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Beethovennow Symphonies 5 & 6 Program Notes 23 Season 2019-2020 Thursday, March 12, at 7:30 The Philadelphia Orchestra Saturday, March 14, at 8:00 Sunday, March 15, at 2:00 Yannick Nézet-Séguin Conductor Habibi Jeder Baum spricht World premiere—Philadelphia Orchestra commission Beethoven Symphony No. 5 in C minor, Op. 67 I. Allegro con brio II. Andante con moto III. Allegro— IV. Allegro Intermission Beethoven Symphony No. 6 in F major, Op. 68 (“Pastoral”) I. Awakening of Cheerful Feelings upon Arriving in the Country (Allegro ma non troppo) II. Scene by the Brook (Andante molto moto) III. Merry Gathering of Peasants (Allegro— Presto)— IV. Tempest, Storm (Allegro)— V. Shepherd’s Hymn—Happy and Thankful Feelings after the Storm (Allegretto) This program runs approximately 1 hour, 50 minutes. The March 12 concert celebrates our partnership with the Bravo! Vail Music Festival since 2007. These concerts are sponsored by Elia D. Buck and Caroline B. Rogers. The March 12 concert is also sponsored by The Philadelphia Inquirer and Red Moose Charitable Trust. The March 14 concert is also sponsored by an anonymous donor. These concerts are part of The Philadelphia Orchestra’s BeethovenNOW celebration. 24 Please join us following the March 15 concert for a free Chamber Postlude featuring members of The Philadelphia Orchestra and special guest Natalie Zhu. Beethoven Three Equali, WoO 30, for trombone quartet I. Andante II. Poco adagio III. Poco sostenuto Nitzan Haroz Trombone Matthew Vaughn Trombone Eric Carlson Trombone Blair Bollinger Trombone Koetsier Five Impromptus, Op. 55, for trombone quartet I. Andante con moto II. Allegro molto III. Allegretto grazioso IV. Adagio V. Allegro molto vivace Nitzan Haroz Trombone Matthew Vaughn Trombone Eric Carlson Trombone Blair Bollinger Trombone Hough Was mit den Tränen geschieht, for piccolo, contrabassoon, and piano I. Lento giusto II. Allegro brilliante III. Andante Erica Peel Piccolo Holly Blake Contrabassoon Natalie Zhu Piano Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 25 27 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community centers, the Mann Through concerts, tours, is one of the world’s Center to Penn’s Landing, residencies, and recordings, preeminent orchestras. classrooms to hospitals, and the Orchestra is a global It strives to share the over the airwaves and online. ambassador. It performs transformative power of The Orchestra continues annually at Carnegie Hall, music with the widest to discover new and the Saratoga Performing possible audience, and to inventive ways to nurture its Arts Center, and the Bravo! create joy, connection, and relationship with loyal patrons. Vail Music Festival. The excitement through music The Philadelphia Orchestra Orchestra also has a rich in the Philadelphia region, continues the tradition of history of touring, having across the country, and educational and community first performed outside around the world. Through engagement for listeners Philadelphia in the earliest innovative programming, of all ages. It launched its days of its founding. It was robust educational initiatives, HEAR initiative in 2016 to the first American orchestra and an ongoing commitment become a major force for to perform in the People’s to the communities that it good in every community that Republic of China in 1973, serves, the ensemble is on a it serves. HEAR is a portfolio launching a now-five-decade path to create an expansive of integrated initiatives commitment of people-to- future for classical music, that promotes Health, people exchange. and to further the place champions music Education, The Orchestra also makes of the arts in an open and enables broad Access to live recordings available on democratic society. Orchestra performances, and popular digital music services Yannick Nézet-Séguin is now maximizes impact through and as part of the Orchestra in his eighth season as the Research. The Orchestra’s on Demand section of its eighth music director of The award-winning education and website. Under Yannick’s Philadelphia Orchestra. His community initiatives engage leadership, the Orchestra connection to the ensemble’s over 50,000 students, returned to recording, with musicians has been praised families, and community seven celebrated CDs on by both concertgoers and members through programs the prestigious Deutsche critics, and he is embraced such as PlayINs, side-by- Grammophon label. The by the musicians of the sides, PopUP concerts, Free Orchestra also reaches Orchestra, audiences, and Neighborhood Concerts, thousands of radio listeners the community. School Concerts, sensory- with weekly broadcasts on Your Philadelphia Orchestra friendly concerts, the School WRTI-FM and SiriusXM. For takes great pride in its Partnership Program and more information, please visit hometown, performing for the School Ensemble Program, www.philorch.org. people of Philadelphia year- and All City Orchestra round, from Verizon Hall to Fellowships. 8 Music Director Music Director Yannick Nézet-Séguin will lead The Philadelphia Orchestra through at least the 2025–26 season, an extraordinary and significant long-term commitment. Jessica Griffin Additionally, he became the third music director of New York’s Metropolitan Opera in August 2018. Yannick, who holds the Walter and Leonore Annenberg Chair, is an inspired leader of The Philadelphia Orchestra. His intensely collaborative style, deeply rooted musical curiosity, and boundless enthusiasm, paired with a fresh approach to programming, have been heralded by critics and audiences alike. The New York Times has called him “phenomenal,” adding that under his baton, “the ensemble, famous for its glowing strings and homogenous richness, has never sounded better.” Yannick has established himself as a musical leader of the highest caliber and one of the most thrilling talents of his generation. He has been artistic director and principal conductor of Montreal’s Orchestre Métropolitain since 2000, and in summer 2017 he became an honorary member of the Chamber Orchestra of Europe. He was music director of the Rotterdam Philharmonic from 2008 to 2018 (he is now honorary conductor) and was principal guest conductor of the London Philharmonic from 2008 to 2014. He has made wildly successful appearances with the world’s most revered ensembles and has conducted critically acclaimed performances at many of the leading opera houses. Yannick signed an exclusive recording contract with Deutsche Grammophon (DG) in 2018. Under his leadership The Philadelphia Orchestra returned to recording with seven CDs on that label. His upcoming recordings will include projects with The Philadelphia Orchestra, the Metropolitan Opera, the Chamber Orchestra of Europe, and the Orchestre Métropolitain, with which he will also continue to record for ATMA Classique. Additionally, he has recorded with the Rotterdam Philharmonic on DG, EMI Classics, and BIS Records, and the London Philharmonic for the LPO label. A native of Montreal, Yannick studied piano, conducting, composition, and chamber music at Montreal’s Conservatory of Music and continued his studies with renowned conductor Carlo Maria Giulini; he also studied choral conducting with Joseph Flummerfelt at Westminster Choir College. Among Yannick’s honors are an appointment as Companion of the Order of Canada; an Officer of the Order of Montreal; Musical America’s 2016 Artist of the Year; the Prix Denise-Pelletier; and honorary doctorates from the University of Quebec in Montreal, the Curtis Institute of Music, Westminster Choir College of Rider University, McGill University, the University of Montreal, and the University of Pennsylvania. To read Yannick’s full bio, please visit philorch.org/conductor. 28 Framing the Program During the next four weeks, The Philadelphia Orchestra Parallel Events presents BeethovenNOW to celebrate the composer’s 1807 Music 250th anniversary with performances of his transformational Beethoven Spontini nine symphonies. Symphony La vestale No. 5 Literature The concerts commence with the Fifth and Sixth Byron symphonies, which might be considered unidentical twins, Hours of or at least kissing cousins. Beethoven composed them Idleness around the same time, they have the same dedicatees, Art were published within weeks of one another, and Turner premiered on the same concert in 1808. They share some Sun Rising in a musical features, such as the linked final movements and Mist withholding certain instruments until late in the work to History produce a particularly powerful effect. Britain abolishes slave trade Yet the overall mood of the two symphonies is very different. The Fifth, from its famous opening to its triumphant 1808 Music conclusion, offers an intense journey that somehow seems Beethoven Weber to mirror aspects of Beethoven’s personal struggles. Symphony Silvana He titled the Sixth Symphony “Pastoral” and said that it No. 6 Literature was “more an expression of feeling than painting.” The Goethe work reflects Beethoven’s great love of nature and the Faust, Pt. I countryside, where he would frequently go for walks. Art Ingres The Philadelphian’s cycle of Beethoven’s complete La Grande symphonies is accompanied by the world premieres of Baigneuse works by contemporary composers who were commissioned History to create pieces in dialogue with Beethoven. Iman Habibi France invades wrote Jeder Baum spricht (Every Tree Speaks)—a phrase Spain Beethoven
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