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The Presentation of Art History Artefacts on the Web: Current Trends and a Potential Alternative
Die approbierte Originalversion dieser Diplom-/Masterarbeit ist an der Hauptbibliothek der Technischen Universität Wien aufgestellt (http://www.ub.tuwien.ac.at). The approved original version of this diploma or master thesis is available at the main library of the Vienna University of Technology (http://www.ub.tuwien.ac.at/englweb/). The presentation of art history artefacts on the Web: Current trends and a potential alternative DIPLOMARBEIT zur Erlangung des akademischen Grades Diplom-Ingenieur im Rahmen des Studiums Wirtschaftsinformatik eingereicht von Markus Siedler Matrikelnummer 0625524 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Ao.Univ.Prof. Mag. Dr. Wolfdieter Merkl (Univ.Prof. Dipl.-Ing. Dr.techn. Hannes Werthner) Wien, 29.01.2013 (Unterschrift Verfasserin) (Unterschrift Betreuung) Technische Universität Wien A-1040 Wien ⇧ Karlsplatz 13 ⇧ Tel. +43-1-58801-0 ⇧ www.tuwien.ac.at The presentation of art history artefacts on the Web: Current trends and a potential alternative MASTER’S THESIS submitted in partial fulfillment of the requirements for the degree of Diplom-Ingenieur in Business Informatics by Markus Siedler Registration Number 0625524 to the Faculty of Informatics at the Vienna University of Technology Advisor: Ao.Univ.Prof. Mag. Dr. Wolfdieter Merkl (Univ.Prof. Dipl.-Ing. Dr.techn. Hannes Werthner) Vienna, 29.01.2013 (Signature of Author) (Signature of Advisor) Technische Universität Wien A-1040 Wien ⇧ Karlsplatz 13 ⇧ Tel. +43-1-58801-0 ⇧ www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Markus Siedler Lacknergasse 73, 1180 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwende- ten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit - einschließlich Tabellen, Karten und Abbildungen -, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Ent- lehnung kenntlich gemacht habe. -
Catalogue of the Mediaeval Ivories Enamels Jewellery
\5^ i ^*> FITZWILLIAM MUSEUM MCCLEAN BEQUEST CAMBRIDGE UNIVERSITY PRESS ILonDon: FETTER LANE, E.G. C. F. CLAY, Manackr u *[ .«...r^^ GFUinturgJ) : loo, PRINCES STREET Btrlin: A. ASHER AND CO. 1Lfip>ig: F. A. BROCKHAUS i^tiu Sork: G. P. PUTNAM'S SONS iSombaB Bnti ffalnittn : MACMILLAN AND CO.. Ltd. All rights reservai FITZWILLIAM MUSEUM MACLEAN BEQUEST CATALOGUE OF THE MEDIAEVAL IVORIES, ENAMELS, JEWELLERY, GEMS AND MISCELLANEOUS OBJECTS BEQUEATHED TO THE MUSEUM BY FRANK MCCLEAN, M.A., F.R.S. BY O. M. DALTON, M.A. Cambridge : at the University Press 1912 M Camiriirgf : PRINTED BY JOHN CLAY, M.A. AT THE UNIVERSITY PRESS PREFACE " I ""HE present catalogue, though limited in extent, is concerned -^ with of a kind difficulties I objects presenting peculiar ; cannot claim to have surmounted all of these or to have avoided all the errors besetting the classification of similar works of art. In the Introduction I have tried to summarize our present knowledge, and to provide such references to the literature of each subject as will enable the reader to consult original sources of information. I wish to express my great indebtedness to Dr Montague James and Mr S. C. Cockerell for kind assistance rendered at various times during the preparation of the work, and in an especial degree to Dr C. H. Read of the British Museum, who has examined the collection with me and placed his wide knowledge freely at my disposal. The descriptions of nos. io8— 109 and of the Egyptian, Assyrian and Babylonian objects, nos. 119— 143, have been supplied by Mr F, W. -
Wikimedia with Liam Wyatt
Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values. -
Wiki Loves Monuments 2011: the Experience in Spain and Reflections Regarding the Diffusion of Cultural Heritage
Universitat Oberta de Catalunya The Humanities in the Digital Era http://digithum.uoc.edu Dossier ˝Academic research into Wikipedia˝ Wiki Loves Monuments 2011: the experience in Spain and reflections regarding the diffusion of cultural heritage Emilio José Rodríguez Posada Computer Engineering Bachelor degree and predoctoral student (University of Cadiz) [email protected] Ángel Gonzalez Berdasco Computer Engineering Bachelor degree (University of Oviedo) [email protected] Jorge A. Sierra Canduela President of Wikimedia Spain Degrees in Chemistry and Theology and diploma in Therapeutic Pedagogy Secondary school teacher [email protected] Santiago Navarro Sanz Member of Wikimedia Spain Student of the degrees in Chemical Engineering, Chemistry (Jaume I University of Castellón) and History (UNED) [email protected] Tomás Saorín Lecturer at the Faculty of Communication and Documentation (University of Murcia) [email protected] Submission date: February, 2012 Accepted date: April, 2012 Published in: May, 2012 Abstract Wikipedia came into being in cyberspace. Its early years were marked by asynchronous work by users located all over the world who hardly ever related on a personal level outside the net. With time, some of the volunteers met at what were called wikimeetups, encounters initially aimed at tightening bonds which did not bring about any direct improvement to the project content. Face-to-face initiatives later took place that involved not just volunteers but also cultural entities. The most recent event and the one with the greatest impact was Wiki Loves Monuments 2011, a competition to photograph monuments in 18 European countries, including Spain. The high level of participation led to 160,000 photographs of monuments being taken, with Spain occupying the third place in terms of number of photographs. -
Collecting the World
Large print text Collecting the World Please do not remove from this display Collecting the World Founded in 1753, the British Museum opened its doors to visitors in 1759. The Museum tells the story of human cultural achievement through a collection of collections. This room celebrates some of the collectors who, in different ways, have shaped the Museum over four centuries, along with individuals and organisations who continue to shape its future. The adjoining galleries also explore aspects of collecting. Room 1: Enlightenment tells the story of how, in the early Museum, objects and knowledge were gathered and classified. Room 2a: The Waddesdon Bequest, displays the collection of Renaissance and Baroque masterpieces left to the British Museum by Baron Ferdinand Rothschild MP at his death in 1898. Gallery plan 2 Expanding Horizons Room 1 Enlightenment Bequest Waddesdon The Room 2a 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow Grenville shop 4 Collecting the World page Section 1 6 The Age of Curiosity, 18th century Section 2 2 5 Expanding Horizons, 19th century Section 3 80 Changing Continuity, 20th century Section 4 110 Today and Tomorrow, 21st century Portraits at balcony level 156 5 Section 1 The Age of Curiosity, 18th century Gallery plan 2 Expanding Horizons 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow 6 18th century The Age of Curiosity The Age of Curiosity The British Museum was founded in 1753 as a place of recreation ‘for all studious and curious persons’. Its founding collection belonged to the physician Sir Hans Sloane (1660–1753). -
Wikimedia Chapters.Pdf
Wikimedia Chapters (Official Name) Lodewijk Gelauff Deror Avi Lin Cool Projects done by Wikimedia Chapters …Be inspired DISCLAMER • This is not a list of ALL Wikimedia Chapter’s Projects • This is not a list of ALL Wikimedia Chapters • This is a ONLY some of the projects we and the Chapter’s considered to be COOL and LOW BUDGET Chapters – Independent associations • support, • promote, • empower, • engage, • create – A specified geographical region Frankfurt, Germany Cambridge, Massetuchets, US Taipai, Taiwan Alexandria, Egypt Buenos Aires, Argentina Gdansk, Poland Haifa, Israel Washington DC, USA Hong Kong ? We asked chapters three :questions 1. What have you been up to this year? 2. What is the coolest project done by another chapter? 3. What are your three coolest projects? Editor’s Meetup • India, Australia, Venezuela, Germany, Hungry, UK, Poland, Russia, Estonia, Sweden, Denmark, DC, France, Israel, Nederland, Cezck Republic, Canada, Portugal, Spain Outreach • India, Australia, Venezuela, Italy, Germany, UK, Poland, Russia, Sweden, Denmark, DC, France, Israel, Nederland, Finland, Cezck Republic, Canada, Portugal, Spain, Macedonia Editing event/ Contest • India, Australia, Venezuela, Italy, Germany, Hungry, UK, Poland, Russia, Estonia, Sweden, DC, France, Israel, Nederland, Finland, Cezck Republic, Canada, Portugal, Spain, Macedonia Conference • India, Australia, Venezuela, Germany, UK, Poland, Russia, Sweden, DC, France, Israel, Nederland, Finland, Cezck Republic, Portugal, Spain Meetups Meetups Great American Wiknic New York • June -
DAILY Ericsson Outlines Vision for Connected Future
MWC12 Daily DAY4_DAY4 29/02/2012 20:27 Page 1 BROUGHT TO YOU BY: OFFICIAL NEWSPAPER OF MOBILE WORLD CONGRESS 2012 IN THIS ISSUE FC BARCELONA SIGNS FOR MOBILE WORLD CAPITAL FOOTBALL CLUB PLEDGES SUPPORT FOR INITIATIVE PAGE 4 ISIS CONFIDENT ON NFC HANDSETS US OPERATORS READY FOR COMPATIBLE DEVICES PAGE 11 FOURSQUARE REVEALS FUTURE VISION LOCATION-BASED CHECK-IN SERVICE PLANS TO TAKE PASSIVE DAILY AWARENESS BEYOND MOBILES PAGE 14 D AY F O U R • THURSDAY 1ST MARCH Ericsson outlines vision for connected future By Steve Costello two things. One, that’s quick growth of 10 percent. Two, you can also Elop outlines ans Vestberg, CEO of say, that’s 90 percent to go.” future with number one infrastructure Vestberg reiterated the Hvendor Ericsson, used his company’s forecast that by 2020 three-tiered Mobile World Live keynote last there will be 50 billion connected differentiate and can deliver the When identifying areas for future night to outline the importance of devices, noting that this will services that customers expect.” growth, Vestberg said: “I think the focus technology in enabling the transform the world. “As we all The network head noted three next big thing will be enterprises “networked society.” know, when one person gets areas of focus needed to deliver transforming their businesses by By Paul Rasmussen In a presentation which was rich connected, their life changes. When high-quality connectivity: using these types of tools. And we with visual concepts of a connected everything connects, the world optimising the macro network, to are going to be there to support that.” okia CEO Stephen Elop future, Vestberg described progress changes. -
Swiss Heritage Institutions in the Internet Era Results of a Pilot Survey on Open Data and Crowdsourcing
Bern University of Applied Sciences E-Government Institute Swiss Heritage Institutions in the Internet Era Results of a pilot survey on open data and crowdsourcing | downloaded: 5.3.2020 Beat Estermann https://doi.org/10.24451/arbor.9503 source: Version 1.0 Bern, 26 July 2013 The text of the report and our own graphics are published under a “Creative Commons Attribution-ShareAlike 3.0 Unported” license. Picture on cover page: Swiss National Museum Zurich. Wikimedia Commons, Roland Fischer, Zurich, CC-BY-SA-3.0 Unported. Management Summary The rise of the internet in the 1990s and the innovations that have resulted from it have not left cultural heritage institutions unaffected. Libraries, archives and museums have since undergone several consecutive trends. This study focuses on two of them: open data and crowdsourcing. Both trends are a result of the increasing digitisation of cultural heritage-related material and the corresponding metadata. From the beginning of the new millennium, Europe’s cultural heritage institutions have coordinated their efforts to digitise cultural heritage-related material as comprehensively as possible. As a result, ‘single points of access’ in the form of inter-organisational catalogue systems and virtual libraries have developed alongside the increase in networking between institutions for the purpose of exchanging know-how and avoiding duplication. An additional trend towards greater interaction options during the second half of the first decade went hand in hand with the rise of the social web. This trend found expression in new forms of personalisation and the increased inclusion of users and visitors as ‘co-producers’. At the same time, the rise of Wikipedia, Flickr and similar community-based services has focussed attention on the potential for collaborative creation and compilation of information on the internet. -
Monday, 19 September 11 QUESTIONS
QUESTIONS Monday, 19 September 11 QUESTIONS How many of you: Monday, 19 September 11 QUESTIONS How many of you: • Read Wikipedia? Monday, 19 September 11 QUESTIONS How many of you: • Read Wikipedia? • Edit Wikipedia? Monday, 19 September 11 QUESTIONS How many of you: • Read Wikipedia? • Edit Wikipedia? • Use Wikipedia for teaching, research or outreach? Monday, 19 September 11 QUESTIONS How many of you: • Read Wikipedia? • Edit Wikipedia? • Use Wikipedia for teaching, research or outreach? • Have looked at your research area’s article? Monday, 19 September 11 QUESTIONS How many of you: • Read Wikipedia? • Edit Wikipedia? • Use Wikipedia for teaching, research or outreach? • Have looked at your research area’s article? • Reuse Wikipedia content? Monday, 19 September 11 What is ? Monday, 19 September 11 WHAT IS WIKIMEDIA? Free knowledge for all Monday, 19 September 11 Wikimania Wikipedia Wikibooks Wikimedia Commons Meta Wikisource Wikiquote Wikinews Wikispecies Wiktionary MediaWiki Wikiversity Monday, 19 September 11 Monday, 19 September 11 ANYONE CAN EDIT Monday, 19 September 11 BIGGEST ENCYCLOPÆDIA Bigger than 11,095-volume 永樂大典/Yongle Encyclopedia from 1403-8 Image: public domain, http://en.wikipedia.org/wiki/File:Yongle_Dadian_Encyclopedia_1403.jpg Monday, 19 September 11 WIKIPEDIA Over 18.6 million articles (Over 3.7 million in English) Written in over 250 different languages Now over 10 years old (started 15 January 2001) Volunteer-written (no paid writers or editors) Monday, 19 September 11 WIKIMEDIA • Projects run by volunteers -
Results and Data Analysis
A SCIENTIFIC AND ARCHAEOLOGICAL INVESTIGATION OF PREHISTORIC GLASSES FROM ITALY. by Andrew C. Towle, BA. MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy, January 2002. CONTENTS CHAPTER 1: INTRODUCTION 1 1.1 Project Origins 1 1.2 Sample Collection 1 1.3 selection of analytical techniques 5 1.4 The investigation of glass technology 6 1.5 Technological aspects of glass beads 7 1.6 Objectives of the project 8 CHAPTER 2: THE EVIDENCE FOR GLASS PRODUCTION IN PREHISTORIC NORTHERN ITALY, AND ASSUMPTIONS UNDERPINNING ITS STUDY 10 2.1 Evidence for early glass production in prehistoric Italy: the Middle to Final Bronze Age 10 2.2 Characteristic glass forms from prehistoric Italy: The Early Iron Age and Etruscan periods 17 2.3 Theoretical assumptions underpinning the research 22 2.4 The relationship between technology and society 28 2.5 Summary 37 CHAPTER 3: THE ARCHAEOMETRY OF ANCIENT GLASS 39 3.1 Introduction 39 3.2 Physical and Chemical Properties of Glass 39 3.3 Why are glasses complex materials? 44 3.4 Related Materials 45 3.4.1 Faience 45 3.4.2 Slag 47 3.4.3 Glazes 47 3.5 Earliest glass 48 3.6 Sources of Information on glass technology 49 3.6.1 Texts 49 3.6.2 Development of modern glass industries 55 3.6.3 Direct study of ancient materials. 55 3.6.4 Experimental work 56 3.7 Interpreting compositional analyses of glass 57 3.7.1 Silica 59 3.7.2 Soda 66 3.7.3 Potash 73 3.7.4 Magnesia 77 3.7.5 Alumina 80 3.7.6 Calcium oxide 83 3.7.7 Phosphorous pentoxide 86 3.7.8 Copper oxide 87 3.7.9 Lead oxide 92 3.7.10 Chlorine 96 3.7.11 Chromium oxide 97 3.7.12 Tin oxide 97 3.7.13 Bismuth oxide 99 3.7.14 Nickel oxide 100 3.7.15 Manganese oxide 100 3.7.16 Antimony compounds 103 3.7.17 Silver oxide 105 3.7.18 Gold 106 3.7.19 Arsenic 107 3.7.20 Cobalt oxide 108 3.7.21 Titanium oxide 115 3.7.22 Sulfur 115 3.7.23 Iron oxide 116 3.7.24 Barium oxide 119 3.7.25 Zinc oxide 120 3.8 Conclusions 120 CHAPTER 4: ANALYTICAL PROCEDURES 122 4.1. -
Royal Gold: Reflections of Power
Podcast transcript Royal Gold: Reflections of Power The Queen's Gallery, Buckingham Palace Wednesday, 17 December 2014 Kathryn Jones, Senior Curator of Decorative Art, Royal Collection Trust Hello, and welcome to a podcast from Royal Collection Trust where we’ll be looking at how gold has for centuries been associated with royalty. Traditionally it has been used to create the regalia and other trappings associated with coronations, yet surprisingly few items in the Royal Collection are made from solid gold. Coming up, Kathryn Jones, Curator of Decorative Arts at Royal Collection Trust, gives a lecture entitled, ‘Royal Gold: Reflections of Power’ at the Queen’s Gallery, Buckingham Palace. She will examine a few of these works of art in detail and explore how gold has been used to denote the highest degree of status and authority. This is an enhanced podcast so you’ll be able to see the images being spoken about on the screen of your device. [00:48] Kathryn Jones: Good afternoon everyone. A German visiting Windsor Castle in 1598 recorded that ‘The walls of the Palace shine with gold and silver’ and noted a cabinet where ‘Besides everything glitters so with silver, gold and jewels as to dazzle one’s eyes’. In 1517 Henry VIII held a great banquet at Whitehall for the Ambassadors of France and the Venetian Republic where a great buffet was placed beside the dining table. The display included silver and gold vases worth vast treasure and larger vases of silver gilt. After the banquet the plate was deliberately left on show so that the public could come and view it. -
Museums and the Origins of Nations Sheila Watson
Great Narratives of the Past. Traditions and Revisions in National Museums Conference proceedings from EuNaMus, European National Museums: Identity Politics, the Uses of the Past and the European Citizen, Paris 29 June – 1 July & 25-26 November 2011. Dominique Poulot, Felicity Bodenstein & José María Lanzarote Guiral (eds) EuNaMus Report No 4. Published by Linköping University Electronic Press: http://www.ep.liu.se/ecp_home/index.en.aspx?issue=078 © The Author. Museums and the Origins of Nations Sheila Watson University of Leicester Abstract Research into the ways in which museum exhibitions tell stories about the origins of nations suggests that these are, in some ways, dissimilar from many traditional historical and archaeological narrative texts in that they depend, in part, on the physical experience of moving through space. Using case studies this paper pays attention to the way in which this immersive process enables museums to tell contradictory and contrasting stories of the foundation of nations. The notion of the ethnic origins of nations and the way museums re-invent nations over time are examined. Websites and guidebooks are also considered. Representing work in progress this paper suggests other areas of investigation for further study. 545 Introduction This paper is based on work carried out for Eunamus, (http://www.eunamus.eu/), on the grand narratives of the origins of the nation in Europe. It examines the way in which exhibitions in National Museums telling a national story appear to today’s visitor, and how these displays can be experienced, read and understood. It acknowledges that readings of the museum, as made by visitors (McLean and Cooke 2000), and by curators, will be different, and that each individual will draw on a range of cultural and historical references and experiences to read the museum.