DOCSLIB.ORG

1 Formal Education: Early Children's Genres, Gender, and the Realist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 Formal Education: Early Children's Genres, Gender, and the Realist Formal Education: Early Children’s Genres, Gender, and the Realist Novel Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Cecily Erin Hill, M.A. Graduate Program in English The Ohio State University 2015 Dissertation Committee: Robyn R. Warhol, Advisor Jill Galvan Sandra Macpherson Clare Simmons 1 Copyright by Cecily Erin Hill 2015 2 Abstract Early children's literature took the forms of complex, distinct genres that, much more than the novels being published contemporaneously with them, were employed in the didactic effect of literary structures. These works, published roughly from 1750-1850, do not assume a simple, one-to-one relationship between fictional worlds and the real world. They are aware of the complexities of representation, and, written and read predominantly by women and girls, they are especially aware of representation's effects on gender. Early children's fiction, I argue, treats literary and social forms alike as structure-at-work in the world, and this treatment had a substantive impact on fiction that shares its interest in the subtleties of gender formation and the disparate treatment of gendered beings in fiction and in fact: the nineteenth-century realist novel. From one perspective, this project is a straightforward, genre-study of early children's fiction and its influence on the Victorian realist novel. I focus on four major genres, selected for their numerousness and their continued though adapted use in fiction, and I think carefully about the bids they made on readers. Rather than teach simple morals, I argue that these works teach people to analyze in culturally- prescribed ways: to see a situation in the world, understand what it means, and react to it accordingly. By emphasizing analysis as a response to structure, this fiction signals the construction of social categories. By adopting and adapting these forms, novelists like Dickens and the Brontës engage children’s fictions’ educational goals and emphasize the degree to which reality is defined by social, material, embodied, and familial forms. Ultimately, I demonstrate that that the didacticism which we have for so long assumed was simple and straightforward is, in fact, a kind of formalism, one that codifies structures of response and embodiment that belie its reputation as pure content. ii After all, the other story this dissertation tells is that of the Realist novel. It complements arguments like Ian Watt's in The Rise of the Novel, Michael McKeon's in The Origins of the English Novel, 1600-1740, and Nancy Armstrong's in Desire and Domestic Fiction. To these theories of the novel, I add a history of realism (and particularly nineteenth-century realism) that is by and large anti-realist. By demonstrating that the most canonical of Victorian Realist novels—novels like Jane Eyre, Villette, Bleak House, Wuthering Heights, and Middlemarch—rely on children's literary forms in addition to those written for adults, this dissertation demands that historians of the novel take childhood reading as seriously as they take that of adulthood. In place of a history of the novel that emphasizes novel form as it develops from the mid-eighteenth century onward, I offer a genealogy that, while by no means meant to supersede those provided by Watt, McKeon, and Armstrong, nonetheless demonstrates that the nineteenth-century novel, for all its realist impulse, makes strategic and frequent use of literary genres notable for their rejection of realist form. iii Acknowledgments Of all the things early children’s stories teach, the most important and most consistent is the degree to which we are dependent on and subject to others. In Dorothy Kilner’s The Adventures of a Pincushion, the heroine finds herself wedged under a cabinet and, however much she struggles to get out, she is only able to turn and turn, going nowhere quickly until a servant comes to her aid. Without so many people and organizations, I would still be like that Pincushion—working, but to no avail. This dissertation could not have been completed without generous funding from Indiana University’s Lilly Library, the Children’s Literature Association of North America, Coca-Cola, and numerous units from within The Ohio State University, including Alumni Grants for Graduate Research and Scholarship, the Department of Women’s Studies, and my home Department of English. Nor could it have been completed without the support of many, many people. I am grateful to the people who housed and tolerated me during my numerous research trips: to Philip Dixon for accompanying me to museum after museum full of old children’s things; to Sarah and Jonathan Murphy for making me comfortable in their home and with their family; to my sister Suzanna Hill and Sandy Beall for providing me with a fabulous writing-retreat weekend in Devon. It cannot be fun to listen to someone ramble on and on about the intricacies of libraries and old stories, but these people persevered. When I joined The Ohio State University’s Department of English, I joined a program known for their collegiality and for their liberality toward one another. I am thankful to Kate Novotny Owen and Erica Haugtvedt for reading and commenting on early drafts of Chapter One—and for reading many research applications, conference, and seminar papers over the years. I am grateful to Meghan Burke-Hattaway and Colleen Kennedy for letting me eavesdrop on their iv projects and learn from their examples. Much of what is good in my work was modeled after theirs. When I count my blessings, I count among them my wonderful committee members. Jill Galvan, Sandra Macpherson, and Clare Simmons carefully responded to and met with me about every chapter draft. They dazzled me with their insights; they helped me think and write more carefully and clearly; and they gave me much of their precious time. Above all, I am thankful for my advisor, Robyn Warhol. Robyn has carefully and attentively commented, not just on my dissertation, but every thing I have sent her for the past five years. She has supported my writing and my research as she has supported me in every aspect of my life: with unflagging enthusiasm and boundless generosity. Last but by no means least, I owe endless thanks to the people who have loved me and sustained me, who believed in me even and especially when I didn’t believe in myself; My dear friend Krista Bryson, with whom I started and am finishing this program, for making me eat and helping me work; my parents, Dan Hill, and Andy and Rosemary Kaiser for their love and constant support; and my husband, Michael Presley. To my mother and Andy I am especially indebted—they have supported me through every stress and no few of the financial crises that seem to be inevitable parts of graduate school. My mother has cooked and cared for me both at her home and in mine. She has eased my stress and soothed my spirit. And as for Michael, he has made it possible for me to go away for long research trips and taken the burden of household responsibilities when I haven’t felt up to it. He has been gracious and uncomplaining when I have been otherwise. He has been a constant reminder that the little things are, in fact, everything. v Vita 2006 .......................................................................... B.A. English, University of Southern Mississippi 2009 .......................................................................... M.A. English, University of Southern Mississippi 2010 to present .................................................... Graduate Teaching Associate, Department of English, The Ohio State University Publications “Consuming Cultures: The Politics of Food in Toni Morrison’s Tar Baby.” Midwest Quarterly 53.2 (2012): 283-298. (Review) Newlyn, Lucy. William and Dorothy Wordsworth: ‘All in Each Other.’ Women’s Writing 21.2 (2014): 278-279. (Review) Solomon, Rakesh H. Albee in Performance. Valley Voices 10.2 (2010): 134- 136. Fields of Study Major Field: English vi Table of Contents Abstract .......................................................................................................................................................... ii Acknowledgments .................................................................................................................................... iv Vita .................................................................................................................................................................. vi Table of Contents ..................................................................................................................................... vii Introduction: Children’s Literary Forms and the Realist Novel ............................................ 1 Chapter 1: Reading Method, the School Story, and Villette ................................................... 27 Chapter 2: Useful Things: It Narratives and Novels ................................................................. 87 Chapter 3: Pleasurable Suffering: Harm Narratives and Wuthering Heights ............. 138 Chapter 4: Everyday Life: Family Narratives and the Gender of Reality ...................... 192 Endnotes ................................................................................................................................................... 255 Works Cited ............................................................................................................................................
Load more

Recommended publications
  • Ian Watt, the Rise of the Novel: Studies in Defoe, Richardson and Fielding (Chatto & Windus 1957; Rep
    Ian Watt, The Rise of the Novel: Studies in Defoe, Richardson and Fielding (Chatto & Windus 1957; rep. Univ. of California Press 1957). Note: this copy has been made from a PDF version of the 1957 California UP edition. The footnotes in that editon have been transposed to endnotes here and the page-numbers have been omitted. Chapter I: Realism and the Novel Form THERE are still no wholly satisfactory answers to many of the general questions which anyone interested in the early eighteenth-century novelists and their works is likely to ask: Is the novel a new literary form? And if we assume, as is commonly done, that it is, and that it was begun by Defoe, Richardson and Fielding, how does it differ from the prose fiction of the past, from that of Greece, for example, or that of the Middle Ages, or of seventeenth-century France? And is there any reason why these differences appeared when and where they did? Such large questions are never easy to approach, much less to answer, and they are particularly difficult in this case because Defoe, Richardson and Fielding do not in the usual sense constitute a literary school. Indeed their works show so little sign of mutual influence and are so different in nature that at first sight it appears that our curiosity about the rise of the novel is unlikely to find any satisfaction other than the meagre one afforded by the terms ‘genius’ and ‘accident’, the twin faces on the Janus of the dead ends of literary history. We cannot, of course, do without them: on the other hand there is not much we can do with them.
    [Show full text]
  • 1 Introduction
    Notes 1 Introduction 1. John Henry Newman, Lectures on the Recent Position of Catholics in England Addressed to the Brothers of the Oratory (London: Burns and Lambert, 1851), p. 1. 2. See her chapter on ‘Anti-Catholic Erotica’, in Julie Peakman, Mighty Lewd Books. The Development of Pornography in Eighteenth-Century England (Basingstoke: Palgrave Macmillan, 2003), pp. 126–58. 3. D.G. Paz, Popular Anti-Catholicism in Mid-Victorian England (California: Stanford University Press, 1992), p. 51. 4. Statistics taken from: Derek Holmes More Roman than Rome and Gloria McAdam, My Dear Sister: An Analysis of Nineteenth-century Documents Concerning the Founding of a Women’s Religious Congregation (Bradford: University of Bradford, PhD Thesis, 1994). 5. Robert Klaus, The Pope the Protestants and the Irish (New York: Garland Publishing, 1987), p. 281. 6. One prolific preacher and writer referred to in this study was Father Achilli, a defrocked Catholic priest who capitalised on the No-Popery movement and published various ‘revelations’ about Catholic convents that helped to confirm popular prejudices. Achilli won a libel suit against Newman in 1851 for accusing him of sacrilege and sexual misconduct. 7. Dawson Massy, Dark Deeds of the Papacy Contrasted with the Bright Lights of the Gospel, also the Jesuits Unmasked and Popery Unchangeable (London: Seeleys, 1851), p. 155. 8. Henry Drummond MP, To the People of England on The Invasion (London: Bosworth and Harrison, 1859). 9. See Shirley, p. 398 where Caroline Helstone observes Rose Yorke reading Mrs Radcliffe’s The Italian. There is evidence that Charlotte Brontë was well aquainted with this genre of literature.
    [Show full text]
  • Download Thesis
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Fast Horses The Racehorse in Health, Disease and Afterlife, 1800 - 1920 Harper, Esther Fiona Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Fast Horses: The Racehorse in Health, Disease and Afterlife, 1800 – 1920 Esther Harper Ph.D. History King’s College London April 2018 1 2 Abstract Sports historians have identified the 19th century as a period of significant change in the sport of horseracing, during which it evolved from a sporting pastime of the landed gentry into an industry, and came under increased regulatory control from the Jockey Club.
    [Show full text]
  • THE RHETORIC of PROBABILITY from the NEW SCIENCE to COMMON SENSE by Alex Solomon
    THE RHETORIC OF PROBABILITY FROM THE NEW SCIENCE TO COMMON SENSE by Alex Solomon A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Literatures in English Written under the direction of Michael McKeon And approved by __________________________ __________________________ __________________________ __________________________ New Brunswick, New Jersey October 2017 ABSTRACT OF THE DISSERTATION The Rhetoric of Probability from the New Science to Common Sense By ALEX SOLOMON Dissertation Director: Michael McKeon Over the course of the seventeenth and eighteenth centuries, probability, hitherto primarily a quality of rhetoric, expands to become a field of mathematics, a criterion of experimental demonstration, and a guiding principle for the development of the English novel. These applications overlap but are far from coextensive. “The Rhetoric of Probability from the New Science to Common Sense” traces the role of probability, as a fluid concept, in the binding and eventual disassociation of science and fiction during this time. The species of probability generated by fictional narrative is utilized to support empirically indemonstrable hypotheses before and after the rise of experimental culture in the seventeenth century. While the early novel, especially the corpus of Daniel Defoe, has long been spoken of as a fictional imitation of experimental practice, there are significant cases in which fiction is part of the process of experimental demonstration. The exclusively fictional character of the novel later solidifies in the works of Richardson and Fielding as the forms of mathematical and experimental probability developed over the seventeenth and eighteenth centuries are internalized for aesthetic effect.
    [Show full text]
  • The Tyro a Review of the Arts of Painting Sculptore and Design
    THE TYRO A REVIEW OF THE ARTS OF PAINTING SCULPTORE AND DESIGN. EDITED BY WYNDHAM LEWIS. TO BE PRODUCED AT INTERVALS OF TWO OR THREE MONTHS. Publishers : THE EGOIST PRESS, 2, ROBERT STREET, ADELPH1. PUBLISHED AT 1s. 6d, Subscription for 4 numbers, 6s. 6d, with postage. Printed by Bradley & Son, Ltd., Little Crown Yard, Mill Lane, Reading. NOTE ON TYROS. We present to you in this number the pictures of several very powerful Tyros.* These immense novices brandish their appetites in their faces, lay bare their teeth in a valedictory, inviting, or merely substantial laugh. A. laugh, like a sneeze, exposes the nature of the individual with an unexpectedness that is perhaps a little unreal. This sunny commotion in the face, at the gate of the organism, brings to the surface all the burrowing and interior broods which the individual may harbour. Understanding this so well, people hatch all their villainies in this seductive glow. Some of these Tyros are trying to furnish you with a moment of almost Mediterranean sultriness, in order, in this region of engaging warmth, to obtain some advantage over you. But most of them are, by the skill of the artist, seen basking themselves in the sunshine of their own abominable nature. These partly religious explosions of laughing Elementals are at once satires, pictures, and stories The action of a Tyro is necessarily very restricted; about that of a puppet worked with deft fingers, with a screaming voice underneath. There is none" of the pathos of Pagliacci in the story of the Tyro. It is the child in him that has risen in his laugh, and you get a perspective of his history.
    [Show full text]
  • Romanticism and Evangelical Christianity in William Cowper's the at Sk Carol V
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 Romanticism and Evangelical Christianity in William Cowper's The aT sk Carol V. Johnson Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Johnson, Carol V., "Romanticism and Evangelical Christianity in William Cowper's The askT " (1976). Masters Theses. 3394. https://thekeep.eiu.edu/theses/3394 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. ROMANTICISM AND EVANGELICAL CHRISTIANITY I N WILLIAM COWPER'S THE TASK (TITLE) BY CAROL V. JOHNSON B. A., Eastern I llinois University, 1975 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE DATE PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have wr i tten formal theses. SUBJECT: Permission to reproduce theses. • The University Library is receiving a number of requests from other institutions asking permission to repr oduc e dissertations for inclusion in their library hold ings . Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a.
    [Show full text]
  • Section 2. Jack Pine (Pinus Banksiana)
    SECTION 2. JACK PINE - 57 Section 2. Jack pine (Pinus banksiana) 1. Taxonomy and use 1.1. Taxonomy The largest genus in the family Pinaceae, Pinus L., which consists of about 110 pine species, occurs naturally through much of the Northern Hemisphere, from the far north to the cooler montane tropics (Peterson, 1980; Richardson, 1998). Two subgenera are usually recognised: hard pines (generally with much resin, wood close-grained, sheath of a leaf fascicle persistent, two fibrovascular bundles per needle — the diploxylon pines); and soft, or white pines (generally little resin, wood coarse-grained, sheath sheds early, one fibrovascular bundle in a needle — the haploxylon pines). These subgenera are called respectively subg. Pinus and subg. Strobus (Little and Critchfield, 1969; Price et al., 1998). Occasionally, one to about half the species (20 spp.) in subg. Strobus are classified instead in a variable subg. Ducampopinus. Jack pine (Pinus banksiana Lamb.) and its close relative lodgepole pine (Pinus contorta Dougl. Ex Loud.) are in subg. Pinus, subsection Contortae, which is classified either in section Trifoliis or a larger section Pinus (Little and Critchfield, 1969; Price et al., 1998). Additionally, subsect. Contortae usually includes Virginia pine (P. virginiana) and sand pine (P. clausa), which are in southeastern USA. Jack pine has two quite short (2-5 cm) stiff needles per fascicle (cluster) and lopsided (asymmetric) cones that curve toward the branch tip, and the cone scales often have a tiny prickle at each tip (Kral, 1993). Non-taxonomic ecological or biological variants of jack pine have been described, including dwarf, pendulous, and prostrate forms, having variegated needle colouration, and with unusual branching habits (Rudolph and Yeatman, 1982).
    [Show full text]
  • 149 44583960-16E7-404F-A82c
    Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 Black Beauty 4 5 by Anna Sewell 6 ELEMENTARY S U M M A R Y ublished in 1877, Black Beauty is one of literature’s for those in less fortunate circumstances. This also included P best-loved classics and is the only book that Anna the animals that shared their lives. In Victorian England, Sewell ever wrote. Four films of the book have been horses were used in industry, and were often treated badly. made, the most recent in 1994. Anna and her mother were appalled if they saw a horse being In the book, Black Beauty, a horse, tells the story of his life mistreated and often showed their disapproval to the horse’s in his own words. It is a story of how he was treated with owner. kindness and love when he was young, but how his When she was fourteen, Anna suffered a fall in which she treatment changed at the hands of different owners: some injured her knee. This never healed and left her unable to were kind and cared for him properly, but others were walk without the help of a crutch. Over the following years, careless or unkind, and this led to illness and injury. Black she became increasingly disabled. However, she learnt to Beauty spent his young life with his mother on Farmer Grey’s drive a horse-drawn carriage and took great pleasure in farm.
    [Show full text]
  • A Stylistic Approach to the God of Small Things Written by Arundhati Roy
    Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2007 A stylistic approach to the God of Small Things written by Arundhati Roy Wing Yi, Monica CHAN Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons Recommended Citation Chan, W. Y. M. (2007). A stylistic approach to the God of Small Things written by Arundhati Roy (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/eng_etd.2 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY CHAN WING YI MONICA MPHIL LINGNAN UNIVERSITY 2007 A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY by CHAN Wing Yi Monica A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2007 ABSTRACT A Stylistic Approach to The God of Small Things written by Arundhati Roy by CHAN Wing Yi Monica Master of Philosophy This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy.
    [Show full text]
  • BLACK BEAUTY by Anna SEWELL Illustrated by ^>:*00^^- CECIL ALDIN T
    BLACK BEAUTY By anna SEWELL Illustrated by ^>:*00^^- CECIL ALDIN t ,>%, ^'^^^^::?-.. ^1 -I .^-- //I) jy^lA ^/// 7^/- JOHNA.SEAVERNS nrwHi /QJd ; f- BLACK BEAUTY As the sun was going down ... we stopped at the " principal hotel in the market place BLACK BEAUTY THE AUTOBIOGRAPHY OF A HORSE By ANNA SEWELL Illustrated by Eighteen Plates in Colour, specially drawn for this edition by CECIL ALDIN BOOTS THE CHEMISTS BRANCHES EVERYWHERE RECOMMENDED BY THE ROYAL SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS Published by Jarrolds, Publishers^ London, Ltd. for Boots Pure Drug Co., Ltd., Nottingham and Printed by William Brendon & Son, Ltd. Plymouth CONTENTS CHAPTER vi CONTENTS CHAPTER PAGE XXIV. Lady Anne, or a Runaway Horse 135 XXV. Reuben Smith 144 XXVI. How IT Ended 150 XXVII. Ruined, and going Downhill 154 XXVIII. A Job Horse and his Drivers 158 XXIX. Cockneys 164 XXX. A Thief 173 XXXI. A Humbug 177 XXXII. A Horse Fair 182 XXXIII. A London Cab Horse 188 XXXIV. An Old War Horse 194 XXXV. Jerry Barker 202 XXXVI. The Sunday Cab 211 XXXVII. The Golden Rule 218 XXXVIII. Dolly and a Real Gentleman 223 XXXIX. Seedy Sam 229 XL. Poor Ginger 235 XLI. The Butcher 238 XLII. The Election 243 XLIII. A Friend in Need 246 XLIV. Old Captain and His Successor 252 XLV. Jerry's New Year 259 XLVI. Jakes and the Lady 268 XLVII. Hard Times 274 XLVIII. Farmer Thoroughgood and His Grandson Willie . 281 XLIX. My Last Home 287 " LIST OF ILLUSTRATIONS BY CECIL ALDIN "As THE SUN WAS GOING DOWN ... WE STOPPED AT THE PRINCIPAL HOTEL IN THE MARKET PLACE " Frontispiece PAGR " The first place that I can well remember, was a large pleasant MEADOW with A POND OF CLEAR WATER IN IT .
    [Show full text]
  • Eighteenth-Century Fiction Volume 33, No. 3 (Spring 2021) Articles Reviews/Critiques
    ECF Eighteenth-Century Fiction Volume 33, no. 3 (Spring 2021) Articles Reading Lovelace’s “Rosebud”: Credits, Debits, and Character in Samuel Richardson’s Clarissa Kathryn Blakely 329 Clarissa’s Commerce: Relocations and Relationships in London Elizabeth Porter 349 Mother Gin and the Bad Examples: Figuring a Drug Crisis, 1736–51 Nicholas Allred 369 The Survival of Non-Productive Labour in Mary Shelley’s The Last Man Konstantinos (Kos) Pozoukidis 393 Reflections Are We Global Yet? Africa and the Future of Early Modern Studies Wendy Laura Belcher 413 Reviews/Critiques Ian Watt: The Novel and the Wartime Criticby Marina MacKay Review essay by John Richetti, University of Pennsylvania 447 Enlightened Immunity: Mexico’s Experiments with Disease Prevention in the Age of Reason by Paul Ramírez Review by Travis Chi Wing Lau, Kenyon College 451 Granville Sharp and the Zong Massacre: Sharp’s Uncovered Letter to the British Admiralty, ed. Michelle Faubert Review by Cassander L. Smith, University of Alabama, Tuscaloosa 453 The Wreckage of Intentions: Projects in British Culture, 1660–1730 by David Alff Review by Erin Drew, University of Mississippi 455 ECF 33, no. 3 © 2021 McMaster University ii Systems Failure: The Uses of Disorder in English Literature by Andrew Franta Review by Sean Silver, Rutgers University 458 Bellies, Bowels and Entrails in the Eighteenth Century, ed. Rebecca Anne Barr, Sylvie Kleiman-Lafon, and Sophie Vasset Review by Kelly McGuire, Trent University 461 Reading and the Making of Time in the Eighteenth Century by Christina Lupton Review by Kathleen Lubey, St. John’s University 463 Women’s Domestic Activity in the Romantic-Period Novel, 1770–1820: Dangerous Occupations by Joseph Morrissey Review by Freya Gowrley, University of Derby 466 Maternal Bodies: Redefining Motherhood in Early America by Nora Doyle Review by Andrea Charise, University of Toronto Scarborough 469 Écrire en Europe.
    [Show full text]
  • Tfs 1.1 2015
    VOL.1 No .1, 2015 Inside this issue Cache in the attic Mary Dr Belinda Burwell’s discovery of several rare English women writers Knowles: in a family library collection in Pennsylvania artist, abolitionist and poet Natasha Duquette, former visiting fellow, investigates A fascinating find R BELINDA BURWELL is accustomed to Boarding School (1798), a fascinating cross Secret note discovered in one of our portraits rescuing wild animals. The Founder between an epistolary novel and a conduct book. D and Director of a busy wildlife refuge How a woman writer in Virginia, USA, Belinda spends much of her This surprise stash unearthed by Belinda once time caring for injured and sick animals and belonged to a cousin of her father, Isabella brought inoculation releasing them back into the wild once their Cameron van Lennep, known as Belle, who to England recovery is complete. This year though, her was a descendant of a grand plantation family in rescue work has taken an unexpected turn: Virginia. Belle had polio as a child and walked salvaging long-forgotten books. with two canes. She married Jonhkeer Eric van Lennep, Dutch nobility, and they settled in Belinda’s father, Charles Lee Burwell, a great New York City. Belle must have been a keen bibliophile, saved every family book ever given reader and book collector and, having no heirs, to him, amassing a collection of some 10,000 she left her collection of books to Belinda’s books. Now at age 97, he cannot enjoy them all father Charles. and so asked the family to look through them deciding which ones to keep and which should Belinda has generously offered to donate this find a better home elsewhere.
    [Show full text]