Maxine Beach's Legacy of Leadership Celebrated

Total Page:16

File Type:pdf, Size:1020Kb

Maxine Beach's Legacy of Leadership Celebrated NEWSLETTER OF THE DREW UNIVERSITY THEOLOGICAL SCHOOL VOL. 8, NO. 2, FALL 2010 Maxine Beach’s Legacy of Leadership Celebrated George Tenney Photography TheoBy Anne B. Yardley, SpiritRobert Weisbuch, president of Drew Interim Dean University; Catherine Keller, professor of constructive theology; Jeffrey he 2009–2010 academic year was Markay, former Alumni/ae Association one long “farewell tour” for president; Michael Christensen, national TMaxine Beach, dean of the director of Communities of Shalom; Theological School from 2000 to 2010. Stephen Moore, professor of New Beginning with reminiscences at the Testament; Mary Ann Moman, associate faculty retreat in September 2009 and general secretary of the General Board continuing through Tipple-Vosburgh of Higher Education and Ministry; and many other occasions, the celebra- Morris Davis, associate professor of the tion culminated in the Legacy of history of Christianity and Wesleyan/ Leadership celebration on Thursday, Methodist studies; Sharon Jacob, Ph.D. April 15. Over 300 people gathered to student; Kyung Sik Park, M.A. student worship in Craig Chapel, share a cele- and M.Div. alum; Daniel Aleshire, exec- bratory lunch, listen to tributes and utive director of the Association of then enjoy dessert and a bluegrass band. Theological Schools; Sudarshana The tributes ranged from the seri- Devadhar, bishop of the Greater New ous to the comical (see the limerick on Jersey Conference of the UMC; and page 4) to the poetic. Speakers included (continued on page 4) Jeffrey Kuan Named New Dean From Drew Communications schools. He will be the first Asian Inside American to serve in this capacity. Open Doors @ Drew 2 rew University President Robert “There is a perfect match between From the Interim Dean 3 Weisbuch announced the selec- my values and the institution’s values— TTC10—Divine Multiplicities 3 tion of Kah-Jin Jeffrey Kuan as Courtesy of Drew Publications Maxine Beach Celebration 4–5 D the new dean of Drew’s Theological Legacy Video Available Online 6 Seminary Hall Renovation 7 School. Senior Class Gift 8 “Jeffrey brings with him a wealth Senior Sermons and Reflections 9 of experience and high ambition for Spring Event Photos 10 Drew,” said Weisbuch. “His commit- Spring 2010 Lectures 11 ment to theological education that Continuing Education Events 12 addresses the challenges of the wider Shalom Interns Commissioned 14 world will broaden our students’ expe- Prophetic Leaders 15 rience and better prepare them for A Letter from Uncle Ebenezer 16 leadership.” Barbed-Wire Fence in Mark 18 Kuan, an active member of the African and Indian Christianities 20 United Methodist Church (UMC), has Black Ministerial Caucus 21 Scholar/Teacher of the Year 22 served on the board of directors of the Clergy Self-Care 22 General Board of Higher Education and DREWnet Connects Alumni/ae 23 Ministry since 2004, and looks forward Thanks to Alumni/ae 23 to being able to serve the church as ATLAS Database Access 24 dean of one of its leading theological (continued on page 2) 2 TheoSpirit FALL 2010 JEFFREY KUAN NAMED DEAN (continued from page 1) a deep commitment to the church, to diversity and justice and ordained elder and full member of the California-Nevada to academic excellence,” said Kuan. “Drew is now poised to Annual Conference of the UMC. Since 2008, he has served as be a pioneer in reimagining and transforming theological edu- the vice president of the board of directors of the UMC’s cation, and in the preparation of religious leaders and scholars General Board of Higher Education and Ministry. for ethnically diverse and global societies.” Kuan is co-editor of Ways of Being, Ways of Reading: Asian- Kuan comes to Drew from the Pacific School of Religion American Biblical Interpretation and the author of numerous (PSR) and the Graduate Theological Union (GTU)—both in articles, the most recent of which include “Biblical Berkeley, California—where he serves on the faculty of both Interpretation and the Rhetoric of War and Violence” and institutions. At PSR, he has been a professor of Old Testament “Reading Race, Reading Rahab: A ‘Broad’ Asian-American since 1991. He has also served since 1997 as the director of Reading of a ‘Broad’ Other.” the school’s Certificate of Ministry Studies program. In the fall In addition to winning several grants and fellowships, of 2007, he was named PSR’s acting vice president for aca- Kuan has received numerous awards and honors throughout demic affairs and dean. Since 1994, he has been a member of his career. In 2004, the Reconciling Ministries of the the core doctoral faculty at the GTU. In 2009, he was named a California-Nevada Annual Conference named him the winner convener of GTU’s Biblical studies area. He has also served as of the Turtle Award for “sticking his neck out” for the LGBTQ the chair of the managing board of the school’s Asia project community. He was listed in Who’s Who in Biblical Studies and and as the director of its Asia Pacific Bridges project. Archaeology in 1993 and in Who’s Who Among Asian Americans From 2003 through 2009, Kuan served as an associate in 1994. He holds a Ph.D. in Old Testament from Emory editor of The New Interpreter’s Dictionary of the Bible. He was also University, a master of theological studies degree from an editorial board member of the Journal of Biblical Literature Southern Methodist University and a bachelor of theology de- from 2000 to 2005. gree from Trinity Theological College in Singapore. Kuan began his career serving a church as an associate Kuan is expected to begin in this position in January pastor from 1980 to 1983 in Malaysia. In 2002, he became an 2011. “Open Doors @ Drew” Shares with Community by Derek Elkins, Sungchun Ahn Assistant Director of Theological Admissions The Theological School welcomed 25 guests to campus on March 25 for our second-annual open house, Open Doors @ Drew. Visitors engaged in classroom discussions, wor- shipped with the seminary choir and heard an inspiring sermon from Admissions Director Kevin Miller. At lunch, stu- dents and faculty joined Open Doors @ Drew participants to share first-hand experiences of the Drew community and to offer insights into the kinds of ministries people undertake during and after seminary. Guests heard from Dean Maxine KEVIN MILLER, director of theological admissions, greets prospective Beach about the unique history of the Theological School, and students at the Open Doors @ Drew event. Interim Dean Anne Yardley advised visitors regarding the event and would not be possible without full participation by three master-level programs offered at Drew: master of divin- everyone in the Theological School. Students volunteered to ity, master of arts and master of arts in ministry. The day after call prospective students and invite them to participate, fac- the event, phone calls and emails streamed in about the ulty welcomed guests into the classroom, the seminary choir warmth and welcome extended during the day, and applica- lifted our spirits in worship, alumni/ae told parishioners about tions have followed. their seminary experience at Drew and all these efforts culmi- Open Doors @ Drew is truly a community supported nate in the very best presentation of the Theological School community. With God’s help, Open Editorial Staff: Doors @ Drew will be held in the spring Maria Lise Iannuzzi of 2011, and we will look for students, TheoSpirit Christopher Haynes faculty, staff and alums to help Theological admissions deliver the word Anne B. Yardley, Interim Dean Please send comments to: Drew Theological School [email protected] about the open house to everyone who Madison, NJ 07940 Past issues can be viewed at: would benefit from a visit to Drew. Isn’t 973.408.3582 • [email protected] drew.edu/theo/spirit that everybody? 3 Courtesy of Drew Publications FromMy Latin Interim dictionary defines Dean interim Anne as “meanwhile, Yardleyof the two agencies. This means that in the meantime, for the time being.” It is my pleasure to each agency will send in a visiting serve in this period of transition at Drew Theological team at the same time—in this case School for the time being or “for such a time as this.” It is a March 20–23, 2011. For the past fantastic place to be! We have spent much of the last year year university committees and looking retrospectively at the work of the past decade. Theo School committees have been Now we can begin to focus our attention on the next working on a self-study to see how decade! Maxine Beach has vacated her office; Kah-Jin well we meet the standards of ac- Jeffrey Kuan will come to occupy it in January 2011. In creditation. These studies have been the meantime, we will welcome an exciting class of new a wonderful opportunity to take stock of where we are and students in all of our degree programs, teach classes, super- how well we are fulfilling our mission as a school. Since vise dissertations, mentor students, listen to visiting this coincided with Maxine Beach’s last year as dean, it lecturers and continue our regular worship in chapel. In also allowed us an opportunity to reflect on her time with fact, we don’t plan to miss a beat for, as always, the only us. We will be inviting the alumni/ae board to read a draft time in which we can act is the present moment. of the self-study and to spend its September meeting dis- The 2010–2011 academic year will see the culmina- cussing the findings of the study. tion of two major processes that have been underway over Concurrently, President Weisbuch formed a presiden- the last year: the university and Theological School’s self- tial task force made up of faculty and staff that has met studies for accreditation and the university strategic over the past 18 months to consider the overall goals of planning process.
Recommended publications
  • The Catholic Core of a Celebrated Composition
    Marquette University e-Publications@Marquette 4610 English: Individual Authors: J.R.R. Tolkien English Student Research Fall 2017 The Catholic Core of a Celebrated Composition Alexander B. Koch Follow this and additional works at: https://epublications.marquette.edu/english_4610jrrt THE CATHOLIC CORE OF A CELEBRATED COMPOSITION Alexander B. Koch "I cordially dislike allegory in all its manifestations…” This quote, by famed author John Ronald Reuel (J.R.R.) Tolkien, highlights his obvious distain for allegory. Yet, despite an undeviating opinion on the subject, his greatest work The Lord of the Rings, is replete with free- floating allegory to Christian characters. Characters and situations that suggest Biblical situations, both narratively and on the level of spirituality and ethics. Each character within biblical text correlates with one or more characters in Tolkien’s work, thus free floating. Tolkien is a devoutly religious author who processes the world, including his own fantasies, through the lens of his faith. While Tolkien draws from different elements of theology in several different ways—such as interchanging his characters to represent various aspects of key Biblical figures— it is clear that Tolkien assigned a moral, free-flowing, yet religious allegorical backbone to his work. The Bible begins with the Old Testament: an overview of God’s apparent creation of life and all its inhabitants. Tolkien’s complete history of Middle Earth, The Simarillion, is the foundation story overlooked by most readers. To some, the first is The Hobbit. In that tale, the protagonist and his companions are tasked with an almost unmanageable deed and, although a few allegorical characters present themselves here, the bulk of said parable is within the trilogy: The Lord of the Rings.
    [Show full text]
  • Relationship-Building and Crosscultural Adaptation
    MISSION TRAVELERS: RELATIONSHIP-BUILDING AND CROSSCULTURAL ADAPTATION A Dissertation by YOON JUNG LEE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2011 Major Subject: Recreation, Park, and Tourism Sciences Mission Travelers: Relationship-building and Crosscultural Adaptation Copyright 2011 Yoon Jung Lee MISSION TRAVELERS: RELATIONSHIP-BUILDING AND CROSSCULTURAL ADAPTATION A Dissertation by YOON JUNG LEE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Ulrike Gretzel Committee Members, Antonio La Pastina Robert Mackin Tazim Jamal Head of Department, Gary Ellis August 2011 Major Subject: Recreation, Park, and Tourism Sciences iii ABSTRACT Mission Travelers: Relationship-building and Crosscultural Adaptation. (August 2011) Yoon Jung Lee, B.A., Korea University; M.A., State of New York at Stony Brook Chair of Advisory Committee: Dr. Ulrike Gretzel Since 1992, the number of short-term mission (STM) travelers has exponentially increased for more than a decade. The purpose of STMs is to spread religious messages to local residents. In order to spread the word of God, STM travelers attempt to interact with local residents. They want to communicate with local residents in the host community and build a relationship with them. Therefore, for STM travelers their relationship with local residnets really matters. Many tourism scholars have argued that hosts-tourists interaction heavily influences both tourists and hosts. In spite of the increased popularity and the importance of host-tourist interaction in the context of STMs, STMs have received relatively little attention from the tourism research field.
    [Show full text]
  • Our Instruments and Voices Became Our Weapons of Choice and the Songs Our Ammunition
    WAR The year was 1969, and these 'kids' had the nerve to carry the name WAR at a time when peace was the slogan in an anti-Vietnam America. "Our mission was to spread a message of brotherhood and harmony". Original Band Members included; Lonnie Jordan - singer/keyboardist, Howard Scott - guitars/ vocal, Lee Oskar - harmonica, B.B. Dickerson - bass vocals, Harold Brown - drums/ vocals, the late Thomas "Papa Dee" Allen - congas/timbales and Charles Miller - saxophonist/flutist. "Our instruments and voices became our weapons of choice and the songs our ammunition. We spoke out against racism, hunger, gangs, crimes, and turf wars, as we embraced all people with hope and the spirit of brotherhood. It's just as apropos today" WAR, the original street band, was brought together by veteran record producer Jerry Goldstein ("My Boyfriend's Back", "Hang On Sloopy", "I Want Candy") and rock legend Eric Burdon (ex-lead singer of the top British band The Animals). "I first saw some of the guys who would eventually become WAR playing at a topless beer bar in the San Fernando Valley, backing Deacon Jones, the pro football player, and knew immediately how potent these kids were," states Goldstein. "I was friends with Eric and he was ready to throw in the towel on the music scene and return to Newcastle. He was tired of the 'rock' thing and desperate for a fresh authentic sound. I called him the morning after I first saw the band and made him return to the club the next night with me. Eric was so blown away by what he had heard that he jumped on stage to jam with them.
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]
  • The Book of Alma
    222 | Mosiah 29:39–Alma 1:2 Poetic Parallelisms in the Book of Mormon 39 Therefore, it came to pass that they assembled themselves together in bodies throughout the land, to cast in their voices concerning who should be their judges, to judge them according to the law which had been given them; and they were exceedingly rejoiced because of the liberty which had been granted unto them. 40 And they did wax strong in love towards Mosiah; yea, they did esteem him more than any other man; for they did not look upon him as a tyrant who was seeking for gain, yea, for that lucre which doth corrupt the soul; for he had not exacted riches of them, neither had he delighted in the shedding of blood; but he had established peace in the land, and he had granted unto his people that they should be delivered from all manner of bondage; therefore they did esteem him, yea, exceedingly, beyond measure. 41 And it came to pass that they did appoint judges to rule over them, or to judge them according to the law; and this they did throughout all the land. 42 And it came to pass that Alma was appointed to be the first chief judge, he being also the high priest, his father having conferred the office upon him, and having given him the charge concerning all the affairs of the church. 43 And now it came to pass that Alma did walk in the ways of the Lord, and he did keep his commandments, and he did judge righteous judgments; and there was continual peace through the land.
    [Show full text]
  • The Bank of Faith and Works United. by Dorothy Ripley, Citizen of This World, but Going Above to the New Jerusalem
    Library of Congress The bank of faith and works united. By Dorothy Ripley, citizen of this world, but going above to the New Jerusalem ... No 207 130060 5158–4 THE BANK OF FAITH AND WORKS UNITED. BY DOROTHY RIPLEY, CITIZEN OF THIS WORLD, BUT GOING ABOVE TO THE NEW JERUSALEM. LIBRARY OF CONGRESS 1872 CITY WASHINGTON “Faith is the substance of things hoped for, evidence of things not seen.”—Heb. xi. “Through faith we understand that the worlds were framed by the word of God, so that things which are seen were not made of things which do appear.—xi. 3. PHILADELPHIA: PRINTED FOR THE AUTHORESS, BY J. H. CUNNINGHAM, No. 70, South Third-street. 1819. BX 7795 .Rs A3 Eastern District of Pennsylvania, to wit: BE IT REMEMBERED, that on the 27th day of September, in the forty-fourth year of the independence of SEAL. the United States of America, A. D. 1819, DOROTY RIPLEY, of the said district, hath deposited in this office the title of a book, the right whereof she claims as authoress, in the words fbllowing, to wit: The bank of faith and works united. By Dorothy Ripley, citizen of this world, but going above to the New Jerusalem ... http:// www.loc.gov/resource/lhbtn.02771 Library of Congress “ The Bank of Faith and Works United. By Dorothy Ripley, Citizen of this world, but going above to the New Jerusalem. ‘Faith is the substance of things hoped for, the evidence of things not seen. ’ Heb. xi. ‘ Through Faith we understand that the Worlds were framed by the Word of God , so that things which are seen were nat made of things which do appear.
    [Show full text]
  • AN UNDERSTANDING of STYLE of BAROQUE ORNAMENTATION in HANDEL's OPERATIC ARIAS: a STUDY of SELECTED RECORDINGS (1950S – 2010S
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2020 AN UNDERSTANDING OF STYLE OF BAROQUE ORNAMENTATION IN HANDEL’S OPERATIC ARIAS: A STUDY OF SELECTED RECORDINGS (1950s – 2010s) Junghyun Lee University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0001-5224-7249 Digital Object Identifier: https://doi.org/10.13023/etd.2020.050 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Lee, Junghyun, "AN UNDERSTANDING OF STYLE OF BAROQUE ORNAMENTATION IN HANDEL’S OPERATIC ARIAS: A STUDY OF SELECTED RECORDINGS (1950s – 2010s)" (2020). Theses and Dissertations--Music. 156. https://uknowledge.uky.edu/music_etds/156 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Blue Note Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963
    Discography Of The Blue Note Label Blue Note was started in New York City in 1938 by Alfred W. Lion. Blue Note recorded jazz only. The following history of the Blue Note record label is from the Blue Note Website (bluenote.com). “In 1925, 16-year old Alfred Lion noticed a concert poster for Sam Wooding's orchestra near his favorite ice-skating arena in his native Berlin, Germany. He'd heard many of his mother's jazz records and began to take an interest in the music, but that night his life was changed. The impact of what he heard live touched a deep passion within him. His thirst for the music temporarily brought him to New York in 1928 where he worked on the docks and slept in Central Park to get closer to the music. On December 23, 1938, Lion attended the celebrated Spirituals to Swing concert at Carnegie Hall. The power, soul and beauty with which boogie woogie piano masters Albert Ammons and Meade Lux Lewis rocked the stage gripped him. Exactly two weeks later, on January 6 at 2 in the afternoon, he brought them into a New York studio to make some recordings. They took turns at the one piano, recording four solos each before relinquishing the bench to the other man. The long session ended with two stunning duets. Blue Note Records was finally a reality. The label's first brochure in May of 1939 carried a statement of purpose that Lion rarely strayed from throughout the many styles and years during which he built one of the greatest jazz record companies in the world.
    [Show full text]
  • Why Can't We Be Friends? It's WAR! William Henslee Florida a & M University College of Law, [email protected]
    Florida A&M University College of Law Scholarly Commons @ FAMU Law Journal Publications Faculty Works 2009 Why Can't We Be Friends? It's WAR! William Henslee Florida A & M University College of Law, [email protected] Follow this and additional works at: http://commons.law.famu.edu/faculty-research Part of the Bankruptcy Law Commons, Contracts Commons, and the Intellectual Property Law Commons Recommended Citation William Henslee, Why Can't We Be Friends? It's WAR!, 30 Loy. L.A. Ent. L. Rev. 87 (2009) This Article is brought to you for free and open access by the Faculty Works at Scholarly Commons @ FAMU Law. It has been accepted for inclusion in Journal Publications by an authorized administrator of Scholarly Commons @ FAMU Law. For more information, please contact [email protected]. WHY CAN'T WE BE FRIENDS? IT'S WAR! William Henslee • I. INTRODUCTION Ownership of a band's name has been the subject of extensive litigation,' and no group has litigated as often as the group formerly known 3 as WAR. 2 The nearly forty years of litigation has turned friends and business partners into feuding "frienemies." •Associate Professor of Law and founding faculty member, Florida A&M University College of Law. B.A. University of Hawaii, J.D. Pepperdine University School of Law, M.F.A. University of California, Los Angeles Graduate School of Theater, Film, & Television. Special thanks to Elizabeth Kirk, J.D., for her excellent work on this project. More special thanks to Harold Brown who put together the band's timeline for the 1999 litigation and to Elizabeth Kirk for supplementing and updating it.
    [Show full text]
  • War the World Is a Ghetto Mp3, Flac, Wma
    War The World Is A Ghetto mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The World Is A Ghetto Country: Japan Released: 1995 Style: Funk MP3 version RAR size: 1852 mb FLAC version RAR size: 1333 mb WMA version RAR size: 1535 mb Rating: 4.3 Votes: 557 Other Formats: AIFF MP3 MP2 DMF ASF DTS WAV Tracklist A1 The Cisco Kid 4:35 A2 Where Was You At 3:25 A3 City, Country, City 13:18 B1 Four Cornered Room 8:30 B2 The World Is A Ghetto 10:10 B3 Beetles In The Bog 3:51 Companies, etc. Phonographic Copyright (p) – Far Out Productions, Inc. Copyright (c) – Far Out Productions, Inc. Copyright (c) – Far Out Productions Manufactured By – Far Out Productions, Inc. Manufactured By – United Artists Records, Inc. Published By – Far Out Music, Inc. Recorded At – Crystal Sound Credits Alto Saxophone, Baritone Saxophone, Tenor Saxophone – Charles Miller Bass, Percussion, Vocals – B.B. Dickerson Bongos, Congas, Percussion, Vocals – Papa Dee Allen Clarinet, Percussion, Vocals – Charles Miller Composed By – War Design [Album Design] – Howard Miller Design Concept [Album Concept] – Lee Oskar Drums, Percussion, Vocals – Harold Brown Engineer – Chris Huston Guitar, Percussion, Vocals – Howard Scott Harmonica, Percussion, Vocals – Lee Oskar Management – Steve Gold Organ, Percussion, Piano, Timbales, Vocals – Lonnie Jordan Photography By – Bob Gordon Producer – Jerry Goldstein Producer [Associate] – Howard Scott, Lonnie Jordan Written-By – B. Dickerson*, C. Miller*, H. Brown*, H. Scott*, L. Oskar*, L. Jordan*, D. Allen* Notes Recorded at Crystal Industries, Los Angeles, CA. Cover manufactured by Far Out Productions, Inc., L.A., California. Record manufactured by United Artists, Inc., Los Angeles, California 90028.
    [Show full text]
  • Sounding the Black Churches of Dallas
    Sounding the Black Churches of Dallas Item Type text; Electronic Thesis Authors Campbell, Keyania Citation Campbell, Keyania. (2021). Sounding the Black Churches of Dallas (Master's thesis, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 08:55:47 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/660136 SOUNDING THE BLACK CHURCHES OF DALLAS by Keyania Campbell ____________________________ Copyright © Keyania Campbell 2021 A Thesis Submitted to the Faculty of the GRADUATE INTERDISCIPLINARY PROGRAM IN APPLIED INTERCULTURAL ARTS RESEARCH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2021 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by Keyania Campbell titled Sounding the Black Churches of Dallas and recommend that it be accepted as fulfilling the thesis requirement for the Master’s Degree. Date: Jennifer C. Post Jennie M. Gubner Date: Date: Tyina L. Steptoe Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfilling the Master’s requirement.
    [Show full text]
  • Charles Spurgeon, Lectures to My Students, Vol. 1
    THE AGES DIGITAL LIBRARY COLLECTIONS LECTURES TO MY STUDENTS VOLUME 1 by Charles H. Spurgeon To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Albany, OR USA Version 1.0 © 1996 2 LECTURES TO MY STUDENTS VOLUME 1 A SELECTION FROM ADDRESSES DELIVERED TO THE STUDENTS OF METROPOLITAN TABERNACLE. BY C. H. SPURGEON. PRESIDENT. 3 CONTENTS. LECTURE 1. — The Minister’s Self-watch LECTURE 2. — The Call to the Ministry LECTURE 3. — The Preacher’s Private Prayer LECTURE 4. — Our Public Prayer LECTURE 5. — Sermons — their Matter LECTURE 6. — On the Choice of a Text LECTURE 7. — On Spiritualizing LECTURE 8. — On the Voice LECTURE 9. — Attention LECTURE 10. — The Faculty of Impromptu Speech LECTURE 11. — The Minister’s Fainting Fits LECTURE 12. — The Minister’s Ordinary Conversation LECTURE 13. — To Workers with Slender Apparatus 4 METROPOLITAN TABERNACLE PULPIT Bibliotheca Sacra: “These sermons reveal even in cold type the charm, eloquence, and spiritual power of this giant of the pulpit. Although delivered long ago, the sermons have the same relevance, pungency, and convicting power as when first delivered to the large audiences which heard him in the Metropolitan Tabernacle in London. Undoubtedly this will be, as claimed by the publishers, one of the greatest sets of sermons in the history of the church.” Baptist Quarterly (England): “Pilgrim Publications has recently undertaken the mammoth task of republishing the 63 volumes of Spurgeon’s sermons, as well as other titles of his.
    [Show full text]