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Tracing the Origin of Blue and White Chinese Porcelain Ordered for the Portuguese Market During the Ming Dynasty Using INAA
Journal of Archaeological Science 40 (2013) 3046e3057 Contents lists available at SciVerse ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Tracing the origin of blue and white Chinese Porcelain ordered for the Portuguese market during the Ming dynasty using INAA M. Isabel Dias a,*, M. Isabel Prudêncio a, M.A. Pinto De Matos b, A. Luisa Rodrigues a a Campus Tecnológico e Nuclear/Instituto Superior Técnico, Universidade Técnica de Lisboa, EN 10 (Km 139,7), 2686-953 Sacavém, Portugal b Museu Nacional do Azulejo, Rua da Madre de Deus no 4, 1900-312 Lisboa, Portugal article info abstract Article history: The existing documentary history of Chinese porcelain ordered for the Portuguese market (mainly Ming Received 21 March 2012 dynasty.) is reasonably advanced; nevertheless detailed laboratory analyses able to reveal new aspects Received in revised form like the number and/or diversity of producing centers involved in the trade with Portugal are lacking. 26 February 2013 In this work, the chemical characterization of porcelain fragments collected during recent archaeo- Accepted 3 March 2013 logical excavations from Portugal (Lisbon and Coimbra) was done for provenance issues: identification/ differentiation of Chinese porcelain kilns used. Chemical analysis was performed by instrumental Keywords: neutron activation analysis (INAA) using the Portuguese Research Reactor. Core samples were taken from Ancient Chinese porcelain for Portuguese market the ceramic body avoiding contamination form the surface layers constituents. The results obtained so INAA far point to: (1) the existence of three main chemical-based clusters; and (2) a general attribution of the Chemical composition porcelains studied to southern China kilns; (3) a few samples are specifically attributed to Jingdezhen Ming dynasty and Zhangzhou kiln sites. -
Views of a Porcelain 15
THE INFLUENCE OF GLASS TECHNOLOGY vessels nor to ceramic figurines, but to beads made in imitation of imported glass.10 The original models were ON CHINESE CERAMICS eye-beads of a style produced at numerous sites around the Mediterranean, in Central Asia and also in southern Russia, and current in the Near East since about 1500 Nigel Wood BC.11 A few polychrome glass beads found their way to Research Laboratory for Archaeology and the History of Art, University of Oxford. China in the later Bronze Age, including one example excavated from a Spring and Autumn period (770-476 BC) site in Henan province.12 This particular blue and ONE OF THE MOST IMPORTANT AND ENDURING DIFFER- white eye bead was of a style current in the eastern ences between the ceramics of China and the Near East Mediterranean in the 6th to 3rd century BC and proved lies in the role that glass has played in the establishment to have been coloured by such sophisticated, but of their respective ceramic traditions. In the ceramics of typically Near Eastern, chromophores as calcium- Mesopotamia, Persia, Egypt, and Syria glass technology antimonate-white, cobalt-blue and a copper-turquoise, proved vital for the development of glazed ceramics. while its glass was of the soda-lime type, common in 13 Figure 2. Earthenware jar with weathered glazes. Warring States Following the appearance of glazed stone-based the ancient world. period. Probably 3rd century BC (height: 9.5 cm). The British ceramics in the fourth millennium BC, the first glazes These ‘western’ beads would have been wonders in Museum. -
China: Qing Dynasty Porcelain and Global Exchange Pre-Visit
China: Qing Dynasty Porcelain and Global Exchange Pre-Visit Share this background information with students before your Distance Learning session. Grade Level: Grades 9-12 Collection: East Asian Art Culture/Region: China, East Asia Subject Area: History and Social Science Activity Type: Distance Learning WHY LOOK AT PLATES AND VASES? When visiting a relative or a fancy restaurant, perhaps you have dined on “fine china.” While today we appreciate porcelain dinnerware for the refinement it can add to an occasion, this conception is founded on centuries of exchange between Asian and Western markets. Chinese porcelain production has a long history of experimentation, innovation, and inspiration resulting in remarkably beautiful examples of form and imagery. At the VMFA, you will examine objects from a small portion of this history — the 18th century during the Qing Dynasty — to expand your understanding of global exchange in this era. Because they were made for trade outside of China, these objects are categorized as export porcelain by collectors and art historians. Review the background information below, and think of a few answers you want to look for when you visit VMFA. QING DYNASTY Emperors, Arts, and Trade Around the end of the 16th century, a Jurchin leader named Nurhaci (1559–1626) brought together various nomadic groups who became known as the Manchus. His forces quickly conquered the area of present-day Manchuria, and his heirs set their sights on China. In 1636 the Manchus chose the new name of Qing, meaning “pure,” to emphasize their intention to purify China by seizing power from the Ming dynasty. -
Mapping Surficial Materials in Nunavut Using Radarsat-2 C-Hh and C-Hv, Landsat-8 Oli, Dem and Slope Data
MAPPING SURFICIAL MATERIALS IN NUNAVUT USING RADARSAT-2 C-HH AND C-HV, LANDSAT-8 OLI, DEM AND SLOPE DATA by Justin Thomas Bezanson Byatt BSc Environmental Management, University of New Brunswick, 2014 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Forestry In the Graduate Academy Unit of Forestry and Environmental Management Supervisors: Brigitte Leblon, PhD, Forestry and Environmental Management Armand LaRocque, PhD, Forestry and Environmental Management Advisory Committee: Jeff Harris, PhD Isabelle McMartin, PhD, Geological Survey of Canada Examining Board: Fan-Rui Meng, PhD, Forestry and Environmental Management Emmanuel Stefenakis, PhD, GGE This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK May, 2017 © Justin Thomas Bezanson Byatt, 2017 ABSTRACT The Canadian Arctic is currently the focus of increased mapping activities, which aim to provide better knowledge to assist in making informed decisions for sustainable minerals and energy development, and land-use management. One of the required maps deals with surficial materials. This thesis studies the potential of combining RADARSAT-2 SAR images with Landsat-8 optical data, DEM and slope data to map surficial materials in the region around Wager Bay, Nunavut. Two study areas were selected, one on the northern side of the bay (NTS map areas 046E, K, L, M, 056H, I, J) and another one on the southern side (NTS map sheets 046D, E, 055P, 056A, H). The images were classified using a non-parametric classifier Random Forests. The results show that including RADARSAT-2 images in the classification process increases the overall classification accuracy from 92.8% to 98.1% in the north region and 96.7% to 99.3% in the south region. -
Page 1 578 a Japanese Porcelain Polychrome Kendi, Kutani, 17Th C
Ordre Designation Estimation Estimation basse haute 551 A Chinese mythological bronze group, 19/20th C. H: 28 cm 250 350 552 A Chinese bronze elongated bottle-shaped vase, Ming Dynasty H.: 31 600 1200 cm 553 A partial gilt seated bronze buddha, Yongzheng mark, 19th C. or earlier 800 1200 H: 39 cm L: 40 cm Condition: good. The gold paint somewhat worn. 554 A Chinese bronze jardiniere on wooden stand, 19/20th C. H.: 32 cm 300 600 555 A Chinese figural bronze incense burner, 17/18th C. H.: 29 cm 1000 1500 556 A Chinese bronze and cloisonne figure of an immortal, 18/19th C. H.: 31 300 600 cm 557 A Chinese bronze figure of an emperor on a throne, 18/19th C. H.: 30 cm 800 1200 Condition: missing a foot on the right bottom side. 558 A bronze figure of Samanthabadra, inlaid with semi-precious stones, 4000 8000 Ming Dynasty H: 28 cm 559 A Chinese gilt bronze seated buddha and a bronze Tara, 18/19th C. H.: 600 1200 14 cm (the tallest) 560 A Chinese bronze tripod incense burner with trigrams, 18/19th C. H.: 350 700 22,3 cm 561 A tall pair of Chinese bronze “Luduan� figures, 18/19th C. H.: 29 1200 1800 cm 562 A tall gilt bronze head of a Boddhisatva with semi-precious stones, Tibet, 1000 1500 17/18th C. H.: 33 cm 563 A dark bronze animal subject group, China, Ming Dynasty, 15-16th C. H.: 1500 2500 25,5 cm 564 A Chinese dragon censer in champlevé enameled bronze, 18/19th C. -
Ceramics Monthly Mar94 Cei03
March 1994 1 William Hunt............................................. Editor Ruth C. Butler.............................Associate Editor Kim Nagorski............................. Assistant Editor Randy Wax........................................Art Director Mary Rushley......................Circulation Manager Mary E. Beaver ....Assistant Circulation Manager Connie Belcher...................Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Post Office Box 12788 Columbus, Ohio 43212-0788 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly {ISSN 0009-0328) is published monthly except July and August by Professional Publications, Inc., 1609 Northwest Boulevard, Columbus, 0hio43212-0788. Second Class post age paid at Columbus, Ohio. Subscription Rates:One year $22, two years $40, three years $55. Add $10 per year for subscrip tions outside the U.S.A. In Canada, add GST (registration number R123994618). Change of Address:Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Offices, Post Office Box 12788, Co lumbus, Ohio 43212-0788. Contributors: Manuscripts, announcements, news releases, photographs, color transparencies (including 35mm slides), graphic illustrations and digital TIFF or EPS images are welcome and will be considered for publication. Mail submis sions to Ceramics Monthly, Post Office Box 12788, Columbus, Ohio 43212-0788. We also accept unillustrated -
Inside ■ Nurses Should Be Politically Active, Says Alumna, Page 5 the Campus Chronicle Vol
■ A refurbished Bezanson Recital Hall set to reopen, page 4 Inside ■ Nurses should be politically active, says alumna, page 5 The Campus Chronicle Vol. XVIII, No. 24 March 7, 2003 for the Amherst campus of the University of Massachusetts News Briefs President’s Office says Faculty forum on war in Iraq scheduled cuts may cost 1,500 jobs Faculty members are in- Daniel J. Fitzgibbons across the higher education sys- vited to present their views CHRONICLE STAFF tem also would be shared region- on the impending war in Iraq ally. at a forum Tuesday, March Gov. Mitt Romney’s proposal The plan also targets the Uni- 11, in 101 Lincoln Campus to reorganize the state public versity President’s Office for clo- Center. The 12:15 p.m. gath- higher education system would sure, a move Romney says would ering is being sponsored by cut the University’s funding by save $14 million, and places all Faculty Senate secretary $65 million and force the layoff of public campuses under a new Ernest May and Massachu- 1,500 employees across the five secretary of education, Peter setts Society of Professors campuses, according to analysis Nessen. president Ron Story. The by the President’s Office. The President’s Office study senate’s presiding officer, According to the analysis, says Romney’s plan will add two Jerry Mileur, will moderate called a “best case scenario,” the layers of “administrative bureau- the discussion. plan would cut funding for the cracy” to higher education by es- Interested faculty may UMass system by 15 percent, tablishing the secretariat of edu- present their view for up to some $15 million more than the cation and seven regional coun- five minutes. -
American Ceramic Circle Fall Newsletter 2015 American Ceramic Circle Fall Newsletter 2015
AMERICAN Ceramic Circle FALL NEWSLETTER 2015 AMERICAN Ceramic Circle FALL NEWSLETTER 2015 OFFICERS OF THE AMERICAN CERAMIC CIRCLE 2015 Donna Corbin CONTENTS Chairman The American Ceramic Circle (ACC) was founded in 1970 as a Anne Forschler-Tarrasch ACC TRIP TO MEXICO 5 non-profit educational organization committed to the study and President appreciation of ceramics. Its purpose is to promote scholarship Adrienne Spinozzi GRANT AWARDS 6 Vice President and research in the history, use, and preservation of ceramics of Margaret Zimmermann GRANTS AND SCHOLARSHIPS 7 Secretary all kinds, periods, and origins. The current active membership of approximately five hundred is composed of museum professionals, M. L. Coolidge PUBLICATIONS 8 Treasurer collectors, institutions, and a limited number of dealers in ceramics. Suzanne Findlen Hood CERAMIC NOTES AND RESEARCH 9 Member interest is focused on post-Medieval pottery and porcelain Administrator Anne Forschler-Tarrasch EXHIBITIONS 14 of Europe, Asian ceramics of all periods, and ceramics made, used, Symposium Chair or owned in North America. Elizabeth Williams MUSEUM INSTALLATIONS 27 Grants Chair The ACC is chartered in the State of Maine as a 501 (c) 3 Corporation and is governed by a volunteer Board of Trustees. Dorothy Cobb CONFERENCES, SYMPOSIA, AND LECTURES 30 Development Chair Amanda Lange ANNOUNCEMENTS 32 Journal Editor David Conradsen, Adrienne Spinozzi NEW ACQUISITIONS 33 Newsletter Editors Shirley Mueller PRIVATE COLLECTIONS 36 Book Award Chair Angelika Kuettner UPCOMING FAIRS AND AUCTIONS 38 Website Coordinator Barbara McRitchie Archivist Thank you for all your contributions to this edition of the Newsletter. Cover Image: One of a pair of sample plates, Dutch (Delft), ca. -
Porcelain Circling the Globe (Dresden, 13-14 Jun 18)
Porcelain circling the Globe (Dresden, 13-14 Jun 18) Staatliche Kunstsammlungen Dresden, Porzellansammlung, Jun 13–14, 2018 Registration deadline: May 20, 2018 Ruth Sonja Simonis Registration is now open for “Porcelain Circling the Globe. International Trading Structures and the East Asia Collection of Augustus the Strong (1670–1733)”, hosted by the Porzellansammlung Dresden on 13-14 June 2018. Speakers include scholars from China, Japan, the Netherlands, France, and Germany. Over two days, the conference will discuss the porcelain trade conducted by individual dealers working outside of the dominant trading companies in the 17th and 18th centuries. It will focus on private networks in and beyond Asia, and the emergence of collecting East Asian art in Europe. The conference will discuss the extent and importance of these private networks, and will debate the phenomenon of trading and collecting East Asian objects from both the traders’ as well as the collectors’ perspectives, with the purpose of investigating interactions between agents from differ- ent cultures and backgrounds. Further details here: https://porzellansammlung.skd.museum/ Tickets can be bought via https://shop.skd.museum/webshop/index.php/korona/?themengruppe=-1740107 Program WEDNESDAY, JUNE 13 LOCATION: Residenzschloss (Royal Castle), Fürstengalerie, 1. Floor 09:00 Registration 09:30 Welcome address Marion Ackermann (SKD) Julia Weber (SKD) Panel 1. Local Markets Chair: Stacey Pierson 10:00 Jingdezhen’s porcelain and the merchant route books in late imperial China – Anne GERRIT- SEN (Universiteit Leiden/University of Warwick) 10:20 Imperial wares in the Dresden Porcelain Collection: Possibilities of Provenance – Sun YUE (Palace Museum Beijing) 1/3 ArtHist.net 10:40 Coffee break 11:10 The Chinese junk's intermediate trade in Japanese porcelain for the West between the late 17th century and 1730's – Miki SAKURABA (National Museum of Japanese History) 11:30 Discussion 12:00 Lunch break Panel 2. -
Ashmolean Papers Ashmolean Papers
ASHMOLEAN PAPERS ASHMOLEAN PAPERS 2017 1 Preface 2 Introduction: Obsolescence and Industrial Culture Tim Strangleman 10 Topographies of the Obsolete: Exploring the Site Specific and Associated Histories of Post Industry Neil Brownsword and Anne Helen Mydland 18 Deindustrialisation and Heritage in Three Crockery Capitals Maris Gillette 50 Industrial Ruination and Shared Experiences: A Brief Encounter with Stoke-on-Trent Alice Mah 58 Maintenance, Ruination and the Urban Landscape of Stoke-on-Trent Tim Edensor 72 Image Management Systems: A Model for Archiving Stoke-on-Trent’s Post-Industrial Heritage Jake Kaner 82 Margins, Wastes and the Urban Imaginary Malcolm Miles 98 Biographies Topographies of the Obsolete: Ashmolean Papers Preface First published by Topographies of the Obsolete Publications 2017. ISBN 978-82-690937 In The Natural History of Staffordshire,1 Dr Robert Plot, the first keeper of the Unless otherwise specified the Copyright © for text and artwork: Ashmolean Museum describes an early account of the county’s pre-industrial Tim Strangleman, Neil Brownsword, Anne Helen Mydland, Maris Gillette, Alice Mah, pottery manufacturing during the late 17th century. Apart from documenting Tim Edensor, Jake Kaner, Malcolm Miles potters practices and processes, Plot details the regions natural clays that were once fundamental to its rise as a world renowned industrial centre for ceramics. Edited by Neil Brownsword and Anne Helen Mydland Designed by Phil Rawle, Wren Park Creative Consultants, UK Yet in recent decades the factories and communities of labour that developed Printed by The Printing House, UK around these natural resources have been subject to significant transition. Global economics have resulted in much of the regions ceramic industry outsourcing Designed and published in Stoke-on-Trent to low-cost overseas production. -
Chemical Composition and Provenance of Chinese Porcelain Shards 0$5
-RXUQDORI$UFKDHRORJLFDO6FLHQFH5HSRUWV ² Contents lists available at ScienceDirect Journal of Archaeological Science: Reports journal homepage: www.elsevier.com/locate/jasrep Chemical composition and provenance of Chinese porcelain shards 0$5. recovered from Old Goa, west coast of India Sila Tripati⁎, G. Parthiban, J.N. Pattan, Andrew Menezes CSIR-National Institute of Oceanography, Dona Paula 403 004, Goa, India ARTICLE INFO ABSTRACT Keywords: During recent archaeological explorations at Old Goa, west coast of India, twenty three Chinese porcelain shards Chinese porcelain of the Ming (Middle to late 16th century), Qing (17th century) and late Qing period (late 17th century) have Jingdezhen kiln been recovered. In order to understand the nature and source of raw material and kilns, these shards were Maritime trade analysed for major elements with X-ray fluorescence (XRF), trace and rare earth elements by Inductively Ming and Qing period Coupled Plasma-Mass Spectrometer (ICP-MS). The analysis suggests that porcelain shards are siliceous in nature Old Goa (SiO ~ 70%) and contain high Al O (21.6%), Rb (388 ppm) and Ba (160 ppm) but have low Sr (48 ppm). This South China 2 2 3 ICP-MS and XRF analysis composition suggests that the raw materials used for producing porcelain were silica, kaolinite and sericite which are characteristics of porcelains manufactured in Southern China. Comparatively, high Al2O3 (kaolinite) content in porcelains of the Qing Dynasty suggest improvement of quality, particularly mechanical strength, of Jingdezhen porcelain. In general, major element composition, trace metals, total rare earth elements (∑REE- 67 ppm) and their chondrite - normalized pattern of the Ming, Qing and late Qing period are nearly similar and appear to be made of identical raw materials. -
Jingdezhen Porcelain Making Tradition Inheritance of Inadaptability
2017 3rd International Conference on Management Science and Innovative Education (MSIE 2017) ISBN: 978-1-60595-488-2 Jingdezhen Porcelain Making Tradition Inheritance of Inadaptability XIUMEI WU ABSTRACT The beginning of the 20th century, China's political system and social environment have taken place in the most profound changes ever - overthrew the feudal system in one thousand and established the republic of China. The May 4th new culture movement and brought new thought system, and by the potential of refreshes the old ideology and old behaviors. In such a severe social turmoil in, however, traditional arts and crafts on the surface seems to have little change, generally in the tradition of the qing dynasty style and skill, and strong with the weak to continue development. But we can see the change from traditional culture, traditional craftsmanship complete metamorphosis will occur after 50 years of the 20th century, China's economy has great falls, and traditional handicraft instead of ups and downs, this is bound to cause our thinking: such a "different" mean? It means in the industrialized society, traditional handicrafts are bound to happen; metamorphosis is objective law. And there are several factors that can contribute to the transformation. KEYWORDS Jingdezhen, the porcelain making, tradition inheritance and inadaptability. INTRODUCTION Chinese arts and crafts a history of ten thousand years of uninterrupted, through ancient and modern, the evolution of the three big time, is facing the test of transformation and regeneration. "...transformation does not mean that they die, but they regenerate in new ways. However, the transformation process is modified, after all.