fiberarts guild of , inc. Promoting appreciation of fiber art and fostering its development. FALL 2013 www.fiberartspgh.org • [email protected] • p.o.box 5478 • pittsburgh pa 15206

President’s Message

We’ll begin, with a spin…

Today I entertained my darling daughter with the Ceremonial Staff of the Fiber Artist, lent to me as a symbol of my new role in the Guild. I danced around it, hoisted it carefully above my head and tipped it in gentle sway to the tune of “Pure Imagination” – the song from Willy Wonka and the Chocolate Factory. As I danced my spontaneous routine, I thought about my role in the Guild. I imagined myself in a purple top hat throwing open the door to a com­ pletely incredible wonderland.

If you want to view paradise, simply take a tour of UPDATE the TechShop, attend a critique and hear a lecture by Akiki Kotani, learn the art of Chinese Knotting, irst of all, thank you to the thousands of folks who participated, have a Fiber Conversation and a studio visit with created, cared for, and loved the Knit the Bridge project. We are thrilled Amber Coppings, enjoy a presentation by Mary Fthat it was received so warmly and looked out for so well. We’re pleased Mazziotti, schmooze at the opening reception to report that the month-long installation was vandalism free (except for a pos­ for The New Collective, get inspired at Donna sibly accidental cherry slushie incident) and brought many visitors downtown. Kearns’ studio, and participate in our members Both the Museum and Kayak Pittsburgh reported significant increases show, Edge to Edge. Share your skills and learn in attendance and rentals. And it created a festive atmosphere, both during the some new ones in our Mentor Groups. Join a community celebration and beyond! committee, do some outreach, make new friends. Listen, look, taste, and touch. Anything you want The removal went much too quickly, with 150 folks, we managed to pull it to, do it. down in half the anticipated time. The panels were laundered by that Monday and have been distributed to a variety of organizations on the Northside, in The Guild is full of magical doors to open. And the East End, in Tarentum, Crafton, McKeesport, and Butler, Westmoreland, people wearing amazing hats (literally and meta­ Washington, and Beaver counties. phorically). This is your guild, your golden ticket. Take a look... into your imagination and your Re­ Knit the Bridge’s positive and enormous scope was only possible because source Guide/Guild Directory. Take advantage of of the many folks who made it happen. We have received hundreds of emails it all, there’s nothing to it. and notes thanking us for the project and sharing heart-warming stories. Here are just a few quotes from those who made panels, helped monitor, visited the Staci Offutt installation, received panels, and helped fund the project.

See page 2 for Knit the Bridge feedback... What People Said About Knit the Bridge “Ladies, My daughter and I have had the most amazing time when they found out we did, they were very complimentary with this project and I really don’t feel I’ve done anything com­ of the whole project. People offered to help us find our panel pared to the team. I got to knit some railing, put up panels, and take our picture. But why should we be surprised? This is help with monitoring and the Art Party and plan to help take Pittsburgh and that is why an enormous undertaking like this down. Please, pass along my thanks to everyone on the team could be accomplished. The Find Your Panel web site was easy for their hard work and dedication in getting this done. Andy to follow and we were able to find all of our panels quickly. I himself would have thought this great. It has been a wonderful cannot thank you enough for all the planning and hard work you promo for the city of Pittsburgh. My daughter has helped with put into making this a realization. It is magnificent and will be monitoring, putting up panels and will participate in take down. remembered and talked about for years. What an honor to have You have all done such an amazing job and the city should be it highlighted so often on national TV during the sport events. very proud of your efforts to accomplish something so unique. Thank you again.” Thank you again.” — One of KtB’s participants — KtB participant and community leader “Chris from Women’s Center and Shelter loved the blankets. He “The Mt. Lebanon Middle School panel was knit by a group of said the moms were super excited and lining up to get them!” six 6th graders from Markham Elementary School. The group — Response from Homeless Children’s Education Fund who is now knitting preemie hats to donate to Magee’s Woman’s helped us distribute the panels. hospital.” — Ms. Davidson “The kids had a blast on the trip. It was sensory overload in the best possible way. Water, traffic, tall buildings, motorboats, kay­ “I wanted to participate in Knit the Bridge. To do so I got my akers, and geese were involved! Unfortunately I left the mirrors mother- in-law to teach me a crochet stitch, and I asked four on my desk but I did manage to bring binoculars. I’m pretty sure friends to help make a panel. Two are from Pittsburgh, and two none of the kids actually zoomed in on their panel but they didn’t are from Berks County, where I will be moving next year. So our care… at all. The classroom teacher (she was a huge reason the humble panel is actually a segue to a new chapter in my life.” project worked so well) was thrilled. I plan to put photos of the — FGP member Marty Ressler experience in a book for the kids. It was an amazing day.” — From the Frick and a Faison Elementary class who “Several of us who crocheted panels for the bridge went to partnered to do KtB. The kids went on a field trip to the bridge. see it last night and it was so much more than we expected. It is beautiful and shows all the creativity we have here in the “Amid all the deplorable notions passing for news over the past Pittsburgh area. Every panel is different and expressive of the few weeks, yours shines on as a bright spot.” originator(s). People from all over were looking at the works and taking pictures. They would ask if we made any of them and — VP at the Colcom Foundation, one of the foundations who contributed to Knit the Bridge

New Fiberarts Guild Lifetime Members

n September 12, 2013, at the Welcome Back Potluck Members Meeting, a very special presentation was given Oby Staci Offutt, current guild president. Three extremely deserving people were granted the elite status of Lifetime Mem­ bers. Uproarious applause accompanied the presentation of this honor to Amanda Gross, Penny Mateer and Kitty Spangler on behalf of the Board of Directors of the Fiberarts Guild of Pittsburgh. We have three very special members among us who worked for a year and a half coordinating people, teaching knitting and crocheting, and expanding their repertoire of skills to become experts on things they probably didn’t know existed. They real­ ized a dream – an outreach project of the Fiberart International The honorees’ service to the guild in many capacities and on that touched over 1900 people and counting – that was not only many projects has been exceptional. Add their commitment to altruistic but visually stunning. They paved the way for public the Knit the Bridge Project over the last eighteen months, and art in Allegheny County and the City of Pittsburgh in an all-new we recognize a devotion to this guild that is truly phenomenal. and big way. They celebrated birthdays and anniversaries at knit-ins and at the Plate; shared their homes with knitters and “Lifetime Membership” is defined as an award honorarium for those their piles of panels and supplies; and pounded the pavement who have given outstanding service to the Guild. It is voted on by the of filling out complicated forms and even Board of Directors and it is an honor held currently by only two living inventing some new ones. members: Tina Williams Brewer and Risë Nagin. 2 Over 3,000 fiber artists, friends, & fans turn out for Knit the Bridge community party

The Bridge was dressed to thrill. So it seemed only fitting when Allegheny County Executive Rich Fitzgerald proclaimed Sunday, August 25, Knit the Bridge Day to kick off the community party. It was a festive celebration for the gigantic, eye-popping fiber installation, created by 1,870 volunteers, that transformed the Andy Warhol Bridge and made headlines across the country and around the world. Many of the volunteers who knitted and crocheted the 580 panels that adorn the bridge walkway were on hand to point out their work and celebrate with friends and family. “I was in awe of the collective spirit that flowed through everyone on the bridge, it was magical and a privilege to be there.” said Penny Mateer who co-directed the project along with lead artist Amanda Gross. Toe-tapping, finger-snapping music by Cello Fury, Timbeleza, Brewer’s Amanda Gross accepts Knit the Bridge Day Row, Diego Byrnes, Knit Together, Truth and Rites, and Colonel proclamation from County Executive Rich Fitzgerald. Eagleburger’s Highstepping Goodtime Band fueled the party spirit. Hula photo by penny mateer hooping, hands-on arts and crafts, and a yoga class of 780 practitioners gave party-goers of every age a chance to make the day even more memorable. More than 14 months of planning and preparation went into Knit the Bridge, the largest yarn bomb ever produced in the US. But on Sunday, no one was thinking about all the work. Even party planners Staci Offutt and Natalie Grandinetti got caught up in the mood of the moment. “Talented people sharing their gifts to honor the spirit of this incredible project. It was beautiful,” said Offutt. Grandinetti agreed, “I was overwhelmed by the infectious enthusiasm from all of the volunteers, attendees, performers and community partners!” For Gross, who coined the phrase Knitting Pittsburgh Communities Together One Bridge at a Time to describe the project, it has always been about people coming together to make something beautiful. In the process, she hoped they would make the kind of connections that make for real community. “If the Knit the Bridge artwork metaphorically bridges communities, then the KtB Art Party was another way for those new-found and deepened connections to surface,” she said. “It was extraordinary to witness the makers show off their hard work to family Instant yarn bomb! Pittsburgh Center for Creative and friends. There was a fabulous sense of pride and celebration.” Reuse shows how to do it. photo by martha wasik

(Above) Colonel Eagleburger’s Highstepping Goodtime Band dresses the part. photo by john o’connor

(right) Party co-chair Staci Offutt takes a break to enjoy the festivities with her daughter. photo by natalie torti

3 FGP Mentoring Groups You Asked by Carol Henley by Johanna Roszner

year ago, some Fiberarts Guild of Pittsburgh members Orientation Welcoming Committee began a conversation about starting small, special interest Amentoring/study groups. The board of the FGP is acting Question: on this and it has begun to happen. Look for invitations over the What do I need to do to exhibit my work? next few months. The skill designations that appear after your name in the FGP Resource Guide/Guild Directory form the basis • Decide which exhibition to apply to: Name of show, when show for starting these small groups. information is due, notification for inclusion in show, drop-off day, opening reception, and pick-up date for exhibition work. The first get-together was for those with a skill designation “felt­ Pay attention to all important dates which are included in the ing.” Fourteen enthusiastic felters showed up at the home of prospectus of each exhibition. (also see information in Guild Carol Henley on September 20. The backgrounds of those in Newsletters and in monthly e-Blast) attendance varied greatly from teachers to willing students. The discussion was very lively, and so many ideas came out that it • Download all information of the prospectus for specific details was ultimately decided the conversation needs to continue on of that show. planning the shape of the felting group. • Read all the instructions carefully, as each show may have dif­ Here are wants and needs that came up in discussion: ferent requirements. All work has to be exhibition-ready. You must supply all mechanisms for hanging or special display • to learn new techniques, or improve techniques: needle felt­ instructions, if your submission requires it. Some shows are ing, wet felting, Nuno, etc. juried and some not. • to educate the public on felting/have a display, exhibit or show • Most payments are made by credit card or by check. Some­ • to see what other felters are doing times there may be an on-line payment option. • to have critiques/show-and-tells • If you need help with photographing and transferring your work to a CD for submission, have it photographed by a • to be with other felters/fellowship/community skilled photographer. Check with the Exhibition Chair if there • to talk about felting is a Guild photographer who is available to help. The exhibition • to have a study group prospectus will detail the specifics of formatting and properly labeling the CD. Usually allowed are two views of each sub­ • to do felting—will need a space for doing this, and access to mission, a full view and a detail. water for wet felting • Label all your work according to the instructions in the • to go on field trips prospectus. Sometimes a label will be included. Generally • to have a felting retreat required are your name, title of the piece, specific techniques and dimensions. So.... a lot was put out on the table. A next meeting was set to continue the discussion as to what form the group will take. • For any specific questions, there is always a chairperson/ (There will be a show-and-tell at that meeting, which should be contact for each show. great fun and inspiration)! This next meeting will be at Annie Lawrence’s house on Thursday, October 10th, at 7pm. Question: What do all those acronyms for meeting places refer to? During Guild discussions, many individuals are using acronyms for places in the Pittsburgh area. Many new members are not familiar with those terms. Here they are: Edge to Edge • PCA. Pittsburgh Center for the Arts (6300 Fifth Avenue, cor­ ner Shady and Fifth Ave.) 412-361-0873 • SCC. Society for Contemporary Craft (2100 Smallman Street, Strip District near downtown Pittsburgh) 412-261-7003 • PFM. Pittsburgh Filmmakers (Oakland, 477 Melwood Avenue, Fiberarts Guild Membership exhibition at the Borelli-Edwards off Baum Blvd.) 412-681-5449 Galleries in Lawrenceville. Stop by to see this beautiful venue • FGP. Fiberarts Guild of Pittsburgh (P.O. Box 5478, Pittsburgh, at 3583 Butler Street and begin to plan your next terrific piece. PA 15206-0478) [email protected] Thank you to Marty Ressler and Kitty Spangler who will co-chair this exhibit. • 6thPC. Sixth Presbyterian Church, Squirrel Hill (1638 Murray Ave., Pittsburgh, PA 15217) (PROSPECTUS ATTACHED)

4 Do you know the way to San Jose? By Jay van Wagenen, FI2013 Director

iberart International 2013 is on the move! Next up: San Jose Mu­ seum of Quilts and Textiles where the show opens November 6, 2013. If Fyou’re in the neighborhood, stop by for the opening reception on Sunday, November 10 from 2-4 pm. The show runs through January 19, 2014. The Contemporary Craft portion of FI2013 plus pieces by a few west coast art­ ists will be making the California trip. The Pittsburgh Center for the Arts portion will be on exhibit at the Franklin G. Burroughs-Simeon B. Chapin Art Museum of Myrtle Beach from January 19-April 24, 2014, making FI2013 a bi-coastal exhibition for the first time!. Do you need a better excuse for a road trip? FI Traveling Chair and unsung hero Camilla Pearce is hard at work nailing down a third destination for summer 2014; stay tuned for more details.

Quilt Documentation PM. Also, as the schedule becomes more established, we will be working with local organizations such as historical societ­ Project ies, churches, libraries, quilt guilds etc. from the county being sponsored by the Beaver County Historical Research and documented. Landmarks Foundation Please Remember When Making your Appointment: Why document Western Pennsylvania’s Quilt Heritage? • Quilts must be owned by a resident of the county in which We are quilt historians on a mission to record the sewing heritage the documentation is being done of southwestern Pennsylvania, one quilt at a time. This area has • Quilts cannot be commercially made rich and varied sewing traditions which have led to the creation • Any type of handmade quilt is welcome: Patchwork, ap­ of hundreds of hand-made quilts over the past 200 years. These plique, embroidery, crazy quilts, whole cloth quilts as well quilts reflect the sewing skills and artistic visions of women who as quilt tops that have not been completed made quilts as a way of caring for their families, documenting their lives, and commemorating their loved ones. Help us to • Documentation is limited to two quilts per appointment and bring these family treasures to light! is done by appointment only What types of quilts are you documenting? • No quilt appraisals will be done at this time There is no fee charged for documentation. Any type of hand- • Documentation is a free service. made quilt is welcome: patchwork, appliqué, embroidery, • Documentation is free and by appointment only crazy quilts, whole cloth quilts, and quilt tops that have not yet been quilted. Our goal is to document as many of south­ Source of page: BCHRLF, http://www.bchrlf.org/ western Pennsylvania’s quilts as possible over the next five quilt_documentation_series.htm years. We will measure, photograph, date the fabric, identify the pieced or appliquéd pattern, and record the story of your WANTED: NEW BLOOD! quilt. Unfortunately, we are not able to appraise quilts during the documentation project. Guild Member to take over layout and In which counties will you be documenting? production of Guild Resource Guide and Newsletter Ten counties of southwestern Pennsylvania will be included: Allegheny County, Armstrong County, Beaver County, Butler As a shiny new Guild member in 1992, I took on the job of County, Fayette County, Greene County, Indiana County, Law­ producing both the member directory and newsletter. Others rence County, Washington County, andWestmoreland County. pitched in from time to time, but the ball always bounced back. In each of the counties, we will need assistance in locating sites Next thing I knew, 21 years had passed…and I am still doing and volunteers for documentation days. both jobs. It’s time for a change – both for me and for the Guild. Who sponsors this? So if you’re a member who’s interested in either of these projects The quilt documentation project is sponsored by the Beaver – if you have fresh new ideas or just want to step up and help the County Historical Research and Landmarks Foundation and Guild communicate, please contact me. I’m happy to discuss is made possible by a grant from the McCarl Foundation. For what’s involved, hold your hand if you like, and do whatever I can more information, contact BCHRLF at 724-775-1848 or bchrlf@ to make a smooth transition. bchrlf.org, Monday through Friday between 10:00 AM and 3:00 Martha Wasik / [email protected] / 412-967-9359 5 Punctuations in Space Reeds 2013 | drawing etched on glass | each 12” x 16 ½” t first I was ecstatic about mounting the 2013 Artist of the Year exhibition. Then panic ensued. The Atask of filling the entire main floor galleries of the Pitts­ burgh Center of the Art seemed insurmountable. Flash back to times in my studio. I imagined works that inhabited spaces that existed deep in what I call my “dream space.” The thought of having this world come to life for my exhibition was enticing. Little did I know that this innocent idea could be so much work. I saw several of these “dream space” works in forms of laborious hand derived methods. I have a kinship to techniques such as crochet, weaving and stitching. These are often given little or no value in the realm of art. But I enjoy producing artwork from humble techniques that take contemporary forms. These forms exist in a rarified sort of space: “white space.” I imagine it in my reverie. The space is pure. Innocence is complete and time ceases. But the atmosphere is brilliantly light. The objects are proportioned in a way that activate the space around them. Space here is thought of as almost a solid entity. Contrast is totally for the sake of play. Using “women’s work” techniques to bring life to the forms that I conjure up in my dream space is how I delight in creating my work. Upon re­ flection, these techniques constitute the core concepts that I have threaded though out my journey in making art.

2013 Artist of the Year AKIKO KOTANI

Silk Clouds 2013 drawing with acrylic & lurex on 3 layers of silk organza 156” x 180” x 6”

6 Wind 2013 | drawing etched on glass | each 36” x 49”

otani’s sensitivity to space, form, and line is ever-present in this dynamic and subtle body of work. By Kco-opting the basic aspects of drawing, crochet and sew­ ing she has contemporized ancient processes within a new language of material and spatial relationships. Joining both the cognitive and intuitive within a personal symbology, she demonstrates the strength of her gestural expedience and methodology, creating works of arresting complexity. Each piece singularly presents itself as a codified interpretation of a particular environment, brought into dimension with a distinc­ tive, minimized economy of strokes and knots and stitches. As a presented body, the pieces resonate reflexively, as if they serve as arrival or departure points within an environment characterized by both calm and fervor. I personally find a great quietness radiating from the four galler­ ies that contain this exhibition. The lightness, grace, maturity, playfulness and poignancy invite meditation on crucial rela­ tionships between environment and perception. Through the simple nature of a line, and the abyss in which the line ultimately resides, Kotani constructs a matrix that seems fundamental to all physical representations. Putting forward an essential framework, she offers a mirror or vessel for the observer to approach and inhabit.

Adam Welch, Curator Soft Walls 2013 Pittsburgh Center for the Arts crocheted plastic

2 walls 96” x 216” x 18” and 96” x 156” x 18”

7 Programs, workshops, critiques, and fiber conversations...

Please refer to your Resource Guide/Guild Directory for more details on these programs.

All Guild PROGRAMS are open to the public. SCC CO-SPONSORED WORKSHOP: Guest fee for non-members $5. Feb. 22 & 23, Layer Cake, with Meredith Grimsley Critique sessions are scheduled regularly to A limited number of $50 discounts to GUILD provide supportive response to Guild members’ members are available. To apply for a discount, work. Finished work as well as work in progress use the promo code Fiberarts member discounts can be brought. when registering with the SCC. Limited to one dis­ Fiber Conversations are usually held in a count per year per Guild member. Guild members studio or home.

October 11 FRIDAY have a chance to build a repertoire of different knots. Various 3:00pm Critique / PCA Annex samples, books and pictures will be presented. No craft expe­ rience is necessary but knowledge of weaving or other fiber 7:00pm Guild Meeting / Main building arts techniques will be helpful. Presentation by Akiko Kotani Dewi Wong has a Master of Architecture from CMU. She has LOCATION: PCA / Shadyside exhibited in several of our Guild’s juried shows, and has work Akiko will speak about her Pittsburgh Center for the Arts, Artist in several museums in western PA and Australia. She has of the Year exhibit Punctuations in Space. Akiko’s work is in taught Chinese knotting in the Osher program of Carnegie many private, corporate and museum collections including the Mellon, the annual convention of the International Old Lacers, Metropolitan Museum of Art, New York. It has been exhibited Inc., and the Pittsburgh Lace Group workshop. as well in many international venues that include the Kyoto Municipal Museum, Japan and the Cleveland Museum of Art, November 15 Friday Ohio. (SEE PAGES 6-7 OF THIS NEWSLETTER) 3:00pm Critique: Remember, Edge to Edge the member’s exhibition is coming up in Feb. October 24 THURSDAY 7:00pm Guild Meeting 7:00pm Fiber conversation: Presentation by Mary Mazziotti, FI’13 Artist New Directions for the Fiberarts Guild Textile Momento Mori Amber Coppings’ design studio Location: SCC / Strip District 5258 Butler St., Lawrenceville Mary M. Mazziotti is a Pittsburgh visual artist whose prac­ Famous for her Xmittens, Amber has a working studio where tice includes textiles and painting, with a special interest in our conversation will be held. For directions: Call Amber at contemporary memento mori. She exhibits at the O.K.Harris 412-720-8047 or [email protected] Gallery in NYC and is represented by the BE Galleries in Pittsburgh. Mary has exhibited widely in galleries and muse­ ums including the Carnegie Museum of Art, the Andy Warhol November 1-2 FRIDAY & SATURDAY Museum, the Mattress Factory, the Urban Institute for 10am - 4pm Workshop: Chinese Knotting Contemporary Art, and the Rundetaarne in Copenhagen. Presented by Dewi Wong Location: 6thPC / Squirrel Hill November 22 FRIDAY Fee: $75 / $85 non-members • Materials: $25 5:30 – 9pm Opening Reception: The New Collective Exhibit runs through January 19, 2014 To register: Michelle Browne (412-576-5462) or Rhoda Taylor (724-794-5165) LOCATION: PCA / Shadyside Chinese knotting is a method of constructing a decorative knot with one single strand of cord. This will be a “hands on December 11 WEDNESDAY class” where participants will learn the basics of construct­ 6:00pm Critique and Fiber conversation: ing attractive yet functional objects for everyday use. You will Donna Kearns’ studio also learn about the origin and history of Chinese knotting and 1214 Grouse Drive, Pittsburgh.

8 January 10 FRIDAY March 14 FRIDAY 3:00pm Critique: Last critique before Edge to Edge 3:00pm Critique member’s exhibit.(Opportunity to meet for 7:00pm Guild Meeting dinner with other Guild members after) Presentation by Patricia Kennedy-Zafred, Location: 6thPC / Squirrel Hill Imagery on Fabric Location: 6thPC / Squirrel Hill January 15 WEDNESDAY The art quilts of our own Patty Kennedy-Zafred are primar­ Deadline for digital entry for Edge to Edge ily image driven, a likely result of her B.A. in journalism and member’s exhibition photography. Her award-winning work has been included in regional, national and international exhibitions, including Quilt National, Visions, Fiber Philadelphia, Quilts=Art=Quilts January 23 THURSDAY and Artist as Quiltmaker. Her quilts have also been included 10am - 2:30pm Potluck Fundraiser / Volunteer Appreciation: in such publications as Imagery on Fabric, Printmaking on including Fiberart International, Knit the Textiles, Alternative Photo Processes and Fiberarts Design Bridge, Roo Bag Redux, Prayer Flags... Book. Patty will share images of her work, showing the evolu­ Location: PCA / Shadyside tion of her style and process, as well as comment on influ­ ences and inspiration. NOTE: Guests are free to this Guild event. Shake off the winter blues and party with your fiber friends! March 22 SATURDAY Clean out your studio and contribute your surplus supplies 10am-3pm Workshop: Silkscreen on Paper and Fabric to the Chinese Auction. You’ll have a chance to take home new stuff from fellow members. Tickets (5 for $1) raise money Location: Artists Image Resource (AIR) for guild programs and exhibitions. Donate your fine art, 518 Foreland Ave., North Side skilled services, handmade jewelry or wearables, etc. to the Fee: $60 / $70 non-member fee silent auction. Bring your potluck dish, surplus studio supplies, To register: Michelle Browne address stickers for your auction tickets, and tote bag for your 412-576-5462 [email protected] winnings. In addition we will share stories and pictures about the community projects that have put our guild in the public eye. Beginners will learn how to produce a silkscreen, from a draw­ ing or digital image, and how to print and register on paper and fabric. Those with more experience are welcome to attend February 21 FRIDAY and print. Extra fees may apply, depending on project. Images 3:00pm Meeting must be sent in advance to Michelle by March 1. Presentation by Meredith Grimsley, Edge to Edge exhibit juror April 4 FRIDAY 5:30pm Edge to Edge Exhibit Opening 3:00pm Critique Location: BE Galleries, 3583 Butler St., Lawrenceville 7:00pm Guild Meeting / Election of Board Meredith Grimsley is a Fiberart International artist, 2010 & 13. Presentation by Kathy Fleeher Preserving Her work, including wearable art, installation, performance, two- Your Memories and three-dimensional forms, has been shown in numerous Location: 6thPC / Squirrel Hill national venues. Each piece confronts her fears, loss of inno­ cence, intolerances and moments of life-changing transition. Guild business: This is an important meeting for all Guild mem­ bers to attend. We will be electing the new board of directors. February 22-23 SATURDAY & SUNDAY Program: Originally from Pittsburgh, Kathy Fleeher learned to weave 30 years ago at the Pittsburgh Center for the Arts (SCC co-sponsored) through the Weavers Guild of Pittsburgh. The focus of her work 10am - 4pm Workshop: Layer Cake is hand-dyed, hand-woven garments. She has shown her work Meredith Grimsley in fashion shows at Convergence and Midwest Weavers and Location: SCC / Strip District recently lectured at Convergence. For the last 20 years Kathy has been living in the Canton, Ohio area and is a member of the Fee: $200 (Some discounts for Guild members) Canton Weavers & Spinners Guild. As the Assistant Curator at Materials fee: $30 the Canton Museum of Art, Kathy has studied archival storage Layer Cake, affectionately referred to by the instructor as finger of objects and textiles. She will discuss and demonstrate practi­ painting for adults, involves dye directly applied to a variety of cal archival storage methods for your textiles to preserve and natural fabrics with various tools. Everything from a gloved fin­ share their “stories” for years to come. ger, texture tools, masking, painting, extruding, to mono-print­ ing and painted/textured silk screen processes will be explored on silk, rayon and/or cotton fabrics. If time permits, students will also explore simple immersion dyeing, color removal and over-dyeing. Students will walk away with a series of experi­ mental fabrics. Workshop suited for all levels of experience.

9 think holidays!... he holidays will be here soon...... and this year (it won’t happen again for 70,000 years!) Twe have “Thanksgivukkah!” Yes, Hanukkah falls on November 28th, the same as Thanksgiving. What better way to celebrate this monumentous event but with a gift from the abundant items that will delight and also benefit the Fiberarts Guild and Fiberart International. We have great gifts to commemorate the amazing, historic, internationally-recognized Knit the Bridge! We have T-shirts, aprons, and water bottles. Purchase KtB items online at https://squareup.com/market/knit-the-bridge. PLUS Fiberart International 2007, 2010, 2013 catalogs; Deck of Arts (Slight of Hand) playing cards; ARTabet multi-use wrapping paper/posters, and Roo-bag Redux pin cushions (most items are available at Guild meetings and available online at fiberartinternational.org).

Congratulations to Brent Ruka!

Her work Unveiled is the “People’s Choice Award” from the FGP Celebrate Fiber Show which was held this summer at IUP.

celebrate fiber at i.u.p.

10 Welcome New Members! Judy Manion, Pittsburgh, PA [email protected] Norman Beck, Pittsburgh, PA Judy had taken classes many years ago with the Fiberarts [email protected] Guild when it was called the Embroiderers Guild. She con­ Norman does not consider himself a Fiberartist. However, sidered joining a year ago and Knit the Bridge rekindled his invaluable technical acumen made the Knit the Bridge her interest. She is looking to broaden her interests which tower installation work. Artists such as Penny Mateer and currently are knitting, crocheting and sewing. Venise St. Pierre know he is the one to call for help with Christina V. Papp, Pittsburgh, PA realizing the seemingly impossible project. [email protected] Janet A. Blood, Indiana, PA Christina interests include sculpture, paper-making, cos­ [email protected] tuming, and historical dress. Janet teaches at IUP. She knows many fiber techniques Susan Ryan, Pittsburgh, PA which include sewing, design, rug hooking, and knitting. [email protected] She would like to learn about natural dyes and beadwork. Annette Sandberg Tammy Bowser, Strongstown, PA Pittsburgh, [email protected] [email protected] Ellen Smith, Pittsburgh, PA Cindy Carroll, Pittsburgh, PA [email protected] [email protected] Ellen graduated with a degree in art (specialty: fiber arts) Cindy is a knitter and so enjoyed Knit the Bridge. She wants in 1974. She has made many quilts over the years but her to keep those contacts and be part of the Guild. art life is blooming now with retirement. She is interested in Marlene Behrmann Cohen, Pittsburgh, PA learning about weaving (has a loom), natural dyes, beading [email protected] and more. Marlene enjoys sewing, quilting, and kniting. She would Gina Stagno, Pittsburgh, PA happily learn from others. [email protected] Katy Dement, Pittsburgh, PA Gina joined because of Knit the Bridge. She is inspired by [email protected], www.thepaperlady.com the talent and enthusiasm of Guild members. Katy is new to Pittsburgh. Knit the Bridge gave her the Nancy Knowlson Thorn, Greensburg, PA motivation to join the Guild. She makes paper and teaches [email protected] papermaking. Nancy is interested in beading, basketry, crochet, knitting Kathy Fein, Pittsburgh, PA and sewing. She is interested in helping the Guild through [email protected] hospitality, outreach and marketing. Knit the Bridge awoke Kathy’s sense of community and Cheryl Towers, Pittsburgh, PA love of fiber. She is currently knit bombing an area of her [email protected] fence and may move onto trees. Knit the Bridge introduced the joy of collaboration to Cheryl. Laura Gorman, Cuyahoga Falls, OH She is interested in seeing demonstrations of Ikat and knot­ [email protected] less netting techniques. She incorporates papier mache and resin into fiber work. Barbara Heitzenrod, Pittsburgh, PA [email protected] Member Changes Barbara has been quilting since she retired 14 years ago. She also knits and sews. Jude Ernest website: www.originalsbyjude.etsy.com Sunny Pickering email: [email protected] Carrie King, Oakmont, PA [email protected], roundagainknits.com REMINDER! Carrie enjoys dyeing recycled knitted materials and would like to share ideas on this subject. She is currently felting, Dues for 2013-14 were payable July 1, 2013. If you have not done spinning, knitting and crocheting. so please use the form on page 12 to pay your membership dues. Upon receipt you will be sent the new directory. If there are any questions concerning membership or dues, contact Norma 412-362-6562 or [email protected]

11 Co-Editors:

Please refer to your Fran Frederick [email protected] taff: 412-563-2155 Resource Guide/Guild Directory Coleen Rush [email protected] for more information about 412-288-4320 programs, events, and contact CONTRIBUTORS: Carol Henley Johanna Roszner info for the officers and board,

Newsletter S PRODUCTION: Martha Wasik graphic arts inc

along with a list of our current DISTRIBUTION: Ann Taymans

members. fiberartspgh.org / [email protected] © 2013 Fiberarts Guild of Pittsburgh, Inc.

The Guild welcomes all fiberart enthusiasts and artists at any level. No screening is required.

THIS FORM FOR FIBERARTS GUILD WORKSHOPS ONLY NOTE: Please refer to PROGRAM LISTING for workshop location. SCC/FGPGH co-sponsored workshops held at SCC Must register with SCC.

Please make checks to Fiberarts Guild of Pittsburgh, Inc. Mail to: p.o.box 5478 • pittsburgh pa 15206 FOR MORE INFORMATION: Michelle Browne (412-576-5462) or Rhoda Taylor (724-794-5165) 12 IMAGE SUBMISSION • All entries must be digital. Please provide professional quality photos. Images may be used for exhibit promotion. • Each entry should be represented by clearly focused, well-lit images on a neutral background that accurately reflects the work submitted. Color must be true to the piece. • FGP will organize photo session(s) prior to the entry deadline. • Up to two images may accompany each submission, a full view and a detail. • Digital images must be in jpg format no larger than 1800 pixels on the longest side. (6” wide at 300 dpi) Total size of JPG file must be under 1.8 MB per image. Borelli-Edwards Galleries • Filename for each JPG must be as follows: artist’s last name 3583 Butler Street • Pittsburgh, PA 15201 and first initial, entry number (1, 2 or 3), key word(s) from title (1 or 2 words ONLY), and view (full or detail) for each image. Dates: February 21, 2014 – March 15, 2014 For example: smith_m_1_seascape_full.jpg Opening Reception: Friday Feb. 21, 5-8 PM smith_m_1_seascape_detail.jpg Gallery hours: Tue-Fri 11-6, Saturday 11-5 REGISTRATION The title evokes an “edgy” feel, an in-vogue term that can mean Register online at fiberartspgh.org, click on upcoming exhibi­ anything from experimental to provocative to revealing a dark tions / Edge to Edge (you must mail your check). Or fill out the side. It also brings to mind the importance of edges to an artistic form on page 11 and mail it with your check and CD to Martha composition. It might bring to mind the edges of one’s percep­ Ressler at the address below. tions—the fleeting images off to the side. However it is not meant to be a theme but a title. Send your submission form, check and CD to: Martha Ressler, 5272 Holmes St. Pittsburgh, PA 15201 Juror Meredith Ré Grimsley received her MFA and BFA in Fabric De­ OR e-mail jpg images and mail your check and form* to: sign from the University of Georgia. She is currently Associate [email protected] Professor of Fabric Design at Bloomsburg University of Penn­ Kitty Spangler • 278 Main Street • Pittsburgh, PA 15201 sylvania, and the Pennsylvania Representative for the Surface * you may scan completed form and email with your jpgs. Design Association. Grimsley exhibited in Fiberart International 2010, “(Near) Death by a Thousand (Self Inflicted) Cuts,” and SALES exhibits nationally and internationally. Her work can currently be All works must be for sale and sales will be encour­ seen in the Studio Art Quilt Associates (SAQA) exhibition Meta- aged. Artist will receive 50% of all sold work. phors on Aging which is travelling England and South Africa. AWARDS submission FEE $300 for Best of Show. Other prizes will also be awarded. $25 for up to 3 entries. (Make check payable to Fiberarts Guild.) CALENDAR REQUIREMENTS • Digital entries due January 15, 2014 • Anyone is welcome to enter. If accepted, non-members are required to join the Fiberarts Guild of Pittsburgh. • Notification of acceptance: January 28, 2014 • All work must be either fiber in content or executed in a fiber • Drop off of Accepted pieces at BE Gallery on Tuesday Feb 18 technique. from 11 AM to 7 PM • Collaborative works will be considered as a single entry. Art­ • Opening Friday Feb. 21, 5 PM – 8 PM ists submitting both collaborative and individual works must • Show ends March 15. Pick up all unsold pieces between 5-8 apply separately. PM March 15, unless arrangements have been made with the • Both 2 and 3-dimensional work may be submitted. coordinators or the gallery. • Entries must be ready to securely hang or install. • There will be a $25 fee for the handling of pieces that are not picked up on time. • Work must be completed in last 2 years. • If they are not removed by March 29, they become property of • All work must be for sale. the Fiberarts Guild of Pittsburgh. In order to accommodate more artists, there is a size guideline. Note: All due care will be taken with works of art, but neither Each work should be no greater than 84 united inches (UI = Borelli-Edwards nor the Fiberarts Guild can be responsible for height + width). For 3-D work use linear inches: H + W + depth. loss or damage to the works of art.

SEE OCTOBER 2013 NEWSLETTER, OR YOUR RESOURCE GUIDE/GUILD DIRECTORY FOR “Edge to Edge” SPECIAL EVENTS: FEB 21, 22 & 23 Edge to Edge SUBMISSION FORM — Please Print clearly

NOTE: Borelli-Edwards Galleries and the Fiberarts Guild of Pittsburgh reserve the right to refuse works that are not properly prepared to hang safely, works that differ from entry image, or any other reason that would hinder coherence of the exhibit.

Name______Address______City______State______Zip______Phone 1______Phone 2______Email______Artist’s Signature______

Title 1:______Size (H x W x D in Inches): height:______width:______depth:______Price:______Materials:______Technique:______

Title 2:______Size (H x W x D in Inches): height:______width:______depth:______Price:______Materials:______Technique:______

Title 3:______Size (H x W x D in Inches): height:______width:______depth:______Price:______Materials:______Technique:______

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OFFICIAL USE ONLY: Fee received date______$______Check Number______Initials______