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Slugmag.Com 1 2 Saltlakeunderground Slugmag.Com 3 Saltlakeunderground • Vol slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 24 • Issue #294 • June 2013 • slugmag.com facebook.com/SLUG.Mag @SLUGMag @SLUGMag youtube.com/user/SLUGMagazine Publisher: Eighteen Percent Gray Marketing Team: Ischa B., Emily Burkhart, Sa- Editor: Angela H. Brown brina Costello, Kristina Sandi, Brooklyn Ottens, Managing Editor: Esther Meroño Angella Lucisano, Nicole Roccanova, Briana Editorial Assistant: Alexander Ortega Buendia, Raffi Shahinian, ictoriaV Loveless, Zac Office Coordinator:Gavin Sheehan Freeman, Cassie Anderson, Cassie Loveless, Copy Editing Team: Esther Meroño, Shley Kinser, Matt Brunk, Robin Sessions, Carl Alexander Ortega, Mary Enge, Cody Kirkland, Acheson Johnathan Ford, Alex Cragun, Rachel Miller, Social Media Coordinator: Catie Weimer Katie Bald Distribution Manager: Eric Granato Cover Photographer: Weston Colton Distro: Eric Granato, Tommy Dolph, Tony Bas- Lead Designer: Joshua Joye sett, Joe Jewkes, Nancy Burkhart, Adam Okeefe, Design Team: Eric Sapp, Eleanor Scholz, BJ Ryan Worwood, John Ford, Cody Kirkland, Viehl, Lenny Riccardi, Chad Pinckney, Mason Nate Brooks, Matt Pothier, Phil Cannon, Tim Rodrickc Kronenberg Ad Designers: Kent Farrington, Sumerset Bivens, Christian Broadbent, Kelli Tompkins, Senior Staff Writers: Mike Brown, Mariah Maggie Call, Eric Sapp, Brad Barker, Paden Mann-Mellus, James Orme, Lance Saunders, Bischoff, Maggie Zukowski, Thy Doan Bryer Wharton, Peter Fryer, James Bennett, Ricky Website Design: Kate Colgan Vigil, Gavin Hoffman, Esther Meroño, Rebecca Office Interns: Carl Acheson, Robin Sessions, Vernon, Jimmy Martin, Ben Trentelman, Princess Alex Cragun, Chandler Hunt Kennedy, Sean Zimmerman-Wall, Cody Hudson, Illustrators: Ryan Perkins, Phil Cannon, Benji Shawn Mayer, Dean O. Hillis, Chris Proctor, Pierson, Maggie Zukowski, Sean Hennefer, Alexander Ortega, Jeanette D. Moses, Madelyn Robin Banks, Timm Paxton, Dylan Chadwick, Boudreaux, Gavin Sheehan, Megan Kennedy, Eleanor Scholz, Jared Smith, Steve Thueson John Ford, Cody Kirkland, Ryan Hall, Ischa B. Photographers: Katie Panzer, Dave Brewer, Monkeys with Computers: Brian Kubarycz, Barrett Doran, Jesse Anderson, John Barkiple, Some Cop Dude, Nate Housley, Dylan Chad- Chad Kirkland, Melissa Cohn, Megan Kennedy, wick, Mame Wallace, Tom Winkley, Henry Michael Schwartz, Alex Pastucha, Weston Glasheen, Kia McGinnis, Lauren Ashley Paul, Colton, Jake Vivori, Gavan Nelson, Andy Gregory Gerulat, Timo H., Jory Carroll, Alex Wright, Gilbert Garcia, Paul Duane, Talyn Cragun, Kendal Gillett, Alex Springer, Brinley Sherer, Robin Sessions, Ceza Dzawala, Ben Froelich, Justin Gallegos, Scott Farley, Steve Melini, Martín Rivero, Logan Sorenson Richardson, LeAundra Jeffs, Steve Goemaat, Videographers: Slugger, Brian Baade, Brock Christian Schultz, Matt Brunk, Jordan Deveraux, Grossl, Candida Duran, Matthew Pothier, Rebecca Frost, Mike Riedel, Tim Kronenberg, Audrey Newhouse, Perrylayne Deker-Tate, Cole Amanda Rock, Randy Dankievitch, Davey Davis, Quartuccio Adam Fratto, Julia Sachs, Jamie Smith, Casey Morgan Ad Sales: SLUG HQ 801.487.9221 Angela Brown: SLUG Magazine’s Official Podcast: [email protected] Soundwaves From The Underground Nate Abbott: Host: Dan Nailen [email protected] Producer: Gavin Sheehan John Ford: Executive Producer: Angela H. Brown [email protected] Associate Producers: Esther Meroño, Alexan- der Ortega, Dan Nailen Marketing Manager: Karamea Puriri About the Cover: Up-and-coming local Forrest Huber has a thing for fire hydrants. Really. He wants to ollie a hundred of them. Since the ‘80s, skaters have used this common street fixture for an obstacle. Huber’s baside 180, shot by SLUG photographer Weston Colton, is as classic as it gets. See more on pages 36-39. DISCLAIMER: SLUG Magazine does not necessarily maintain the same opinions as those found in our articles, interviews or advertisements. If you are easily offended, please do not blame us. We are a carrier for the voice of the people and it is not our fault if you don’t like people. Content is property of SLUG Magazine. Please do not use without permission, or we will hunt you down and make you pay for your sins. Now that’s a promise. Contributor Limelight: Weston Colton – Photographer Weston Colton has been a trusted skate photographer for SLUG Maga- zine since 2007. Skateboarding is Weston’s foundation for his photogra- phy career, which has propelled him into the charmed life of a professional like a frontside aerial on a Danny Way ramp. Weston eventually transitioned from a self-taught skate photographer to working full time for a home technology company, boast- ing a BFA in photography from BYU, and a wife and three kids. Along with some freelance adventures, he still makes time for skating and keeps up to date with all the local up-and-comers, hence his feature on Forrest Huber this month, Weston’s first-ever SLUG cover. He says he enjoyed this assignment because, “Skating around downtown and shooting what you find takes me back to my early days skating with friends.” Check out Weston’s work within the pages of every SLUG issue, go to westoncolton.com, or follow him on Instagram @westoncolton. 4 SaltLakeUnderGround slugmag.com 5 Dear Dickheads, comes down to … IMAGINE two sets of pitchy groans. It’s 3 AM right now and I can’t You see, Gotti, your problem sleep. Why? Because my roommate isn’t your roommate, it’s your is pressing hams in the room above lack of imagination, and me. Right. Above. Me. I don’t mind your failure to see opportu- the fact that he’s getting some, nity when it’s literally bang- good on him and all that shit, but ing on the ceiling. So here’s does he have to be loud? Do they what you do: Rather than have to call out plays (e.g. “Suck wreaking havoc on your my...” or “Put your...”)? Does she eardrums with Pig Destroyer, have to adjust her pitchy groans take those headphones off, based on the distance between light some candles and might the Plateau and Climax? I usually I suggest pressing play on put on headphones and crank up some Al Green, or if you’re Converge, Pig Destroy, Eagle Twin, feeling bold, R. Kelly. Once anything to bleed over their spam you get comfortable, feel spanking and boots knocking, but free to participate—and get tonight it isn’t cutting it. How the creative! I’m sure there are fuck do I get them to fuck when plays you have yet to hear. I’m not home or to at least keep it You know, Gotti, people down? I’m courteous with my sex, in Amsterdam pay a lot of why can’t they give me the same money for the kind of experi- respect? Please refrain from “tie on ence you’re getting for free. the doorknob” solutions, this isn’t Not to mention, if you’re the sixties and I’m not John Belushi. having “courteous sex,” it sounds like you might want Here’s to sleeping, to whip out some pen and Gotti Bitchaboutit paper once you’re done with Rosy Palm and her five sis- Dear Gotti, ters, ‘cause I can guarantee no one’s getting off in your As the roommate of two les- room with that attitude. bians, I feel ya, man. Imag- ine two sets of pitchy groans Happy humping! … and this is what it really XOXO SLUG FAX, SNAIL MAIL OR EMAIL US YOUR LETTERS! Fax: 801.487.1359 • Mailing Address: Dear Dickheads c/o SLUG Mag 351 Pierpont Ave. Ste. 4B SLC, UT 84101 or [email protected] 6 SaltLakeUnderGround slugmag.com 7 8 SaltLakeUnderGround slugmag.com 9 Heckenible, Kilpatrick and Walker played music in Cone says. He pauses, and continues, saying, “Ev- music at their shows—they just have to find time in Salt Lake long before The Insurgency, so they have a ery one of our songs are stories that are semi-au- their busy touring schedule to record. good grasp on how the punk rock scene has changed tobiographical and also fictional. It’s always about over the last 10 years. “Through the years that I’ve someone snapping and doing crazy shit. It’s my The newest member of the band, Stevens, has a played, I’ve noticed a lot of people have matured, interpretation of the fucked up state of the world.” grasp on what it’s like to attend a show both as a and their music has gotten better. There are younger Stevens piped in with an even more interesting senti- musician and as a supporter. He says, “Before I was bands coming out, and they’re just kicking our asses, ment: “Murder and insanity, drug abuse,” he says. a member, I was a fan, and I think the shows have so it’s our job to step it up. Even as a player of my Cone writes the majority of the music and brings it a lot of good energy. There’s definitely rock n’ roll age, I can get a lot of inspiration from the young to band members at practice to write their parts for elements and a little country feature. There’s folk and (L-R) Jason Heckenible, kids,” Heckenible says. Jenkins has only been in Salt and collaborate on. Because Cone spearheads the minor keys that make you feel like you’re hearing mu- Fred Jenkins, Lake for eight years, but during that time has come to writing process, the band moves cohesively from one sic from the East. It’s an all around good experience. Doug Walker and appreciate many things about the local music scene. song to another. Being onstage is even better.” He says, “Compared to any place I have ever been, Jeff Kilpatrick of Salt Lake City has an open mind. You can play any After a year of touring and playing concerts in Salt Before I let them skip back inside to mingle, I asked The Insurgency kick type of music here, and often people expect the cre- Lake City, the boys are ready to start recording an- how they lived up to what Newberry called the “hobo out a tight punk rock ativity.” Walker rounds it out with a sentiment I can other album.
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