DOCSLIB.ORG

Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliography BIBLIOGRAPHY Abramovich, Alex. 2003. ‘Hurricane Kushner Hits the Heartland’. 30 November. http://www.nytimes.com/2003/11/30/theater/theater-hurricane-kushner- hits-the-heartland.html?pagewanted=all&src=pm Adorno, Theodor W. 2000. The Adorno Reader . Blackwell Readers. Oxford; Malden, MA: Blackwell. Adorno, Theodor W., György Lukács, Ernst Bloch, Bertolt Brecht and Walter Benjamin. 2007. Aesthetics and Politics . London: Verso. Althusser, Louis. 1969. For Marx . London: Allen Lane. Arendt, Hannah. 1958. The Origins of Totalitarianism . San Diego; New York; London: Harcourt Brace. Armstrong, David. 2002. ‘Dick Cheney’s Song of America’. Harper ’ s Magazine , October. Aston, Elaine. 2003. Feminist Views on the English Stage: Women Playwrights , 1990 – 2000 . New York: Cambridge University Press. Aston, Elaine, and Elin Diamond. 2009. The Cambridge Companion to Caryl Churchill . Cambridge; New York: Cambridge University Press. Bandhauer, Andrea. 2010. ‘Ambiguity and Morality in Jelinek’s Bambiland’. CLCWeb : Comparative Literature and Culture 12(4). http://docs.lib.purdue. edu/clcweb Barlow, John Perry. 1996. ‘A Declaration of the Independence of Cyberspace’. 8 February. https://projects.eff.org/~barlow/Declaration-Final.html Barnett, David. 2006. ‘Political Theatre in a Shrinking World: Rene Pollesch’s Postdramatic Practices on Paper and on Stage’. Contemporary Theatre Review 16(1): 31–40. © The Editor(s) (if applicable) and The Author(s) 2016 209 L. Stevens, Anti-War Theatre After Brecht, DOI 10.1057/978-1-137-53888-8 210 BIBLIOGRAPHY Barnett, David. 2011. ‘Toward a Defi nition of Post-Brechtian Performance: The Example of “In the Jungle of the Cities” at the Berliner Ensemble, 1971’. Modern Drama 54(3): 333–353. Barnett, David. 2014. ‘Performing Dialectics in an Age of Uncertainty, or: Why Post-Brechtian ≠ Postdramatic’. In Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance , edited by Karen Jürs- Munby, Jerome Carroll and Steve Giles, 47–66. New York: Bloomsbury Publishing. Barnett, David. 2015. Brecht in Practice: Theatre , Theory and Performance . London; New York: Bloomsbury Methuen Drama. Barthes, Roland. 1977. Image , Music , Text . New York: Hill and Wang. Baudrillard, Jean. 1995. The Gulf War Did Not Take Place . Bloomington: Indiana University Press. Beam, Alex. 2004. ‘Trashing the First Lady at the Art’. The Boston Globe , 3 February. Benjamin, Walter. 1973. Understanding Brecht . London: NLB. Bennett, David. 1985. ‘Parody, Postmodernism, and the Politics of Reading’. Critical Quarterly 27(4): 27–43. Bharucha, Rustom. 1993. Theatre and the World : Performance and the Politics of Culture . London; New York: Routledge. Bharucha, Rustom. 2014. Terror and Performance . Abingdon; New York: Routledge. Billington, Michael. 2003. ‘Drama out of a Crisis’. The Guardian , 10 April. http://www.guardian.co.uk/stage/2003/apr/10/theatre.artsfeatures Billington, Michael. 2009a. ‘Seven Jewish Children’. The Guardian , 11 February, sec. Theatre Review. http://www.guardian.co.uk/stage/2009/feb/11/ seven-jewish-children?intcmp=239 Billington, Michael. 2009b. ‘Royal Court Theatre Gets behind the Gaza Headlines’. The Guardian , 12 February. http://www.theguardian.com/ stage/theatreblog/2009/feb/11/royal-court-theatre-gaza Brady, Sara. 2012. Performance , Politics , and the War on Terror: ‘ Whatever It Takes ’. Basingstoke; New York: Palgrave Macmillan. Brecht, Bertolt. 1964. Brecht on Theatre: The Development of an Aesthetic . Edited and translated by John Willett. New York: Hill and Wang. Brecht, Bertolt. 1976. Poems 1913 – 1956 . London: Methuen. Bredeson, Kate. 2008. ‘“Toute Ressemblance Est Voulue”: Theatre and Performance of May ’68’. Modern & Contemporary France 16(2): 161–179. Brooker, Peter. 1988. Bertolt Brecht: Dialectics , Poetry , Politics . London; New York: Croom Helm. Brown, Mark. 2009. ‘Royal Court Acts Fast with Gaza Crisis Play’. 24 January. http://www.guardian.co.uk/stage/2009/jan/24/theatre-gaza- caryl-churchill-royal-court-seven-jewish-children?intcmp=239 BIBLIOGRAPHY 211 Bush, George W. 2001a. ‘Address to a Joint Session of Congress and the American People by George Bush’. http://www.whitehouse.gov/news/releases/2001 /09/20010920-8.html Bush, George W. 2001b. ‘At O’Hare, President Says “Get On Board”’. http:// georgewbush-whitehouse.archives.gov/news/releases/2001/09/ 20010927-1.html Bush, Laura Welch. 2002. ‘Mrs Bush Discusses State of Afghan Women at U.N.: Remarks by Mrs Laura Bush’. 8 March. www.whitehouse.gov/news/releases 2002/03/20020308-2.html Butler, Judith. 2006. Precarious Life: The Powers of Mourning and Violence . London; New York: Verso. Butler, Judith. 2009. Frames of War: When Is Life Grievable ? London: Verso. Butler, Judith. 2011. ‘Is Judaism Zionism?’ In The Power of Religion in the Public Sphere, edited by Judith Butler, Eduardo Mendieta and Jonathan Van Antwerpen, 70–91. New York; Chichester: Columbia University Press. Carlson, Marvin. 1996. ‘Brook and Mnouchkine: Passages to India?’ In Intercultural Performance Reader , edited by Patrice Pavis, 70–92. London; New York: Routledge. Carney, Sean. 2005. Brecht and Critical Theory: Dialectics and Contemporary Aesthetics . London; New York: Routledge. Caroli, Betty Boyd. 2010. First Ladies: From Martha Washington to Michelle Obama . Oxford; New York: Oxford University Press. Choate, Teresa E. 2006. ‘Performance Review: “Le Dernier Caravansérail (Odyssées)”, Part One: Le Fleuve Cruel, Part Two: Origines et Destins’. Theatre Journal 58: 95–148. Churchill, Caryl. 2000. Far Away . London: Nick Hern Books. Churchill, Caryl. 2003. Iraq.doc . Churchill, Caryl. 2009. Seven Jewish Children: A Play for Gaza . London: Nick Hern Books. Cixous, Hélène. 2016. Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil . Translated by Lara Stevens. Melbourne: Re.press. Coleman, Beth. 2011. Hello Avatar: The Rise of the Networked Generation . Cambridge, MA: MIT Press. Colleran, Jeanne. 2012. Theatre and War: Theatrical Responses since 1991 . Basingstoke: Palgrave Macmillan. Deleuze, Gilles, and Félix Guattari. 1994. A Thousand Plateaus: Capitalism and Schizophrenia . London: Athlone Press. Derrida, Jacques. 1994. Spectres of Marx . New York; Abingdon: Routledge. Diamond, Elin. 2009. ‘On Churchill and Terror’. In The Cambridge Companion to Caryl Churchill , edited by Elaine Aston and Elin Diamond, 125-143. Cambridge; New York: Cambridge University Press. 212 BIBLIOGRAPHY Dyer-Witheford, Nick. 1999. Cyber-Marx: Cycles and Circuits of Struggle in High- Technology Capitalism . Urbana: University of Illinois Press. Engels, Fredrich. 1859. ‘From a Review of “Karl Marx, A Contribution to the Critique of Political Economy”’. On Dialectical Materialism . http://www. marxists.org/archive/marx/works/1859/critique-pol-economy/appx2.htm Fiddler, Allyson. 1994. ‘Jelinek’s Ibsen: “Noras” Past and Present’. In Theatre and Performance in Austria: From Mozart to Jelinek , edited by Ritchie Robertson and Edward Timms, 126–138. Edinburgh: Edinburgh University Press. Fiddler, Allyson. 2006. ‘Jelinek, Burgtheater ’. In Landmarks in German Comedy , edited by Peter Hutchinson, 227–242. Oxford: Peter Lang. Fisher, James. 2002. The Theatre of Tony Kushner: Living Past Hope . New York: Routledge. Foye, Jonathan, and Paul Ryder. 2011. ‘Cries from Babylon: The Problem of Compassion in Australian Refugee Policy’. Global Media Journal – Australian Edition 5(1): 1–12. Franke, Catherine Anne and Roger Chazal. 1999. ‘Between Poetics and Ethics: An Epic Approach to Reality’ from an interview with Hélène Cixous by Catherine Anne Franke and Roger Chazal. In Collaborative Theatre: The Théâtre du Soleil Sourcebook , edited by David Williams. Translated by Eric Prenowitz and David Williams,147–158. London; New York: Routledge. Fuegi, John. 1994. The Life and Lies of Bertolt Brecht . London: HarperCollins. Gilbert, Helen, and Jacqueline Lo. 2007. Performance and Cosmopolitics: Cross- Cultural Transactions in Australasia . Basingstoke; New York: Palgrave Macmillan. Gormley, Beatrice. 2003. Laura Bush: America ’ s First Lady . New York: Aladdin Paperbacks. Grehan, Helena. 2009. Performance , Ethics and Spectatorship in a Global Age . Basingstoke: Palgrave Macmillan. Haug, Wolfgang Fritz. 2007. ‘Philosophizing with Marx, Gramsci, and Brecht’. Boundary 2 34(3): 143–160. Hegel, Georg W. F. 1977. Phenomenology of Spirit . Oxford: Oxford University Press. Hegel, Georg W. F. 2015. The Science of Logic , edited by George Di Giovanni. Translated by Giovanni Giovanni. Cambridge: Cambridge University Press. Hil, Richard. 2008. ‘Civil Society, Public Protest and the Invasion of Iraq’. Social Alternatives 27(1): 29–33. Hirschmann-Altzinger, Elisabeth. December 2003. ‘Es Gibt Keine Möglichkeit, Sich Einem Krieg Zu Nähern’. Bühne , 16–18. Hofl er, Robert. 2004. ‘Acting Up’. Variety , 8 September. http://www.variety. com/article/VR1117908779?refCatId=1842 Hundley, Tom. 2000. ‘Few Tears Over Trashed Bambiland’. Chicago Tribune , 9 October. http://articles.chicagotribune.com/2000-10-09/news/ 0010090224_1_milosevic-family-marko-milosevic-amusement-park BIBLIOGRAPHY 213 Jackson, Andrea. 2009. ‘Charity Rejects Jewish Actor over “Anti-Semitic” Play’. The Age , 12 May. Jacobson, Howard. 2009. ‘Let’s See the “Criticism” of Israel for What It Really Is’. The Independent , 18 February. http://www.independent.co.uk/opinion/ commentators/howard-jacobson/howard-jacobson-letrsquos-see-the- criticism-of-israel-for-what-it-really-is-1624827.html Jameson, Fredric. 1990. Late
Load more

Recommended publications
  • A Strategic Guide for the City-Wide Response to and Recovery from Major Emergencies and Disasters
    OFFICE of EMERGENCY MANAGEMENT - BASIC PLAN Albuquerque, New Mexico A STRATEGIC GUIDE FOR THE CITY-WIDE RESPONSE TO AND RECOVERY FROM MAJOR EMERGENCIES AND DISASTERS Martin J. Chávez, Mayor CITY OF ALBUQUERQUE ALL HAZARDS EMERGENCY OPERATIONS PLAN VOLUME 2 - ANNEXES DECEMBER 2005 PREPARED BY: THE CITY OF ALBUQUERQUE OFFICE OF EMERGENCY MANAGEMENT OFFICE of EMERGENCY MANAGEMENT - BASIC PLAN ALBUQUERQUE EMERGENCY OPERATIONS PLAN VOLUME 2 - ANNEXES Table of Contents Annex # Page Annex 1 Direction and Control A-1-1 thru A-1-12 Annex 2 Communications, Warning & Emergency Alert A-2-1 thru A-2-15 Annex 3 Alert & Notification A-3-1 thru A-3-6 Annex 4 Law Enforcement A-4-1 thru A-4-24 Annex 5 Fire and Rescue A-5-1 thru A-5-22 Annex 6 Health and Medical A-6-1 thru A-6-55 Annex 7 Critical Infrastructure A-7-1 thru A-7-11 Annex 8 Damage Assessment and Reporting A-8-1 thru A-8-13 Annex 9 Transportation A-9-1 thru A-9-6 Annex 10 Evacuation A-10-1 thru A-10-20 Annex 11 Logistics and Resources A-11-1 thru A-11-3 Annex 12 Education, Training, Testing and Exercises A-12-1 thru A-12-11 ALBUQUERQUE EMERGENCY OPERATIONS PLAN ANNEX 1 DIRECTION & CONTROL Primary Responsibility: Mayor of the City of Albuquerque/President of the City Council Chief Administrative Officer Chief Public Safety Officer Secondary Responsibility: All City Departments and Divisions Lead Agencies Emergency Management Fire Police Environmental Health Secondary Agencies Water Authority Municipal Development Legal Finance & Administrative Services Solid Waste Management Transit Senior Affairs Family & Community Services I.
    [Show full text]
  • Agenda Regular Meeting City of Fairfield Planning Commission
    AGENDA REGULAR MEETING CITY OF FAIRFIELD PLANNING COMMISSION VIA TELECONFERENCE FEBRUARY 10, 2021 JOIN MEETING VIA ZOOM LINK: 6:00 P.M. https://fairfieldca.zoom.us/j/97065607498?pwd=a1dnaVY2UzFINU4xaU5sS0FET09qZz09 PASSWORD: 66781819 Consistent with the Governor's Executive Order N-29-20 regarding public meetings during the COVID-19 emergency, Planning Commissioners may attend the meeting telephonically. Members of the public can observe the meeting on Comcast Cable Channel 26, ATT U-Verse 99, and web-streamed live http://www.fairfield.ca.gov/live, or at www.youtube.com/user/FFCATV/live. Members of the public may join the meeting via Zoom with the following link: https://fairfieldca.zoom.us/j/97065607498?pwd=a1dnaVY2UzFINU4xaU5sS0FET09qZz09 Password: 66781819 I. ROLL CALL II. PLEDGE OF ALLEGIANCE III. INFORMATION ON PROVIDING PUBLIC COMMENTS Persons wishing to address the Planning Commission on subjects not on the agenda but within the jurisdiction of the Planning Commission provided that NO action may be taken on off-agenda items except as authorized by law. Off-agenda items from the public will be taken under consideration without discussion by the Commission and may be referred to staff. Comments will be accepted via Zoom or by email at [email protected]. Identify your name, the item you wish to comment on, and the date of the meeting. All comments received by email prior to the start of an item will be read aloud for up to three minutes. For adjudicative public hearing items, e-mailed comments will be accepted and read aloud for up to three/four minutes if received prior to the close of the public hearing PUBLIC COMMENT INSTRUCTIONS: When joining via Zoom, please use the “raise your hand” feature or press *9 on your phone to request to speak.
    [Show full text]
  • J Street Sides with Israel's Enemies & Works to Destroy Support for Israel
    ZIONIST ORGANIZATION OF AMERICA J Street Sides With Israel’s Enemies & Works to Destroy Support for Israel Special Report Including Executive Summary by The Zionist Organization of America by Morton A. Klein, Elizabeth Berney, Esq., and Daniel Mandel, PhD “J Street is one of the most virulent anti-Israel organizations in the history of Zionism and Judaism.” - Prof. Alan Dershowitz, Harvard Law School Copyright 2018, Zionist Organization of America CONTENTS Table of Contents . i Executive Summary . ES-00 - ES-13 Full Report . 1 Introduction . 1 I. J Street’s Anti-Israel, Foreign & Muslim Donors, and Its Lies About Them. 1 (1) For years, J Street Falsely Denied that Anti-Zionist Billionaire George Soros Was A Major J Street Funder . 1 (2) J Street’s Arab, Muslim and Foreign Donors . 4 II. J Street’s Interconnected Web Of Extremist Anti-Israel Organizations . 9 (1) J Street Is Part of a Soros-Funded Web of Anti-Israel Organizations . 9 (2) J Street Is Also Part of an Interconnected Web of Extremist Organizations Working to Delegitimize Israel, Founded by and/or Coordinated by J Street President Ben-Ami’s Consulting Firm . 11 III. J Street Persistently Even Opposes Israel’s Existence, Persistently Defames and Condemns Israel, And Has Even Encouraged Anti-Israel Violence. 12 (1) J Street Persistently Maligns and Blames Israel . 12 (2) J Street Speakers Have Called for the End of the Jewish State; and a J Street Official Letter to Congress Supported Those Calling for an End to Israel’s Existence . 15 (3) J Street’s Co-Founder Condemned Israel’s Creation As “Wrong” – A Repeated J Street Theme .
    [Show full text]
  • When Being No. 1 Is Not Enough
    A Report Prepared by the Civil Rights Forum on Communications Policy When Being No. 1 Is Not Enough: The Impact of Advertising Practices On Minority- Owned & Minority-Formatted Broadcast Stations Kofi Asiedu Ofori Principal Investigator submitted to the Office of Communications Business Opportunities Federal Communications Commission Washington, D.C. All Rights Reserved to the Civil Rights Forum on Communications Policy a project of the Tides Center Synopsis As part of its mandate to identify and eliminate market entry barriers for small businesses under Section 257 of the Telecommunications Act of 1996, the Federal Communications Commission chartered this study to investigate practices in the advertising industry that pose potential barriers to competition in the broadcast marketplace. The study focuses on practices called "no Urban/Spanish dictates" (i.e. the practice of not advertising on stations that target programming to ethnic/racial minorities) and "minority discounts" (i.e. the practice of paying minority- formatted radio stations less than what is paid to general market stations with comparable audience size). The study consists of a qualitative and a quantitative analysis of these practices. Based upon comparisons of nationwide data, the study indicates that stations that target programming to minority listeners are unable to earn as much revenue per listener as stations that air general market programming. The quantitative analysis also suggests that minority-owned radio stations earn less revenues per listener than majority broadcasters that own a comparable number of stations nationwide. These disparities in advertising performance may be attributed to a variety of factors including economic efficiencies derived from common ownership, assessments of listener income and spending patterns, or ethnic/racial stereotypes that influence the media buying process.
    [Show full text]
  • FROM BLOOD LIBEL to Boycott
    FROM BLOOD LIBEL TO BOYCOTT CHANGING FACES OF BRITISH ANTISEMITISM Robert Wistrich he self-congratulatory and somewhat sanitized story of Anglo-Jewry since the mid- T 17th century “return” of the Jews to Britain traditionally depicted this history as a triumphal passage from servitude to freedom or from darkness to light. Great Britain— mother of parliaments, land of religious and civic toleration, cradle of the Industrial Revolution, and possessor of a great overseas empire had graciously extended its liberties to the Jewish community which had every reason to love Britain precisely because it was British. So if things had always been so good, how could they became so bad? Why are there so many dark clouds building up on the horizon? Why is Anglo-Jewry the only important ethnic or religious minority in contemporary Britain that has to provide a permanent system of guards and surveillance for its communal institutions, schools, synagogues, and cultural centers? Antisemitism in the British Isles is certainly not a new phenomenon. It has a long history which should surprise only those who naively think of the English as being a uniquely tolerant, fair-minded, and freedom-loving nation. There were periods like the 12th century, as the historian Anthony Julius recently noted, when Anglo-Jews were being injured or murdered without pity or conscience—at times in an atmosphere of public revelry. Over 150 people were killed in March 1190 during the massacre of the Jews of York. This nasty wave of violent persecution (which included the first anti-Jewish blood libel in Christian Europe) culminated in the unceremonious expulsion of Jewry in 1290.
    [Show full text]
  • The Clear Picture on Clear Channel Communications, Inc.: a Corporate Profile
    Cornell University ILR School DigitalCommons@ILR Articles and Chapters ILR Collection 1-28-2004 The Clear Picture on Clear Channel Communications, Inc.: A Corporate Profile Maria C. Figueroa Cornell University, [email protected] Damone Richardson Cornell University, [email protected] Pam Whitefield Cornell University, [email protected] Follow this and additional works at: https://digitalcommons.ilr.cornell.edu/articles Part of the Advertising and Promotion Management Commons, Arts Management Commons, and the Unions Commons Thank you for downloading an article from DigitalCommons@ILR. Support this valuable resource today! This Article is brought to you for free and open access by the ILR Collection at DigitalCommons@ILR. It has been accepted for inclusion in Articles and Chapters by an authorized administrator of DigitalCommons@ILR. For more information, please contact [email protected]. If you have a disability and are having trouble accessing information on this website or need materials in an alternate format, contact [email protected] for assistance. The Clear Picture on Clear Channel Communications, Inc.: A Corporate Profile Abstract [Excerpt] This research was commissioned by the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO) with the expressed purpose of assisting the organization and its affiliate unions – which represent some 500,000 media and related workers – in understanding, more fully, the changes taking place in the arts and entertainment industry. Specifically, this report examines the impact that Clear Channel Communications, with its dominant positions in radio, live entertainment and outdoor advertising, has had on the industry in general, and workers in particular. Keywords AFL-CIO, media, worker, arts, entertainment industry, advertising, organization, union, marketplace, deregulation, federal regulators Disciplines Advertising and Promotion Management | Arts Management | Unions Comments Suggested Citation Figueroa, M.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • 1 in the UNITED STATES BANKRUPTCY COURT for the DISTRICT of DELAWARE in Re:
    IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE __________________________________________ In re: : : TW, Inc., f/k/a Cablevision Electronics : Case No. 03-10785 (MFW) Investments, Inc., : Debtor. : __________________________________________: : TW, Inc., f/k/a Cablevision Electronics : Investments, Inc., : : Plaintiff, : v. : : R.J. Palmer LLC : Adversary Proceeding No. Infinity Broadcasting Corp. d/b/a : WNEW-FM 102.7 : A 05-50579 (PBL) CBS, Inc. d/b/a WCBS-TV : Infinity Broadcasting Corp. d/b/a WINS-AM : Clear Channel Communications, Inc. d/b/a : WLTW-FM 106.7 Lite FM Clear Channel : Radio : CBS, Inc. d/b/a WCBS-AM Newsradio 880 : ABC, Inc. d/b/a WABC-TV, Inc. : Infinity Broadcasting Corp. d/b/a WCBS-FM 101.1 : WLNY-TV, Inc. : NBC Universal, Inc. f/k/a National Broadcasting : Company, Inc. : Fox Television Stations, Inc. d/b/a : WNYW-New York : Clear Channel Broadcasting, Inc. d/b/a WKTU-FM : WQCD-FM 101.9 : WPIX, Inc. : WWOR-TV, Inc. : Infinity Broadcasting Corp. NY d/b/a : WFAN-AM : WPLJ FM Radio : Infinity Broadcasting Corporation d/b/a : WXRK-FM Infinity : Clear Channel Communications, Inc. d/b/a : 1 WAXQ-FM Q104.3 Clear Channel Radio : Clear Channel Communications, Inc. d/b/a : WHTZ-FM, : : Defendants. : __________________________________________: MEMORANDUM BY: PAUL B. LINDSEY, UNITED STATES BANKRUPTCY JUDGE This adversary proceeding was commenced on March 11, 2005 by the debtor, TW, Inc., f/k/a Cablevision Electronics Investments, Inc. (the “Plaintiff”), seeking to avoid and recover certain allegedly preferential transfers, pursuant to § 547(b) of the Bankruptcy Code, in the amount of $2,569,463.37.
    [Show full text]
  • Western Europe
    Western Europe Great Britain National Affairs w3 UPERFICIALLY, THE OVERALL PICTURE of a country dominated by the Conservatives remained unchanged throughout 1988. This was reflected, for exam- ple, in the relative tranquility of the labor front, where there were fewer strikes than in any year since the end of World War II. Yet there were also signs of a shift in attitudes among Conservatives themselves, away from uncritical endorsement of the government's general policy and toward a measure of sympathy with the Labor opposition. The government's plans for the privatization of the water and electricity industries came under criticism from within its own ranks. There was also a massive revolt of Tory members of Parlia- ment against the government's new regressive tax, the "community charge," also known as the "poll tax," on which issue the normal Conservative majority dropped from 101 to a mere 25. But perhaps the most severe blow to Tory self-confidence came on the economic front. The chancellor's budget, issued in March, cut income tax by twopence on the pound. This, together with interest-rate cuts following the crash of October 1987, encouraged consumer demand; in the first nine months of the year economic growth was running at an annual 5 percent. This proved unsustainable, however; the budget and Tory economic policy in general lost their shine when interest rates had to be increased nine times in the last seven months of the year as a means to cope with a renewal of inflation and growing trade and balance-of-payments deficits.
    [Show full text]
  • The Unburiable Representations of Pain and Violence in Selected Works of Sarah Kane and Caryl Churchill
    The Unburiable Representations of pain and violence in selected works of Sarah Kane and Caryl Churchill Phillipa (Pip) Rundle Bachelor of Arts in English and Creative Arts with Honours 2011 Declaration statement: This Honours thesis is presented in the year of 2011 for the Bachelor of Arts in English and Creative Arts with Honours of Murdoch University. I declare that this thesis, except where otherwise indicated, is my own work and an account of my own research. Phillipa (Pip) Rundle Phillipa Rundle The Unburiable | 1 COPYRIGHT ACKNOWLEDGEMENT I acknowledge that a copy of this thesis will be held at the Murdoch University Library. I understand that, under the provisions of s51.2 of the Copyright Act 1968, all or part of this thesis may be copied without infringement of copyright where such a reproduction is for the purposes of study and research. This statement does not signal any transfer of copyright away from the author. Signed: …………………………………………………………... Full Name of Degree: Bachelor of Arts in English and Creative Arts with Honours Thesis Title: The Unburiable: Representations of pain and violence in selected works of Sarah Kane and Caryl Churchill Author: Phillipa (Pip) Rundle Year: 2011 Phillipa Rundle The Unburiable | 2 Abstract In this thesis I intend to answer the question of how representations of pain and violence in the selected plays of Kane and Churchill assist the critical understanding of those works. The works I have selected are Sarah Kane’s Blasted and Caryl Churchill’s Seven Jewish Children: A play for Gaza. To assist the understanding of the spectator and to enable me to engage with the plays in closer detail I draw on a selection of theories from the philosophers Judith Butler and Arne Johan Vetlesen.
    [Show full text]
  • Memorandum to Clients
    Memorandum to Clients November, 2004 News and Analysis of Recent Events in the Field of Communications No. 04-11 FCC, takin’ care of bid-ness FM Auction Action: A Recap By: R.J. Quianzon 703-812-0424 [email protected] ith 450 applicants starting to bid on the day after bids totaling close to $40 million. Former Clear Channel W Election Day, slightly more than 100 remained CEO Randy Michaels was looking good for 20 licenses, for standing two weeks later. With the end of the FCC’s first which he made unadjusted bids totaling about $13 million – open auction of FM spectrum looming in sight at press time, but don’t feel that sorry for him, because he will receive a it looked like U.S. taxpayers would be nearly $200 million 35% discount for being a “new entrant” to the broadcasting dollars to the good, in exchange for which industry. The criteria for “new entrant” they would be handing over 275 or so con- status are based upon how many TV and struction permits. The final prices for fre- The auction rules prohibit radio stations, cable companies and quencies were expected to range from bidders from discussing the newspapers an applicant owned or con- $4,000 for Kotzebue, Alaska, to $7 million auction with one another trolled on August 6, 2004. Although he for Pacific Junction, Iowa (Omaha). until several weeks after the has numerous connections and signifi- auction is over. Even cant experience in the industry, Many of the most active bidders (and most though the auction is over, Michaels owned no stations on August 6 likely winners) in the auction were no and was entitled to the $4.5 million dis- you are still prohibited from strangers to the broadcasting industry.
    [Show full text]
  • The Spectral Voice and 9/11
    SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings.
    [Show full text]