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As Três Missas De Duarte Lobo Sobre Motetes De Francisco Guerrero No Liber Missarum De 1621: Uma Visão Analítica Do Seu Processo De Construção

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As Três Missas De Duarte Lobo Sobre Motetes De Francisco Guerrero No Liber Missarum De 1621: Uma Visão Analítica Do Seu Processo De Construção As três missas de Duarte Lobo sobre motetes de Francisco Guerrero no Liber Missarum de 1621: Uma visão analítica do seu processo de construção Luís Carlos Fortuna Henriques Dissertação de Mestrado em Ciências Musicais Fevereiro, 2015 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais/Variante de Musicologia Histórica, realizada sob a orientação científica do Professor Doutor Manuel Pedro Ferreira, Professor Associado do Departamento de Ciências Musicais da Faculdade de Ciências Sociais e Humanas. DECLARAÇÕES Declaro que esta Dissertação é o resultado da minha investigação pessoal e independente. O seu conteúdo é original e todas as fontes consultadas estão devidamente mencionadas no texto, nas notas e na bibliografia. O candidato, ____________________ Lisboa, .... de ............... de ............... Declaro que esta Dissertação se encontra em condições de ser apreciado pelo júri a designar. O(A) orientador(a), ____________________ Lisboa, .... de ............... de .............. ii Aos meus pais, pelo apoio incondicional e sempre constante iii AGRADECIMENTOS Aos meus pais, pelo apoio incondicional no meu trabalho. Ao Professor Doutor Manuel Pedro Ferreira, pela atenção e compreensão relativamente às dificuldades logísticas e ao trabalho de elaboração desta dissertação. Aos Professores Doutores Filipe Mesquita de Oliveira e Vanda de Sá, pela compreensão, apoio e sugestões. Ao Vigário Geral da Diocese de Angra Doutor Hélder Fonseca Mendes, pela clarividência e apoio na catalogação do arquivo musical da Sé de Angra, no âmbito do qual foi identificado o Liber Missarum de Duarte Lobo. Ao Padre Doutor Duarte Gonçalves da Rosa, pelo apoio e incentivo no trabalho. Ao Doutor Sérgio Toste, pela imprescindível ajuda na tradução dos textos latinos. Aos Doutores Thomas Neal, Jordi Abelló Solà e Michael O'Connor, pela cedência de materiais e sugestões. À Senhora Maria Melo, Paulo Almeida, Clarisse Freitas, Mike Maciel, Raquel Gama, Ana Lúcia Carvalho e membros do Ensemble Eborensis pelo apoio, assim como demais amigos pelas palavras em momentos de adversidade. iv RESUMO As três missas sobre motetes de Francisco Guerrero no Liber Missarum de 1621: Uma visão analítica do seu processo de construção Luís Carlos Fortuna Henriques PALAVRAS-CHAVE: polifonia, Duarte Lobo, Francisco Guerrero, Liber Missarum, missa-paródia Duarte Lobo foi um dos compositores portugueses que, no seu tempo, mais se distinguiu internacionalmente. Dele foram impressos quatro volumes de música na conhecida Oficina Plantiniana de Antuérpia, uma das mais conceituadas casas de impressão europeias. Em Portugal ainda fez imprimir na Casa Craesbeeck duas edições de cantochão. Contudo, é um dos poucos compositores portugueses cuja obra não foi editada em tempos modernos. Apesar de já terem sido editadas algumas obras do Liber Missarum de 1621, a identificação em Maio de 2012 de um volume deste livro de missas na Sé de Angra, conduziu à transcrição de três missas-paródia deste livro, que utilizam como modelo motetes do compositor espanhol Francisco Guerrero. Partindo da relação entre cada um dos modelos e respectivas missas pretende este estudo contribuir para uma melhor compreensão dos processos de imitação e emulação ainda utilizados pelos compositores portugueses no início do século XVII, centrando-se na análise do processo de composição presente nas três missas de Duarte Lobo, enquadrando-os no contexto ibérico da imitação de mestres conceituados como Francisco Guerrero e Cristóbal de Morales e a influência que estes tiveram nas gerações seguintes, onde se inclui Duarte Lobo. v ABSTRACT The Three Masses on Motets by Francisco Guerrero in the Liber Missarum of 1621: An Analytical View of their Construction Process Luís Carlos Fortuna Henriques KEYWORDS: polyphony, Duarte Lobo, Francisco Guerrero, Liber Missarum, parody mass Duarte Lobo was one of the most internationally distinguished Portuguese composers during his time. four volumes of his music were printed at the famous Oficina Plantiniana in Antwerp, one of the most reputable European printing houses. In Portugal he arranged for the printing of two editions of plainchant at the Craesbeeck house in Lisbon. Nevertheless, he is one of the few Portuguese composers whose work was not fully edited in modern times. Although some works from the 1621 Liber Missarum have already been edited, the identification in May 2012 of a volume of this book of masses at Angra Cathedral led to the transcription of three parody masses from this book, which use as a model motets by the Spanish composer Francisco Guerrero. Starting from the relation between each of the models and the respective masses this study aims to contribute to a better understanding of the processes of imitation and emulation still in use by the Portuguese composers at the beginning of the seventeenth century, focusing on the analysis of the process of composition present in the three masses by Duarte Lobo, putting them in the Iberian context of the imitation of established masters like Francisco Guerrero and Cristóbal de Morales and the influence they had on the following generations, where Duarte Lobo is included. vi ÍNDICE PARTE I: ESTUDO Introdução ........................................................................................................... 1 1. A técnica de paródia ....................................................................................... 4 1.1 Origens e desenvolvimento .................................................................... 4 1.2 Aspectos formais: O estado da arte ........................................................ 7 1.3 O presente estudo ................................................................................. 14 2. Duarte Lobo .................................................................................................. 16 2.1 Notícia biográfica ................................................................................. 16 2.2 Obra musical. ........................................................................................ 18 3. O Liber Missarum de Duarte Lobo .............................................................. 20 4. Francisco Guerrero como modelo ................................................................ 24 5. As missas sobre motetes de Francisco Guerrero ......................................... 29 5.1. A Missa Sancta Maria ..................................................................... 29 5.2. A Missa Dicebat Iesus ..................................................................... 72 5.3. A Missa Elisabeth Zachariae ......................................................... 111 Conclusão ........................................................................................................ 150 Bibliografia .................................................................................................... 153 Anexo I: Conteúdo do Liber Missarum ......................................................... 159 Anexo II: Divisão formal das missas ............................................................. 160 PARTE II: TRANSCRIÇÃO 1. Critérios editoriais ...................................................................................... 163 1.1. Claves ............................................................................................ 163 1.2. Notação .......................................................................................... 163 1.3. Barras de compasso ....................................................................... 163 vii 1.4. Acidentes ....................................................................................... 164 1.4. O texto ........................................................................................... 164 2. Transcrições ................................................................................................ 165 2.1. Duarte Lobo: Missa Sancta Maria ................................................ 165 2.2. Duarte Lobo: Missa Dicebat Iesus................................................. 199 2.3. Duarte Lobo: Missa Elisabeth Zachariae ...................................... 229 viii PARTE I ESTUDO ix INTRODUÇÃO O trabalho que ora se apresenta tem como objecto de estudo três das oito missas do compositor português Duarte Lobo que compõem o seu primeiro livro de missas, impresso em Antuérpia em 1621. Duarte Lobo foi um dos poucos compositores que não foram contemplados com a edição moderna da sua obra completa na colecção Portugaliae Musica, patrocinada pela Fundação Calouste Gulbenkian durante os anos sessenta e setenta. Do Liber Missarum foram editadas as missas Veni Domine, Cantate Domino e Pro Defunctis assim como os motetes Audivi vocem de caelo e Pater peccavi, às quais se juntaram recentemente as recentes edições das antífonas Asperges me e Vidi aquam.1 O tema abordado – a missa-paródia e as implicações nas três missas de Lobo – apareceu no seguimento do trabalho de catalogação do fundo musical do Arquivo Capitular da Sé de Angra, onde identifiquei três impressos de polifonia de Manuel Cardoso e Duarte Lobo, onde se inclui um volume do Liber Missarum, o décimo quarto a ser identificado. A projecção inicial desta descoberta – a primeira no Arquipélago dos Açores – conduziu à necessidade da edição musical do conteúdo do livro assim como a um estudo mais aprofundado do seu conteúdo. É neste espírito que surge este trabalho que não pretende enveredar por uma abordagem biográfica de Lobo, já traçada com bastante detalhe por José
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