture. When I was about thirteen, a so-called normal child who listened to pop music and had long been immersed in my parents’ folk music, I had a sort of revelation while listening to Verdi’s Requiem with Leontyne Price. I was enthralled. Since then, even though I’ve always known I wanted to be a pop singer, opera has been a sort of secret refuge that has even influenced my own music. I’ve often used its symbolism, its emotions, but also its orchestration in my own compositions, thanks in particular to string instruments. Writing Prima Donna was my way of giving back to opera all that opera gave me. What was the starting point of the libretto? I was about to start working on an opera loosely based on Marguerite Yourcenar’s Memoirs of Hadrien. But I didn’t feel ready to conquer the Roman Empire musically with the tools I had at my disposal! I wasn’t quite ready to write the orchestration I imagined for that project. So I started looking for a subject that wouldn’t have that kind of historical weight, that would be more personal. That’s when I came across the series of interviews Maria Callas gave to Lord Harewood in 1968. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MAY 17, 2021 | PAGE 1 OF 18 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Grand Ole Opry Moves Toward The Old Normal THIS As U.S. Reemerges From COVID-19 ISSUE It likely won’t have the shelf life of Throwback Thursdays or In ideal Opry fashion, the lineup reflected a variety of styles Taco Tuesdays, but “full-capacity Friday night” had an oddly and eras. Lorrie Morgan opened with her chart-topping 1990 Sam Hunt’s ‘90’s’ special ring to it on May 14. single “Five Minutes,” and the rest of the talent parade fea- Breaks Out Grand Ole Opry announcer tured current hitmaker Michael Ray, >page 4 Bill Cody uncorked the phrase as Western vocal quartet Riders in the the WSM-AM Nashville show had Sky, comedian Aaron Weber, Nash- every ticket in the 4,400-seat Opry ville actor Charles Esten and new- House available for the first time comer Brittney Spencer, who sang Underwood, since March 10, 2020, when the a new song, “Sober & Skinny,” for the Aldean, Brooks coronavirus pandemic forced live first time in public. In Play entertainment off the stage. Some Spencer’s appearance was a >page 10 2,400 tickets were sold, according personal milestone, for she made to Opry vp/executive producer Dan her Opry debut. While she felt its Rogers, as the reboot coincided significance (she conceded that her with an unexpected bonus: Barely breathing was more pronounced Makin’ Tracks: 24 hours before the show’s start, the during “Sober” as she fought off a Drew Parker’s city of Nashville dropped face-mask case of nerves), she was still present ‘BP PBR’ Song mandates. -
Vogler Quartet
Vogler Quartet Tim Vogler, violin Frank Reinecke, violin Stefan Fehlandt, viola Stephan Forck, cello The Grammy-nominated Vogler Quartet celebrated its 30th anniversary during the 2015/2016 season, and, with all four of its original members, continues to build upon its reputation as one of the finest quartets of its generation. Mastering a repertoire of over two hundred works from all periods and musical styles, founding members Tim Vogler, Frank Reinecke, Stefan Fehlandt, and Stephan Forck are widely recognized for their uncommon musical intelligence, homogeneous sound, insightful interpretations, and unconventional programming. They have created a vibrant ensemble spirit, as well as a unique string quartet sound which consistently offers new insights into the genre. Formed in East Berlin in 1985, the quartet continues to pursue an ambitious international schedule of concerts and master classes in prestigious venues around the world. In spring 2012, the Vogler Quartet returned to North America for a special collaboration with cabaret artist Ute Lemper and clarinetist/pianist Stefan Malzew, which not only included highly acclaimed concerts in Carnegie Hall and the Kennedy Center, among many others, but also resulted in a Grammy-nominated recording entitled “Paris Days/Berlin Nights” on the Sony label. This lively collaboration continued into the 2015/2016 season. Highlights of their most recent North American tour included a multi-concert residency at Chamber Music San Francisco and an appearance at Friends of Chamber Music Vancouver, in collaboration with pianist Ian Parker. The 2015/2016 season also featured additional engagements with Mr. Parker in selected venus throughout the Pacific Northwest. The four musicians are as much at home in the musical centers of Europe as they are in America, Japan, Australia, and New Zealand, and have enjoyed a series of successes in expanding chamber music audiences worldwide. -
The Prima Donna : Vocal Score
UNIVERSITY OF ILLINOIS LIBRARY At URBANA-CHAMPAIGN MUSIC The person charging this material is re- sponsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theff, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF IlllNOIS LIBRARY AT URBANA-CHAMPAIGN DUfe^i ii.7 L161— O-I0<)6 FROM c,:r. miJ, M^MIp SMI y^ rRfTZ:! OCh OPE RA CO M PA N ^JiiiiwjjTx oir^u^liDis ^y THE AUTHOR. AND C0hAPO3t«i OP Rights of Pei-foi-mance and for Mechanical Instruments Reserved. Chas. Dillingham's Production FRITZI 8CHEFF OPERA COMPANY «9« The PrimA Donna • ®nj®> BOOK AND LYRICS BY HENRY BLOSSOM MUSIC BV VICTOR HERBERT. VOCAL SC0RE,Pr.|2PP net. "l^- KWiTMARK (S) Sons, N£WYORK, CHICAGO. LONDON, PARIS. Mclbotime.Australia, ALLAN aC9 Coparijiif HCHVlll ii/ MWilTriirkiSoiis.- Entered at Stationer's Hall, Umtonjnj. International Copyright V»^t* "1. ;^t>u FKOlVi ROBT. R. M^CURMiCI' CHARLES DILLINGHAM Presents Fritz i Scheff IN A MUSICAL PLAY IN TWO ACTS Entitled The Prima Donna Book and Lyrics by HENRY BLOSSOM- Music by VICTOR HERBERT. CAST OF CHARACTERS. Colonel Dutoir Nace Bonville Captain Bordenave William K. Harcourt Lieut. Armand, Count de Fonteine William Raymoftd Lieut. Fernand Drouillard Donald Hall Lieut. Gaston de Rendal Martin Haydon Lieut. Prosper Roussea Geo.W. Macnamara Lieut. Eug-ene de Beaumont Robert E.Clarke Mons. Beaurivag-e, Athenee's Father W. J. Ferg-uson Sullivan Herr Max Gundelfing-er, Known as "Pop" Jas. -
W Washington Mutual T H E P O W E R of Y©S®
CANTON PUBLIC LIBRARY POP OPERA Amici Forever pitches itself as the world's first opera band. Section E Your hometown newspaper serving Canton for 29 years Super food S<r\i CANTON A super spread for THURSDAY the big game. January 29,2004 Taste, 01 75 cents ©2004 HOMETOWN COMMUN VOLUME 29 NUMBER 60 (Dbsenrewww.hometownIife.com r Memo Jobs talk on guests Some of the Plymouth Whalers will be at the Bob Evans Restaurant on Ford Road at 1-275 6-8 p.m. Tuesday, Feb. 3. They will wait on guests. A makes points raffle will be held for Whaler merchandise and Bob Evans gift certificates. Proceeds of the raffle will go to the Karmanos Cancer institute. Bob Evans is for governor the official sponsor of the Plymouth Whalers Kid Ciub. Gov. Jennifer Granholm's State "Speeding up the process of giving of the State address seemed some- permits to business," he pointed Summit what familiar to Rep. Bruce out was "doable." The Plymouth Patterson (R-Canton Township). Yack said he thought Granholm Historical Museum is "In my opinion, it was more a and the legislature were on the the site of a manufac- Republican conservative speech right track when she talked about turing summit hosted by than that of a Democrat," said what could be done to retain jobs state Rep. John Stewart Patterson. "She didn't want to in Michigan. (R-Plymouth Township) raise taxes, and the importance of And State Rep. Phil LaJoy (R- and Plymouth jobs and job creation; those are Canton) also picked up on that point Community Chamber of the things we in the Republican . -
Adelaide Festival Centre Annual Report 2005-06
ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15 -
Craig Mcmurdo the World Famous the Sound Was Dance Orchestra Floorshow Just Superb...” SAGA 105.2FM 2 4 6
Excellence in Entertainment …what a wonderful“ night… the music choice was perfect and Introduction The Craig McMurdo The World Famous the sound was Dance Orchestra Floorshow just superb...” SAGA 105.2FM 2 4 6 ..it was a pleasure “to work with you and your team and the show Other Packages was fantastic...” H.I.T. SCOTLAND 8 1 …you really made the“ wedding… thank you, thank you, thank you… Corporate Highlights you’re the greatest…” CONTENTS EMMA & STEVEN McCOLL 10 …great atmosphere… “the perfect playlist... guests were thrilled... Client List it was terrific...” WALT DISNEY THEATRICAL (UK) LTD 12 y combining the “wow factor” onstage with thorough, co-ordinated planning and management behind the scenes, he continuously achieves his goal of exceeding expectations at every performance. …a born entertainer… B “ the best show Craig McMurdo is the ultimate entertainer for private and corporate I’ve seen. ” entertainment be it music for dancing, cabaret or background with complete THE SCOTSMAN and tailored packages available to suit each and every event from a charity ball or wedding reception to a gala launch or premiere. It’s no wonder his client and venue raig McMurdo has been thrilling audiences around the globe for over list reads like a who’s who but then two decades; from humble beginnings on the Edinburgh Festival Fringe the very best demand the very best. Cto performing at private parties for such luminaries as HRH Prince Charles, actor Paul Newman and a multitude of Sir Cameron Mackintosh’s “…a night to remember… opening night parties. a joy to work with…” CAMERON MACKINTOSH LTD Originally making his name in the field of Jazz and Swing, with countless 2 INTRODUCTION television, radio, festival and theatre appearances both in the UK and world INTRODUCTION 3 wide as well as releasing six albums to date, he has, over the years, developed his voice to encompass a remarkable range of styles from Rat Pack to rock ‘n roll, pop to classic soul. -
Elton John Las Vegas Tickets
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Rufus Wainwright Annoncerer “All These Poses Tour” I Anledning Af Hans 20 Års Jubilæum / DR Koncerthuset, Koncertsalen Fredag 19
Rufus Wainwright 2018-06-22 10:00 CEST Rufus Wainwright annoncerer “All These Poses Tour” i anledning af hans 20 års jubilæum / DR Koncerthuset, Koncertsalen fredag 19. april 2019 RUFUS WAINWRIGHT “ALL THESE POSES TOUR" I DR KONCERTHUSET, KONCERTSALEN FREDAG 19. APRIL 2019 Rufus Wainwright annoncerer “All These Poses Tour” i anledning af hans 20 års jubilæum Den Grammy-nominerede sanger, sangskriver og komponist Rufus Wainwright kommer til Danmark til april 2019 for at fejre 20-års jubilæet af hans skelsættende debut, som var startskuddet for hans entré på musikscenen. Med omgående anerkendelse, blev både Rufus og debuten kaldt et gennembrud. Albummet inspirerede mange andre artister, som fulgte i hans fodspor, og skabte en retning for hans strålende karriere. Når Rufus tager på landevejen optræder han både med materiale fra ’Rufus Wainwright’ (1998) og ’Poses’ (2001). “20 years, what can I say?” udtaler Rufus. “In life, one stands the test of time but in music, thankfully, one reaps the rewards. Come savour a very fine vintage of songs, those were some pretty good years!" Rufus spiller i DR Koncertsalen fredag 19. april. Billetsalget starter onsdag 27. juni kl. 10.00 via livenation.dk. For VIP-pakker tjek rufuswainwright.com. Rufus Wainwright, som er en af sin generations største vokalister, sangskrivere og komponister, har udgivet otte albums, tre DVD’er og tre live albums. Han har arbejdet sammen med artister lige fra Elton John, David Byrne, Mark Ronson, Joni Mitchell til Burt Bacharach. I en alder af 14 år, blev han døbt Canadas bedste unge musiker og modtog senere en Juno Award for bedste alternative album.