1933-10-22 [P

Total Page:16

File Type:pdf, Size:1020Kb

1933-10-22 [P — ■ r ____ to Mark , Tudor Pageantry Three Noted of the and Screen Reciting the Many Trials Players S'age j * Week’s Plays and Films Of a “Destructive Critic” and "Mary of Scotland” at the National Henry Eut Special Attention Is Paid to the Fact That on With Helen VIII the Screen, Hayes This Season s Theatrical Output Has Not and Charles Laughton as the Stars. Resorted to Old-Time Tricks. By E. de S. Melcher. By Percy Hammond. : "OR"GW'S week will be alive with Tudor pageantry. "Mary honest confession is good for the soul, one is disposed this oi Scotland." which is a sequel to Maxwell Anderson's "Queen morning to be^apologetic for a few of the major mistakes that T; Elizabeth." will be at the National, and later on in the week recently have been made by these reports. Especially have they SINCEgone amiss in their that Miss McFadden’s “Double Mr. Laughton's version of the private doings of Henry VIII hinting will be at Keith's. Of the latter, we know something; of the other, Door" and Mr. O’Neill’s “Ah. Wilderness" lacked the properties of we know nothing—and yet the dovetailing of these two events is full-grown entertainment and might annoy rather than fascinate gcmcihing unparalleled in the city's theatric annals. those drama-lovers whose age-teeth have been cut. It was here said What matters most^nbout ‘'Mary” is that Helen Hayes is playing that “Double Door" was a blunt melodrama, in whose amateur com- awkwardness instead the title role. This is a bit of casting which is typical Theater Guild position of skill penciled, and that it was an bravado. Miss Hayes is the last person whom, for instance, the overdone hypocrisy, based on the dull mystery of the stupid Wendell dan. Of films would put in such a role. For this reason we presume that she “Ah, Wilderness” it was suggested that it was but a loose is happy about it, since her last screen job. the small part in "Night and little barn-stormer, dashed off by the First Showman as an im- in Flight," is about as thankless a business as we can imagine. pudent essay mediocrity, and saved from being completely banal i-rcsumzoiy Mr. Anaerson. in nn wnoie mm. it is not child s tare, but by the acting of George Cohan. !>' .vsings thi rug'.i Elizabethan chroni- adult entertainment, based on fact, in tnese impressions my judgment, *ici uuw.v xii suui Mniui romances as cles. became stirred to fever pitch by made pala'.able by fiction and so honest though not my taste, betrayed me. Sailor, Beware!” and "The Pursuit of the dramatic possibilities of the Scot- in some of its moments that certain Both "Double Door” and "All. Wilder- Happiness all the wicked words arc tish queen. Being linked by several members of the press have blushed at ness” are now high in the esteem of said and all the naughty deeds are done fates to her British neighbors. Mary it air a:’: playgoers and are performed daily be- without a sickening lapse. Richard * * * ha. always been a constant reminder * fore swarms of satisfied and paying Watts, jr., my pet cinema critic. In- “ cf Elizabeth, and vice versa. You can- T~V INNER AT EIGHT” apprc.chcs. people cn pleasure bent. The best I forms me that in the talking pictures not knew without Eiiza- 17 a Mary knowing This is the film which, like "F.Rhi can do now is to admit that I am re- little slime is still regarded as neces- b".h A about one must necessa- play Flight." boasts most of M-G-M’s avail- morseful, and to withdraw my objec- sary to success, and that even Miss to two of the season's most inex- Marie Dressier, the comic abbess of the rily dwell upon the othtf. able stars. Jt is said to prove onee afu tion^ At loft: Helen with silver fc> is th. Bbzabeth i. coming back f- p that Joan Harlow is an actress— Hayes, who. together plicable masterpieces. I ask to be screen, and a welcome guest at the White to us. nut done by nn Fontanne or : i merely a blor.d West Coast cxecu- Phillip Merivale at right and Helen Menken, pardoned. House, bends in "Dinner at Eight" to a trick. I think that X r ''th Riston ewaom some lives have been this de- at the National Authors, actors and producers usually can pre- discovering by will appear tomorrow night assure the and ■ blushing disconsolate i but by an actress. Helen Mcn- grees. It took a long time after that bear with patient iortitude the faults; in "Mary of Scotland,” which is being pre- Mr. Watts that within i: n. who only a few v ,-eks ago was wrapper escapade in "Hell's Angels" to of a blundering reviewer. No matter what has been termed a 1 .m; whipped around the national's convince the producer that Miss Har- sented here by the American Theater Society, how grievous are the wrongs from twelvemonth the photographs t as “Seventh Heaven’s" low could do more tlran wear a the .g-- Diane. slim and, center, Charles as VIII which they they salve their hurt following lead of the drama and Laughton Henry suffer, the We cannot predict ahead of time garment with extreme nonchalance. In with the ointment of forbear- holy Indiana beckonings of Will H in the * feelings film which will open Wednesday at 1 v hat all of this will lead to. but we do Red Dust.' aided by writer Johnny ante; and seldom does a squawk issue Hays, will be deloused, and that he mav know that Elizabeth’s father, in film Mahin's crisp dialogue, while (cinemat- R-K-O Keith s. from their tolerant bps. Infrequently review the moving pictures without fear of further Xcrni. is some one whom you will un- icallv) she v.as veering away from the in my experience as a destructive critic infection. questionably want to sec. straight and the narrow she was also have I been turned upon and rent by * * * * Mr. Laughton, who in Hollywood a giving a remarkable exhibition of a artists driven to fury by my liarmlul 'T'HE Theater Guild last week put on short time ago was raging at having girl who is growing up in the wavs of Miss once its thoughtlessness. Barrymore, dormitorious cap and and to dress as a who a comedienne. In "Dinner at Barbara Next. gown up jungle man, and Eight." Stanwyck's deep-wounded by a compliment she re- piesented. a3 a matter this of duty and con- lay on Mr. Gary Cooper's dressing room lithsome young lady, who at ;h: Next Week s Films ere in as not rich summons Wh and When Local Theaters she “Ever in garded enough, science Moliere's -The School t fa. soft moment is craboin’ land i.ibablv AFTER completes My for muttering curses at the films * thunderbolts to her tongue whenever Husbands for more _________________________ Heart" for Warner Bros., in which! Realizing that it was or and delight at retiring to England, .ustlyi salary, is said to natch she speaks of mo: and Earl Carroll has of the classic the of she is playing with Otto Kruger and drama's feeblest ex<:- via re he can play at the Old Vic for picture out tile hands ot such of the ordered me never to darken his door 'THE talking picture version of Scotland.” with Helen 1 tions. the Guild old-timers NATIONAL—"Mary Hayes. Phillip Bellamy. Br.rbaia will turned Moiicre over 20 pounds a week ar.d do nothing bu' lusty as John Barrymore * Ralph Stanwyck Miss Mae W-.st. chafed some Arthur !j George S Kaufman-Edna Ferber Menvale and Helen Menken. Tomorrow night at 8:20 be starred in First National's again. by Guiterman and Lawrence Lanv- Shakespeare, appears as Henry himself. and plant herself firmly 0,1 the too. | produce success. "Dinner at Eight.” which intemperate remarks of mine, bought ncr and bade them him When does such a it is stage o'clock. tion of “Br adv ay and Back.” an origi- bring back Will, film, which suggests that England youth thing, a according to Walter Win- life ran on Broadway for more than a year, 1 r.al film story by Sheridan au- buggy wn:p and the stage. Give the lame oin is creeping tip on us as far as such time to cheer. Miss Harlow is very Gibney, its to comes to th» National Theater starting GAYETY—"Girls From Today at 2:15 chell, and planned, with aid. give thing, the were arc and no matter what think Happyland,” burlesque. thor of “The World Changes." Ann adapters instructed, 'productions concerned, and which young, you me for tat Also I have come with- next Sunday night as a roadshow at- and 8:15 Dvorak ai d Patricia been tit httle pep and jazz, with nugfern that director do of her. she is a verv She p.m. Ellis have 1 rhvm* suggests Korda may good sport. in the measure of the Shuberts’ noble traction. Mail orders are now being chosen to with seductive music and an .<■:• with Fairbanks, mow is. ofl si so unlike what she lias apnear Miss Stanwyck up-to-date j< more Douglas .ir. age. at 2. 7:20 and 10 as Miss filled for this cinematic feast that has LOEWS FOX—"Beauty for Sale,” 4:40, p.m.
Recommended publications
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • (Washington, DC). 1935-06-05
    CORTELYOU TO RETIRE only), at 10 a m., 12:30, 3:45, 5:45, ! AMUSEMENTS. Where and W hen 8 45 and 10 p.m. Pulitzer Prize Drama Is FROM GAS FIRM POST Tivoli—'Naughty Marietta,” at 2. Iii New Filin at Keith’s 3:55, 5:50, 7:45 and 9 45 p.m. Ambassador—‘ Reckless,” at 8. 7:45 Under Current Theater Attraction* I Tour Secretary of Treasury and 9:35 pm. To Take Long Road and Time of Showing. Theodore Roosevelt, to Relin- of BAND CONCERTS. quish Presidency Company. National—Ethel Barrymore in "De- Into classee," at 2:20 and 8:20 p.m. Concerts at the band stand "Old Maid” Will Go Thirty-Three By the Associated Press. Navy | States| Yard, at 7:30 p.m., the United NEW YORK, June 5 —George B R-K-O Keith'*—"Break of Hearts." by Matinee at States Band Lieut. Charles in Its Travels—Extra Friday at. a Navy who was Secretary of the 11 26 m.. 1 32. 3:38 and 5 44 p.m. Cortelyou, Benter. leader; Ale*. assistant "Escape Me Never," at 7:47 and 9 41 Morris, Season Ends Treasury under President Theodore leader. National, Where Saturday. pm. Roosevelt, yesterday announced his I/oe»'* Fox— The Elame Within." States Marine retirement as of I he Con- Concert by 'he United president, at 11 a.m. 1 40. 4 25. 7:10 and 9:55 RV E. rip S. MELTHER. Band at the United States Capitol at solidated Gas Co. of New York. shows 8t 6:05 pm.
    [Show full text]
  • Nthouje Turers Are Doing Their Part
    at the Rolling Orchestra Concert Feature Orchestra At Hamilton Park To-night HOLLYWOOD In The Local Central YMCA at Park To-night Theaters and Louis Chieffo and Singing Famed Saxophonist GOSSIP Band Make Initial PALACE Minstrels Attraction Last Night Showing Here ■> AND Warner Baxter and Myma Loy den Harvest" a dramatic INTIMATE GLIMPSES are the stars that are appearing In Todd Rollins, handsome young Into the and private Louts Chleffo and his singing public INSIDE STUFF ON THE that sensational packed drama orchestra leader, bring* his fsmour t the men who control the "Penthouse” which opened at tho minstrels put on another of their af danoe band to Hamilton park to- pit In the stock markets Palace theater to-day. A Manhat- concerts at Central T.M.C.A. forms the foundation for MOVIE COLONY lobby first time as the mid- tan cocktail of whoopee parties, the night for the "Oolden Harvest" which last night. Among special story. love, hate and disillusion Is mas- week feature attraction at the out ids the State's double feature features were several numbers on terfully mixed for lovers of real east ballroom. * program tomorrow and Fri- Michael today, screen entertainment in this Cos- the piano accordion by day. Intensely Interesting screen Hollywood—It really doesn’t pay This orchestra, comprised of 11 mopolitan production, which no Brunette which were loudly ap- fare, ‘‘Oolden Harvest," boasts a to give a motion ploture director men, Is one of the finest that evei doubt many of you have read the was a cast headed Richard too much time to himself—because Another specialty Broadway, the whole unit sterling by story and now you are given the plauded.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • A Caravan of Culture: Visitors to Emporia, Kansas by Charles E
    A Caravan of Culture: Visitors to Emporia, Kansas by Charles E. Webb INTRODUCTION hat do Ulysses S. Grant, "Buffalo Bill" Cody, Susan B. Anthony, Will Rogers, Ethel Barrymore, and Dr. \Verner Von Braun haye in common"? They were W among the hundreds of famous people that have visited EmpOria, Kansas during the past one hundred years. In­ dividuals and groups of national and international fame, represen­ ting the arts, seiencl's. education, politics, and entertainment, have pa~sed before Emporia audiences in a century long parade. Since 1879, this formidable array of personalities has provided informa­ tion and entertainment to Emporia citizens at an average rate of once eaeh fifteen days, The occasional appearanee of a famous personality in a small city may well be considered a matter of historical coineidence. When, however, such visits are numbered in the hundreds, arc fre­ quent, and persist for a century, it appears reasonable to rank the phenomenon as an important part of that eity's cultural heritage. Emporia, although located in the interior plains, never ae­ cepted the role of being an isolated community. It seems that the (own's pioneers eonsidered themselves not on the frontier fringi'" of America, but strategically situated near its heart. From the town's beginning, its inhabitants indicated an intention of being informed and participating members of the national and world communities. To better understand why Emporia was able to attract so many distinguished guests, a brief examination of its early development is required. In the formative years of the city's history wc may identify some of the events, attitudes, and preparations Ihat literally set the stage for a procession of renowned visitors.
    [Show full text]
  • Folleto Ciclo Del Cine Descargar
    ORGANIZA Y COLABORA Y ORGANIZA PABLO DE MARÍA - ALFONSO PALACIO ALFONSO - MARÍA DE PABLO COORDINAN JULIO 2021 JULIO .) BERTO • BERTO (V.O.S castellano en en versión original con subtítulos con original versión en DL: AS-01003-2021 proyectarán se películas las Todas ENTRADA LIBRE HASTA COMPLETAR EL AFORO EL COMPLETAR HASTA LIBRE ENTRADA (CALLE SAN VICENTE, 3 - OVIEDO) - 3 VICENTE, SAN (CALLE MUSEO ARQUEOLÓGICO DE ASTURIAS DE ARQUEOLÓGICO MUSEO SALÓN DE ACTOS DEL ACTOS DE SALÓN 18 HORAS 18 . XVIII siglo el sobre Apuntes tiempo. el en vez una Érase DIÁLOGOS ENTRE EL CINE Y LA PINTURA (XIX). PINTURA LA Y CINE EL ENTRE DIÁLOGOS Diálogos entre el cine y la pintura (XIX). Érase una vez en el tiempo. Apuntes sobre el siglo XVIII Se dice del Siglo XVIII que con su transcurrir se dejó atrás la burguesía urbana ilustrada. El arte neoclásico, clave en la Edad Moderna para iniciar la Edad Contemporánea. este periodo, adopta la racionalidad y la sencillez como Durante esta centuria ocurrieron numerosos hechos elementos, además de tener presente una mirada hacia los que transformaron radicalmente diversas sociedades y valores humanistas y el progreso. Esta selección de pelícu- formas de vivir. Sólo por citar algunos: Primera Revolución las pretende acercar algunos momentos cruciales en la Industrial en Inglaterra, independencia de los Estados historia de este siglo marcado por convulsos cambios que, Unidos de América, estalla la Revolución Francesa, se sin duda, han contribuido a conformar lo que ahora es desarrollan los movimientos indígenas contra las autori- nuestro tiempo presente. dades coloniales en América… Alumbró también este siglo el nacimiento de celebres personajes que contribu- yeron al progreso del pensamiento y de las artes en diferentes ámbitos: Denis Diderot, David Hume, Immanuel Kant, Adam Smith, James Cook, Gaspar Melchor de Jovellanos, Jane Austen, Johann Wolfgang von Goethe, William Blake, Francisco de Goya, Jacques-Louis David, Joseph Haydn, Wolfgang Amadeus Mozart o Ludwig van Beethoven.
    [Show full text]
  • Mary Stuart on the English and American Stage Marian
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1936 Mary Stuart on the English and American stage Marian. Gleason University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Gleason, Marian., "Mary Stuart on the English and American stage" (1936). Masters Theses 1911 - February 2014. 1555. Retrieved from https://scholarworks.umass.edu/theses/1555 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. UMAbb/AMHtRST 3iaDbt,D13S777?4 Date Due ^— LD 3234 M268 1936 G554 MARY STUIHT CSS THE EJTGLISH AHD MERICIH STA&I Harlan Oleason Thesis submitted for the degree of Master of Science Massachusetts State College, insherst March 19, 1936 K\^Y ?5TU4aT ON TIE K^J.ILT^^H- AND AMF.RIGAH STAIE There axe certain figures in history vfho never die, but wtiose very names speak glajTiour and vividness and cnanr? to every generation. Cleotiatra is one of these magic- personalities; even nore real, perhaps, is Mary, queen of Scots. "To other occupant really lives for the visitor to 'lolyrood; diary's personality pervades each narrow hall and every barren little room. Everyone kno^s a little That is why of Mary's story, and everyone longs to know Kore. by the each tourist listens so eagerly to the legends related Mary Edinburgh guide. That is why each succeeding biography of the evidence Stuart is read and discussed with interest, although probably forever be remains the same, and iDuch of the story will baffling, biographer after a mystery.
    [Show full text]
  • Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
    Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • Collection of Radio Series Scripts, Ca
    http://oac.cdlib.org/findaid/ark:/13030/c8dj5hrq No online items Collection of radio series scripts, ca. 1933-1980, bulk ca. 1940-1959 Processed by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Collection of radio series scripts, PASC 135 1 ca. 1933-1980, bulk ca. 1940-1959 Title: Collection of radio series scripts Collection number: PASC 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.5 linear ft.(33 boxes) Date (bulk): Bulk, 1935-1964 Date (inclusive): ca. 1933-1980 (bulk ca. 1940-1959 Abstract: Collection consists of American radio series scripts including over 143 titles. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom)
    THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom) The Naff Collection is an accumulation of programs, autographed photographs, posters, folders, booklets, announcements and a few other items which tell the story of professional theater in Nashville between the years 1900 and 1960. This material was collected by the late Mrs. L. C. Naff during the period in which she served as secretary to the Rice Bureau and later as manager of the Ryman Auditorium. She bequeathed the collection to Francis Robinson, assistant manager of the Metropolitan Opera, who began his career as an usher at the Ryman. On March 27, 1967, Mr. Robinson made the formal presentation of the collection to the Public Library of Nashville and Davidson County, Charles C. Trabue, chairman of the board, and Marshall Stewart, chief librarian. The public was invited to this ceremony at which the collection was on display. The materials had been listed by chronological periods and arranged by Ann Dorsey, head of the reference department, Edward Durham and Terry Hudson. After the material had remained on exhibit for one month, it was packed for storage. In January 1971, it was decided that the collection should be classified and indexed so that it might be more readily available to researchers and other interested parties. The holdings in the Naff Collection have been classified as follows: NAFF COLLECTION CLASSIFICATIONS Advertising Announcements Descriptive Folders Letters and Telegrams Librettos Newspaper Clippings Photographs Posters Programs: Concerts Dances Lectures Miscellaneous Musical Comedies Operas Operettas Orchestras Plays Recitals Souvenirs Variety Realia Scripts Souvenir Booklets The subject headings of the various collections will most likely lead to desired information, particularly if the medium of a performer is known.
    [Show full text]
  • Independent Republicans Start Club
    today, with rain In nf- night, and poaalhly The Times Has ..... morning. followed !»> nail colder to m orrow MORE THAN 8000 Readers Each Week EARL TELLS REASON FOR second h e a r in g o n TURNING DOWN MOTION HELD FOR GRAND JURY AS NINE FIRE ALARMS CONDEMNATION MAY BUYER OF STOLEN GOODS Kiehanl 8. EUrl, Chairm an ot the PAYING INCLINES TO Steve Dasnoff, of 70 Bright sercoi, INDEPENDENT Township Committee, wishes to make OVER THE WEEKEND BE USED TO PROCURE when arraigned before police Judge clear through The Tim es why tie re­ James A. Dowd last night was held un­ fused to entertain the motion at the DECISION BY COURT der $10(1 bail for action of tiie grand public hearing an paving Tuesday MAKE ENGINES STEP, KEAN RIGHT OF WAY jury on a charge by 'Thomas Hand or. Effort To Settle Regarded In night to enforce the contract (o the REPUBLICANS letter. Virginia street for receiving stolen Contradiction To Terms Two Houses Damaged; Auto Estate Will Not Voluntarily goods. It is claimed that fouivrfhags, Cited In Contracts lie was convinced, lie said, that tbfc Blaze And Grass Fires * Permit Use Of Lands To of adam ant and one bag of lime val­ people do r.ot want the streets torn Keep Engines Busy Pollute Water Supply ued at $3.90 were bought by Dasnoff START CLUB PRACTICALLY AGREE TO up and since,according to Engineer from two men who came to his liome. rO RCE CONTRACTORS'HAND C. H. hosier, this is w hat would hap­ Hand said the material was stolen by pen i t ‘the contract were' enforced, lie ! ho Hillside fire departments were Indications are that condemnation the two men from a new homo on I G Farmed, County Committee kept busy over the week-end answer­ I'raoti<*;i 1 assurance that the paving refused lo entertain this motion which proceedings will have to be instituted Bright street.
    [Show full text]