mystic stylez three 6 mafia album download Mystic stylez three 6 mafia album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66cde0925f7bdac0 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Mystic Stylez (Three 6 Mafia) Font. Mystic Stylez is the 1995 debut album of American hip hop group Three 6 Mafia. It was produced by founding members DJ Paul and Juicy J and released through Prophet Entertainment, an independent record label of Three 6 Mafia. The album cover artwork features two fonts: one is Corpus designed by David Nalle, and the other is Bloody font, which was used for the names on the cover. Bloody is a free font designed by James Fordyce and you can download it for free here. You can follow the link above to download Mystic Stylez font. Use the text generator below if you want to create text graphics with the font online. Create Text Graphics with Mystic Stylez Font. The following tool will transform your text into graphics using Mystic Stylez font, you can then save the image or click on the EMBED button to get links to embed the image on the web. If you are not satisfied with the result, you may modify it further with our image tools. Feel the Wrath of the Fuckin’ Devilation: Three 6 Mafia’s Mystic Stylez Turns 25. The independent success story of Memphis' most demented. Mystic Styles of the ancient mutilations Torture chambers filled with corpses in my basement Feel the wrath of the fuckin’ devilation Three 6 Mafia: creation of Satan. By the time Lord Infamous uttered that incantation, it had been seven years since the FBI threatened N.W.A. over “Fuck Tha Police,” four since Scarface had “visions of bodies being burned,” two since Method Man and Raekwon recorded a skit about vivisecting victims with red-hot hangers and rusty screwdrivers. Hip hop had already expended a good deal of shock value, but on their debut album, Three 6 Mafia took it further. Mystic Stylez , released 25 years ago tomorrow, laid the groundwork for Three 6’s path to domination. Combining pulpy horror, gangsta rap, and murky sounds from the Memphis underground, Three 6 landed on a formula that would fuel one of the late ‘90s and early 2000s’ most dominant Southern rap dynasties like Cash Money or No Limit. But perhaps even more impressive than that initial reign is the legacy: in the years since the group’s splintering, their mystic styles are periodically exhumed and reanimated by new generations of dark-rap necromancers. Modern subgenres like crunk, trap, horrorcore, and ratchet owe blood debts to the Mafia; the now-omnipresent triplet flow is the late Lord Infamous’ way of communing from beyond the grave; bygone Three 6 classics “Slob on My Knob,” “Chickenhead,” and “Who Run It” still rack up royalty checks from modern samples and interpolations. The signature Three 6 sound — eerie sounds pulled from horror soundtracks, video game scores, and dusty R&B records, along with prodigious, demented rapping and infectious group chants — would come into clearer focus as the ‘90s progressed. “It spoke to a different generation of Memphis,” fellow Memphis rapper 8Ball said in Netlfix documentary series Hip Hop Evolution , “It was like this young, cocaine-snortin’, gangsta- ass Memphis shit. There’s no God, it’s all debauchery.” But despite some downright evil-sounding music on Mystic Stylez , Three 6’s debut also contains a few outliers that nod to influences outside of Memphis, hinting at a desire to break out of an intensely insular scene. “You know, back in those days in Memphis, you didn’t play no outta town rappers,” Three 6 contemporary DJ Squeeky said , “You were playing Memphis rappers and Memphis things that started and stayed in Memphis.” N.W.A. and Geto Boys were two clear inspirations for Three 6’s hell-raising, and on songs like the narrative-driven “Long Nite,” the soul- sampling “Back Against Da Wall,” and the charmingly chintzy “All Or Nothin,” it shows. The most jarring departure, though, is the positively mellow “Da Summa,” which would sound more at home on 8Ball and MJG’s 1993 debut, Comin’ Out Hard . As Juicy J recalled , Three 6 were having difficulty getting their grisly music on the radio so they sent the “laid back, groovy” track to local DJs. “ They were like, Cool, we’ll play this one, ” he said. Maybe those concessions are why Mystic Stylez , independently released by Paul and Juicy’s Prophet Entertainment, sold over 200,000 copies (quite a feat in the years before No Limit and Cash Money albums regularly went gold and platinum). More likely, it’s a product of cities outside of the L.A. and New York hubs finally coming into the limelight, defining their own sounds, and creating their own rap markets in the mid-’90s. While opposing coasts warred with each other, Three 6 had disputes of their own closer to home. The one on the marquee was a beef with Cleveland’s Bone Thugs-N-Harmony sparked by ownership claims to horror themes and Infamous’ triplet flow. It spilled over into Mystic Stylez ’ “Live by Yo Rep (Bone Dis),” which fittingly opens with Infamous brandishing razor blades, pitchforks, acid, and cauldrons of hot grease at his Midwest foes. All told, this conflict would be short-lived — Three 6’s Gangsta Boo would collaborate with Krayzie Bone just a few years later, and although postponed, Paul and Krayzie are slated to participate in a friendly beat battle this year. The less publicized, but ultimately more legacy-threatening controversy that hovers over Mystic Stylez and Three 6’s origins is DJ Squeeky’s accusation of intellectual property theft. “They were really on the ‘stealing people’s music’ thing back then,” the producer said of the group’s early days. Squeeky had a booming local industry of his own in the early ‘90s, operating out of Memphis’ Orange Mound neighborhood alongside 8Ball and MJG, DJ Zirk, Al Kapone, Tom Skeemask, Tommy Wright III, and future Three 6 member Kingpin Skinny Pimp. Squeeky’s production style, especially his rapid-fire hi-hat and snare hits, laid the bedrock for what’s now instantly recognizable as trap music. But Paul and Juicy did more than just take inspiration, according to Squeeky. “Their whole style, their beats, hooks, everything were based on shit I did. All the hooks that you heard from them [earlier on] were samples they took off my mixtapes. They were making their own songs off them. That’s how they got started.” Indeed, Paul’s earliest mixtapes are littered with riffs on Squeeky’s material, and some of it even persisted past Mystic Stylez . Skinny Pimp’s Paul-produced 1996 song “Lookin’ For Da Chewin’,” for instance, is a remake of a Squeeky original . Squeeky has a point, but this type of recycling was commonplace within Memphis’ incestuous early-’90s mixtape circuit. Look at DJ Zirk’s 1993 track “ 2 Thick ” — Zirk uses two samples that Paul would also flip on Mystic Stylez , but also samples an even earlier Juicy J solo track . It went both ways; it’s not exactly Drake-style cultural tourism. Even within Three 6’s discography, hooks are repeatedly recycled and updated (see: the ‘93, ‘95, ‘98, and 2001 incarnations of “Break da Law”). On Mystic Stylez , Paul and Juicy splice in new members’ older tracks, instantly assimilating existing fanbases. As Memphis’ breakout stars, Three 6 are simply the easiest target. Their early output is clearly indebted to local forebears— not just Squeeky, but also his predecessor DJ Spanish Fly, as well as Memphis’ first successful rap export, 8Ball and MJG — but there are clear reasons why they became a national sensation, and they have little to do with swagger jacking. Between the wizened Lord Infamous, the fiery Gangsta Boo (just 15 at the time of Mystic Stylez ’ release), and Juicy’s prodigious brother Project Pat, Three 6 contains three MCs who could vie for spots in a Top 10 Southern Rappers of All-Time list. Between them, Paul, Juicy, Crunchy Black, Skinny Pimp, Koopsta Knicca, Playa Fly, and dozens of other affiliates, Three 6 offer a vast variety of flows and personalities. More so than any other rap clique in history, they own the posse cut. Even on Mystic Stylez’ more traditionally structured songs, the “hooks” are just chants that Paul and Juicy would test at the club for maximum impact: Breakdalaw ; Live by yo’ rep ; Tear da club up . Three 6’s image was another definite catalyst for their success. Horror-inspired aesthetics were rampant in Memphis at the time — Gangsta Pat and Al Kapone also mean-mugged the camera in front of crucifixes in ‘95 — but Three 6 were fully immersed in it. Paul and Juicy mined B-movie scores and pressured everyone else to match the music’s unsettling atmosphere. “I was rapping with five psychopaths,” Gangsta Boo says in Hip Hop Evolution . “I wanted to be as sinister as possible, so I bought a witchcraft book and my momma kicked me out the house when she found it.” Boo — the scarily precocious Earl Sweatshirt to the rest of Three 6’s Odd Future— dubbed herself “The Devil’s Daughter” and rapped about dismemberment, stealing souls, and tossing bodies into coffins, her commitment to the bit topped only by Lord Infamous. Everyone else played along on Mystic Stylez , but as the years went on, Three 6’s satanic gag fell to the wayside, although Infamous and Koopsta Knicca occasionally continued to dabble in the dark arts. In 2010, Juicy cleared it up for good: “We do not worship no devil, man. People ask me that shit every day. There’s no way you could have had our success worshipping the devil.” A quarter-century later, Three 6’s diabolical image is easily understood as part of a wave of music-industry shock value that elevated the careers of Marilyn Manson, Cannibal Corpse, DMX, Eminem, and countless others. Mid-’90s gangsta rap was a backdrop that already lent itself to aggressive posturing; Three 6 just brought Satan along for the ride. Despite its many highlights and groundbreaking qualities, Mystic Stylez isn’t necessarily Three 6’s “classic album”— after all, it’s only got four Gangsta Boo verses and zero from Project Pat. They’re a sprawling, self-referential group best enjoyed immersively, through playlists or DJ mixes that offer more scope than a single album can. Up through the mid-2000s, Three 6 would continue to add tricks to their repertoire and pull off improbable feats (including, against all odds, an Oscar), eclipsing whatever potential Mystic Stylez portended. But their debut remains pivotal, the moment when Paul decided, as he says on “All or Nothin,” “Fuck all this underground tape shit,” and went for it. Three 6 Mafia’s ‘Mystic Stylez’ Is Still a Southern Hip-Hop Essential 20 Years Later. Three 6 Mafia released several albums that helped shape their legacy, but nothing quite matches up to their classic debut, Mystic Stylez . The album, which celebrates its 20th anniversary today, led the way for an entire subset of Memphis rap and would influence artists for decades to come. The fact that Mystic Stylez has developed such a lofty reputation is a testament to the creativity and innovation involved. The album wasn’t a major release with a powerful label backing it. Mystic Stylez was an independent album released through Prophet Entertainment, which DJ Paul and Juicy J co-owned at the time with Nick Scarfo. The foundation for Three 6 Mafia and Mystic Stylez was built in Memphis during the early ’ 90s as two DJs, Paul and Juicy J, decide to create their own music. Along with Paul’s brother Lord Infamous, they would release a variety of underground mixtapes that helped build their reputation throughout the city. These projects would feature a large lineup of rappers, which included future members of Three 6 Mafia. The tapes also included original versions of what would later be some of the Mafia’s most well-known songs. The lo-fi records helped establish a foundation for what would become Mystic Stylez . By the time 1995 arrived, the group developed into its most familiar lineup: DJ Paul, Juicy J, Lord Infamous, Koopsta Knicca, Gangsta Boo, and Crunchy Black. There’s some debate as to whether Playa Fly and Kingpin Skinny Pimp are considered members or affiliates as they were both major contributors to Mystic Stylez . Fly would leave soon after the album’s release while Skinny Pimp remained an affiliate for a few more years. But, consider that a discussion in line with whether or not Cappadonna is an official Wu-Tang Clan member. Ultimately, these would be the core artists involved in crafting Mystic Stylez . Mystic Stylez brought together horrorcore raps and occult themes with production that would sound right at home in a John Carpenter film. DJ Paul and Juicy J produced the album in its entirety and created a haunting soundscape in doing so. The two mastered the foreboding sound in their beats, but also showed their versatility with creations like the solemn “Da Summa” or the funky vibes on “All or Nothin.” The lo-fi sound the two cultivated got a bit of a facelift as the quality was much better for their proper debut. Still, this album wasn’t made to be dissected on your finest speakers as it maintains that made in the basement feel. DJ Paul and Juicy J also had a penchant for the self-referential, tweaking past records and employing hooks utilizing vocals from their old songs. Take “Now I’m Hi Pt. 3,” which reused the now familiar “Triple 6, Triple 6, Triple 6, smoked out, now I’m high, really high, mane I’m about the south” hook that was part of past versions released by DJ Paul and Koopsta Knicca. While the production was a major reason for the praise Mystic Stylez received, it was the performances of the MCs involved that took the album to another level. The lineup here was easily the most talented that Three 6 Mafia ever had. While DJ Paul and Juicy J could hold their own on the mic, their skills were best displayed behind the boards. It was the efforts of Lord Infamous, Koopsta Knicca, Gangsta Boo, Playa Fly, and Kingpin Skinny Pimp that turned this into one of the essential southern hip-hop albums. With so many MCs involved, it’s impressive that each one manages to stand out with their own distinct voice. This is partly due to their contrasting styles. Lord Infamous’ rapid fire flow demands your attention to catch every single rhyme. Koopsta Knicca has a melodic delivery that sounds ghostly when paired with the grim production. Playa Fly’s heavy drawl makes him stand out from the pack, especially with his heavy use of Memphis slang. Gangsta Boo’s delivery is commanding, taking control of any track when she arrives. And yet with all these varying styles, they still mesh so well. Three 6 Mafia may not have created horrorcore, but they might have perfected it. Few other rappers have managed to tell such dark stories without it becoming cartoonish. The title track, “Mystic Stylez,” displays this, particularly in Koopsta Knicca’s verse. Koopsta raps, “Bout to break ya somethin' off up in that house of torture/Steppin' to that Koopsta bitch/Da wicked witch of horror/Horror, the chambers that tame us/They came up/To feed off your soul, fool we live on ya anger/Now ya life’s in danger.” His words feel so ominous over the piano key-driven beat. Mystic Stylez was a pristine encapsulation of what Three 6 Mafia had to offer. While it may not have made the immediate impact that some classic albums do, its legacy grew and helped inspire artists long after its release. Mystic Stylez ushered in a new style to the Memphis rap scene that became a blueprint for myriad Three 6 Mafia affiliates and imitators to use to this day. And in the digital age, it’s found a new life by captivating a new generation of fans as well as influencing artists like the A$AP Mob and SpaceGhostPurrp’s Raider Klan. 20 years later, Mystic Stylez 's indelible mark on hip-hop is clear. Justin Ivey is a writer living in Baton Rouge, La. Follow him @JustinIvey_. How Three 6 Mafia’s ‘Mystic Stylez’ Became A Southern Horror Classic & Provided A Blueprint For 2010 Underground Rap. In May 1995, Three 6 Mafia made their debut with Mystic Stylez . Although the album would not be the one to break them in mainstream hip- hop, Mystic Stylez was a groundbreaking rap record that eventually became a cult classic, impacting a generation of young rappers that came to represent the underbelly of the genre throughout the 2010s. Mystic Stylez — and to a greater extent the Memphis rap scene ⁠— drew from a city that became notorious for its murder rate, robberies, and pimp culture, as well as the gang and project wars that terrorized Black Memphis. Horrorcore rap was starting out at the time, and DJ Paul and Lord Infamous were lovers of the occult, horror flicks, and real-life serial killers. These elements, infused with dirty, eerie lo-fi production, triplet flows, horror movie and soul samples, pulsating bass, and 808s, resulted in the southern horror classic that is Mystic Stylez . “It spoke to a different generation of Memphis,” rapper 8Ball said of the album while appearing in the Netflix series Hip-Hop Evolution . “It was, like, this young, cocaine-snorting, gangsta-ass Memphis shit. There’s no God. It’s all debauchery.” Compared to other notable horrorcore works, Mystic Stylez was able to stand the test of time because the content was an appropriate balance of gleefully macabre and vividly disturbing hood tales told with skilled lyricism and flows. From “Break Da Law ’95,” which samples music from Wes Craven’s New Nightmare and features Paul menacingly rapping, “Fool it ain’t no game, you gotta die, the devil sent me / Six in yo chest, who’s next, no niceness in me,” to “Tear Da Club Up” and its many, many occult references — Lord Infamous’ verse alone is pure nightmare fuel — Mystic Stylez basked in its darkness, grounding its horror movie-inspired lyrics with memorable, angst-filled hooks.