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Faire Œuvre” 19.09.2019 PLACE Petite Salle Making a Body of Work DATE “Faire œuvre” 19.09.2019 PLACE Petite salle Making a Body of Work. Centre Pompidou Place Georges-Pompidou 75004 Paris Training and DATE 20.09.2019 Professionalisation of PLACE Auditorium Musée d’Orsay 1, rue de la Légion d’honneur Female Artists in the 19th and 75007 Paris Symposium organised by the 20th Centuries association AWARE: Archives of Women Artists, Research and Exhibitions, the Public Establishment of the Musée d’Orsay and the Orangerie and the Musée National d’Art Moderne – Centre Pompidou. FOR MORE INFORMATION awarewomenartists.com , 1903, centrepompidou.fr musee-orsay.fr [email protected] École nationale des beaux-arts, atelier Humbert atelier beaux-arts, des nationale École Ernest Louis Désiré Le Deley, postal card, Paris, ENSBA. Photo © Beaux-Arts de Paris, Dist. RMN-Grand Palais/image Beaux-arts de Paris This symposium is part of a wider by the State founded in 1803 and collaboration based on the female transformed into a public institution artists from the collections of the in 1810. After a long battle, women Public Establishment of the Musée were finally accepted to the École des d’Orsay and the Musée de l’Orangerie, beaux-arts (Beaux-Arts School) in 1897, the Musée National d’Art Moderne – however, only one same-sex workshop Centre Pompidou and the association was open to them until the end of the AWARE: Archives of Women Artists, 1920s. Research and Exhibitions. Studies in the History of Art The purpose of this symposium have shown how family ties were is to study the training and determinant for the accession of women A Archives professionalisation processes of female in the arts until the end of the 19th W A of Women Artists artists who intervened in the 19th century. Afterwards, the increased R Research and 20th centuries through their rise development of art programmes E & Exhibitions in structures of art education: from available to women allowed for the workshops and private academies to immergence of a large number of public institutions. professional artists from fine and applied arts, which has continued to Excluded from institutional arts grow. education for some time, women did not have access to these positions until the This symposium intends to bring beginning of the nineteenth century. together researchers from various One example from France is the École horizons in order to shed light on the spéciale de dessin pour les jeunes filles research conducted on the schools, (School of Drawing for Girls), the only academies and workshops that opened A art school for women publicly financed WA their doors to women. R E Thu. September 19th SCIENTIFIC AND ORGANISATION COMMITTEE Petite salle - Centre Pompidou Musée d’Orsay and the Orangerie: Sabine Cazenave, Chief Curator, 9.30 — 10.00 AM | WELCOMING 2.15 — 3.45 PM | SESSION 2 4.15 — 5.45 PM | SESSION 3 Painting Department, Musée 10.00 — 10.30 AM | Influence of the French Sisterhoods: Learning d’Orsay; Sophie Eloy, Head of Welcome speech by the president, Trainings abroad: Environments fostering Documentary Studies, Musée Serge Lasvignes (MNAM - Centre Comparative Study of Sociability and de l’Orangerie; Thomas Galifot, Pompidou) Chief Curator, Photography, Introduction: Brigitte Léal (MNAM Artistic Teachings in Emancipation Musée d’Orsay; Leïla Jarbouai, Curator of Graphic Arts, Musée — Centre Pompidou) and Europe Chairwoman: Matylda Taszycka Camille Morineau (AWARE) (AWARE) d’Orsay; Sylvie Patry, General Chairwoman: Julie Verlaine Curator, Director of Conservation 10.30 — 11.30 AM | SESSION 1 2.15 PM | Eva Belgherbi (École du 4.15 PM | Hedvig Martin-Ahlén and Collecctions, Musée d’Orsay; French Trainings in the Louvre – Université de Poitiers (Södertörn University, Huddinge, Scarlett Reliquet, Head of courses, 19th and 20th Centuries: (CRIHAM)), Entre Londres et Sweden) and Julia Voss (Leuphana symposia and conferences, Musée Paris, la formation des sculptrices Universität, Lüneburg, Germany), d’Orsay and the Orangerie the Crucial Role of the britanniques à la fin du XIXe siècle “In the ages that are to come, Developed Woman will be great artist.” Hilma af Musée National d’Art Moderne, Centre Private Academies Pompidou: 2.35 PM | Linda Hinners Klint and her circle of professional Chairwoman: Ariane Coulondre (Nationalmuseum, Stockholm, female artists Ariane Coulondre, Curator, Modern Les femmes sculpteurs Collection; Nathalie Ernoult, 10.30 AM | Maria Antonietta Trasforini Suède), suédoises au tournant du siècle 4.35 PM | Samantha Niederman Conservator, Modern Collection (Università degli Studi di Ferrara, (University of York, United Italy), Genre, modèles, peintres et dernier – leurs origines et leur AWARE: Archives of Women Artists, parcours éducatif et professionnel Kingdom), Veiled Recognition: entrepreneuriat d’art. Le cas de Frances Hodgkins’s Subversion of Research and Exhibitions: l’Académie Vitti à Paris (1889-1914) 2.55 PM | Ewa Bobrowska (Terra English Art Establishments through Hanna Alkema, Head of Research Foundation for American Art, Radical Pedagogy Programmes; Camille Morineau, 10.50 AM | Fanny Drugeon (Labex Chairwoman of AWARE, Director of CAP, Paris), L’ Académie Lhote au Paris), Munich ou Paris ? Les artistes polonaises cherchent à s’instruire 4.55 PM | Ana Bordenave (Université Exhibitions and Collections at the féminin Paris 8 Vincennes Saint-Denis), Monnaie de Paris; Fanny Verdier, 11.30 — 11.45 AM | BREAK 3.45 — 4.15 PM | BREAK Des espaces de formations militants Digital Contents Supervisor féministes : les ateliers Super-8 de 11.45 — 12.45 AM | KEYNOTE 1 Klonaris/Thomadaki dans les External members: Catherine Gonnard (INA, Bry-sur- années 1980 Alexia Creusen, Artist and Marne), L’accès des femmes à l’École Scientific Collaborator, University nationale des beaux-arts de Paris, une 5.45 — 6.30 PM | INTERVIEW of Liège; Charlotte Foucher lutte féministe de l’Union des femmes between Béatrice Casadesus and Zarmanian, Research Fellow, peintres et sculpteurs et de ses allié·e·s Scarlett Reliquet C.N.R.S., Historian of Art; Nicole R. Myers, The Barbara Thomas 12.45 AM — 2.15 PM | LUNCH BREAK Lemmon Senior Curator of European Art, Dallas Museum of Fri. September 20th Art; Anne Rivière, Historian of Art; Séverine Sofio, Sociologist, Auditorium - musée d’Orsay C.N.R.S.; Julie Verlaine, Lecturer in Contemporary History, 9.30 — 10.00 AM | WELCOMING 2.15 — 3.45 PM | SESSION 5 4.00 — 5.30 PM | SESSION 6 Université Paris 1 Panthéon- Sorbonne, Chairwoman of 10.00 — 10.30 AM | INTRODUCTION Scheduled Inequality: Between France and the Mnémosyne Sylvie Patry (musée d’Orsay) and Women’s Access to Classes United States: Artists’ Camille Morineau (AWARE) and Professionalisation Careers as a Journey 10.30 — 11.30 | SESSION 4 in Question Chairwoman: Nicole R. Myers A Gendered Distribution Chairwoman: Scarlett Reliquet 4.00 PM | Heather Belnap (Brigham of the Disciplines: 2.15 PM | Yelin Zhao (University of Young University, Provo, Utah, Guidance of Women Leeds, United Kingdom), Aspiration United States), Pioneering Women: toward Applied Art in the and Negotiation: Model-Artist Lessons from Paris and the Making of Victorine Meurent in her Time and in an Art Scene in the American West, 19th Century the History of Art 1890-1940 Chairwoman: Séverine Sofio 2.35 PM | Wendy Wiertz (KU Leuven, 4.20 PM | Katherine Manthorne ALL ALONG THE SYMPOSIUM | 10.30 AM | Renaud d’Enfert (Université Belgium), Male Support for Equal (Graduate Center, City University POSTER SESSION (19-20 SEPT) of New York, United States), If not de Picardie Jules Verne, Amiens), Opportunities for Women at the Camille Belvèze (École du Louvre, Former des artistes ou des « ouvrières Brussels’ Royal Academy of Fine Arts for France: The Evolving Art Education of Eliza Pratt Greatorex Paris), Les femmes et l’apprentissage habiles » ? Les cours et écoles de dessin (late 19th century) de l’eau-forte en Grande-Bretagne au e pour jeunes filles au XIX siècle 4.40 PM | tournant du XXe siècle 2.55 PM | Georgina G. Gluzman Émilie Bouvard (Fondation Giacometti, Paris), La formation 10.50 AM | Luciana Lourenço Paes (Consejo Nacional de Barbara Caspers (Université Libre (UNICAMP – Universidade Investigaciones Científicas y académique de Louise Bourgeois : Paris-New York de Bruxelles, Belgium), Le rôle Estadual de Campinas, Brazil), Técnicas, Buenos Aires, Argentina), de la parenté dans la construction La méthode Cavé : reproduction et How to become a Professional 5.30 — 5.45 PM | BREAK des carrières artistiques des artistes expression dans le projet d’une « école (Woman) Artist in Argentina? femmes en Belgique entre 1830 et 1914 de femmes » The case of the Graduate School of Fine Arts (1930s-1940s) Camille Lesbros (École du Louvre, 11.30 — 11.45 AM | BREAK Paris), Vivre de son art quand on est 3.45 — 4.00 PM | BREAK 5.45 — 6.45 PM | CONCERT 11.45 — 12.45 AM | KEYNOTE 2 femme. Pratique et enseignement de Catherine Cantin (Solo Flute, e Lucile Encrevé et Alexandra Piat la miniature au tournant des XIX et Orchestra of the Opéra national de XXe siècles (École nationale supérieure des Paris) and Valérie Schaeffer Arts décoratifs, Paris), La place des (piano). Pieces by Lili Boulanger, Orane Stalpers (EHESS, Paris), femmes à l’École nationale supérieure Mel Bonis, Cécile Chaminade and L’enseignement de Lygia Clark à des Arts décoratifs. Une autre Histoire Kaija Saariaho, presented by la Sorbonne, dans le contexte de la à écrire Mélanie Traversier. réforme des écoles d’art 12.45 AM — 2.15 PM | LUNCH BREAK A The languages of the symposium will be French and English. WA Abstracts of the interventions will be available in French and English. R E.
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