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(Bell) 4.12–17 Akseli Gallen-Kallela

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(Bell) 4.12–17 Akseli Gallen-Kallela DAS Index – Authors/titles An Aesthetic Memoir (Bell) 4.12–17 Akseli Gallen-Kallela - The Creator of Finnish Design (Karvonen-Kannas) 11.1–4 Albert Gallichan (1930-2001) (obituary) 25.10 Albert Paley: Metalsmith Extraordinary (Bosomworth) 30.153–7 Aldrich, Dr Megan 25.48–58 Alexander Fisher: Pioneer of Arts & Crafts Enamelling (Pudney) 23.71–85 Alister Maynard, MBE (1903-1976) (Rutherford) 3.25–31 Allan, David 18.31–5 The Ambassador: The Contribution of One Trade Journal to the British fashion and Textile Industry (Stapleton) 33.91–105 Anderson, Alastair Scott 23.87–101, 26.41–59 Anderson, Anne 22.67–73 Andreas Papadakis 17th June 1938-10th June 2008 (obituary) 32.8–9 The Anglo-Japanese Buffet by E.W. Godwin: variations on and developments of a design (Reeves) 18.36–40 An Appraisal of Viollet-Le-Duc (1814-1879) and His Influence (Barker) 16.3–13 Arber, Katie 26.121–34 Arcades Ambo: The Beggarstaff Brothers at Home (The Idler 1896) 2.44–50 The Architect as Furniture Designer: Bernard E Smith (Goodman) 31.9–21 The Architectural Sculpture of Gilbert Bayes (Irvine) 4.5–11 Architectural Sculpture in London 1890-1940 (Skipwith) 21.121–9 The Archive of Warner & Sons Ltd (Bury) 4.26–7 Arms and Exhibitions (North) 25.97–102 Art, Industry and Everyday Things: Manchester City Art Gallery and Industrial Art between the Wars (Fraser & Paul) 22.43–57 Arthur, Elizabeth F. 4.18–25 The Artisan Skills of Colour Lithographic Printing and the Organisation of Modern Display Advertising in Britain 1920-40 (Rennie) 22.59–65 The Arts and Crafts Movement and British Schools of Art (Rawson) 28.29–55 The Arts and Crafts Movement collections at Cheltenham Art Gallery and Museum (Greensted) 24.49–57 The Arts and Crafts Society of Ireland (1894-1925) with particular reference to Harry Clarke (Bowe) 9.29–40 Ashelford, Jane 4.28–33 Ashley’s Textiles (Calvocoressi) 3.4–14 Aslin, Elizabeth 1.3–13, 5.3, 7.9–14, 11.i Aspects of the Continuing Arts and Crafts Tradition - Architectural Decoration in France in the 1920s & 1930s (Barker) 17.67–79 Aspects of Design Reform in the German Ceramic Industry Around 1900, as Illustrated by the British Museum Collection (Rudoe) 14.24–33 Astley, Stephen 19.16–19 Atterbury, Paul 7.3, 10.i Auty, Helen R. 27.5 Aynsley, Jeremy 19.59–66 Bailey, Jane 35.103–21 Baker, Fiona 12.1–9 Ball, Victoria Reyner 21.35–45 Bang, Ole 11.27–31 Barbara Morris at the V&A: Notes on a Colleague, Friend and Mentor (Opie) 34.9–13 Barbara Morris’s Gifts to the V&A and the British Museum (Rudoe & Solicari) 34.15–19 Barker, Michael 14.5–9, 15.5–13, 16.3–13, 17.67–79, 19.20–30, 21.4, 116–20, 22.2, 83–9, 27.7–21 Bascou, Marc 16.44–9 Bath Cabinet Makers (Payne) 5.23–30 Batho, Howard 17.34–41 Batkin, Maureen 7.26–33 Beare, Geraldine 23.3 Beddo, Stella 14–19, 15.3 1895: The Beggarstaffs’ ’Annus Mirabilis’ (Bronkhurst) 2.3–13 Bell, Quentin 4.12–17 Benton, Charlotte 6.7–22 Bernard Bumpus (1921-2004) (obituary) 28.7 Bernard Sleigh, artist and craftsman, 1872-1954 (Cooper) 21.88–102 Bettley, James 26.9–25 Bide, Eleni 32.87–99 Blench, Brian J.R. 13.39–42 Blurring the Boundaries: Print, Personality and the Interiors of Zandra Rhodes and Christopher Vane Percy (Nothdruft) 33.27–37 Borrowing from Collectors: The Role of the Loan in the Formation of the Victoria and Albert Museum and its Collection (1852-1932) (Eatwell) 24.21–9 Bosomworth, Dorothy 30.153–7 Bowe, Nicola Gordon 12, 26–37, 9.29–40, 18.61–8, 28.127–47 Boyd, Ailsa 30.75–91 Boydell, Christine 19.31–40, 33.9–25 Brangwyn and the Japanese Connection (Horner) 26.73–83 Brasseries, Restaurants and Cafés in Paris, and a Gazetteer of Establishments of Decorative Interest (Barker) 22.83–9 British Wallpapers 1945-1960 (Pinney) 15.40–4 Bronkhurst, Judith 2.3–13 Bumpus, Bernard 13.3–8, 18.41–9, 22.75–81, 27.39–51 Buruma, Anna 33.75–89 Bury, Hester 2.36–43, 4.26–7 Byrdcliffe and the ’Dream of Somewhere’ (Green) 28.57–81 Calloway, Stephen 8.19–28, 10.18–21 Calvocoressi, Richard 3.4–14 Campbell, Louise 10.1–9 Carruthers, Annette 28.9–27 Casey, Andrew 25.74–86 Catherine Cranston (Robertson) 10.10–17 Cecilia Sempill, Dunbar Hay: notes for a lecture (Powers) 27.53–61 Century Guild Inventions: The Century Guild of Artists at the International Inventions Exhibition, London, 1885 (Evans) 21.46–53 Ceramics at the Festival of Britain 1951: Selection and Objection (Casey) 25.74–86 Ceramics Education and the transformation of the Arts and Crafts Legacy in America: Charles Fergus Binns and R. Guy Cowan (Corsiglia) 17.23–33 Ceresole, Anne 20.34–42, 25.4, 28.4, 29.4, 30.4, 31.5, 32.4, 35.4 Changing Taste and Influence, English Design 1900-1940 (Aslin) 1.3–13 Charmingly Minute: Tiffany Japanese-Style Jewellery (Sandecki) 34.43–57 Christopher Dresser: Designs for Elkington & Co (Tilbrook) 9.23–8 Christopher Dresser: from Design to Retail in the Late 19th Century (Rose) 29.84–96 Christopher Dresser - Interior Designer (Lyons) 21.22–6 Christopher Dresser (1834-1904) (Fine Art Society Catalogue insert) 14.30–1 Christopher Dresser and the “Modern English" Style: His later Designs for Wallpapers and Hangings (Halén) 14.10–15 Christopher Dresser and the Use of Contemporary Science (Durant) 29.23–41 Clark, Hazel 12.47–54 Clarke, Amy 28.83–107 Cole, Diana de Vere 21.77–87 Coleman, Brian D. 30.45–57 The Colemans and Minton’s Art Pottery Studio (Donnelly & Coleman) 30.45–57 Collard, Frances 8.7–18, 20.29–33 The Collector’s or Fine Arts Club 1857-1874. The first society for Collectors of the Decorative Arts (Eatwell) 18.25–30 Collins, Judith 23–30, 6.5 The Coloured Relief Decoration of Robert Anning Bell (Rose) 14.16–23 Commercial Silversmiths and the British Silver Trade during the Inter-War years (Dryden) 17.59–66 ’A Complete Potteress’ - The life and work of Dora Lunn (McLaren) 13.33–8 Compton, John 4.40–7, 8.2–3 Connelly, William 23.53–69 Conrad Dressler in America: A Potter turns Entrepreneur (Prescott-Walker) 30.117–35 Conrad Dressler and the Medmenham Pottery (Prescott-Walker) 18.50–60 The conservation of a c.1867 cast iron hat stand: a Dresser design and original Coalbrookdale paint scheme revealed (Metcalf & Turner) 26.27–39 ”Contempt and Contemporary" Attitudes in the Staffordshire Ceramics Industry during the 1950s (Jackson) 15.20–8 Cooper, Orlanda 32.11–19 Cooper, Roger 21.88–102 Coppin, Richard 17.49–58 Corbin, Donna 30.23–43 Corsiglia, Christina 17.23–33 ’Cosmopolitan Heroine’ - The Shawl in the 1920s (Mendes) 18.69–77 Coutts, Howard 50–61, 16.24–41 Cragie, Stella 31.81–91 Crouch, Judith 30.7–21 Cumming, Hugh 32.8–9 ’The Dadocracy’ and other Humorous Reactions to ’Aesthetic’ Interior Decoration (Taylor & Gere) 29.112–17 Dakers, Caroline 21.54–66 Dancer, the Artist and the Critic: A Celebration of Loï Fuller (Harris) 3.15–24 Daniel Cottier, Pioneer of Aestheticism (Donnelly) 23.33–51 Daniels, Lisa 35.83–101 Davis, John 18.15–24 The Death of Christopher Dresser in Mulhouse (Jacqué) 29.97–102 ’The Decoration of Houses’: The American Homes of Edith Wharton (Boyd) 30.75–91 Decorative Arts and Sources of Architectural Symbolism (Keseru) 11.21–6 The Decorative Imperative: Marion Dorn’s Textiles and Modernism (Boydell) 19.31–40 Design for Industry: The ’German Applied Arts’ Exhibition in the United States, 1912-13 (Shifman) 22.19–31 Design and Manufacture: Evidence from the Dixon & Sons Calculation Books (Rudoe) 29.66–83 Design Reform in Austria and Germany c.10—-1914: the ’Avant Garde’ and Wicker Furniture (Kirkham) 11.5–9 Design Under the Microscope: The Festival Pattern Group 1951 - The Council of Industrial Design and the Mechanics of Industrial Liaison (McGill) 31.93–115 Designing Lucile Ltd: Couture and the Modern Interior 1900-1920s (Safer) 33.39–53 Designs for Glass by Eight British Artists, 1934 (Bury) 2.36–43 The Designs of Laurence Scarfe: The archive presented to Brighton Museum in 1983 (Beddoe) 15.14–19 Dessau in 1975 (Sword) 1.44–56 The Division of the Wall: the use of wallpapers in the decorative schemes, 1870-1910 (Latimer) 12.18–25 Donnelly, Max 23.33–51, 30.5, 45–57, 59–73, 31.139–53, 33.5, 34.4, 35.123–33 Dörring, Christian Witt 7.15–25 Dr Christopher Dresser: A Commercial Designer in the Victorian Art World (Gere) 29.8–22 The Dresser Pattern Books from Charles Edward Fewster’s Collection (Baker) 12.1–9 Dry, Graham 14.34–42 Dryden, Annamarie 17.59–66 Dungavell, Jan 21.103–15 Durant, Stuart 29.23–41 ’An earnest desire to promote a right taste in ecclesiastical design’: Cox & Sons and the rise and fall of the church furnishing companies (Bettley) 26.9–25 East, West: The Andrew McIntosh Patrick Collection (Donnelly) 31.139–53 Eatwell, Ann 13.27–32, 18.25–30, 24.21–9 Ébénistes, Lamp Makers, Pâte-sur-pâte and the Second Empire (Bumpus) 22.75–81 editorials 1979 (Rose) 4.4, 1980 (Aslin) 5.3, 1981 (Collins) 6.5, 1982 (Atterbury) 7.3, 1983 (Compton) 8.2-3, 1984 (Rose) 9.1, 1985 (Atterbury/Rutherford) 10.i, 1986 (Aslin) 11.i, 1987 (Morris) 12.i, 1988 (anon) 13.1, 1989 (Gallichan) 14.3, 1990 (Beddoe) 15.3 1991 (Rudoe) 16.2, 1992 (Naylor) 17.2, 1993 (Miall) 18.1, 1994 (Wilk) 19.i, 1995 (Morris) 20.iv 1997 (Barker) 21.4, 1998 (Barker) 22.2, 1999 (Beare) 23.3, 2000 (Werner) 24.4, 2001 (Ceresole) 25.4, 2002 (Wilson) 26.7, 2003 (Auty) 27.5, 2004 (Werner) 28.5, 2005 (Gere & Rudoe) 29.5-7, 2006 (Donnelly) 30.5, 2007 (Wurtzel) 31.6-7, 2008 (Stapleton) 32.6-7, 2009 (anon) 33.6-7, 2010 (Stapleton) 34.5–7 Edward Bawden and Eric Ravilious as Designers (Skipwith & Webb) 27.63–79 Edward Hald 1883-1980 (Polak) 5.5–11 Elizabeth Aslin 1923-1989 (Morris) 13.i Elliott, Fiona 22.5–17 Emile Reiber and the Deck Connection (Bumpus) 27.39–51 English,
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