Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Burne-Jones, Edward C:\Users\janem\AppData\Local\KESoftware\Cache\172\506\BURNE-JONES Fortitude.jpg

Title: Fortitude Credit Line: Gift of Moss Davis 1926, Auckland Art Gallery Toi o Tāmaki Date Created: c.1898 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 304.80 (h) x 121.90 (w) cm Frame 370.00 (h) x 164.00 (w) cm Provenance: with William Hesketh Lever, 1st Viscount Leverhulme, 1925 or before by descent to his son William Lever, 2nd Viscount Leverhulme, 1925 with Moss Davis, Auckland, 1926 who gave it to the Auckland Art Gallery, 1926 Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Brown, Ford Madox C:\Users\janem\AppData\Local\KESoftware\Cache\172\493\BROWN The deeds and fruits of English poetry 1845.jpg

Title: The seeds and fruits of English poetry Credit Line: Presented by Mrs W.F.R.Weldon 1920, The Ashmolean Museum Date Created: 1845 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 36.00 (h) x 46.00 (w) cm Frame 50.00 (h) x 65.20 (w) x 6.50 (d) cm Primary Inscriptions: FORD MADOX BROWN DEST IN ROMA. 1845. COLORAVIT IN HAMPSTEAD. 1853. Provenance: gift of the artist to John Marshall, 1853 by inheritance to Mrs John Marshall, 1911 acquired by Florence Weldon (Mrs Walter Frank Raphael Weldon), Oxford who gave it to the Ashmolean Museum, 1920

Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\172\518\HUNT Plain of Esdraelon from the Heights above Nazareth c.1877.jpg

Title: Plain of Esdraelon from the heights above Nazareth Credit Line: Bequeathed by Mrs Thomas Combe 1893, The Ashmolean Museum Date Created: 1870/77 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 41.00 (h) x 75.00 (w) cm Frame 68.50 (h) x 102.50 (w) x 5.50 (d) Provenance: bought by Martha Combe (Mrs Thomas Combe), Oxford, 1886 who bequeathed it to the University of Oxford,1893 Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Calderon, Philip Hermogenes C:\Users\janem\AppData\Local\KESoftware\Cache\172\508\CALDERON Broken vows 1856.jpg

Title: Broken vows Credit Line: Purchased 1947, Tate Date Created: 1856 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 91.40 (h) x 67.90 (w) cm Frame 120.50 (h) x 98.00 (w) x 10.40 (d) cm Provenance: exhibited at the Royal Academy, London, 1857 where it was purchased by an unknown person sold by/through Griffiths of Liverpool, 29 May 1860 where/from whom purchased by Henry Dallis (?) sold by/through Foster H, Wallis, 6 February 1861 where/from whom purchased by Coleman sold by ‘Th. E. P’ (name unreadable [Thomas E. Plint?]), 7 March 1862 where/from whom purchased by Creswick with Anthony Spencer, 1947 or before who sold it to the Tate Gallery, 1947

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\174\648\ROSSETTI Arthur’s tomb 1860.jpg Title: Arthur’s tomb Credit Line: Presented by the Art Fund 1918, Tate Date Created: 1860 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 25.60 (h) x 36.80 (w) cm Provenance: with Mrs. M. D. Astely with Mrs Nicholson given by the National Art Collections Fund to the Tate Gallery, 1918

Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\172\526\MILLAIS The vale of rest 1858–59.jpg

Title: The vale of rest Credit Line: Presented by Sir Henry Tate 1894, Tate Date Created: 1858-59 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 102.90 (h) x 172.70 (w) cm Framed 142.30 (h) x 210.20 (w) x 13.30 (d) Provenance: purchased by art dealer David Thomas White sold to Benjamin Godfrey Windus, London [? possibly by descent to his estate, 1867 ? which possibly sold it through Christie's, London, 14–17 February 1868] with William Graham, Glasgow, 1881 or before by descent to his estate, 1885 which sold it through Christie's, London (lot 87), 2 April 1886 where it was purchased by Dechamps for Sir Henry Tate, who gave it to the Tate Gallery, 1894

Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\174\597\MILLAIS The order of release 1852–53.jpg

Title: The order of release Credit Line: Presented by Sir Henry Tate 1898, Tate Date Created: 1852-53 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: support 102.90 (h) x 73.70 (w) cm Frame 150.50 (h) x 121.00 (w) x 12.50 (d) cm Provenance: exhibited at The Royal Academy, 1853 where it was purchased by Joseph Arden (1799–1879), Rickmansworth, Hertfordshire passed to his estate, 1879 offered at his estate sale, Christie's, London (lot 67), 24 April 1879 where it was purchased by Thomas Agnew & Sons, London with James Hall Renton offered for sale at Christie's, London (lot 89), 30 April 1898 where it was purchased by Thomas Agnew & Sons, London, for Henry Tate (later Sir Henry Tate, 1st Baronet), London who gave it to the Tate Gallery, 1898

Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\172\335\MILLAIS Ophelia 1851-52.jpg

Title: Ophelia Credit Line: Presented by Sir Henry Tate 1894, Tate Date Created: 1851-52 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 76.20 (h) x 111.80 (w) cm Frame 110.50 (h) x 145.80 (w) x 14.50 (d) cm Provenance: purchased from the artist by Henry Farrer, 1851 who sold it to Benjamin Godfrey Windus, London offered for sale through Christie's, London (lot 55), 19 July 1862 where it was bought by [?Henry] Graves with Ernest Gambart, 1864 or 1866 with William Fuller Maitland, Stanstead, 1872 or before by descent to Mrs [Charlotte] Fuller Maitland, 1876 who sold it to Sir Henry Tate, 1892 who gave it to the Tate Gallery, 1894

Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\174\651\MILLAIS Mrs James Wyatt Jr and her daughter Sarah c.1850.jpg

Title: Mrs James Wyatt Jr and her daughter Sarah Credit Line: Purchased 1984, Tate Date Created: c. 1850 Place of Creation: Type: paintings Medium: oil on wood Dimensions: 35.30 (h) x 45.70 (w) cm Frame 57.50 (h) x 67.70 (w) x 6.80 (d) cm Provenance: commissioned by James Wyatt Sr, Oxford, c. 1850 by descent, 1853–1984 offered for sale by descendants of the subjects through Sotheby ’s, 1984 where it was purchased by the Tate Gallery

Creator: Martineau, Robert Braithwaite C:\Users\janem\AppData\Local\KESoftware\Cache\172\327\MARTINEAU The last day in the old home 1862.jpg

Title: The last day in the old home Credit Line: Presented by E.H. Martineau 1896, Tate Date Created: 1862 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 107.30 (h) x 144.80 (w) cm Frame 141.80 (h) x 180.80 (w) x 14.00 (d) cm Provenance: by descent from the artist to E.H. Martineau, 1869 who gave it to the Tate Gallery, 1896

Creator: Martineau, Robert Braithwaite C:\Users\janem\AppData\Local\KESoftware\Cache\172\524\MARTINEAU Picciola 1853.jpg

Title: Picciola Credit Line: Presented by Miss Helen Martineau 1922, Tate Date Created: 1853 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 63.50 (h) x 81.30 (w) cm Frame 90.70 (h) x 106.00 (w) x 9.00 (d) cm Provenance: by descent from the artist to his daughter Helen Martineau, 1869 who gave it to the Tate Gallery, 1922

Creator: Martineau, Robert Braithwaite C:\Users\janem\AppData\Local\KESoftware\Cache\172\523\MARTINEAU Kit’s writing lesson 1852.jpg

Title: Kit’s writing lesson Credit Line: Presented by Mrs Phyllis Tillyard 1955, Tate Date Created: 1852 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 52.10 (h) x 70.50 (w) cm Frame 73.60 (h) x 91.00 (w) x 8.80 (d) cm Provenance: purchased from the artist by Charles Edward Mudie, London by descent to his granddaughter Mrs Phyllis Tillyard (née Phyllis Beatrice Mudie Cooke) who gave it to the Tate Gallery, 1955

Creator: Inchbold, John William C:\Users\janem\AppData\Local\KESoftware\Cache\172\522\INCHBOLD Gordale Scar, Yorkshire exh.1876.jpg

Title: Gordale Scar, Yorkshire Credit Line: Presented by the Patrons of British Art through the Friends of the Tate Gallery 1988, Tate Date Created: exh.1876 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 125.40 (h) x 91.30 (w) cm Frame 158.00 (h) x 123.00 (w) x 10.00 (d) cm Provenance: offered for sale by (Messrs Foster, London) (lot 104), 6 June 1888 where it was purchased by George Rae, Birkenhead by descent to his estate, 1902 [whereabouts unknown] offered for sale through Sotheby's, [where?] (lot 90), 17 June 1986 with Julian Hartnoll, 1988 or before who sold it to the Patrons of British Art, 1988 who through the Friends of the Tate Gallery gave it to the Tate Gallery, 1988

Creator: Hughes, Arthur C:\Users\janem\AppData\Local\KESoftware\Cache\172\514\HUGHES April love 1855–56.jpg

Title: April love Credit Line: Purchased 1909, Tate Date Created: 1855-56 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 88.90 (h) x 49.50 (w) cm Frame 108.40 (h) x 69.30 (w) x 7.50 (d) cm Provenance: exhibited at The Royal Academy, London, 1856 where it was bought by Edward Burne-Jones on behalf of William Morris, London with James F. Hutton, 1876 or earlier passed to his estate, 1890 which sold it through Capes, Dunn & Pilcher, Manchester, 1890 where it was purchased by Henry Boddington, Manchester who sold it to Ernest Brown & Phillips (The Leicester Galleries), London, 1909 which sold it to the Tate Gallery

Creator: Deverell, Walter Howell C:\Users\janem\AppData\Local\KESoftware\Cache\174\600\DEVERELL A pet 1853.jpg

Title: A pet Credit Line: Purchased 1911, Tate Date Created: exh. 1853 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 83.80 (h) x 57.10 (w) cm Frame 117.50 (h) x 81.60 (w) x 6.50 (d) cm Provenance: purchased by the Tate Gallery, 1911

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\172\529\ROSSETTI Dante’s dream at the time of the death of Beatrice 1856.jpg

Title: Dante’s dream at the time of the death of Beatrice Credit Line: Bequeathed by Beresford Rimington Heaton 1940, Tate Date Created: 1856 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 48.70 (h) x 66.20 (w) cm Frame 73.00 (h) x 89.00 (w) x 5.00 (d) cm Provenance: commissioned and acquired by Ellen Heaton, Leeds, 1856 (with Winnington Hall girls' school, 1864) by descent to Heaton's nephew Beresford Rimington Heaton, London, 1894 who bequeathed it to the Tate Gallery, 1940

Creator: Collins, Charles Allston C:\Users\janem\AppData\Local\KESoftware\Cache\172\509\COLLINS May, in the Regent’s Park 1851.jpg

Title: May, in the Regent’s Park Credit Line: Purchased 1980, Tate Date Created: 1851 Place of Creation: Type: paintings Medium: oil on wood Dimensions: painting 44.50 (h) x 69.20 (w) cm Frame 66.00 (h) x 91.50 (w) x 9.00 (d) cm Provenance: exhibited at the Royal Academy, London, 1852 where it was reputedly bought by Mr Crooke of Cumberland Terrace, London by descent until the 1940s acquired by a private collector, 1940s who sold it through Sotheby's, London, 1 October 1979 where it was bought by Richard Green purchased by the Tate Gallery, 1980

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\172\330\ROSSETTI Ecce ancilla domini! (The Annunciation) 1849–50.jpg

Title: Ecce ancilla domini! (The Annunciation) Credit Line: Purchased 1886, Tate Date Created: 1849-50 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 72.40 (h) x 41.90 (w) cm Frame 100.20 (h) x 69.80 (w) x 8.80 (d) cm Provenance: purchased by Francis MacCracken, 1852 or 52 who sold it through Christie's, London (lot 83), 31 March 1855 where it was bought by Pearce with John Heugh (The Holmwood Collection), 1874 or before who sold it through Christie's, London (lot 153), 25 April 1874 where it was bought by Thomas Agnew & Sons, London with William Graham, Glasgow, 1885 or before passed to his estate, 1885 which sold it through Christie's, London (lot 113), 3 April 1886 where it was purchased by the Tate Gallery

Creator: Burne-Jones, Edward C:\Users\janem\AppData\Local\KESoftware\Cache\172\503\BURNE-JONES The Temple of Love 1886.jpg

Title: The temple of love Credit Line: Presented by the Trustees of the Chantrey Bequest 1919, Tate Date Created: c 1872 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 213.40 (h) x 92.70 (w) cm Frame 232.00 (h) x 109.00 (w) x 7.00 (d) cm Provenance: by descent to the artist’s estate, 1898 from which it was purchased by the Tate Gallery, 1919 Creator: Brown, Ford Madox C:\Users\janem\AppData\Local\KESoftware\Cache\174\601\BROWN The Last of England 1864–66.jpg

Title: The last of England Credit Line: Purchased 1916, Tate Date Created: 1864-66 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 36.50 (h) x 33.00 (w) cm Frame 49.50 (h) x 46.50 (w) x 8.00 (d) cm Provenance: with Colonel William James Gillum (1827–1910) with Mrs Slater purchased by Ernest Gambart, London, 1866 with John Heugh (The Holmwood Collection), 1874 or before who offered it for sale through Christie's, London (lot 104), 25 April 1874 (bought in) offered for sale through P & D Colnaghi & Co., London offered for sale anonymously (Gaunt's house sale [property of Sir Richard George Glyn, 3rd Baronet?]) by Christie's, London (lot 43), 17 March 1877 (bought in) with George Rae, Birkenhead, 1897 or before by descent to his estate, 1902 which sold it to the Tate Gallery, 1916

Creator: Brown, Ford Madox C:\Users\janem\AppData\Local\KESoftware\Cache\172\495\BROWN Take your son, Sir 1851–92.jpg

Title: Take your son, Sir Credit Line: Presented by Miss Emily Sargent and Mrs Ormond in memory of their brother, John S. Sargent 1929, Tate Date Created: ?1851–92 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 70.50 (h) x 38.10 (w) cm Frame 87.40 (h) x 55.00 (w) x 5.00 (d) cm Provenance: by descent from the artist to his executor, 1893 offered at executor’s sale (lot 161), 29-31 May 1894 where it was purchased by Harold Rathbone, 1894 who sold it through Christie's, London (lot 100), 26 April 1909 where it was bought by Carfax Gallery, London with John Singer Sargent, 1925 or before by descent to his sisters Miss Emily Sargent and Mrs Ormond, 1925 who gave it to the Tate Gallery, 1929

Creator: Brown, Ford Madox C:\Users\janem\AppData\Local\KESoftware\Cache\172\494\BROWN Our Lady of Good Children 1847–61.jpg

Title: Our Lady of good children Credit Line: Presented by Alfred A. de Pass 1910, Tate Date Created: 1847-61 Place of Creation: Type: paintings Medium: watercolour and gold paint on paper Dimensions: 78.10 (h) x 59.10 (w) cm framed 111.30 (h) x 91.00 (w) x 7.50 (d) Provenance: exhibited in USA, 1858 purchased from the artist by Thomas E. Plint (1823–1861), Leeds, 1861 who sold it through Christie's, London (lot 320), 8 March 1862 where it was bought by Crofts with James Leathart, Newcastle upon Tyne, 1862 by descent to the Leathart Estate, Newcastle upon Tyne, 1895 which sold it to Alfred Aaron de Pass, 1896 who gave it to the Tate Gallery, 1910 Creator: Brown, Ford Madox

Title: Jesus washing Peter’s feet Credit Line: Presented by subscribers 1893, Tate Date Created: 1852-56 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 118.80 (h) x 133.30 (w) cm Framed 147.50 (h) x 164.00 (w) x 10.50 (d) cm Provenance: purchased from the artist by Thomas E. Plint (1823–1861), Leeds, 1857 who sold it through Christie's, London (lot 318), 8 March 1862 where it was bought by Smith (possibly for Ernest Gambart) with James Wyllie, 1865 or before anonymous sale through Christie's, London (lot 79), 8 July 1893 where it was bought by Round presented by subscribers, through committee of L. Alma-Tadema, J.R. Clayton, Charles Rowley, Frederic Shields and F.G. Stephens, to the Tate Gallery, 1893

Creator: Brett, John C:\Users\janem\AppData\Local\KESoftware\Cache\172\315\BRETT The British Channel seen from the Dorsetshire Cliffs 1871.jpg

Title: The British Channel seen from the Dorsetshire Cliffs Credit Line: Presented by Mrs Brett 1902, Tate Date Created: 1871 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 212.70 (h) x 106.00 (w) cm Frame 139.00 (h) x 245.80 (w) x 12.10 (d) cm Provenance: exhibited at the Royal Academy, London, 1871 presumably passed by bequest from the artist to his widow Mary Ann Brett, 1902 who gave it to the Tate Gallery, 1902

Creator: Seddon, Thomas C:\Users\janem\AppData\Local\KESoftware\Cache\172\333\SEDDON Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel 1854–55.jpg

Title: Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel Credit Line: Presented by subscribers 1857, Tate Date Created: 1854-55 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 67.30 (h) x 83.20 (w) cm Frame 87.00 (h) x 103.00 (w) x 10.00 (d) cm Provenance: by descent to the artist’s estate, 1856 which sold it to friends of the artist who gave it to the Tate Gallery, 1857

Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\172\336\HUNT The awakening conscience 1853.jpg

Title: The awakening conscience Credit Line: Presented by Sir Colin and Lady Anderson through the Friends of the Tate Gallery 1976, Tate Date Created: 1853 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 76.20 (h) x 55.90 (w) cm Framed 106.00 (h) x 85.70 (w) x 9.70 (d) cm Provenance: commissioned by Thomas Fairbairn (later 2nd Baronet), Manchester, 1853 purchased by Thomas Fairbairn (later 2nd Baronet), Manchester, 1854 offered for sale at Christie's, London (lot 141), 7 May 1887 (bought in) by descent to Fairbairn’s son Sir Arthur Henderson Fairbairn, 3rd Baronet, 1891 who gave it to his wife Gertrude Mary Engledue, 1929 or earlier sold anonymously at Christie's, London (lot 158), 1946 where it was bought by Ernest Brown and Phillips (The Leicester Galleries) purchased by Sir Colin Anderson, 1947 or earlier who with Lady Anderson through the Friends of the Tate Gallery gave it to the Tate Gallery, 1976

Creator: Collinson, James C:\Users\janem\AppData\Local\KESoftware\Cache\172\510\COLLINSON The empty purse (replica of ‘For sale’) 1851.jpg

Title: The empty purse (replica of ‘For sale’) Credit Line: Presented anonymously 1917, Tate Date Created: c.1857 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 61.00 (h) x 49.20 (w) cm Framed 76.60 (h) x 65.50 (w) x 7.00 (d) cm Provenance: acquired by a person unknown, 1917 or before who gave it anonymously to the Tate Gallery, 1917

Creator: Morris, William C:\Users\janem\AppData\Local\KESoftware\Cache\172\329\MORRIS La belle iseult 1858.jpg

Title: La belle Iseult Credit Line: Bequeathed by Miss May Morris 1939, Tate Date Created: 1858 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 71.80 (h) x 50.20 (w) cm Frame 96.00 (h) x 75.50 (w) x 6.10 (d) cm Provenance: bequeathed by the artist to his daughter May Morris, 1896 who bequeathed it to the Tate Gallery, 1939

Creator: Cowper, Frank Cadogan C:\Users\janem\AppData\Local\KESoftware\Cache\172\511\COWPER Agnes in prison receiving from heaven the shining white garment 1851.jpg

Title: Agnes in prison receiving from heaven the shining white garment Credit Line: Presented by the Trustees of the Chantrey Bequest 1905, Tate Date Created: 1905 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 74.30 (h) x 45.10 (w) cm Frame 95.40 (h) x 66.00 (w) x 11.00 (d) cm Provenance: acquired by the Trustees of the Chantrey Bequest, 1905 or before who gave it to the Tate Gallery, 1905

Creator: Waterhouse, John William C:\Users\janem\AppData\Local\KESoftware\Cache\172\338\WATERHOUSE The Lady of Shalott 1888.jpg

Title: The Lady of Shalott Credit Line: Presented by Sir Henry Tate 1894, Tate Date Created: 1888 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 153.00 (h) x 200.00 (w) cm Frame 200.00 (h) x 246.00 (w) x 23.00 (d) cm Provenance: exhibited at the Royal Academy, London, 1888 with Henry Tate (later Sir Henry Tate, 1st Baronet), London, 1894 or before who gave it to the Tate Gallery, 1894 Creator: Brett, John C:\Users\janem\AppData\Local\KESoftware\Cache\172\491\Brett Glacier of Rosenlaui 1856.jpg

Title: Glacier of Rosenlaui Credit Line: Purchased 1946, Tate Date Created: 1856 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 44.50 (h) x 41.90 (w) cm Frame 69.00 (h) x 60.30 (w) x 7.10 (d) cm Provenance: purchased from the artist through William Holman Hunt by Thomas Fairbairn (later 2nd Baronet), 1860 offered for sale at Christie’s (lot 144), 7 May 1887 where it was purchased by Innes with Nicholson Gallery, London acquired by the Tate Gallery, 1946

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\172\337\ROSSETTI Aurelia (Fazio;s mistress) 1863-73.jpg

Title: Aurelia (Fazio’s mistress) Credit Line: Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916, Tate Date Created: 1863-73 Place of Creation: Type: paintings Medium: oil on wood Dimensions: 43.20 (h) x 36.80 (w) cm Frame 77.10 (h) x 70.80 (w) x 8.20 (d) cm Provenance: with W. Blackmore with George Rae, Birkenhead by descent to his estate, 1902 which sold it to the Tate Gallery, 1916

Creator: Waterhouse, John William C:\Users\janem\AppData\Local\KESoftware\Cache\172\540\WATERHOUSE The magic circle 1886.jpg

Title: The magic circle Credit Line: Presented by the Trustees of the Chantrey Bequest 1886, Tate Date Created: 1886 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 182.90 (h) x 127.00 (w) cm Frame 224.50 (h) x 168.50 (w) x 17.50 (d) cm Provenance: purchased from the artist by the Trustees of the Chantrey Bequest, 1886 who gave it to the Tate Gallery, 1886

Creator: Stephens, Frederic George C:\Users\janem\AppData\Local\KESoftware\Cache\172\539\STEPHENS The proposal (The Marquis and Griselda) c.1850.jpg

Title: The proposal (The Marquis and Griselda) Credit Line: Bequeathed by H.F. Stephens 1932, Tate Date Created: c.1850 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 80.60 (h) x 64.80 (w) cm Frame 102.00 (h) x 85.50 (w) x 10.00 (d) cm Provenance: by descent to the artist’s son Holman Fred Stephens, 1907 who bequeathed it to the Tate Gallery, 1932

Creator: Stanhope, John Roddam Spencer C:\Users\janem\AppData\Local\KESoftware\Cache\172\536\STANHOPE Thoughts of the past exh.1859.jpg

Title: Thoughts of the past Credit Line: Presented by Mrs F. Evans 1918, Tate Date Created: exh.1859 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 86.40 (h) x 50.80 (w) cm Framed 116.40 (h) x 81.00 (w) x 9.70 (d) cm Provenance: with Mrs F. Evans, 1918 or before who gave it to the Tate Gallery, 1918

Creator: Stanhope, John Roddam Spencer C:\Users\janem\AppData\Local\KESoftware\Cache\172\537\STANHOPE The wine press 1864.jpg

Title: The wine press Credit Line: Presented by Sir Henry Grayson Bt 1930, Tate Date Created: 1864 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 94.00 (h) x 66.70 (w) cm Framed 119.20 (h) x 91.40 (w) x 7.30 (d) cm Provenance: with Sir Henry Grayson, 1st Baronet, 1930 or before who gave it to the Tate Gallery, 1930

Creator: Siddal, Elizabeth Eleanor C:\Users\janem\AppData\Local\KESoftware\Cache\174\650\SIDDAL Sir Patrick Spens c.1856.jpg Title: Sir Patrick Spens Credit Line: Purchased 1919, Tate Date Created: 1856 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 24.10 (h) x 24.90 (w) cm Provenance: [likely given by the artist to Theodore Watts-Dunton, 1870s] with Theodore Watts-Dunton (1832–1914), London, 1902 or earlier [by descent to his widow, Clara Watts-Dunton, 1914] who sold it to the Tate Gallery, 1919

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\174\654\ROSSETTI Woman in yellow 1863.jpg

Title: Woman in yellow Credit Line: Bequeathed by Beresford Rimington Heaton 1940, Tate Date Created: 1863 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 40.60 (h) x 30.50 (w) cm Frame 58.50 (h) x 49.40 (w) x 5.00 (d) cm Provenance: bought by Ellen Heaton, Leeds, 1863 by descent to Heaton's nephew Beresford Rimington Heaton, London, 1894 who bequeathed it to the Tate Gallery, 1940

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\174\647\ROSETTI The wedding of St George and Princess Sabra 1857.jpg Title: The wedding of St George and Princess Sabra Credit Line: Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916, Tate Date Created: 1857 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 36.50 (h) x 36.50 (w) cm Provenance: with Thomas E. Plint (1823–1861), Leeds, 1861 or before by descent to his estate, 1861 which sold it through Christie's, London (lot 164), 7 March 1862 where it was bought by George Rae, Birkenhead by descent to his estate, 1902 which sold it to the Tate Gallery, 1916

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\174\646\ROSETTI The tune of the Seven Towers 1857 .jpg Title: The tune of the seven Towers Credit Line: Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916, Tate Date Created: 1857 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 31.40 (h) x 36.50 (w) cm Provenance: with William Morris who sold it to George Rae, Birkenhead by descent to his estate, 1902 which sold it to the Tate Gallery, 1916

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\172\331\ROSSETTI The beloved (The bride) 1865-66.jpg

Title: The beloved ('The bride') Credit Line: Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916, Tate Date Created: 1865-66/73 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 82.50 (h) x 76.20 (w) cm Framed 122.00 (h) x 111.00 (w) x 8.30 (d) cm Provenance: commissioned by George Rae, Birkenhead, 1863 who purchased it in 1866 by descent to his estate, 1902 which sold it to the Tate Gallery, 1916

Creator: Brett, John C:\Users\janem\AppData\Local\KESoftware\Cache\172\492\BRETT Florence from Bellosguardo 1863.jpg

Title: Florence from Bellosguardo Credit Line: Presented by Thomas Stainton in memory of Charles and Lavinia Handley-Read 1972, Tate Date Created: 1863 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 60.00 (h) x 101.30 (w) cm Frame 80.70 (h) x 120.60 (w) x 8.30 (d) cm Provenance: with Mr. Thomas Stinton, 1972 or before who gave it to the Tate Gallery, 1972

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\172\528\ROSSETTI Paolo and Francesca da Rimini 1855.jpg Title: Paolo and Francesca da Rimini Credit Line: Purchased with assistance from Sir Arthur Du Cros Bt and Sir Otto Beit KCMG through the Art Fund 1916, Tate Date Created: 1855 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 25.40 (h) x 44.90 (w) cm Provenance: with John Ruskin with William Morris with George Rae, Birkenhead by descent to his estate, 1902 which sold it to the Tate Gallery, 1916

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\174\652\ROSSETTI Elizabeth Siddal reading 1850s.jpg Title: Elizabeth Siddal in a chair Credit Line: Bequeathed by H.F. Stephens 1932, Tate Date Created: 1850s Place of Creation: Type: drawings Medium: pencil on paper Dimensions: 26.00 (h) x 18.40 (w) cm Provenance: by descent to the artist's sister Christina Georgina Rossetti, 1882 by descent to her brother William Michael Rossetti, 1894 who presented it to Frederic George Stephens, 1895 by descent to his son Lieutenant-Colonel Holman Fred Stephens, 1907 who bequeathed it to the Tate Gallery, 1932 Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\174\653\ROSSETTI Elizabeth Siddal plaiting her hair 1850s.jpg

Title: Elizabeth Siddal plaiting her hair Credit Line: Bequeathed by H.F. Stephens 1932, Tate Date Created: 1850s Place of Creation: Type: drawings Medium: pencil on paper Dimensions: 17.10 (h) x 12.70 (w) cm Frame 40.00 (h) x 34.80 (w) x 2.10 (d) cm Provenance: with Frederic George Stephens, 1895 by descent to his son Lieutenant-Colonel Holman Fred Stephens, 1907 who bequeathed it to the Tate Gallery, 1932

Creator: Siddal, Elizabeth Eleanor C:\Users\janem\AppData\Local\KESoftware\Cache\174\649\SIDDAL Lady affixing pennant to a Knight’s spear c.1856.jpg

Title: Lady affixing pennant to a knight’s spear Credit Line: Bequeathed by W.C. Alexander 1917, Tate Date Created: c 1856 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 13.70 (h) x 13.70 (w) cm Frame 37.80 (h) x 37.80 (w) x 2.30 (d) cm Provenance: with Sir Philip Burne-Jones, 2nd Baronet (1861–1926), London, 1904 or earlier who sold it to the Tate Gallery, 1912 (accessioned 1917) Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\172\519\HUNT May morning on Magdalen Tower 1888–90.jpg

Title: May morning on Magdalen Tower Credit Line: Lady Lever Art Gallery, National Museums Liverpool Date Created: 1888-90 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 154.50 (h) x 200.00 (w) cm Framed 202.00 (h) x 251.00 (w) x 15.50 (d) cm Provenance: gift of the artist to his wife Edith Holman Hunt, 1901 who sold it through Christie’s, London, 1919 where it was bought by Gooden and Fox, London, on behalf of William Hesketh Lever, 1st Viscount Leverhulme transferred to the Lady Lever Art Gallery, Liverpool

Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\172\527\MILLAIS Spring (Apple blossoms) 1859.jpg

Title: Spring (Apple blossoms) Credit Line: Purchased 1986, Lady Lever Art Gallery, National Museums Liverpool Date Created: 1859 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 113.00 (h) x 176.30 (w) cm Frame 150.00 (h) x 214.00 (w) x 15.50 (d) cm Provenance: bought from the artist by Ernest Gambart, London, 1859/60 who sold it through Christie’s, 1861 where it was bought by Crofts with Jacob Burnett of Tyneside,1861 who sold it through Christie’s, London, 1876 where it was bought by Watkins bought by Thomas Agnew & Sons, London, 1881 bought by William Graham, 1882 who sold it through Christie’s, London, 1886 where it was bought by E. White with David Price, 1892 or before who sold it through Christie's, London,1892 where it was bought by Thomas Clarke who sold it through Christie’s, London, 1920 where it was bought by Gooden and Fox, London, on behalf of William Hesketh Lever, 1st Viscount Leverhulme by descent to his son William Lever, 2nd Viscount Leverhulme, 1925 [by descent to his son Philip Lever, 3rd Viscount Leverhulme, 1949] who sold it to Lady Lever Art Gallery, 1986

Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\177\245\MILLAIS A dream of the past Sir Isumbras at the ford 1857.jpg

Title: A dream of the past: Sir Isumbras at the ford Credit Line: Lady Lever Art Gallery, National Museums Liverpool Date Created: 1857 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 125.50 (h) x 171.50 (w) cm Frame 160.00 (h) x 205.50 (w) x 13.00 (d) cm Provenance: bought by Charles Read,1859 or before with John Graham, Skelmorie, 1869 who sold it through Christie’s, London, 1887 where it was bought by Thomas Agnew & Sons, London, for George McCulloch, 1906 who sold it through Christie's, London, 1913 where it was bought by Gooden and Fox, London, for William Hesketh Lever, 1st Viscount Leverhulme who bequeathed it to the Lady Lever Art Gallery Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Inchbold, John William C:\Users\janem\AppData\Local\KESoftware\Cache\172\521\INCHBOLD The white doe of Rylstone 1855.jpg

Title: At Bolton (The white doe of Rylstone) Credit Line: Gift from Ernest Inchbold 1934, Leeds Art Gallery, Leeds Museums and Galleries Date Created: 1855 Place of Creation: Type: paintings Medium: oil on wood Dimensions: 68.60 (h) x 50.80 (w) cm Frame 82.50 (h) x 65.00 (w) x 9.00 (d) cm Provenance: with the artist, 1855 by descent to his nephew Ernest Inchbold, 1888 who gave it to Leeds Museums and Galleries, 1934 Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Brown, Ford Madox C:\Users\janem\AppData\Local\KESoftware\Cache\172\496\BROWN Work 1852–65.jpg

Title: Work Credit Line: Purchased 1885, Manchester Art Gallery Date Created: 1852-65 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 137.00 (h) x 197.30 (w) cm Frame 164.00 (h) x 224.50 (w) x 17.00 (d) cm Provenance: completion commissioned by Thomas E. Plint (1823–1861), Leeds, 1856 whose executors took possession and made final payments, 1863 by descent to J.E. Plint, 1879 or before sold by Grundy and Smith, Manchester, 1883/84 to Benjamin Armitage, Manchester, who waived his rights to the work acquired by Manchester Art Gallery, 1885

Creator: Burne-Jones, Edward C:\Users\janem\AppData\Local\KESoftware\Cache\172\501\BURNE-JONES Cupid and Psyche 1865–87.jpg

Title: Cupid and Psyche Credit Line: Mr James Thomas Blair bequest 1917, Manchester Art Gallery Date Created: 1865-87 Place of Creation: Type: paintings Medium: watercolour, bodycolour and gold paint on paper Dimensions: painting 64.90 (h) x 49.40 (w) cm Frame 94.00 (h) x 72.80 (w) x 7.00 (d) cm Provenance: bought from the artist by James Blair, 1892 who bequeathed it to Manchester Art Gallery, 1917

Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\172\517\HUNT The scapegoat 1854–55.jpg

Title: The scapegoat Credit Line: Purchased 1906, Manchester Art Gallery Date Created: 1854-55 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 33.70 (h) x 45.90 (w) cm Frame 62.70 (h) x 75.50 (w) x 8.50 (d) cm Provenance: bought by David Thomas White, 1859 or before with Benjamin Godfrey Windus (1790-1867), London, 1862 or before who sold it through Christie's, London, 1862 where it was bought by P & D Colnaghi & Co.. London bought by John J. Wigzell Fine Art Gallery bought by Thomas Agnew & Sons, London, 1867 bought by William Graham, 1867 whose executors sold it through Christie’s, London, 1886 where it was bought by Thomas Agnew & Sons, London with Baron Brassey of Bulkeley (later 1st Earl Brassey), 1887 with Thomas Agnew & Sons, London, 1906 or before which sold it to Manchester Art Gallery, 1906

Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\172\534\ROSSETTI Astarte Syriaca 1877.jpg

Title: Astarte Syriaca Credit Line: Purchased 1891, Manchester Art Gallery Date Created: 1877 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 185.00 (h) x 109.00 (w) cm Frame 222.30 (h) x 147.50 (w) x 10.90 (d) cm Provenance: commissioned by Clarence Edmund Fry, London, 1876 who sold it to Manchester Art Gallery, 1891

Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\172\732\HUNT The shadow of death 1870-73.jpg

Title: The shadow of death Credit Line: Gift of William Agnew 1883, Manchester Art Gallery Date Created: 1870-73 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 214.00 (h) x 168.20 (w) cm Frame 260.90 (h) x 217.00 (w) x 15.30 (d) cm Provenance: bought from the artist by Thomas Agnew & Sons, London, 1873 given by William Agnew to the Corporation of Manchester, 1883

Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\174\599\HUNT The light of the world 1851–56.jpg

Title: The light of the world Credit Line: Purchased 1912, Manchester Art Gallery Date Created: 1851-56 Place of Creation: Type: paintings Medium: oil on canvas over wood panel Dimensions: 49.80 (h) x 26.10 (w) cm Frame 77.00 (h) x 54.00 (w) cm Provenance: sold at Boston Exhibition, 1858 where it was bought by John Wolfe, New York with Ernest Gambart, London, 1862 with John Knowles, Manchester who sold it through Christie’s, London, 1865 where it was bought by Ernest Gambart, London with Moore, McQueen & Co. Ltd, London which sold it through Christie’s, London, 1866 where it was bought by P & D Colnaghi & Co., London with William Graham, 1879 or before whose executors sold it through Christie’s, London, 1886 where it was bought by Thomas Agnew & Sons, London, on behalf of Dudley Coutts Marjoribanks, 1st Baron Tweedmouth with Isabella, Dowager Lady Tweedmouth, 1906 or before sold by M. Knoedler & Co., London to Manchester Art Gallery, 1912 Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Inchbold, John William C:\Users\janem\AppData\Local\KESoftware\Cache\173\335\INCHBOLD Anstey's Cove, Devon 1854.jpg

Title: Anstey's Cove, Devon Credit Line: Lent by the Syndics of the Fitzwilliam Museum, University of Cambridge Date Created: 1854 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 50.50 (h) x 68.30 (w) cm 67.50 (h) x 85.50 (w) x 8.00 (d) cm Provenance: acquired by Sir Bruce Ingram (1877-1963), Great Pednor Manor, Buckinghamshire with P & D Colnaghi & Co. Ltd, London, 1951 which sold it to the Fitzwilliam Museum, Cambridge, 1951 Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate

Venues: National Gallery of Australia 14 December 2018 28 April 2019

Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\174\657\HUNT Isabella and the pot of basil 1867–68.jpg

Title: Isabella and the pot of basil Credit Line: John Schaeffer Collection courtesy of Nevill Keating Pictures Ltd Date Created: 1867-68 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 60.60 (h) x 37.80 (w) cm Frame 76.00 (h) x 54.00 (w) cm Provenance: bought from the artist by Ernest Gambart, London, 1867 with Lewis Pockock, London offered for sale (lot 104) by an anonymous owner through Christie’s, London, 13 May 1871 (bought in) with Pilgeram & Lefevre, London with Samuel P. Avery, New York, 1871 with John Taylor Johnston, New York, who sold (lot 85) it through Samuel P. Avery, New York, 19 December 1876 with John Work Garrett, Baltimore by descent to Mary Elizabeth Garrett, Baltimore, 1884 who bequeathed it to Martha Carey Thomas, 1915 who bequeathed it to to her trustees for the benefit of Bryn Mawr College, Pennsylvania, 1935 which sold it to Delaware Art Museum, Wilmington, 1947 which sold it (lot 6) at Christie’s, London, 17 June 2014 where it was bought by the present owner