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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Holiday on the Cape
Holiday On The Cape Masterpiece and CapePOPS! Series Title Sponsor November 30, December 1 & 2, 2018 Cape Symphony Jung-Ho Pak, Conductor Vintage Vocal Quartet Chatham Chorale Joseph Marchio, Music Director Conservatory Youth Ballet Jane Caputo, Director West Bend Music’s Celtic Roots Clayton March, Artistic Director Dancers from Kanaley School of Irish Dance Colleen Kanaley Dow, Director Sarah Ford Marchio, Celtic Bagpiper James O’Neill, Vocals Anna McEntee, Vocals “And it was always said of Scrooge, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us!’’ — Charles Dickens, A Christmas Carol 18 O Christmas Time! . Matt Correia The Christmas Song . Mel Tormé I’ll Be Home For Christmas . .Kim Gannon, Walter Kent, and Buck Ram White Christmas from Holiday Inn . Irving Berlin Silver Bells . Jay Livingston and Ray Evans Christmas Eve on Cape Cod . .Susan Linton Snow from White Christmas . Irving Berlin Soon it’s Gonna Snow . David Scott Let it Snow/Winter Wonderland Medley . Jule Styne and Sammy Cahn A Christmas Fantasy . Dan Goeller Intermission Joy to the World . Isaac Watts A Canadian Brass Christmas . .Arranged by Luther Henderson Festive Sounds of Hanukkah . Bill Holcombe Do You Hear What I Hear? . .Gloria Shayne The First Nowell . Traditional Go Tell it on The Mountain . Traditional Sing-a-Long: Hark the Herald Angels Sing . Traditional Wassail Song . Traditional A Celtic Christmas . .Arranged by Bill Wolaver We Wish You a Merry Christmas . Traditional “The holiday season is a time for storytelling, and whether you are hearing the story of a candelabra staying lit for more than a week or a baby born in a barn without proper medical supervision, these stories often feature miracles.” — Lemony Snicket, A Lump of Coal 19 Celebrating Traditions The chill in the air. -
First Unitarian Universalist Society of Burlington, Vermont Order of Service September 13, 2020
First Unitarian Universalist Society of Burlington, Vermont Order of Service September 13, 2020 “Waters mingled, like our common humanity.” - Kayle Rice Prelude Polka Dots and Moonbeams Sam Whitesell Jimmy Van Heusen & Johnny Burke; arr. Sam Whitesell Welcome Judy Brook Chime Chalice “We kindle this chalice flame to remind ourselves of the light of truth, the warmth of community, and the fire of commitment.” Call to Worship “River Call” by Manish Mishra-Marzetti Rev. Patricia Hart Opening Song Come, Come, Whoever You Are Penny & Adele deRosset Meditation Spoken Words Joys & Sorrows Silence Reflection Offering Introduction Today’s offering will be shared with the Virtual Run/Walk for JUMP on September 26, the annual fundraising event for the Joint Urban Ministry Project. JUMP’s mission is to promote the physical, emotional, and spiritual well-being of people by providing spiritual care, direct assistance to meet basic needs, and advocacy. jumpvt.org Offertory Improvisation Sam Whitesell Offering Dedication “With gratitude, we dedicate these gifts in the service of our mission to inspire spiritual growth, care for each other and our community, seek truth, and act for justice.” Anthem Blue Boat Home FUUSB Choir Homily “Where Water Communion Came From” Water Communion Hymn #368 Now Let Us Sing Chalice Extinguishing “We extinguish this flame, but not the light of truth, the warmth of community, or the fire of commitment. These we carry in our hearts and share with the world until we are together again.” Benediction “All Rivers Run to the Sea” by Kayle Rice, adap. Erika Reif Postlude Waves Roll By Sam Whitesell TODAY’S WORSHIP CREATORS Developmental Senior Minister Rev. -
Ampico Popular NEW MIDI and E-Roll Files Composer
Total files = 536 Ampico Popular NEW MIDI and e-roll files AA = Ampico A, AB = Ampico B Composer (Writer) order Roll issue Title Writer(s) Composer details Pianist time midi file name No. date Stephen Adams (Michael Holy City, The Adams Brockway as Kmita 56824 1919 4:52 Holy City, Brockway AA Maybrick) Crazy Words - Crazy Tune Ager Milton Ager (1893-1979) Grofe 208611 05 1927 2:48 Crazy Words, Crazy Tune, Grofe AA I Wonder What's Become of Sally? Ager Fairchild 205191 09 1924 4:28 I Wonder What's Become of Sally AA I'll Get By Ahlert Fred E. Ahlert (1892-1953) Rainger 211171 02 1929 2:42 I'll Get By, Rainger AB I'll Tell The World Ahlert Wright & Johnston 211541 05 1929 3:14 I'll Tell The World (Ahlert) AB Marianne "Marianne" Ahlert Rainger 212191 12 1929 2:44 Marianne, Rainger AB Love Me (Deja) waltz Aivaz Morse-T. Aivaz (only item) Shipman 212241 12 1929 3:20 Love Me (Aivaz), Carroll AB Am I Blue? from "On With The Show" Akst Harry Akst (1894-1963) Arden & Carroll 212031 10 1929 3:37 Am I Blue AB Away Down South Akst Clair 203051 11 1922 2:37 Away Down South (Akst), Clair AA If I'd Only Believed In You Akst Lane 208383 02 1927 5:14 If I'd Only Believed In You AA In My Bouquet Of Memories Akst Arden 210233 07 1928 4:58 In My Bouquet of Memories AB Nobody Loves You Like I Do Akst Lopez (asst) 205531 01 1925 2:38 Nobody Loves You (Akst), Lopez AA Shanghai Dream Man Akst Grofe 208621 05 1927 3:48 Shanghai Dream Man, Grofe AA Gotta Feelin' For You "Hollywood Revue" Alter Carroll 212351 01 1930 2:49 Gotta Feelin' For You, Carroll AB Hugs and -
Rise and Fall of Tin Pan Alley (Subotnik, Spr
Music 133: Rise and Fall of Tin Pan Alley (Subotnik, Spr. 2003)—p. 1 MUSIC 133: SEMINAR IN AMERICAN MUSIC: THE RISE AND FALL OF TIN PAN ALLEY Spring Semester, 2003 Rose Rosengard Subotnik COURSE DESCRIPTION: Focusing on the decades between the 1880s and the 1950s, this course examines social, musical and commercial forces behind the emergence and decline of Tin Pan Alley as well as changes in the substance, treatment, and significance of its songs during their years of popularity. Topics addressed include national identity and race relations as well as the difficulties of analyzing popular music. GOALS OF COURSE: The goal of this course is to give you a sound musical, historical, and critical sense of the Tin Pan Alley type of song, of the changes in style and role that characterized such songs over several generations, and of the various kinds of responses they have generated. Questions we will consider include 1) musical ones (e.g. What repertories does the term “Tin Pan Alley song” designate? In what ways is it useful to discuss the musical characteristics of such songs [their history? their structure? the various styles and mediums that made use of such songs? the identity of the artists who presented them?]] How might we assign musical value to this general category of song, and how might we evaluate individual songs within this category? Why is the Tin Pan Alley song typically denigrated in contrast to jazz, blues, and rock music? What happened to this type of song in the late 1940s and the 1950s, both before and during the transition to rock and roll?); and 2) cultural ones (e.g. -
Claudia Hommel's Songshop Presents Dream a Little #1
Claudia Hommel’s Songshop presents Dream a Little #1 The Café Simone Cabaret of Cyrano’s Bistrot Saturday, July 23, 2011 Act II Sue Hit the Road to Dreamland Harold Arlen & Johnny Mercer Adrienne A Whole New World Alan Menken & Tim Rice (from Aladdin ) Liberty Et si tu n'existais pas Toto Cutugno & Pierre Delanoë Joan I Dreamed a Dream Claude-Michel Schönberg & BROUGHT TO YOU BY: Herbert Kretzmer (from Les Adrienne Minnes, Arlene Armstrong, Carol Weston, Carrie Hedges, Claudia Misérables ) Hommel, Jim Anderson, Joan Kuersten, Liberty Manabat, Ron Anderson, Carol When You Wish upon a Leigh Harline & Ned Ruth Fuerst, Sue Keller (at the piano) Star Washington Jim I Have Dreamed Richard Rodgers & Oscar Act I Hammerstein II Ruth Both Sides Now Joni Mitchell Carol Darn that Dream Jimmy Van Heusen & Eddie De Lange Arlene The Nearness of You Hoagy Carmichael & Ned Carrie Old Devil Moon E.Y. Harburg & Burton Lane Washington. Carrie Climb Ev’ry Mountain Richard Rodgers and Oscar Arlene Fly Me to the Moon Bart Howard Hammerstein II (from The Joan I Get Along Without You Hoagy Carmichael (based on a Sound of Music ) Very Well poem by Jane Brown Thompson) Ron Dream Lover Bobby Darin Jim Taking the Wheel John Bucchino Liberty The Way He Makes Me Michel Legrand, Alan & Marilyn Feel Bergman (from Yentl ) Actor-singer CLAUDIA HOMMEL welcomes singers (from novice to veteran) to join Ruth Somewhere That's Alan Menken & Howard Ashman Songshop, our weekly song interpretation workshop at the DePaul University School Green (from Little Shop of Horrors ) of Music where she has been on faculty for the Community Music Division since 2003. -
Seth Weaver Is an Award-Winning Trombonist, Vocalist, Composer
eth Weaver is an award-winning trombonist, vocalist, composer, arranger, and educator based in New York City. Originally from Franklin, TN, Seth was already playing and singing professionally in Nashville while still in high school. He completed a Bachelor of Music degree in Jazz Studies from the SUniversity of North Texas in 2013 and a Master’s degree in Jazz Studies at the Manhattan School of Music in 2015. Described as a “youthful trombone firebrand pelting NYC with deliciously soulful hard bop” by Michael Dease, an internationally acclaimed jazz trombonist, Seth has quickly established himself as a new voice in the NYC jazz community. As a bandleader, Seth heads a seventeen-piece swing orchestra comprised of some of the most exciting new voices in the New York Jazz scene today. The band has performed in numerous venues around New York City, including The Iridium, Swing 46, Club Bonafide, the APAP Showcase, Shapeshifter Lab, American Beauty, St. Peter’s Church, Zinc Bar, Birdland, and many others. Described as “big band swing with a modern twist,” the group also has a monthly residency at The Speakeasy Sessions (The Gin Mill.) His debut album, Truth, will be released on March 27th through Outside in Music. Seth is a sought-after composer and arranger, and his music has been performed all over the world. His composition “Frost” was debuted at Carnegie Hall in 2018, and he composed the original score for the off- Broadway play, “For What It’s Worth.” Seth’s transcription and analysis of Michael Dease’s album Coming Home are available through Warwick Music Publications. -
Download Booklet
BIS-CD-1049STEREO lDD Dl Totalplaying time: 46'36 E Introduction l'28 tr O Lord My God!(How Great Thou Art) 5'15 Words & Music by Carl Bctberg.Arranged & Sequencedby Hiro lida Voeol 4rronpemcnrht Vorlon \ondcrt tr Beautyand the Beast 3'23 Worclsby Howarcl Ashman I Music by Alan Menken. Arranged & Sequencedby Jamshied Sharifi E Star Dust 1'07 Words by Michell Parish I Music by Hoag.\'Carmichael Arranged by Gil Goldstein (Dedicqted to Lili Goldstein) E IfI LovedYou 3'35 Words by Oscar Hammerstein II I Music b,t Richard Rogers Arranged by Gil Goldstein (Dedicated to Lili Goldstein) tr SilentNight 3'39 Words by Joseph Mohr I Music by Franz Gruber. Arranged by Gil Goldstein tr The Meaningof Wonder 4',59 Wordt & 14usicbt Cil Coldstein E Some Day My Prince Will Come 1r(t Words by Larr1, Morel l Music by Frank Churchill. Arranged & Sequencedby Hi'o Iida tr O Holy Night 3'36 EnglishWonls by D.S. Du'ight I Music by Adolphe Adam. Arranged and Sequencedby Jamshied Shartf @ Music of the Spheres 5'33 Words & Music br Gil Goldstetn E White Christmas 5'21 Words & Music b:" Ining Berlin. Arrqnged & Sequencedbl Hi'o lida E WhenYou Wish Upona Star 4'08 Words by NedWashingt<n I Music by Leigh Harline. Art'anged by Andy Erzin Yoshikazu Mera, counter-tenor Yoshikazu Mera, Japan's leading counter-tenor, is a winner of the highest prize at the eighth Early Music Competition (1994) and the third prize at the sixth Sogakudo JapaneseLied Com- petition (1995). He is highly acclaimedin sacredand early music field, appearingas a soloist with the Bach Collegium Japan and in opera. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Here Are a Number of Recognizable Singers Who Are Noted As Prominent Contributors to the Songbook Genre
Music Take- Home Packet Inside About the Songbook Song Facts & Lyrics Music & Movement Additional Viewing YouTube playlist https://bit.ly/AllegraSongbookSongs This packet was created by Board-Certified Music Therapist, Allegra Hein (MT-BC) who consults with the Perfect Harmony program. About the Songbook The “Great American Songbook” is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as "American Standards", the songs published during the Golden Age of this genre include those popular and enduring tunes from the 1920s to the 1950s that were created for Broadway theatre, musical theatre, and Hollywood musical film. The times in which much of this music was written were tumultuous ones for a rapidly growing and changing America. The music of the Great American Songbook offered hope of better days during the Great Depression, built morale during two world wars, helped build social bridges within our culture, and whistled beside us during unprecedented economic growth. About the Songbook We defended our country, raised families, and built a nation while singing these songs. There are a number of recognizable singers who are noted as prominent contributors to the Songbook genre. Ella Fitzgerald, Fred Astaire, Rosemary Clooney, Nat King Cole, Sammy Davis Jr., Judy Garland, Billie Holiday, Lena Horne, Al Jolson, Dean Martin, Frank Sinatra, Mel Tormé, Margaret Whiting, and Andy Williams are widely recognized for their performances and recordings which defined the genre. This is by no means an exhaustive list; there are countless others who are widely recognized for their performances of music from the Great American Songbook. -
Father/Daughter – Mother/Son Dance Music Ideas
Father/Daughter – Mother/Son Dance Music Ideas Father/Daughter Dance Mother/Son Dance 1 Heartland I Loved Her First 1 Rascal Flatts My Wish 2 Mcgraw, Tim My Little Girl 2 Armstrong, Louis What A Wonderful World 3 Temptations My Girl 3 Lynyrd Skynyrd Simple Man 4 Carlisle, Bob Butterfly Kisses 4 Boyz II Men A Song For Mama 5 Rascal Flatts My Wish 5 Womack, Lee Ann I Hope You Dance 6 Armstrong, Louis What A Wonderful World 6 Beatles In My Life 7 Chapman, Steven Curtis Cinderella 7 Morrison, Van Days Like This 8 Sinatra, Frank The Way You Look Tonight 8 Dion, Celine Because You Loved Me 9 Wonder, Stevie Isn't She Lovely 9 Collins, Phil You'll Be In My Heart 10 Beatles In My Life 10 Kamakawiwo'ole, Israel 'Iz' Over The Rainbow 11 Simon, Paul Father And Daughter 11 Brooks, Garth Mom 12 Mccain, Edwin Walk With You 12 Stewart, Rod Forever Young 13 Cole, Natalie With Nat King Cole Unforgettable 13 Chesney, Kenny Don't Blink 14 Mayer, John Daughters 14 King, Ben E. Stand By Me 15 Adkins, Trace Just Fishin' 15 Stewart, Rod Have I Told You Lately 16 Fleetwood Mac Landslide 16 Brickman, Jim Lady Antebellum Never Alone 17 Dion, Celine Because You Loved Me 17 Church, Eric Like Jesus Does 18 Kamakawiwo'ole, Israel 'Iz' Over The Rainbow 18 Groban, Josh You Raise Me Up 19 Morrison, Van Brown Eyed Girl 19 Fleetwood Mac Landslide 20 Clapton, Eric Wonderful Tonight 20 Mraz, Jason 93 Million Miles 21 King, Ben E. -
Song Suggestions for Special Dances
SONG SUGGESTIONS FOR SPECIAL DANCES PARTY EXCITEMENT www.partyexcitement.com Top 50 Bride & Groom First Dance Songs (Everything I Do) I do it for you by Bryan Adams A Thousand Years by Christina Perri All My Life by K‐Ci & JoJo Amazed by Lonestar At Last by Etta James Better Together by Jack Johnson Bless the Broken Road by Rascal Flatts By Your Side by Sade Can’t Help Falling in Love by Elvis Presley Chasing Cars by Snow Patrol Come Away with Me by Norah Jones Cowboys and Angels by Dustin Lynch Crazy Girl by Eli Young Band Crazy Love by Van Morrison Everything by Michael Buble Faithfully by Journey First Day of My Life by Bright Eyes God Gave Me You by Blake Shelton Hold on by Michael Buble I Cross my Heart by George Strait I Don’t Want to Miss a Thing by Aerosmith I Gotta Feeling by Black Eyed Peas I won’t give up by Jason Mraz I’ll be by Edwin McCain Into the Mystic by Van Morrison It’s Your Love by Tim McGraw and Faith Hill Let’s Stay Together by Al Green Lucky by Jason Mraz & Colbie Caillat Make You Feel My Love by Adele Making Memories of Us by Keith Urban Marry Me by Train Me and You by Kenny Chesney My Best Friend by Tim McGraw She’s everything by Brad Paisley Smile by Uncle Kracker Stand By Me by Ben E. King The Way you look tonight by Frank Sinatra Then by Brad Paisley This Year’s Love by David Gray Unchained Melody by Righteous Brothers Wanted by Hunter Hayes What a Wonderful World by Louis Armstrong When You Say Nothing at All by Alison Krauss Wonderful Tonight by Eric Clapton You and Me by Dave Matthews Band You are the Best