Resisting Marriage: Using Rubyfruit Jungle to Analyze a Lesbian's View on Societal Norms
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Student Organizations by Brett Genny Beemyn
Student Organizations by Brett Genny Beemyn Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com Although students attracted to others of the same sex had developed semi-private meeting places and informal social networks at many colleges and universities since at least the early twentieth century, the first formally recognized gay student organizations were not established until the late 1960s. But the success of these early groups, along with the inspiration provided by other college-based movements and the Stonewall riots, led to the proliferation of gay liberation fronts on campuses across the country by the early 1970s. At many colleges and universities, these organizations were male-dominated, prompting lesbians to demand greater inclusion and often to form their own groups. In the 1980s and 1990s, bisexual and transgender students likewise sought recognition, both within and separate from lesbian and gay organizations. At the same time, high school and junior high school students have begun to organize Gay- Straight Alliances, enabling even younger glbtq people to find support and better advocate for their needs. Early Student Groups The first student gay rights organization, the Student Homophile League, was formally established at Columbia University by Stephen Donaldson (born Robert Martin) in 1967. Donaldson had been involved in the New York City chapter of the Mattachine Society, but when he arrived at Columbia, he could not find any other openly glbtq people and was forced by school administrators to move out of his residence hall after his roommates complained about living with a bisexual man. -
The Year 1969 Marked a Major Turning Point in the Politics of Sexuality
The Gay Pride March, begun in 1970 as the In the fertile and tumultuous year that Christopher Street Liberation Day Parade to followed, groups such as the Gay commemorate the Stonewall Riots, became an Liberation Front (GLF), Gay Activists annual event, and LGBT Pride months are now celebrated around the world. The march, Alliance (GAA), and Radicalesbians Marsha P. Johnson handing out flyers in support of gay students at NYU, 1970. Photograph by Mattachine Society of New York. “Where Were Diana Davies. Diana Davies Papers. which demonstrates gays, You During the Christopher Street Riots,” The year 1969 marked 1969. Mattachine Society of New York Records. sent small groups of activists on road lesbians, and transgender people a major turning point trips to spread the word. Chapters sprang Gay Activists Alliance. “Lambda,” 1970. Gay Activists Alliance Records. Gay Liberation Front members marching as articulate constituencies, on Times Square, 1969. Photograph by up across the country, and members fought for civil rights in the politics of sexuality Mattachine Society of New York. Diana Davies. Diana Davies Papers. “Homosexuals Are Different,” 1960s. in their home communities. GAA became a major activist has become a living symbol of Mattachine Society of New York Records. in America. Same-sex relationships were discreetly force, and its SoHo community center, the Firehouse, the evolution of LGBT political tolerated in 19th-century America in the form of romantic Jim Owles. Draft of letter to Governor Nelson A. became a nexus for New York City gays and lesbians. Rockefeller, 1970. Gay Activists Alliance Records. friendships, but the 20th century brought increasing legal communities. -
Professor Bonnie Zimmerman Vice-President for Faculty Affairs September 7, 2010 Interviewed by Susan Resnik for San Diego State
Professor Bonnie Zimmerman Vice-President for Faculty Affairs September 7, 2010 interviewed by Susan Resnik for San Diego State University 125:51 minutes of recording SUSAN RESNIK: Today is Tuesday, September 7, 2010. This Susan Resnik. I’m with Professor Bonnie Zimmerman in the offices of Special Collections and University Archives at San Diego State University. We’re going to conduct an oral history interview. This project is funded by the John and Jane Adams Grant for the Humanities. Professor Zimmerman retired this year from San Diego State University after a notable career in a variety of roles, beginning in 1978. From 2003 until this year, she was associate vice-president and led Faculty Affairs, having previously served as the chair of the university senate. She began as a lecturer in women’s studies in 1978, and became an associate professor of women’s studies from 1980 through ’83. In 1983 she became a professor. She taught courses, chaired theses, contributed to the syllabus, served as the chair of women’s studies from 1986 to 1992, and again from 1995 to 1997. For more than thirty years, through her research, teaching, and program development, she has fostered the growth of women and lesbian studies. She’s been an active member of the Modern Language Association and the National Women’s Studies Association, of which she served as president in 1998 and 1999. She has published extensively, including her books, Lesbian Histories and Cultures: An Encyclopedia; The New Lesbian Studies: Into the 21st Century; Professions of Desire; Lesbian and Gay Studies in Literature; and the Safe Sea of Women: Lesbian Fiction, 1969 to 1989. -
Chapter Six: Activist Agendas and Visions After Stonewall (1969-1973)
Chapter Six: Activist Agendas and Visions after Stonewall (1969-1973) Documents 103-108: Gay Liberation Manifestos, 1969-1970 The documents reprinted in The Stonewall Riots are “Gay Revolution Comes Out,” Rat, 12 Aug. 1969, 7; North American Conference of Homophile Organizations Committee on Youth, “A Radical Manifesto—The Homophile Movement Must Be Radicalized!” 28 Aug. 1969, reprinted in Stephen Donaldson, “Student Homophile League News,” Gay Power (1.2), c. Sep. 1969, 16, 19-20; Preamble, Gay Activists Alliance Constitution, 21 Dec. 1969, Gay Activists Alliance Records, Box 18, Folder 2, New York Public Library; Carl Wittman, “Refugees from Amerika: A Gay Manifesto,” San Francisco Free Press, 22 Dec. 1969, 3-5; Martha Shelley, “Gay is Good,” Rat, 24 Feb. 1970, 11; Steve Kuromiya, “Come Out, Wherever You Are! Come Out,” Philadelphia Free Press, 27 July 1970, 6-7. For related early sources on gay liberation agendas and philosophies in New York, see “Come Out for Freedom,” Come Out!, 14 Nov. 1969, 1; Bob Fontanella, “Sexuality and the American Male,” Come Out!, 14 Nov. 1969, 15; Lois Hart, “Community Center,” Come Out!, 14 Nov. 1969, 15; Leo Louis Martello, “A Positive Image for the Homosexual,” Come Out!, 14 Nov. 1969, 16; “An Interview with New York City Liberationists,” San Francisco Free Press, 7 Dec. 1969, 5; Bob Martin, “Radicalism and Homosexuality,” Come Out!, 10 Jan. 1970, 4; Allan Warshawsky and Ellen Bedoz, “G.L.F. and the Movement,” Come Out!,” 10 Jan. 1970, 4-5; Red Butterfly, “Red Butterfly,” Come Out!, 10 Jan. 1970, 4-5; Bob Kohler, “Where Have All the Flowers Gone,” Come Out!, 10 Jan. -
Female Authorship in the Slumber Party Massacre Trilogy
FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY By LYNDSEY BROYLES Bachelor of Arts in English University of New Mexico Albuquerque, NM 2016 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2019 FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Thesis Approved: Jeff Menne Thesis Adviser Graig Uhlin Lynn Lewis ii Name: LYNDSEY BROYLES Date of Degree: MAY, 2019 Title of Study: FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Major Field: ENGLISH Abstract: The Slumber Party Massacre series is the only horror franchise exclusively written and directed by women. In a genre so closely associated with gender representation, especially misogynistic sexual violence against women, this franchise serves as a case study in an alternative female gaze applied to a notoriously problematic form of media. The series arose as a satire of the genre from an explicitly feminist lesbian source only to be mediated through the exploitation horror production model, which emphasized female nudity and violence. The resulting films both implicitly and explicitly address feminist themes such as lesbianism, trauma, sexuality, and abuse while adhering to misogynistic genre requirements. Each film offers a unique perspective on horror from a distinctly female viewpoint, alternately upholding and subverting the complex gender politics of women in horror films. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ......................................................................................................1 -
“Grisley L Business”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository 10 ‘Grisley “L” business’1? Re-Valuing Female Masculinity and Butch Subjectivity in Tipping the Velvet and The Night Watch Claire O’Callaghan According to the lesbian cultural critic Emma Healey, the figure of the butch lesbian not only carries ‘the weight of nearly one hundred years of stereotyping on her shoulders’, but suffers homophobic ‘scorn and ridicule’ from heterosexist culture as well as ‘internalised lesbophobia’ within lesbian communities.2 As Gayle Rubin indicates, the term ‘butch’ is ‘the lesbian vernacular for women who are more comfortable with masculine gender codes, styles or identities than with feminine ones’ and ‘encompasses a variety of ways of and motivations for using masculine gender codes and preferences’.3 Butchness exists, therefore, as Jack Halberstam points out, on a varied continuum of female masculinities that signify ‘differently gendered bodies’ and female subjectivities.4 Boyish, masculine and/or butch women feature in nearly all of Sarah Waters’s novels. In Tipping the Velvet (1998), Nancy King’s foray into the world of music hall male impersonation and her investment in modes of female masculinity facilitate her discovery of lesbian desire and, as I will discuss later, are integral to her expression of gender and her sexual coming-of-age. Likewise, in Affinity (1999), domestic servant Ruth Vigers is able to pass as male spirit ‘Peter Quick’ in part because of her -
Apr May. 1972, Vol. 16 No. 07-08
THE bADBER APRIL/MAY, 1972 $1-25 THE LADDER, pubEshdd by Lesbians and directed to ALL women seeking full VOLUME 16 No. 7 and 8 human dignity, had its beginning in 1956. It was then the only Lesbian THE publication in the U.S. It is now the only women’s magazine openly supporting APRIL/MAY, 1972 Lesbians, a forceful minority within the women’s liberation movement. LADDER Initially THE LADDER’S goal was limited to achieving the rights accorded THE LADDER STAFF heterosexual women, that is, full second-class citizenship. In the 1950’s women as a whole were as yet unaware of their oppression. The Lesbian knew. And she Editor ...................................................................................................Gene Damon wondered silently when her sisters would realize that they too share many of the Production Editor ...................................................................... Hope Thompson Lesbian’s handicaps, íhose that pertained to being a woman. Circulation Manager .............................................................................Ann P. Buck Production Assistants ................................................Lyn Collins, Kim Stabinski, THE l a d d e r ’s purpose today is to raise all women to full human status, with Jan Watson, King Kelly, Ann Brady, all of the rights and responsibilities this entails; to include ALL women, whether Phyllis Eakin, Robin Jordan Lesbian or heterosexual. Staff C artoonist.................................................................................................... -
Before Stonewall the Making of a Gay and Lesbian Community
Before Stonewall The Making of a Gay and Lesbian Community Newly Restored in Conjunction with the 50 th Anniversary of the Stonewall Riots Executive Producer: John Scagliotti • Director: Greta Schiller • Co-Director: Robert Rosenberg Produced by Robert Rosenberg, John Scagliotti & Greta Schiller 87 minutes, color, 1984, Documentary {Official Selection – Sundance Film Festival} {Best Historical Cultural Program – Emmy Award} {Best Documentary Feature – Los Angeles Filmex} FIRST RUN FEATURES 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] Synopsis: In 1969 the police raided the Stonewall Inn, a gay bar in New York City's Greenwich Village, leading to three nights of rioting by the city's gay community. With this outpouring of courage and unity the gay liberation movement had begun. Before Stonewall pries open the closet door, setting free the dramatic story of the sometimes horrifying public and private existences experienced by LGBT Americans since the early 1900's. Revealing and often humorous, this widely acclaimed film relives the emotionally-charged sparking of the contemporary Lesbian and Gay rights movements, from the events that led to the fevered 1969 riots to many other milestones in the brave fight for acceptance. Experience the fascinating and unforgettable, decade-by-decade history of homosexuality in America through eye-opening historical footage and amazing interviews with those who lived through an often brutal closeted history. Narrated by Rita Mae Brown Groundbreaking interviews with Ann Bannon, Martin Duberman, Allen Ginsberg, Barbara Gittings, Harry Hay, Mabel Hampton, Dr. Evelyn Hooker, Frank Kameny, Audre Lorde, Richard Bruce Nugent, Jose Sarria and many more. -
Laura Harris, Curriculum Vitae
Laura Alexandra Harris Professor English, World Literature, and Africana Studies Pitzer College ● 1050 N. Mills Avenue ● Claremont, CA ● 909-607-3633, [email protected] EDUCATION Ph.D. Literatures in English, 1997 Literature Department, University of California San Diego C. Phil. and M.A. Literatures in English, University of California San Diego, 1994 B.A. Comparative Literature, San Diego State University, 1990 A.A. General Studies, Southwestern Community College, 1988 RESEARCH INTERESTS 20th century African American literature and culture, Feminist and Queer Theory, African Diaspora Studies, Performance Studies PUBLICATIONS “What’s in a name?” That which we call brilliance by any other name would read as Festus Claudius McKay” invited book review for Radical History Review, “Re- Conceptualizing the African Diaspora,” issue 103. Editors Michelle Stephens, Melina Pappademos, and Erica Ball, Duke University Press, Winter 2009. Hybrid Italians, Diasporic Africans: Who’s/Whose Meticcio?” Callaloo: A Journal of African Diaspora Arts & Letters 31.2. Editor Charles H. Rowell. Baltimore, Maryland: Johns Hopkins University Press, Spring 2008. “Confessions of the Pillow Queen: Sexual Receptivity & Queer Femininities.” Tribades, Tommies, and Transgressives: Histories of Sexualities: Volume I Editors Mary McAuliffe and Sonja Tiernan. University College Dublin: Cambridge Scholars Press, Spring/Summer 2008. “On Teaching A Black Queer Harlem Renaissance.” Teaching the Harlem Renaissance: Course Design and Classroom Strategies. Editor Michael Soto. New York: Peter Lang Publishing, African American Literature and Culture Series: Expanding and Exploding the Boundaries, Vol.16, Spring 2008. French translation and reprint of, “Queer Black Feminism: The Pleasure Principle,” (Feminist Review #54 1996), in Black Feminism: Anthologie du féminisme africain- américain, 1975-2000, from the collections of la Bibliothèque du Féminisme, codirectrice Hélène Rouch, Editions L’Hartmattan: Paris, Spring 2008. -
Feminist Presses and Publishing Politics in Twentieth-Century Britain
MIXED MEDIA: FEMINIST PRESSES AND PUBLISHING POLITICS IN TWENTIETH-CENTURY BRITAIN SIMONE ELIZABETH MURRAY DOCTOR OF PHILOSOPHY UNIVERSITY COLLEGE LONDON 1999 The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author U,Ip 1 Still, Madam, the private printing press is an actual fact, and not beyond the reach of a moderate income. Typewriters and duplicators are actual facts and even cheaper. By using these cheap and so far unforbidden instruments you can at once rid yourself of the pressure of boards, policies and editors. They will speak your own mind, in your own words, at your own time, at your own length, at your own bidding. And that, we are agreed, is our definition of 'intellectual liberty'. - Virginia Woolf, Three Guineas (1938) 2 Image removed due to third party copyright ABSTRACT The high cultural profile of contemporary feminist publishing in Britain has previously met with a curiously evasive response from those spheres of academic discourse in which it might be expected to figure: women's studies, while asserting the innate politicality of all communication, has tended to overlook the subject of publishing in favour of less materialist cultural modes; while publishing studies has conventionally overlooked the significance of gender as a differential in analysing print media. Siting itself at this largely unexplored academic juncture, the thesis analyses the complex interaction of feminist politics and fiction publishing in twentieth-century Britain. Chapter 1 -" 'Books With Bite': Virago Press and the Politics of Feminist Conversion" - focuses on Britain's oldest extant women's publishing venture, Virago Press, and analyses the organisational structures and innovative marketing strategies which engineered the success of its reprint and original fiction lists. -
Abstract the Purpose of My Thesis Is to Explore Lesbianism in Adrienne
Abstract The purpose of my thesis is to explore lesbianism in Adrienne Rich’s essays and poetry. Rich has earned her reputation as a major American poet and essayist since the 1950s. Most attention has been paid to her extraordinary poems and revolutionary prose. However, the issue of lesbianism has seldom been focused on or fully discussed. Therefore, I would try to present a panoramic view on how lesbianism has been developed in Rich’s works. In the first chapter, I have tried to delineate various definitions of “lesbian”, and formulate my own definition. Besides that, I have also introduced some theoretical perspectives of lesbianism. In the second chapter, the discussion is mainly on Rich’s concepts— “institutionalization of heterosexuality”, “lesbian existence” and “lesbian continuum”— which were brought up in the essay “Compulsory Heterosexuality and Lesbian Existence.” In the third chapter, my aim is to delineate the development of Rich’s lesbian perspective in her poetry. The discussion consists of three parts: the first part covers the revelation of women’s oppression; the second is stressed on the concept of androgyny; the last part will present Rich’s idea that women’s power should be based on close relations among women. 論文名稱:安筑恩‧瑞奇詩與散文中的女同志主義 校所組別:國立中山大學外國語文研究所 研究生: 蔡婉俐 指導教授: 鍾玲 教授 論文摘要: 本論文旨在探討安筑恩‧瑞奇的詩與散文中所展現的女同志主 義。自 50 年代起,瑞奇即以美國主要的詩人與散文作家享有盛譽。 最受到注意的莫過於她精采絕倫的詩作與富有革新精神的散文。然 而,當中卻鮮少有人針對女同志主義提出全面性的討論。因此,筆者 試圖在本論文中呈現瑞奇作品中的女同志主義。第一章,筆者首先引 證多家對“女同志”之定義,再為“女同志”做出定義。此外,本章 將簡介各個不同理論觀點對女同志主義所做過的研究與討論。第二 章,討論著重於瑞奇在“強迫性異性戀與女同志存在”一文中所提出 的主要觀念:「異性戀的制度化」,「女同志存在」,和「女同志連續體」。 第三章,筆者將呈現女同志主義觀點在瑞奇詩中的發展。討論將分成 三部份:一是關於女性受壓迫事實的揭露;二是強調「雌雄同體」觀 念的討論;最後是展現瑞奇的概念— 女性力量應奠基於女性親密關 係。 Table of Contents Introduction . -
Bonnie Zimmerman Papers
http://oac.cdlib.org/findaid/ark:/13030/kt9c60370z No online items Guide to the Bonnie Zimmerman Papers © Copyright 2008 Special Collections & University Archives. All rights reserved. 2008-01-16 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Bonnie Zimmerman MS-0329 1 Papers Guide to the Bonnie Zimmerman Papers 1966/2003 Special Collections & University Archives Overview of the Collection Collection Title: Bonnie Zimmerman Papers Dates: 1966-2003 Bulk Dates: 1969-1999 Identification: MS-0329 Creator: Zimmerman, Bonnie, 1947- Physical Description: 33.75 linear ft Language of Materials: English Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Biographical Information: Dr. Bonnie Zimmerman worked for the Academic Affairs division of San Diego State University (SDSU) as the Associate Vice President for Faculty Affairs. Prior to assuming administrative duties, she was a distinguished Professor of Women’s Studies, with capacious publications in numerous journals, books, and anthologies in the fields of Literary Studies and Women’s Studies, her work often focusing on the nexus of the two. One of the greatest achievements of this synergy is thearticle, “What Has Never Been,” first published in the Fall of 1981 edition of Feminist Studies and later anthologized in the Norton Anthology of Theory & Criticism, as well as Feminisms. In her notable career at SDSU, she has diligently served both students and her department.