April 2013 Photo Notes
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Art of the Mountain
Wang Wusheng, Disciples of Buddha and Fairy Maiden Peak, taken at Peak Lying on the Clouds June 2004, 8 A.M. ART OF THE MOUNTAIN THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available through summer 2023 ART OF THE MOUNTAIN: THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available through summer 2023 In Chinese legend, mountains are the pillars that hold up the sky. Mountains were seen as places that nurture life. Their veneration took the form of rituals, retreat from social society, and aesthetic appreciation with a defining role in Chinese art and culture. Art of the Mountain will consist of three sections: Revered Mountains of China will introduce the geography, history, legends, and culture that are associated with Chinese mountains and will include photographs by Hou Heliang, Kang Songbai and Kang Liang, Li Daguang, Lin Maozhao, Li Xueliang, Lu Hao, Zhang Anlu, Xiao Chao, Yan Shi, Wang Jing, Zhang Jiaxuan, Zhang Huajie, and Zheng Congli. Landscape Aesthetics in Photography will present Wang Wusheng’s photography of Mount Huangshan, also known as Yellow Mountain, to reflect the renowned Chinese landscape painting aesthetic and its influence. New Landscape Photography includes the works of Hong Lei, Lin Ran, Lu Yanpeng, Shao Wenhuan, Taca Sui, Xiao Xuan’an, Yan Changjiang, Yang Yongliang, Yao Lu, Zeng Han, Gao Hui, and Feng Yan, who express their thoughts on the role of mountains in society. -
DOCUMENT RESUME ED 358 003 SO 022 945 TITLE Fulbright
DOCUMENT RESUME ED 358 003 SO 022 945 TITLE Fulbright-Hays Seminars Abroad Program, 1992. China: Tradition and Transformation (Curriculum Projects). INSTITUTION National Committee on United States-China Relations, New York, N.Y. SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE [Jan 93] NOTE 620p.; Compiled by the National Committee on U.S.-China Relations on behalf of the United States Department of Education in fulfillment of Fulbright-Hays requirements. For previous proceedings, see ED 340 644, ED 348 327, and ED 348 322-326. Contains wide variety of text excerpted from published sources. PUB TYPE Collected Works General (020) EDRS PRICE MF03/PC25 Plus Postage. DESCRIPTORS *Asian Studies; Cross Cultural Studies; *Cultural Awareness; Cultural Exchange; *Developing Nations; Economics Education; Elementary Secondary Education; Females; Foreign Countries; Geography Instruction; Higher Education; Interdisciplinary Approach; International Relations; Multicultural Education; Socialism; Social Studies; Units of Study IDENTIFIERS *China; Fulbright Hays Seminars Abroad Program ABSTRACT This collection of papers is from a seminar on China includes the following papers: "Women in China: A Curriculum Unit" (Mary Ann Backiel); "Education in Mainland China" (Deanna D. Bartels; Felicia C. Eppley); "From the Great Wall to the Bamboo Curtain: China The Asian Giant An Integrated Interdisciplinary Unit for Sixth Grade Students" (Chester Browning); Jeanne-Marie Garcia's "China: Content-Area Lessons for Students of English as a Second Language"; "Daily Life in China under a Socialist Government" (Janet Gould); "Geography Lesson Plan for Ninth Grade Students" (Elizabethann E. Grady); "A Journey through Three Chinas" (Donald 0. Greene); "Modern China: An Introduction to Issues" (Dennis Gregg); "China: Global Studies Curriculum" (Russell Y. -
FOR IMMEDIATE RELEASE ATTENTION : Arts Editors And
FOR IMMEDIATE RELEASE ATTENTION : Arts Editors and Photography Collectors LA GALERIE PRESENTS “Celestial Realm - MT. Huangshan” WITH WANG WUSHENG Exhibition of photography La Galerie is delighted to present a collection of works of Wang Wusheng in the upcoming exhibition “Celestial Realm - MT. Huangshan” in March. Mt. Huangshan will be exhibiting part of the collection of Huangshan series by Wang Wusheng. This collection is one of the remarkable works of Wang. It has been exhibited in United States, Ukraine, Japan and China since the late 80s. Wang Wusheng captures the mysterious sense of infinity of these iconic mountains in Huangshan, the Yellow Mountain, Anhui, which inspired most glorious Chinese painters. Wang Wusheng says: "These mountains are not mountains, they are the mountains of my mind, they are Qi, black, grey and white balanced to be energy". Wang Wusheng lived 30 years in Japan, coming back to shoot his pictures in China, dedicated to his one life's sole work, Celestial Realm. Born in 1945 in Wuhu city Anhui Province, China, Wang Wusheng graduated in Physics at Anhui Normal University and in Arts at Tokyo Arts University. He has worked as a journal photographer of the Anhui Newsphoto and Pictorial. He began shooting Hunagshan in 1974. His photographs are represented in numerous public and private collections, including Friedrich Christian Flick Collection in Berlin, the Kunsthistorisches Museum in Vienna, National Art Museum of China in Beijing, Shanghai Art Museum, Tokyo Metropolitan Museum of Photography, Robert Klein Gallery in Boston, Kunsthalle Krems in Austria, and in Russia, United States, Ukraine. ABOUT THE ARTIST La Galerie, 74 Hollywood Road, Central, Hong Kong www.lagalerie.hk +852 2540 47777 Wang Wusheng Born in 1945 in Wuhu city Anhui Province, China, Wang Wusheng graduated in Physics at Anhui Normal University and in Arts at Tokyo Arts University. -
Wu Hung Full CV-1
Curriculum Vita Wu Hung (Work) Department of Art History, The University of Chicago, 5540 S. Greenwood Ave. Chicago, IL 60637 E-mail: [email protected] Education: Ph.D Harvard University, Art History and Anthropology 1987 M.A. Central Academy of Fine Arts (Beijing), Art History 1980 B.A. Central Academy of Fine Arts (Beijing), Art History 1968 Current Positions: 2002- Director, Center for the Art of East Asia, University of Chicago 2002- Consulting Curator, Smart Museum of Art, University of Chicago 1994- Harrie A. Vanderstappen Distinguished Service Professor in Chinese Art History, Department of Art History and Department of East Asian Languages and Civilizations, University of Chicago Previous Teaching Positions: 1990-94 John L. Loeb Associate Professor of the Humanities, Department of Fine Arts, Harvard University 1987-90 Assistant Professor, Department of Fine Arts, Harvard University Academic Services: 2012- Chair, Academic Committee, OCT Contemporary Art Center, China. 2012- Honorary Director, Research and Data Institute, OCT Contemporary Art Center, China. 2012- Member, Advisory Committee, Institute of Fine Arts, New York University 2011- Member, Guggenheim Museum Asian Art Council 2011- Member, Board of Advisors of the China Art Foundation, London. 2010- Member, Advisory Committee, Institute for the Study of the Ancient World at NYU 2008- Member, Board of Advisors, the Robert H. N. Ho Family Foundation, Hong Kong 2008-10 Visiting Professor, Institute of Visual Studies, Peking University 2007-10 Member, Advisory Committee, Institute for the Study of the Ancient World at NYU. 2007- Member, Advisory Board, Today Art Museum, Beijing 2006-8 Member, Search committee for the founding director of the Institute for the Study of the Ancient World at NYU. -
TBA News Winter 06 Revised
Turtle Bay News A Publication of the Turtle Bay Association Winter 2006 Vol. 49, No. 1 Safe Neighborhood Even Safer, Numbers Show ong known as a safe neighborhood, down 33 percent compared with 2000, and which accounts for some 70 percent of the Turtle Bay saw crime decline again last down 77 percent compared with 1990, the neighborhood’s crime, and which is related Lyear, with the 17th Precinct showing first year the city began tabulating crime primarily to items such as handbags and the biggest year-over-year drop in crime of statistics using the current method. wallets stolen from area offices. He credits any of the 22 precincts in Manhattan, and the The continued reduction in crime is particu- the 21 percent year-over-year reduction to second largest decrease in the entire city. larly impressive considering the fact that the crime prevention unit, headed by Police The number of reported crimes in the seven the 17th Precinct – which roughly covers Officer James Meury, which worked with major crime categories in the 17th Precinct the area from 30th to 59th Streets and from office building managers to better secure was down 16 percent compared with 2004, Lexington Avenue to the East River – his- their messenger-receiving procedures. torically has had a low crime rate compared Numbers by Category Decline in Total Crime Reports with the rest of the city. A breakdown of all crime reported in the 17th Precinct 1990-2005 “We’re extremely proud of what was really precinct last year shows: grand larceny, (6,104) phenomenal performance last year,” says down 21 percent; grand larceny/vehicles, Captain John Wallace, who joined the pre- down 15 percent; burglaries, down 15 (3,983) cinct as commanding officer last March. -
Wang Wusheng
Wang Wusheng 汪蕪生 Celestial Realm - Mt. Huangshan 天域黃山 Price List – 25th August 2016 La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] Wang Wusheng 汪蕪生 W34 1984 53.4cm x 37.44cm (Image size) 2/30 Edition Inkjet Print on Fine Art Paper HKD 70,000 Gelatin Sliver Print HKD 113,000 96cm x 62.86cm (Image size) 2/10 Edition Inkjet Print on Fine Art Paper HKD 130,000 Gelatin Sliver Print HKD 200,000 127.91cm x 89.67cm (Image size) 7/10 Edition Inkjet Print on Fine Art Paper HKD 300,000 Gelatin Sliver Print HKD 385,000 (Frame not included) La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] Wang Wusheng 汪蕪生 A058 2004 53.34cm x 31.8cm (Image size) 1/30 Edition Inkjet Print on Fine Art Paper HKD 70,000 Gelatin Sliver Print HKD 113,000 96.02cm x 62.41cm (Image size) 2/10 Edition Inkjet Print on Fine Art Paper HKD 130,000 Gelatin Sliver Print HKD 200,000 150cm x 89.4cm (Image size) 2/10 Edition Inkjet Print on Fine Art Paper HKD 172,000 Gelatin Sliver Print HKD 259,000 (Frame not included) La Galerie - 74 Hollywood Road, Central, Hong Kong - www.lagalerie.hk [email protected] Wang Wusheng 汪蕪生 A104 (W49) 1984 53.34cm x 31.65cm (Image size) 2/30 Edition Inkjet Print on Fine Art Paper HKD 70,000 Gelatin Sliver Print HKD 113,000 96cm x 56.97cm (Image size) 2/10 Edition Inkjet Print on Fine Art Paper HKD 130,000 Gelatin Sliver Print HKD 200,000 150cm x 88.99cm (Image size) 4/10 Edition Inkjet Print on Fine Art Paper HKD 220,000 Gelatin Sliver Print HKD 300,000 (Frame not -
Wang Wusheng March 7 - April 27, 2013
wang wusheng march 7 - april 27, 2013 celestial realm reception for the artist: thursday, march 7, 6-8 PM NEW YORK – Barry Friedman Ltd. is pleased to present “Celestial Realm” a solo exhibition of large-scale black and white photography by the con- temporary Chinese artist Wang Wusheng. This will be Wang’s fi rst solo exhibition at Barry Friedman Ltd. and his second exhibition in New York. In 2005, the Permanent Missions of China and Japan to the United Na- tions presented, “Spirit of the East”, a two-person exhibition of Wang Wusheng’s photographs along with paintings by the late Japanese mas- ter artist Kaii Higashiyama in the General Assembly’s Visitor’s Lobby. “Celestial Realm” will open with a reception for the artist on Thursday, March 7, 2013, from 6:00-8:00pm, and will be on view through April 27, 2013. Accompanying the exhibition is a stunning hardcover 240-page monograph, “Celestial Realm: The Yellow Mountains of China,” with an introduction by the noted art historian Wu Hung (Abbeville Press, 2005) For almost four decades Wang Wusheng has photographed China’s renowned Mt. Huangshan mountain range, also known as the Yellow Mountains. Located in the southern part of Anhui province in China, Mt. Huangshan, with an incredible seventy-two peaks, has often been described as the world’s most beauti- ful and enchanting mountain range and has been the subject of Chinese artists for centuries. Born and raised in the foothills of this dramatic landscape, Wusheng’s photographs recall the artist’s early memories, as well as traditional Chinese ink drawings of mountains, sky and clouds. -
ART of the MOUNTAIN a Traveling Exhibition Available from Fall 2019
Wang Wusheng, Disciples of Buddha and Fairy Maiden Peak, taken at Peak Lying on the Clouds June 2004, 8 A.M., ART OF THE MOUNTAIN THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available from Fall 2019 ART OF THE MOUNTAIN: THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available starting Fall 2019 In Chinese legend, mountains are the pillars that hold up the sky. Mountains were seen as places that nurture life. Their veneration took the form of rituals, retreat from social society, and aesthetic appreciation with a defining role in Chinese art and culture. Art of the Mountain will consist of three sections: Revered Mountains of China will introduce the geography, history, legends, and culture that are associated with Chinese mountains and will include photographs by Hou Heliang, Kang Songbai and Kang Liang, Li Daguang, Lin Maozhao, Li Xueliang, Lu Hao, Zhang Anlu, Xiao Chao, Yan Shi, Wang Jing, Zhang Jiaxuan, Zhang Huajie, and Zheng Congli. Landscape Aesthetics in Photography will present Wang Wusheng’s photography of Mount Huangshan, also known as Yellow Mountain, to reflect the renowned Chinese landscape painting aesthetic and its influence. New Landscape Photography includes the works of Hong Lei, Lin Ran, Lu Yanpeng, Shao Wenhuan, Taca Sui, Xiao Xuan’an, Yan Changjiang, Yang Yongliang, Yao Lu, Zeng Han, Gao Hui, and Feng Yan, who express their thoughts on the role of mountains in society. -
ART of the MOUNTAIN a Traveling Exhibition Available from Fall 2019
Wang Wusheng, Disciples of Buddha and Fairy Maiden Peak, taken at Peak Lying on the Clouds June 2004, 8 A.M., ART OF THE MOUNTAIN THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available from Fall 2019 ART OF THE MOUNTAIN: THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available starting Fall 2019 In Chinese legend, mountains are the pillars that hold up the sky. Mountains were seen as places that nurture life. Their veneration took the form of rituals, retreat from social society, and aesthetic appreciation with a defining role in Chinese art and culture. Art of the Mountain will consist of three sections: Revered Mountains of China will introduce the geography, history, legends, and culture that are associated with Chinese mountains and will include photographs by Hou Heliang, Kang Songbai and Kang Liang, Li Daguang, Lin Maozhao, Li Xueliang, Lu Hao, Zhang Anlu, Xiao Chao, Yan Shi, Wang Jing, Zhang Jiaxuan, Zhang Huajie, and Zheng Congli. Landscape Aesthetics in Photography will present Wang Wusheng’s photography of Mount Huangshan, also known as Yellow Mountain, to reflect the renowned Chinese landscape painting aesthetic and its influence. New Landscape Photography includes the works of Hong Lei, Lin Ran, Lu Yanpeng, Shao Wenhuan, Taca Sui, Xiao Xuan’an, Yan Changjiang, Yang Yongliang, Yao Lu, Zeng Han, Gao Hui, and Feng Yan, who express their thoughts on the role of mountains in society. -
Rising Dragon: Contemporary Chinese Photography Offers Invaluable Insights Into China’S Complex Culture and Rich History Through the Perspective of Its Artists
Rising Dr agon Contemporary Chinese Photography 1 front cover Liyu + Liubo Chutian Golden Paper 2007-08-13, An Escapee Being Chased Dropped through the Top Floor of a Building and Scared Everybody Inside (detail), from “The Victim” series Artists/Photographers Lenders to the Exhibition Adou Adou Cao Fei Anastasia Photo Chen Qiulin Dale & Doug Anderson Chen Wei Rona and Jeffrey Citrin Huang Yan Contact Press Images Jiang Pengyi CRG Gallery Li Lang Barry Friedman Ltd. Li Wei Friedman Benda, New York Liu Ren Li Lang Liu Zheng Li Wei Liyu + Liubo (Li Yu and Liu Bo) Liu Ren Lu Guang Liyu + Liubo Lu Hao Lu Guang Maleonn (Ma Liang) m97 Gallery/Shanghai Muge Maleonn O Zhang Muge Peng Rong O Zhang Qiu Zhijie Pace/MacGill Gallery Rong Rong Bruce Silverstein Gallery Sun Ji Sun Ji Tamen (Lai Shengyu and Yang Xiaogang) Tamen Tian Taiquan Tian Taiquan Wang Jin Weng Fen Wang Qingsong Williams College Museum of Art Wang Wusheng Xu Zhen Weng Fen Yang Yi Xu Zhen Yu Haibo Yang Yi Zhang Lijie Yao Lu Zhang Xiao Yu Haibo Zhou Hai Zhang Huan Zhang Lijie Zhang Xiao Zhou Hai 2 Rising Dr agon Contemporary Chinese Photography Miles Barth Guest Curator March 25 – September 2, 2012 Katonah Museum of Art October 12 – December 30, 2012 Krannert Art Museum and Kinkead Pavilion Winter/Spring 2013 San Jose Museum of Art Funding for this exhibition was provided by ArtsWestchester, with support from Westchester County Government; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and the Museum’s Exhibition Patrons. -
San Francisco Announces Key Artists, Galleries and Public Programming for Its 2Nd Edition
PHOTOFAIRS | San Francisco announces key artists, galleries and public programming for its 2nd edition ● First Look opening night on February 22, 2018 will benefit the photography program at the San Francisco Museum of Modern Art. ● Cutting-edge work from Asia, Europe and Latin America made available to collectors for the first time. ● Exciting line up of local, national and international artists confirmed for Insights exhibition. ● Conversations program to include artists Mandy Barker, Farrah Karapetian, Matt Lipps and Abelardo Morell alongside industry experts Virginia Heckert (Curator, Getty Museum, New York), Erin O’Toole (Associate Curator of Photography, The San Francisco Museum of Modern Art) and Sarah Meister (Curator, The Museum of Modern Art, New York). ● For all inquiries and images email [email protected] ● www.photofairs.org / @Photo_Fairs San Francisco, December 13, 2017: PHOTOFAIRS | San Francisco today announces select galleries, exhibitions and public programming for its 2018 edition, alongside the work of cutting-edge artists who will be available for purchase for the first time on the West Coast. Highlights include new work by artists Alec Soth (Weinstein Gallery, Minneapolis); the West Coast debut of French visual artist Noémie Goudal (Les Filles du Calvaire, Paris); a female-focused presentation featuring Ruth van Beek and Eva Stenram from The Ravestijn Gallery (Amsterdam). Mandy Barker (East Wing, Doha), and Cuban artist Abelardo Morell (Edwynn Houk Gallery, New York & Zurich) will present works at the fair in addition to speaking in the Fair’s Conversations program. The 2018 edition of PHOTOFAIRS | San Francisco will feature the debut of a roster of globally significant galleries including: Galerie Suzanne Tarasieve (Paris), Les Filles du Calvaire (Paris), Parrotta (Cologne), Rademakers Gallery (Amsterdam), SAGE (Paris) and Tang Feng Gallery (Miaoli City). -
Bellinetti, Maria Caterina (2018) Building a Nation: the Construction of Modern China Through CCP's Propaganda Images
Bellinetti, Maria Caterina (2018) Building a nation: the construction of modern China through CCP's propaganda images. PhD thesis. https://theses.gla.ac.uk/30913/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Building a Nation The Construction of Modern China through CCP’s Propaganda Images Maria Caterina Bellinetti Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy in History of Art School of Culture and Creative Arts College of Arts University of Glasgow February 2018 Abstract Building a Nation The Construction of Modern China Through CCP’s Propaganda Images To date, the study of Chinese propaganda photography has been limited. While some research has been made on post-1949 photography, the photographic production of the pre-1949 period has not been sufficiently explored. Focusing on the years of the Second Sino-Japanese War (1937-45), this thesis aims at addressing this gap in the literature and at providing an analysis of how the Chinese Communist Party exploited photography for propaganda purposes during the war.