Luvin' a Certified Thug 3 by K.C. Mills
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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
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B2 ARCADE WWW.THEHULLABALOO.COM THREE 6 MAFIA, 15 YEARS· LATER: .. :r '» THE INFLUENCE OF MYSTIC STYLEZ f t' BY ZACH YANOWITZ rel couldn't tell you half about this antichrist/Look into my eyes ASSISTANT ARCADE EDITOR tell me what you see/1he demonic man about ｓ ｣ ｡ ｲ ･ ｣ ｲ ｯ ｷ ｩ ｳ ｭ ｾ The J vast majority of Mystic Stylez is far too offensive for publication: • i.i There's something intrinsically off about a white boy from the These guys (and singular gal) were not messing around. Massachusetts suburbs reviewing what might be the hardest rap Despite the shocking lyrics and underground production, Tri- h'lbum of all time, but I'm going to give it a shot ple-6 made the most of its low budget 'lhe eerie minimalist beats _.. ,: The members of 'lhree 6 Mafia had a long journey before they sample church bells and graveyard ･ ｦ ｦ ･ ｣ ｾ Ｎ producing sounds that '&gan winning Academy Awards and hanging out with Andy could be the score to a horror movie. Chopped-and-screwed vocals Milonakis. Brothers DJ Paul and Juicy J formed the group, which and minor piano chords emphasize the rising tension throughout %iginally included Lord Infamous (Da Scarecrow), Gangsta Boo, the album that settles with laidback '90s hoodrat tunes such as 't<oopsta Knicca and Crunchy Black Since then, they've lost all "Da Summa," a song about the simple yet still explicit pleasures of 1nembers but Paul and J - and most of their street creel, too - Memphis life. Call-and-response choruses and the high-cadence 'lfiut their early music is a very· different creature. -
Three 6 Mafia Most Known Unknown Mp3, Flac, Wma
Three 6 Mafia Most Known Unknown mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Most Known Unknown Country: US Released: 2006 Style: Gangsta MP3 version RAR size: 1630 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1969 mb Rating: 4.8 Votes: 588 Other Formats: TTA AA AIFF ASF MIDI WAV AUD Tracklist Hide Credits 1 Most Known Unknown Hits Stay Fly 2 Featuring – Eightball & MJG*, Young Buck Roll WIth It 3 Featuring – Project Pat Don't Violate 4 Featuring – Frayser Boy Swervin' 5 Featuring – Mike Jones , Paul Wall Knock The Black Off Yo Ass 6 Featuring – Project Pat Poppin' My Collar 7 Featuring – Project Pat Hard Hittaz 8 Featuring – Boogiemane Side 2 Side 9 Featuring – Kanye West, Project Pat 10 Half On A Sack 11 Skit When I Pull Up At The Club 12 Featuring – Paul Wall Pussy Got Ya Hooked 13 Featuring – Remy Ma* Don't Cha Get Mad 14 Featuring – Lil' Flip Body Parts 3 15 Featuring – Boogiemane, Chrome , Crunchy Black, D.J. Paul*, Frayser Boy, Grandaddy Souf, Juicy "J"*, Lil' Wyte, Project Pat Hard Out Here For A Pimp 16 Featuring – Paula Campbell Stay Fly (Still Fly Remix) 17 Featuring – Project Pat, Slim Thug, Trick Daddy 18 Outro Bonus Tracks: Got It 4 Sale 19 Featuring – Chrome 20 Let's Plan A Robbery Side 2 Side 21 Featuring – Bow Wow, Project Pat 22 Ain't Got Time For Gamez Companies, etc. Pressed By – Sonopress Arvato, USA – F702501 Credits A&R – Dino G. DelVaille* Mastered By – James Cruz Producer, Executive-Producer, Recorded By, Mixed By, Programmed By – D.J. -
NZ Top 40 27 March 06.Qxd 28/3/06 2:42 PM Page 1
NZ Top 40 27 March 06.qxd 28/3/06 2:42 PM Page 1 CHART 1505 27 March 2006 TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 25 2 BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM 9852802 3595692 3582672 1 UNIVERSAL 1 12 NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 2 EMI 1 NEW 1 BOTH SIDES OF THE GUN BEN HARPER 1 VIRGIN/EMI 82876802772 9837828 7567837525 2 19CHECK ON IT BEYONCE FEAT. SLIM THUG SBME 2 NEW 1 WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 135BACK TO BEDLAM JAMES BLUNT 6 WEA/WARNER 3533452 9838304 82876802802 3 37LOVE GENERATION BOB SINCLAR MOS/EMI 3 44TIMELESS MUSIC: THE BEST OF COAST VARIOUS UNIVERSAL 3 22ON AN ISLAND DAVID GILMOUR SBME 3572140 82876793762 9879698 4 44BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 4 29MORE NATURE VARIOUS 1 SBME 4 35SING-ALONGS AND LULLABIES JACK JOHNSON 1 UNIVERSAL 9850564 3461862 9887850 5 23PUMP IT BLACK EYED PEAS UNIVERSAL 5 311SUPER '70S SUMMER VARIOUS 1 EMI 5 48RING OF FIRE: THE LEGEND OF JOHNNY CASH 1 UNIVERSAL 3501122 3452602 DRP006 6 67SUDDENLY I SEE KT TUNSTALL VIRGIN/EMI 6 54THE BEST COUNTRY ALBUM IN THE WORLD... EVER VOL 2 VARIOUS EMI 6 547BASED ON A TRUE STORY FAT FREDDY'S DROP 6 THEDROP/RHYTHMETHOD 7567940522 METHOD091 99728 7 85NASTY GIRL NOTORIOUS BIG BADBOY/WARNER 7 NEW 1 CRUNK HITS VARIOUS METHOD/SHOCK 7 NEW 1 CHAOS BY DESIGN CONCORD DAWN UPRISING/UNIVERSAL 82876783192 82876747162 8602472 8 513RUN IT CHRIS BROWN SBME 8 64BRAVO VARIOUS 1 SBME 8 77EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 82876808462 3484552 RR80882 9 72STUPID GIRLS PINK SBME 9 818THE BEST REGGAE ALBUM IN THE WORLD.. -
3 6 Mafia Side 2 Side Mp3 Download
3 6 mafia side 2 side mp3 download CLICK TO DOWNLOAD Three 6 Mafia – Side 2 Side. Artist: Three 6 Mafia, Song: Side 2 Side, Duration: , File type: mp3. №renuzap.podarokideal.ru More popular Three 6 Mafia mp3 songs include: Stay Fly Lyrics, Side 2 Side Lyrics, Sippin On Some Syrup Lyrics, Poppin' My Collar Lyrics, Who Run It Lyrics, Skit Lyrics, Knock tha Black off Yo Ass Lyrics, Hard out Here for a Pimp Lyrics, When I Pull Up At the Club Lyrics, Pussy Got Ya Hooked Lyrics, Tongue Ring Lyrics, Ain't Got Time for Gamez renuzap.podarokideal.ru Stream Most Known Unknowns (Instrumentals) Mixtape by Three 6 Mafia. Most Known Unknowns (Instrumentals) Mixtape by Three 6 Mafia Three 6 Mafia ; ,; Stream. Download. Added: 06/07/ 58,; 10,; Rating Failed. Favorite; Share; Like; Dislike; Short URL: Embed Wide Player: - 09 - Side 2 Side. Three 6 Mafia (Instrumental renuzap.podarokideal.ru Three 6 Mafia, originally known as Backyard Posse and Triple 6 Mafia, is an incredibly influential hardcore rap group from Memphis, Tennessee. Started in by Juicy J, D.J. Paulrenuzap.podarokideal.ru The free three 6 mafia loops, samples and sounds listed here have been kindly uploaded by other users. If you use any of these three 6 mafia loops please leave your comments. Read the loops section of the help area and our terms and conditions for more information on how you can use the renuzap.podarokideal.ru://renuzap.podarokideal.ru Buy Three 6 Mafia Most Known Hits Mp3 Download.. Preview full album. ; Track title Duration Bitrate. -
Memphis Rap in the 1990S
Memphis Rap in the 1990s Laura Vansickle Memphis has long been recognized for its influential role in the development of African American musical styles, most notably blues and soul. Alan Lomax, author of The Land Where the Blues Began, refers to Memphis’ Beale Street as “the home of the blues” in the South.1 Soul music originating from Memphis’ “premier soul venue, Stax,” was known for its hybrid music that blended rhythm and blues, black gospel, and white southern rock together, according to Beverly Bond and Janann Sherman in their book Memphis in Black and White.2 In fact, Memphis’ “greatest cultural legacy” is its music, which is a product of African Americans who left other places only to find poverty and divisiveness in Memphis.3 The large number of African Americans in Memphis has played an important part in the stylistic qualities of the music produced in Memphis. The most recent major manifestation of African American music is rap, and Memphis has created its own style of rap music. Especially between the years 1993 and 1997, Memphis rap developed characteristics that differentiate it from the rap of other cities. Memphis rap incorporated the trends seen nationally in rap musical styles and textual themes while still maintaining its distinctive Memphis style. Like the main factor that shaped Memphis blues and soul, Memphis rap in the 1990s exhibited distinctive characteristics because of the African American presence and experience in Memphis. Memphis rap has been nationally recognized since the 1990s and the rap industry 1 Alan Lomax, The Land Where the Blues Began (New York: Pantheon Books, 1993), 4. -
Written Direct Statement of the Recording Industry Association of America, Inc
&l HLlC XH'Slt&X '. BLf.»ri thi COP% R IL.HI Ri i% & L1 4 1'«&. i' JBg gpss (JP (. ( jest *4'i» 0 a.~hhl'„'t«o, I).t . I Matter of I In the Docket bo, 2006-3 CRB DPRA Mechanical and Digital Phonorecord ) Delivery Rate Adjustment Proceeding ) ) WRITTEN DIRECT STATEMENT OF THE RECORDING INDUSTRY ASSOCIATION OF AMERICA, INC. Charles D. Ossola Steven R. En~~lund James L, Cooper ' X 1 i e he le .L V o J~ .-SRX~.~LD x Pt iRTER LLP &~& T~ l i I November 30, 2006 PUBLIC TABLE OF CONTENTS (Cont.) Section ~Pa e C. Other Benchmarks ..... 1 1 1 1. Implications ofthe 1997 Settlement and Its Aftermath. .111 2. Mechanical Royalty Rates in the U.K................. .114 a. The U.K. Uses a Percentage-Based System.. .....114 b. The UK Mechanic@ Royalty Rate for Physical Products.... .....115 c. Current U.K. Mechanical Rates for On-line Products. .....116 D. Rate Recommendation. .117 PUBLIC Value Creation, Value Capture, And Appropriate Royalties In The Recorded Music Industry I. INTRODUCTION AND SUMMARY A. Background and Qualifications My name is David J. Teece. I received my Ph.D. in Economics &om the University of Pennsylvania in 1975. I am currently the Mitsubishi Bank Professor in the Haas School of Business and Director ofthe Institute ofManagement, Innovation and Organization at the University of California at Berkeley, and Director and Chairman of LECG, LLC (an international consulting firm). I also have taught at Stanford University and Oxford University. I have published over 200 scholarly books and articles in the fields of industrial organization, technology management, the valuation and management ofintellectual property, and public policy. -
NZ Top 40 20 March 06.Qxd 21/3/06 4:07 PM Page 1
NZ Top 40 20 March 06.qxd 21/3/06 4:07 PM Page 1 CHART 1504 20 March 2006 TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 82876802772 3595692 7567837525 18 BEYONCE FEAT. SLIM THUG NEW 1 CHECK ON IT SBME 1 1 NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS EMI 1 134BACK TO BEDLAM JAMES BLUNT 6 WEA/WARNER 9850564 82876793762 82876802802 2 19 2 PUMP IT BLACK EYED PEAS UNIVERSAL 2 18MORE NATURE VARIOUS 1 SBME 2 NEW 1 ON AN ISLAND DAVID GILMOUR SBME 3533452 3461862 9879698 3 46LOVE GENERATION BOB SINCLAR MOS/EMI 3 210SUPER '70S SUMMER VARIOUS 1 EMI 3 34SING-ALONGS AND LULLABIES JACK JOHNSON 1 UNIVERSAL 3572140 9838304 9887850 4 23BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 4 43TIMELESS MUSIC: THE BEST OF COAST VARIOUS UNIVERSAL 4 27RING OF FIRE: THE LEGEND OF JOHNNY CASH 1 UNIVERSAL 82876783192 3452602 DRP006 5 312RUN IT CHRIS BROWN SBME 5 53THE BEST COUNTRY ALBUM IN THE WORLD... EVER VOL 2 VARIOUS EMI 5 446BASED ON A TRUE STORY FAT FREDDY'S DROP 6 THEDROP/RHYTHMETHOD 3501122 82876747162 3590772 6 56SUDDENLY I SEE KT TUNSTALL VIRGIN/EMI 6 33BRAVO VARIOUS 1 SBME 6 10 2 CORINNE BAILEY RAE CORINNE BAILEY RAE CAPITOL/EMI 82876808462 3474632 8602472 7 NEW 1 STUPID GIRLS PINK SBME 7 619NOW THAT'S WHAT I CALL MUSIC 19 VARIOUS 6 EMI 7 56EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 7567940522 3484552 82876772072 8 11 4 NASTY GIRL NOTORIOUS BIG BADBOY/WARNER 8 717THE BEST REGGAE ALBUM IN THE WORLD.. -
Conspicuous Consumption, New-School Hip-Hop and "The New Rock & Roll"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-21-2019 1:00 PM "I Need to Fight the Power, But I Need that New Ferrari": Conspicuous Consumption, New-School Hip-hop and "the New Rock & Roll" Emmett H. Robinson Smith The University of Western Ontario Supervisor Keightley, Keir The University of Western Ontario Coates, Norma The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts ©Follow Emmett this andH. Robinson additional Smithworks at:2019 https:/ /ir.lib.uwo.ca/etd Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, Art Practice Commons, Cultural History Commons, Music Performance Commons, Music Practice Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Languages, Societies, and Cultures Commons, and the Social History Commons Recommended Citation Robinson Smith, Emmett H., ""I Need to Fight the Power, But I Need that New Ferrari": Conspicuous Consumption, New-School Hip-hop and "the New Rock & Roll"" (2019). Electronic Thesis and Dissertation Repository. 6322. https://ir.lib.uwo.ca/etd/6322 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract 2017 marked the year in which hip-hop officially became the most listened-to genre in the United States. This thesis explores hip-hop music’s rise to its now-hegemonic position within the music industry, seeking to provide insight into the increasingly popular sentiment that hip-hop is “the new rock & roll”. -
Petey Pablo Is Crazy
Call your cable provider to request MTV Jams Comcast Cable 1-800-COMCAST www.comcast.com Atlanta, GA Comcast ch. 167 Augusta, GA Comcast ch. 142 Charleston, SC Comcast ch. 167 Chattanooga, TN Comcast ch. 142 Ft. Laud., FL Comcast ch. 142 Hattiesburg, MS Comcast ch. 142 Houston, TX Comcast ch. 134 Jacksonville, FL Comcast ch. 470 Knoxville, TN Comcast ch. 142 Little Rock, AR Comcast ch. 142 Miami, FL Comcast ch. 142 Mobile, AL Comcast ch. 142 Montgomery, AL Comcast ch. 304 Naples, FL Comcast ch. 142 Nashville, TN Comcast ch. 142 Panama City, FL Comcast ch. 142 Richmond, VA Comcast ch. 142 Savannah, GA Comcast ch. 142 Tallahassee, FL Comcast ch. 142 Charter Digital 1-800-GETCHARTER www.charter.com Birmingham, AL Charter ch. 304 Dallas, TX Charter ch. 227 Greenville, SC Charter ch. 204 Ft. Worth, TX Charter ch. 229 Spartanburg, SC Charter ch. 204 Grande Communications www.grandecom.com Austin, TX Grande ch. 185 PUBLISHERS: Julia Beverly (JB) Chino EDITOR-IN-CHIEF: Julia Beverly (JB) MUSIC REVIEWS: ADG, Wally Sparks CONTRIBUTORS: Bogan, Cynthia Coutard, Dain Bur- roughs, Darnella Dunham, Felisha Foxx, Felita Knight, Iisha Hillmon, Jaro Vacek, Jessica Koslow, J Lash, Katerina Perez, Keith Kennedy, K.G. Mosley, King Yella, Lisa Cole- man, Malik “Copafeel” Abdul, Marcus DeWayne, Matt Sonzala, Maurice G. Garland, Natalia Gomez, Ray Tamarra, Rayfield Warren, Rohit Loomba, Spiff, Swift SALES CONSULTANT: Che’ Johnson (Gotta Boogie) LEGAL AFFAIRS: Kyle P. King, P.A. (King Law Firm) STREET REPS: Al-My-T, B-Lord, Bill Rickett, Black, Bull, Cedric Walker, Chill, Chilly C, Control- ler, Dap, Delight, Dereck Washington, Derek Jurand, Dwayne Barnum, Dr. -
CATCHING the LONG TAIL Labels Eye Profits from the Old & the Niche
DIGITAL BEATLES ?! Can A China Biz Go Legit? >P.6 SCH 3 907 #BXNCTCC * * * *' *" F'F " -___ -DIGIT IIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIII I II11111 #BL2408043# APR06 REG A04 B0105 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 R MAR FOR MORE THAI 110 YEARS 4 2006 CATCHING THE LONG TAIL Labels Eye Profits From The Old & The Niche. But Is It Worth The Headache? >P.22 DIGITAL ALBOOM Jack Johnson's Record - Breaking Week >P.5 NE -YO'S RISE From Secret Songwriter To Top Star > P.39 TOURING BIZ BATTLES 99US 18.99 AN SECONDARY TIX 09> Why Let The Spoils Go To eBay? >P.24 1 11 0 74470 02552 8 www.billboard.com www.billboard.biz US $6.99, CAN $8.99, £ £5 ©PE 8.95, JAPAN V2,500 www.americanradiohistory.com UNFORGETTABLE MUSIC AND A NIGHT TO REMEMBER! Andy Lack, Tom Corso, Barry Weiss, Clive Davis, Fergie, Kelly Clarkson, Sheryl Crow, Sharon Stone, Dido Santana, Sa a Hayek, Joe Perry, Steven Tyler Jim Urie, Doug Morris, LA Reid Rolf Schmidt-Holtz , Charles Goldstuck, Richard Palmese Natalie Cole, Alicia Keys, Diana Ross, Lyor Cohen, Russell Simmons, Jay Z Clive Davis, Mary J. Blige, Jamie Foxx Terrence Howard, Babyface, Gabrielle Union Beyoncé, Ciara r Ouincy Jones, Ahmet Ertegun, Clive Davis, Pharrell Williams, Kanye West, Billy F. Gibbons of ZZ To , Brian Wilson, Burt Mica Ertegun Chad Hugo, Ludacris Bacharach, David Foster, Dusty Hill of ZZ Top w Pat O'Brien, Larry King, Julie Chen, Allen Grubman, Paul McGuinness, Kelly Curtis Cameron Crowe, Rob Thomas, Courtney Love, Jon Voight, Denise Rich, Barbara Davis, Wolfgang Puck Les Moonves, Neil P-tnow, Craig Ferguson and Benny Medina Brett Ratner, Dave Grohl Scott Weiland of Velvet Ivolver, The Dixie Chicks, Paul Stanley, Snoop Dogg, Gene Simmons, Fantasia, Carrie Underwood, Bo Bice Quincy Jones, Clive Davis, Ludacris and Charles Matt Jelvet Sorurn of Revolver Evander Holyfield Goldstuck join Hugh Panero, CEO of XM Satellite Radio ALL STAR PERFORMANCES THAT WILL NEVER BE FORGOTTEN! Charles Goldstuck thanks the right's LA Reid movingly introduces host MC for the night, Clive Davis. -
Download File
Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts & Sciences COLUMBIA UNIVERSITY 2018 ©2018 Kevin C. Holt All rights reserved ABSTRACT Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt This dissertation offers an aesthetic and historical overview of crunk, a hip- hop subgenre that took form in Atlanta, Georgia during the late 1990s. Get Crunk! is an ethnography that draws heavily on methodologies from African-American studies, musicological analysis, and performance studies in order to discuss crunk as a performed response to the policing of black youth in public space in the 1990s. Crunk is a subgenre of hip-hop that emanated from party circuits in the American southeast during the 1990s, characterized by the prevalence of repeating chanted phrases, harmonically sparse beats, and moderate tempi. The music is often accompanied by images that convey psychic pain, i.e. contortions of the body and face, and a moshing dance style in which participants thrash against one another in spontaneously formed epicenters while chanting along with the music. Crunk’s ascension to prominence coincided with a moment in Atlanta’s history during which inhabitants worked diligently to redefine Atlanta for various political purposes. Some hoped to recast the city as a cosmopolitan tourist destination for the approaching new millennium, while others sought to recreate the city as a beacon of Southern gentility, an articulation of the city’s mythologized pre-Civil War existence; both of these positions impacted Atlanta’s growing hip-hop community, which had the twins goals of drawing in black youth tourism and creating and marketing an easily identifiable Southern style of hip-hop for mainstream consumption; the result was crunk.