Slowed and Throwed: Records of the City Through Mutated Lenses Scholar of African American Culture Thursday, March 5 Members Preview | 6–7PM Public Opening | 7–9PM
These events are free, Public open to the public, and take “If nothing else, Screw culture was a Programs place at Contemporary love letter to Houston, a sonic rendering Slowed and Arts Museum Houston. Seating is limited. Please of the illegibility of Houston’s Black check camh.org for the Throwed most current information. communities made legible by slowing it down.” March 6–June 7, 2020 —Dr. Regina N. Bradley, Opening Reception | Slowed and Throwed: Records of the City Through Mutated Lenses Scholar of African American culture Thursday, March 5 Members Preview | 6–7PM Public Opening | 7–9PM Art at Noon | Lance Scott Walker Friday, March 6 | Noon–1PM In Conversation | Patricia Restrepo, CAMH Exhibitions Manager and Assistant Curator, with artists Tay Butler, Robert Hodge, and Ayanna Jolivet Mccloud Saturday, March 7 | 11AM–Noon Open Studio | Community Remix Saturday, March 7 | 2–4PM Karen Navarro. Fragment Tom Van Laan, Joe and Anderson Foundation, (detail), 2019. Archival Johanne Gatto, Blakely National Endowment for Family Day and Teen Council-organized Fashion Show inkjet print, wood, and and Trey Griggs, Kerry the Arts, The Sarofim epoxy. 48 x 56 inches. Inman and Denby Auble, Foundation, Louisa Saturday, March 21 | 1–4PM Courtesy the artist Louise Jamail, Page Stude Sarofim, Susan and Foto Relevance, Kempner, Dillon A. Kyle Vaughan Foundation, 5216 Montrose Boulevard Houston, Texas. and Sam L. Lasseter, Bryn Texas Commission on the Open Studio | Making Beats Houston, Texas 77006 Larsen, Erica and Benjy Arts, Vinson & Elkins LLP, @camhouston Slowed and Throwed: Levit, Marian Livingston, Wallace S. Wilson, The Saturday, April 4 | 2–4PM CAMH.ORG Records of the City Lucinda and Javier Loya, Wortham Foundation, Inc., #atCAMH Through Mutated Lenses Catherine and George Marion and David Young, #SlowedandThrowed is made possible in part Masterson, Elisabeth Michael Zilkha.
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