Wiki Loves Monuments 2011: the Experience in Spain and Reflections Regarding the Diffusion of Cultural Heritage
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International Benchmark of Good Practices on New Business Models and Initiatives from and for Cultural Institutions
International Benchmark of Good Practices on new Business Models and initiatives from and for cultural institutions June 2020 The European Commission support for the production of this document does not constitute an endorsement of the contents which reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein Index Introduction ....................................................................................................................................................................................................................................... 5 European Digital Treasures project ............................................................................................................................................................................................... 5 Objectives of the document .......................................................................................................................................................................................................... 6 Methodology ................................................................................................................................................................................................................................. 7 Category 1: Management ............................................................................................................................................................................................................. -
Jose's Geweldige Presentatie
2012-06-11 Kulturrad Fagtag, Oslo Stel je een wereld voor waarin elke persoon vrije toegang heeft tot alle kennis. Dat is waar wij aan werken. Collaboration: why • Mission • Impact • Reach • Community • Non-pro • 1 + 1 = Community • Not a crowd • Structures • Rules of the game • Opportunity Image from: Tropenmuseum, CCBYSA ; CCNL/Hay Kranen,, CCBY ; Susana Morais, PD ; Mrjohncummings, CCBYSA ; Donaldytong, CCBYSA ;Mike Peel, CCBYSA; Content donations • Collection available through Wikimedia Commons • Reach • Context • Multiple languages • Digital restauration ... Image from: Tropenmuseum, CCBYSA Effective donations Higher reach. Nationaal Archief: 2000+ views vs 4 views per photo Copyright... Metadata Community Focus? Wiki Loves Art • Photo contest • 2009 Netherlands • 45 museums • 5400+ images • Van Gogh, Boijmans van Beuningen Image from: CCNL/Hay Kranen,, CCBY Wiki Loves … 1 month Community Easy upload Good overview Wiki Loves Monuments 2010: Netherlands 2011: Europe (18 countries) 2012: World (25+ countries) 1 month Lists of monuments Collaborations Local 2011 2012 Photos: Goodness Shamrock, Steven van der Wal Wiki Loves Monuments results Freely licensed photos: 165,000+ Familiarity: 4,000+ new uploaders, 7,500,000+ hits on project websites 18 countries 14 local events Wikipedia is editable: 85% expects to edit more Collaboration: 2000+ emails... Leiden Photo contests: lessons Easy Fun Nearby Wikipedia Results Edit-a-thon Themed meeting of Wikipedians to edit articles Something extra British Library, Teylers Museum Lock them in a -
DM2E: Digitised Manuscripts to Europeana Project ID Card
European Commission - Information Society projects DM2E: Digitised Manuscripts to Europeana Project ID card The projects aims to technically enable as many content providers as possible to integrate Funded under: The their content into Europeana. Since different providers make their data available in different Information and formats, a tool has to be developed that converts metadata from a diverse range of source Communication formats into the EDM (Europeana Data Model). During the project, this will exemplarily be Technologies Policy Support done for the autograph database Kalliope (Staatsbibliothek zu Berlin), the German text archive Programme Deutsches Textarchiv (Berlin-Brandenburgische Akademie der Wissenschaften), as well as Area: CIP-ICT-PSP.2011.2.1 content of the Austrian national library (Österreichische Nationalbibliothek) plus a number of - Aggregating content in other sources. Metadata providers are strongly encouraged to make their data available under Europeana CC0, as all other licenses hamper further use by Europeana and scholars. Finally, Europeana is going to provide the aggregated data in a form which allows Digital Humanities scholars to Total cost: €2.62m make best use of them. In addition, basic services / functionalities (modeled on the humanities' EU contribution: €2.10m “scholarly primitives”) will be provided by Europeana. In this perspective, the proposed project is in line with theme 2 of the call (Digital Content) and targets its objective 2.1 (Aggregating Project reference: 297274 content in Europeana). -
Wikimedia Conferentie Nederland 2012 Conferentieboek
http://www.wikimediaconferentie.nl WCN 2012 Conferentieboek CC-BY-SA 9:30–9:40 Opening 9:45–10:30 Lydia Pintscher: Introduction to Wikidata — the next big thing for Wikipedia and the world Wikipedia in het onderwijs Technische kant van wiki’s Wiki-gemeenschappen 10:45–11:30 Jos Punie Ralf Lämmel Sarah Morassi & Ziko van Dijk Het gebruik van Wikimedia Commons en Wikibooks in Community and ontology support for the Wikimedia Nederland, wat is dat precies? interactieve onderwijsvormen voor het secundaire onderwijs 101wiki 11:45–12:30 Tim Ruijters Sandra Fauconnier Een passie voor leren, de Nederlandse wikiversiteit Projecten van Wikimedia Nederland in 2012 en verder Bliksemsessie …+discussie …+vragensessie Lunch 13:15–14:15 Jimmy Wales 14:30–14:50 Wim Muskee Amit Bronner Lotte Belice Baltussen Wikipedia in Edurep Bridging the Gap of Multilingual Diversity Open Cultuur Data: Een bottom-up initiatief vanuit de erfgoedsector 14:55–15:15 Teun Lucassen Gerard Kuys Finne Boonen Scholieren op Wikipedia Onderwerpen vinden met DBpedia Blijf je of ga je weg? 15:30–15:50 Laura van Broekhoven & Jan Auke Brink Jeroen De Dauw Jan-Bart de Vreede 15:55–16:15 Wetenschappelijke stagiairs vertalen onderzoek naar Structured Data in MediaWiki Wikiwijs in vergelijking tot Wikiversity en Wikibooks Wikipedia–lemma 16:20–17:15 Prijsuitreiking van Wiki Loves Monuments Nederland 17:20–17:30 Afsluiting 17:30–18:30 Borrel Inhoudsopgave Organisatie 2 Voorwoord 3 09:45{10:30: Lydia Pintscher 4 13:15{14:15: Jimmy Wales 4 Wikipedia in het onderwijs 5 11:00{11:45: Jos Punie -
The Presentation of Art History Artefacts on the Web: Current Trends and a Potential Alternative
Die approbierte Originalversion dieser Diplom-/Masterarbeit ist an der Hauptbibliothek der Technischen Universität Wien aufgestellt (http://www.ub.tuwien.ac.at). The approved original version of this diploma or master thesis is available at the main library of the Vienna University of Technology (http://www.ub.tuwien.ac.at/englweb/). The presentation of art history artefacts on the Web: Current trends and a potential alternative DIPLOMARBEIT zur Erlangung des akademischen Grades Diplom-Ingenieur im Rahmen des Studiums Wirtschaftsinformatik eingereicht von Markus Siedler Matrikelnummer 0625524 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Ao.Univ.Prof. Mag. Dr. Wolfdieter Merkl (Univ.Prof. Dipl.-Ing. Dr.techn. Hannes Werthner) Wien, 29.01.2013 (Unterschrift Verfasserin) (Unterschrift Betreuung) Technische Universität Wien A-1040 Wien ⇧ Karlsplatz 13 ⇧ Tel. +43-1-58801-0 ⇧ www.tuwien.ac.at The presentation of art history artefacts on the Web: Current trends and a potential alternative MASTER’S THESIS submitted in partial fulfillment of the requirements for the degree of Diplom-Ingenieur in Business Informatics by Markus Siedler Registration Number 0625524 to the Faculty of Informatics at the Vienna University of Technology Advisor: Ao.Univ.Prof. Mag. Dr. Wolfdieter Merkl (Univ.Prof. Dipl.-Ing. Dr.techn. Hannes Werthner) Vienna, 29.01.2013 (Signature of Author) (Signature of Advisor) Technische Universität Wien A-1040 Wien ⇧ Karlsplatz 13 ⇧ Tel. +43-1-58801-0 ⇧ www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Markus Siedler Lacknergasse 73, 1180 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwende- ten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit - einschließlich Tabellen, Karten und Abbildungen -, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Ent- lehnung kenntlich gemacht habe. -
10Annual Report
ANNUAL REPORT 1A de0cade of democratising culture 2018 COLOPHON TABLE OF CONTENTS The Europeana Foundation is an Europeana Foundation A decade of democratising culture independent foundation, registered Prins Willem-Alexanderhof 5 under Dutch Law and has its offices in the 2595 BE Den Haag Table of contents 3 Koninklijke Bibliotheek in The Hague, The Netherlands Netherlands. Foreword 4 www.europeana.eu 1. Participants share 600 personal stories with Europeana Migration 6 Our mission: ‘We transform the world pro.europeana.eu 2. Public transcribes 2,800 WWI handwritten documents 7 with culture’. We build on Europe’s rich cultural heritage and make it easier 3. New aggregation workflow transforms data ingestion process 8 for people to use for work, learning or 4. Europeana Network Association launches six specialist communities 9 pleasure. Our work contributes to an open, 5. EuropeanaTech inspires innovators to forge the future of digital 10 knowledgeable and creative society. 6. Europeana Collections updates make content more discoverable 11 The Europeana Foundation is the leader 7. Transformative cultural heritage shapes Impact Playbook 12 of a consortium that is the operator of the 8. Scholars harness cultural heritage in WWI research projects 13 Europeana Digital Service Infrastructure 9. 2,000 teachers upskill with ‘Europeana in your classroom’ MOOC 14 (DSI), funded by the Connecting Europe Facility of the European Union. 10. Creatives get playful with digital culture 15 Key Performance Indicators (KPIs) 16 In addition, the Europeana -
Crystal Eastman
Wiki Loves Monuments: The world's largest photography competition is now open! Photograph a historic site, learn more about our history, and win prizes. Crystal Eastman From Wikipedia, the free encyclopedia Crystal Eastman Crystal Eastman, feminist and political activist Crystal Catherine Eastman Born June 25, 1881 Marlborough, Massachusetts Died July 8, 1928 (aged 47) Nationality American Occupation Lawyer Feminism, socialism, Congressional Union for Woman Suffrage, The Liberator, and as a co-founder of both Known for the Women's International League for Peace and Freedom and American Union Against Militarism Spouse(s) Wallace Benedict, Walter Fuller Children Jeffrey Fuller and Annis Fuller Samuel Elijah Eastman and Annis Parent(s) Bertha Ford Relatives Max Eastman (brother) Crystal Catherine Eastman (June 25, 1881 – July 8, 1928)[1] was an American lawyer, antimilitarist, feminist, socialist, and journalist. She is best remembered as a leader in the fight for women's suffrage, as a co-founder and co-editor with her brother Max Eastman of the radical arts and politics magazine The Liberator, co-founder of the Women's International League for Peace and Freedom, and co-founder in 1920 of the American Civil Liberties Union. In 2000 she was inducted into the National Women's Hall of Fame in Seneca Falls, New York. Contents 1 Early life and education 2 Social efforts 3 Emancipation 4 Peace efforts 5 Marriage and family o 5.1 Post-War o 5.2 Death 6 Legacy 7 Work o 7.1 Papers o 7.2 Publications 8 Footnotes 9 See also o 9.1 People o 9.2 Political groups o 9.3 Other 10 Additional reading 11 External links Early life and education Crystal Eastman was born in Marlborough, Massachusetts, on June 25, 1881, the third of four children. -
Making Audiovisual Heritage Accessible and Valuable
Making Audiovisual Heritage Accessible and Valuable Erwin Verbruggen | Sound and Vision, NL Joris Pekel | Europeana, NL 09 October 2013, IASA-BAAC Conference, Vilnius What is Europeana? Europeana’s vision and mission → Europeana is a catalyst for change in the world of cultural heritage. → Our mission: The Europeana Foundation and its Network create new ways for people to engage with their cultural history, whether it’s for work, learning or pleasure. → Our vision: We believe in making cultural heritage openly accessible in a digital way, to promote the exchange of ideas and information. This helps us all to understand our cultural diversity better and contributes to a thriving knowledge economy. History of Europeana → April 2005: Jacques Chirac wrote to European Commission President José Manuel Barroso, recommending the creation of a virtual European library → EC’s Information Society and Media Directorate had been supporting European digital information exchange projects for 15 years → September 2005: publication of EC’s i2010 strategy on digital libraries → 2007: European Digital Library Network – EDLnet – began building Europeana, funded under i2010 → November 2008: Europeana prototype launched → Summer 2010: prototype became an operational service funded under the EC’s CIP ICT-PSP (Competitiveness and Innovation Framework Programme) → January 2011: New Renaissance Report published - endorses Europeana as ‘the reference point for European culture online’ → September 2012: Europeana metadata released under CC0 waiver, making it freely available for re-use Europe’s cultural heritage portal → 29m records from 2,200 European galleries, museums, archives and libraries → Books, newspapers, journals, letters, diaries, archival papers → Paintings, maps, drawings, photographs → Music, spoken word, radio broadcasts → Film, newsreels, television → Curated exhibitions → 31 languages The Digital Agenda for Europe ‘Europe has probably the world's greatest cultural heritage. -
Europeana Strategy 2020–2025
STRATEGY 2020-2025 EMPOWERING DIGITAL CHANGE La Grande Lunette, Place de La Bastille, Louis Vert, 1900, Parisienne de Photographie, France, public domain 2 This strategy has been developed following the Report from the European Commission to the Parliament and the Council on the evaluation of Europeana and the way forward (COM /2018/612) [1] and is based on the recommendations from the Expert Group on Digital Cultural Heritage and Europeana (DCHE) [2] prepared by its sub-group on Europeana. We would like to extend our gratitude to everyone who contributed to the formulation of this strategy, especially representatives of Member States in the DCHE, representatives of the European Commission Directorate-General for Communications Networks, Content and Technology and members of the DCHE sub-group on Europeana. The implementation of this strategy will be supported by European Union funding from September 2020, subject to adequate funding being secured. Key performance indicators will be developed based on this strategy. Europeana is an initiative of the European Union, financially and politically supported by the European Commission since its launch in 2008. Currently it is funded under the Connecting Europe Facility (CEF) [3] funding instrument and is operated by a consortium led by the Europeana Foundation, under a service contract with the European Commission. For the Multiannual Financial Framework 2021-2027, the Commission has proposed to fund Europeana under the Digital Europe Programme. 3 Contents Summary �������������������������������������������������������������������������������������������������4 -
The Netherlands and Europeana
THE NETHERLANDS AND EUROPEANA An overview Meisje aan de piano Rijksmuseum 25 January 2021 Public Domain The Netherlands and Europeana: an overview Table of contents THE NETHERLANDS AND EUROPEANA Intro 3 Presidency of the Council of the European Union 4 Highlights 5 Funding and projects 6 Professional participation - Europeana Network Association 7 The Netherlands’ culture showcased in Europeana Collections 8 The Netherlands in Europeana Collections 9 End notes 11 The Netherlands and Europeana: an overview Intro The Europeana Initiative drives digital available through Europeana Collections. transformation and is responsible for With content from every EU country (and Europeana Collections - Europe’s beyond), an interface available in every platform for digital cultural heritage. It is EU language, and an award-winning financed by the European Union’s series of APIs that give access to its Connecting Europe Facility and content, Europeana Collections is the European Union Member States. only place that offers up Europe’s treasure trove of cultural heritage to the The Netherlands and its cultural heritage world. By encouraging open licensing, institutions are indispensable partners, the Europeana Initiative makes more supporting the Europeana Initiative and culture available to more people, so it Europeana Foundation financially, and can be used in education, research and contributing to the diversity of content the creative industries. Europeana Collections, Europeana, 2018, Public Domain 3 The Netherlands and Europeana: an overview Presidency of the Council of the European Union German presidency Europeana background to digital transformation and conference - The Europeana conference copyright, where we stand, and what under the German Presidency on 5 and 6 might come next. -
CONTENT STRATEGY Getting the Right Content to the Right User at the Right Time Europeana Content Strategy Europeana Content Strategy
Turner-Pyramide, Heinrich Hamann, 1902-1903 Museum für Kunst und Gewerbe, Hamburg, CC0 EUROPEANA CONTENT STRATEGY Getting the right content to the right user at the right time Europeana Content Strategy Europeana Content Strategy Content Content 3 Executive summary 6 Introduction 10 • The purpose of the Europeana Content Strategy 10 • Europeana Strategy and Publishing Framework 11 Principles of the Europeana Content Strategy 12 • Quality instead of quantity 12 • Demand-driven content acquisition and publication 12 Priorities for content acquisition 14 • User demand for Europeana 14 • Europeana Thematic Collections 15 • Data quality 16 • Type of content relevant for Europeana 17 • Date range of content relevant to Europeana 18 • Geographic scope of content acquisition 19 Authors: Henning Scholz, Cécile Devarenne, Nuno Freire, Panagiotis Kyrou, • Non-digital objects 19 Joris Pekel, Milena Popova, Conxa Rodà, Malgorzata Szynkielewska, Wim van Dongen, Erwin Verbruggen, Uldis Zarins • Access to digital objects 20 • Masterpieces and lesser known collections for Europeana 20 March 2017 • Crowdsourced content 21 • Metadata and content from Wikimedia Foundation projects 21 foundation • Active (pull) and passive (push) content acquisition 24 • Priorities for publishing in Europeana 24 • Dissemination of content 25 Unless otherwise noted the contents of this document are licensed under the terms of a Creative Commons Conclusion 25 Attribution ShareAlike 4.0 licence. 3 [Ebstorf Mappa Mundi] Monialium Ebstorfensium mappamundi, anonymous 1280-1290 National Library of Bulgaria, Sofia, public domain Europeana Content Strategy Europeana Content Strategy Executive summary Europeana’s long-term goal is to “get the right • Type of content content to the right user at the right time”1. Our Europeana is not in a position to decide on a definition of ‘cultural heritage’. -
Wikimedia Chapters.Pdf
Wikimedia Chapters (Official Name) Lodewijk Gelauff Deror Avi Lin Cool Projects done by Wikimedia Chapters …Be inspired DISCLAMER • This is not a list of ALL Wikimedia Chapter’s Projects • This is not a list of ALL Wikimedia Chapters • This is a ONLY some of the projects we and the Chapter’s considered to be COOL and LOW BUDGET Chapters – Independent associations • support, • promote, • empower, • engage, • create – A specified geographical region Frankfurt, Germany Cambridge, Massetuchets, US Taipai, Taiwan Alexandria, Egypt Buenos Aires, Argentina Gdansk, Poland Haifa, Israel Washington DC, USA Hong Kong ? We asked chapters three :questions 1. What have you been up to this year? 2. What is the coolest project done by another chapter? 3. What are your three coolest projects? Editor’s Meetup • India, Australia, Venezuela, Germany, Hungry, UK, Poland, Russia, Estonia, Sweden, Denmark, DC, France, Israel, Nederland, Cezck Republic, Canada, Portugal, Spain Outreach • India, Australia, Venezuela, Italy, Germany, UK, Poland, Russia, Sweden, Denmark, DC, France, Israel, Nederland, Finland, Cezck Republic, Canada, Portugal, Spain, Macedonia Editing event/ Contest • India, Australia, Venezuela, Italy, Germany, Hungry, UK, Poland, Russia, Estonia, Sweden, DC, France, Israel, Nederland, Finland, Cezck Republic, Canada, Portugal, Spain, Macedonia Conference • India, Australia, Venezuela, Germany, UK, Poland, Russia, Sweden, DC, France, Israel, Nederland, Finland, Cezck Republic, Portugal, Spain Meetups Meetups Great American Wiknic New York • June