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Statelessness and Citizenship in the East African Community
Statelessness and Citizenship in the East African Community A Study by Bronwen Manby for UNHCR September 2018 Commissioned by UNHCR Regional Service Centre, Nairobi, Kenya [email protected] STATELESSNESS AND CITIZENSHIP IN THE EAST AFRICAN COMMUNITY 2 September 2018 STATELESSNESS AND CITIZENSHIP IN THE EAST AFRICAN COMMUNITY Table of Contents List of Tables ............................................................................................................................... i List of Boxes ................................................................................................................................ i Methodology and acknowledgements ...................................................................................... ii A note on terminology: “nationality”, “citizenship” and “stateless person” ........................... iii Acronyms .................................................................................................................................. iv Key findings and recommendations ....................................................................... 1 1. Summary ........................................................................................................... 3 Overview of the report .............................................................................................................. 4 Key recommendations .............................................................................................................. 5 Steps already taken .................................................................................................................. -
December 1999 Zanzibar
No. 64 SEPTEMBER - DECEMBER 1999 ZANZIBAR - AGREEMENT IN DETAIL TANZANIA LEAVING COMESA MREMA CHANGES PARTY AGAIN CUF ADVANCES ON THE MAINLAND FIVE-YEAR-OLD TANZANIAN 'MESSIAH' £8,000 FOR TANZANIAN PAINTING ZANZIBAR - THE AGREEMENT On the day (June 10, 1999) that the media of the world were trumpeting the end of the war in the Balkans and the signing of a peace treaty, the beginning of week-long celebrations surrounding another peace treaty went virtually unnoticed in the world outside. After 1,225 days of political impasse in Zanzibar, an agreement, put together by Commonwealth Secretary General Chief Anyaoku and his negotiator Dr Moses Anafu after four years of effort, was signed between representatives of the combative political parties in the Isles - Mr Khatib Hassan, a member of the National Executive Committee for the ruling Chama cha Mapinduzi (CCM) party and Mr Shabaan Mloo, Secretary General of the opposition Civic United Front (CUF) for his party. Special prayers were read at the ceremony in the House of Representatives and seven white pigeons were released. A multitude of guests attended a dinner in the evening and heard President Amour say: "I can now welcome to State House myoid friend Maalim Seif (a term of affection for Seif Shariff Hamad, the CUF leader) for a bottle of soda, a cup of coffee or even haluwa. In a convivial atmosphere he added "You and I understand each other, CCM and CUF understand each other, let us build the nation patriotically". Chief Anyaoku, who was given honorary Zanzibar citizenship said in his speech that Zanzibar was now 'the real pearl of Africa'. -
Statelessness and Citizenship in the East African Community
Statelessness and Citizenship in the East African Community A Study by Bronwen Manby for UNHCR September 2018 Commissioned by UNHCR Regional Service Centre, Nairobi, Kenya [email protected] STATELESSNESS AND CITIZENSHIP IN THE EAST AFRICAN COMMUNITY 2 September 2018 STATELESSNESS AND CITIZENSHIP IN THE EAST AFRICAN COMMUNITY Table of Contents List of Tables ............................................................................................................................... i List of Boxes ................................................................................................................................ i Methodology and acknowledgements ...................................................................................... ii A note on terminology: “nationality”, “citizenship” and “stateless person” ........................... iii Acronyms .................................................................................................................................. iv Key findings and recommendations ....................................................................... 1 1. Summary ........................................................................................................... 3 Overview of the report .............................................................................................................. 4 Key recommendations .............................................................................................................. 5 Steps already taken .................................................................................................................. -
The New Americans
TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien Originally published in 2007: Grossman and O'Brien (eds) Projecting Migration: Transcultural Documentary Practice, Columbia University Press, NY (Book/DVD). [Combined DVD/Book engaged with questions of migration, mobility and displacement through the prism of creative practice. Columbia University Press, NY] I The title of this book [The New Americans] and the documentary series upon which it reflects proclaims that something is fundamentally different about our most recent wave of immigration The racial and ethnic identity of the United States is ‐ once again ‐ being remade. The 2000 Census counts some 28 million first‐generation immigrants among us. This is the highest number in history – often pointed out by anti‐immigrant lobbyists ‐ but it is not the highest percentage of the foreign‐born in relation to the overall population. In 1907, that ratio was 14 percent; today, it is 10 percent. Yet there is the pervasive notion that something is occurring that has never occurred before, or that more is at stake than ever before. And there is a crucial distinction to be made between the current wave and the ones that preceded it. As late as the 1950s, two‐thirds of immigration to the US originated in Europe. By the 1980s, more than 80 percent came from Latin America and Asia. As at every other historical juncture, when we receive a new batch of strangers, there is a reaction, a kind of political gasp that says: We no longer recognize ourselves. -
Dadaab Returnee Conflict Assessment August 2017
DADAAB RETURNEE CONFLICT ASSESSMENT AUGUST 2017 PREPARED FOR DANISH DEMINING GROUP (DDG) BY KEN MENKHAUS Dadaab Returnee Conflict Assessment | i Foreword and Acknowledgements This conflict assessment was implemented as part of the UK Department for International Development (DFID) funded and Norwegian Refugee Council (NRC) and Danish Refugee Council (DRC) implemented project: ‘Promoting Durable Solutions through Integrated Return, Reintegration and Resilience Support to Somali Displacement affected Populations’. The project aims to support conditions conducive for safe and dignified return and sustainable reintegration of Somali refugees. The project was implemented between October 2016 and June 2017. The Conflict Assessment was implemented by the Danish Demining Group (DDG), under the supervision of Mads Frilander. The principal investigator and author of the study is Ken Menkhaus, and he alone is responsible for any errors or misinterpretations in the report. He and Ismahan Adawe formed the research team that conducted fieldwork for this study in Mogadishu, Kismayo, Baidoa, and Nairobi in December 2016 and January 2017. The analysis combines existing studies and reports collected in a literature review with over 60 field interviews, as well as a survey carried out in Kismayo. The interviews were semi-structured in format, some held with key informants and others with focus groups of men and women representing host communities, internally displaced persons (IDPs), and returnees. The survey was carried out by the company Researchcare Africa. The research was conducted in challenging security and political conditions, and the research team is deeply indebted to many individuals and organisations who provided essential help to overcome those obstacles. We are also very grateful to the hundreds of Somali stakeholders and international aid officials who volunteered their time to meet with the research team and discuss these issues. -
UNBROKEN GLASS to Premiere on AMERICA REFRAMED a Film by Dinesh Das Sabu
UNBROKEN GLASS To Premiere on AMERICA REFRAMED A film by Dinesh Das Sabu Tuesday, May 16, 2017 at 8 p.m. on WORLD Channel “A fascinating look into how we are caught between influences of our past and present. Reflective, heartfelt filmmaking.” – Nick Allen, RogerEbert.com April 8, 2017 – (New York, NY) – Dinesh Das Sabu’s documentary, UNBROKEN GLASS, will have its U.S. television premiere Tuesday, May 16, 2017 at 8 p.m. on MEDIA RELATIONS WORLD Channel (check local listings), as part of the new season of public media’s Neyda Martinez AMERICA REFRAMED. The documentary series is dedicated to highlighting intimate 917 656 7846 stories by emerging and veteran filmmakers who are chronicling an ever-changing [email protected] America. The broadcast will be followed by free streaming for audiences across the U.S. at www.worldchannel.org/americareframed starting on May 17th. AMERICA REFRAMED 20 Jay Street An intimate portrait of a resilient and loving family, UNBROKEN GLASS is a Suite 940 Brooklyn, NY 11201 documentary about filmmaker Dinesh Das Sabu's journey to understand his parents, who both died when he was a child. Through making UNBROKEN GLASS, he P: 212-989-8121 uncovers the truth about his mother’s mental illness and tragic fate. F: 212-989-8230 americareframed.com Dinesh’s parents, Dwarka and Susheela Sabu lived complicated lives bridging two countries and cultures. The film takes viewers to India, Louisiana, California, and New Mexico, as Dinesh pieces together the story of his mother's schizophrenia. In the Indian culture where mental illness remains a misunderstood and feared taboo, Dinesh’s cinematic exploration reveals how his family wrestled with the trauma and emotional angst. -
Before the United States Copyright Office Library of Congress ) in The
Before the United States Copyright Office Library of Congress ) In the Matter of ) ) Exemption to Prohibition on ) Docket No. RM 2008-08 Circumvention of Copyright Protection Systems ) For Access Control Technologies ) ) COMMENTS OF KARTEMQUIN EDUCATIONAL FILMS, INC. AND THE INTERNATIONAL DOCUMENTARY ASSOCIATION Submitted For: Submitted By: Kartemquin Educational Films, Inc. Jack I. Lerner 1901 W. Wellington Ashlee Lin, Clinical Intern Chicago, IL 60657 Christopher Perez, Clinical Intern USC Intellectual Property and Technology International Documentary Association Law Clinic 1201 West Fifth Street, Ste. M270 University of Southern California Gould Los Angeles, CA 90017 School of Law 699 Exposition Boulevard Los Angeles, CA 90089 Michael C. Donaldson Donaldson & Callif 400 South Beverly Drive Beverly Hills, CA 90212 Comment of Kartemquin Educational Films and the International Documentary Association TABLE OF CONTENTS Page I. REQUESTED CLASS………………………………………………………………………... 1 II. SUMMARY……………………………………………………………………………...…... 1 III. FACTUAL BACKGROUND………………………………………………………………. 2 A. Documentary Filmmakers Rely on Fair Use and Public Domain Materials……..….. 2 B. CSS-Protected DVDs Have Become the Dominant Distribution Format for Materials Filmmakers Need for Fair Use and for Public Domain Materials………… 3 C. The Technological Measure at Issue…………………………………………………. 4 D. Analog Alternatives to Circumvention Are Not Practicable………………………… 5 IV. ARGUMENT………………………………………………………………………………... 7 A. CSS Technology on DVDs Has a Substantial Adverse Effect on the Use of Public Domain Works and Fair Use in Documentary Filmmaking………………….. 8 B. The Proposed Class of Works Is Narrowly Tailored to Address the Harm………….. 9 i. Motion Pictures and other audiovisual works in the form of Digital Versatile Discs (DVDs) not generally available commercially to the public in a DVD form not protected by Content Scrambling System technology…………………. -
City of Thorns by Ben Rawlence
ELPL Lit Kits City of Thorns by Ben Rawlence To the charity workers, Dadaab refugee camp is a humanitarian crisis; to the Kenyan government, it is a 'nursery for terrorists'; to the western media, it is a dangerous no-go area; but to its half a million residents, it is their last resort. Situated hundreds of miles from any other settlement, deep within the inhospitable desert of northern Kenya where only thorn bushes grow, Dadaab is a city like no other. Its buildings are made from mud, sticks or plastic, its entire economy is grey, and its citizens survive on rations and luck. Over the course of four years, Ben Rawlence became a first-hand witness to a strange and desperate limbo-land, getting to know many of those who have come there seeking sanctuary. Among them are Guled, a former child soldier who lives for football; Nisho, who scrapes an existence by pushing a wheelbarrow and dreaming of riches; Tawane, the in- domitable youth leader; and schoolgirl Kheyro, whose future hangs upon her edu- cation. In "City of Thorns," Rawlence interweaves the stories of nine individuals to show what life is like in the camp and to sketch the wider political forces that keep the refugees trapped there. About the Author: BEN RAWLENCE is a former researcher for Human Rights Watch in the horn of Africa. He is the author of "Radio Congo "and has written for a wide range of publications, including "The Guardian, "the "London Review of Books, "and "Prospect." He lives in the Black Mountains in Wales with his wife and daughter. -
THE INTERRUPTERS a Film by Steve James and Alex Kotlowitz
A Cinema Guild Release KARTEMQUIN FILMS in association with RISE FILMS present THE INTERRUPTERS A film by Steve James and Alex Kotlowitz Photographed and Directed by Steve James Produced by Alex Kotlowitz and Steve James (Note to press: When referencing The Interrupters, please credit both Steve and Alex; they were creative partners in the making of the film. Thanks.) Official Selection, Sundance Film Festival, 2011 Special Jury Award, Full Frame Film Festival, 2011 Audience Award for Best Documentary, Philadelphia Cinefest, 2011 Best Documentary Award, Miami International Film Festival, 2011 Best Documentary Award, Minneapolis Film Festival, 2011 True Life Fund Winner, True/False Film Festival, 2011 Official Selection, South by Southwest Film Festival, 2011 125 minutes / 1.78:1 / Dolby Digital 2.0 / In English / Not Rated / Stills available at: www.cinemaguild.com/downloads Publicity Contact Susan Norget Susan Norget Film Promotion 198 Sixth Ave., Ste. 1 New York, NY 10013 Tel: 212.431.0090 Fax: 212.680.3181 [email protected] SYNOPSIS THE INTERRUPTERS tells the moving and surprising story of three dedicated individuals who try to protect their Chicago communities from the violence they, themselves once employed. These “violence interrupters” (their job title) – who have credibility on the street because of their own personal histories – intervene in conflicts before the incidents explode into violence. Their work and their insights are informed by their own journeys, which, as each of them point out, defy easy characterization. Shot over the course of a year out of Kartemquin Films, THE INTERRUPTERS captures a period in Chicago when it became a national symbol for the violence in our cities. -
Inquiring Nuns (1968, 66 Mins) Directed by Gordon Quinn & Jerry Temaner Music by Philip Glass
Kartemquin Films and Argot Pictures present The 50th Anniversary theatrical release of a newly restored 16mm print & 2K DCP of Inquiring Nuns (1968, 66 mins) Directed by Gordon Quinn & Jerry Temaner Music by Philip Glass A beloved but rarely seen gem of pure cinéma vérité in which Sister Marie Arné and Sister Mary Campion tour Chicago during the Summer of Love, asking: “Are you happy?” A Kartemquin Film. www.kartemquin.com Bookings: Jim Browne. [email protected]. 646-732-3725. Publicity: Tim Horsburgh & Julia Martin. [email protected]. 773-472-4366. Opening theatrical run engagements: New York / November 23 - Dec 2 / Museum of the Moving Image Chicago / November 30 - Dec 6 / Gene Siskel Film Center Los Angeles / December 7 / Billy Wilder Theater (co-director Gordon Quinn attending opening weekend in each city) “Inquiring Nuns is the closest thing to a ‘pure’ documentary that I have ever seen.” — William Routt, Film Quarterly, 1968 "A lovely, weirdly potent time capsule... a single, polyphonic ode to late '67 Chicago and what was on the mind of its collective citizenry." — Michael Phillips, Chicago Tribune, 2016 “Quinn and Temaner are filmmakers and “inquiring reporters” with great insight, and a lot to tell us about ourselves.” — Roger Ebert, Chicago Sun-Times, 1968 “A provocative meditation on the complexities of happiness as well as a moving ode to the vitality of human connection. It serves as a refreshing rebuke to our modern political climate favoring bullying and division over understanding and unity.” -
FOR IMMEDIATE RELEASE Contacts
32 Broadway tel 212 989.8121 leveraging independent media 14th Floor fax 212 989.8230 in the public interest New York NY 10004 FOR IMMEDIATE RELEASE Contacts: Cynthia López, 212-989-7425, [email protected] Cathy Lehrfeld, 212-989-7425, [email protected] GOLUB Because Leon Golub’s massive canvasses depict scenes most of us would prefer not to see—mercenary killings, torture, death squads—they often raise the eyebrows and blood pressures of surprised viewers. In GOLUB, filmmakers Jerry Blumenthal and Gordon Quinn offer not simply a profile of a painter with a political conscience, but an investigation into the power of the artist to reflect our times—and to change the way we think about our world. The film will air on public television stations as part of the second season of True Lives, a series by the producers of P.O.V. “Art has always offended,” says Quinn. “Stravinsky offended; people rioted. GOLUB is part of that tradition. It’s not that all art has to be offensive, but a society in which art cannot offend is a totalitarian society.” The one-hour film juxtaposes scenes of physical violence and political repression around the world, statements by American politicians and others, the responses of viewers to Golub’s exhibitions, and an extended sequence capturing the artist at work. In his New York studio, he creates a huge canvas that depicts a brutal act of violence—a reminder, he says, of U.S. subsidized activity in El Salvador. TRUE LIVES/GOLUB 2 In developing this work and others, Golub turns to a file drawer full of newspaper and magazine clippings and photographs of various body types, violent acts, weapons, etc. -
63 Boycott Scree Ning Guide for Public Television Stations and Their Community Partners
‘63 BOYCOTT SCREE NING GUIDE FOR PUBLIC TELEVISION STATIONS AND THEIR COMMUNITY PARTNERS PRESENTED BY: FUNDED BY: WATCH ‘63 BOYCOTT ON WORLD CHANNEL PREMIERES FEBRUARY 25, 2019 ON LOCAL, USA STREAMING ONLINE AFTER BROADCAST https://worldchannel.org/episode/lusa-63-boycott/ ABOUT THE FILM On October 22, 1963, more than 250,000 students boycotted the Chicago Public Schools to protest racial segregation. Many marched through the city calling for the resignation of School Superintendent Benjamin Willis, who placed trailers, dubbed ‘Willis Wagons,’ on playgrounds and parking lots of overcrowded black schools rather than let them enroll in nearby white schools. Combining unseen archival 16mm footage of the march shot by Kartemquin founder and filmmaker Gordon Quinn with the participants’ reflections today, ’63 BOYCOTT connects the forgotten story of one of the largest northern civil rights demonstrations to contemporary issues around race, education, school closings, and youth activism. DISCUSS WITH VIEWERS ONLINE AT: FB.COM/WORLDCHANNEL FB.COM/63BOYCOTT TWITTER.COM/WORLDCHANNEL TWITTER.COM/63BOYCOTT INSTAGRAM.COM/WORLDCHANNEL INSTAGRAM.COM/63BOYCOTT WORLD Channel is a 24/7, full-service multicast channel featuring public television’s signature nonfiction documentary, science, and news programming complemented by original content from emerging producers. Our mission is to inform and inspire with real stories from around the world. You can find WORLD Channel through your local PBS station and can access our programming directly on WORLDChannel.org. | ‘63 BOYCOTT Viewing Guide 2 We were out to disrupt. We were out to inform. - CHARLES SMITH, a Chicago organizer for CORE (Congress of “ Racial Equality) FILM MAKERS GORDON QUINN, DIRECTOR Quinn is the Artistic Director and founder of Kartemquin Films, a 53-year-old media organization, and the 2007 recipient of the MacArthur award for Creative and Effective Institutions.