Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate Venues: National Gallery of Australia 14 December 2018 28 April 2019 Creator: Burne-Jones, Edward C:\Users\janem\AppData\Local\KESoftware\Cache\172\506\BURNE-JONES Fortitude.jpg Title: Fortitude Credit Line: Gift of Moss Davis 1926, Auckland Art Gallery Toi o Tāmaki Date Created: c.1898 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 304.80 (h) x 121.90 (w) cm Frame 370.00 (h) x 164.00 (w) cm Provenance: with William Hesketh Lever, 1st Viscount Leverhulme, 1925 or before by descent to his son William Lever, 2nd Viscount Leverhulme, 1925 with Moss Davis, Auckland, 1926 who gave it to the Auckland Art Gallery, 1926 Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate Venues: National Gallery of Australia 14 December 2018 28 April 2019 Creator: Brown, Ford Madox C:\Users\janem\AppData\Local\KESoftware\Cache\172\493\BROWN The deeds and fruits of English poetry 1845.jpg Title: The seeds and fruits of English poetry Credit Line: Presented by Mrs W.F.R.Weldon 1920, The Ashmolean Museum Date Created: 1845 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 36.00 (h) x 46.00 (w) cm Frame 50.00 (h) x 65.20 (w) x 6.50 (d) cm Primary Inscriptions: FORD MADOX BROWN DEST IN ROMA. 1845. COLORAVIT IN HAMPSTEAD. 1853. Provenance: gift of the artist to John Marshall, 1853 by inheritance to Mrs John Marshall, 1911 acquired by Florence Weldon (Mrs Walter Frank Raphael Weldon), Oxford who gave it to the Ashmolean Museum, 1920 Creator: Hunt, William Holman C:\Users\janem\AppData\Local\KESoftware\Cache\172\518\HUNT Plain of Esdraelon from the Heights above Nazareth c.1877.jpg Title: Plain of Esdraelon from the heights above Nazareth Credit Line: Bequeathed by Mrs Thomas Combe 1893, The Ashmolean Museum Date Created: 1870/77 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 41.00 (h) x 75.00 (w) cm Frame 68.50 (h) x 102.50 (w) x 5.50 (d) Provenance: bought by Martha Combe (Mrs Thomas Combe), Oxford, 1886 who bequeathed it to the University of Oxford,1893 Protection of Cultural Objects Report Exhibition: Love and Desire: Pre-Raphaelite masterpieces from Tate Venues: National Gallery of Australia 14 December 2018 28 April 2019 Creator: Calderon, Philip Hermogenes C:\Users\janem\AppData\Local\KESoftware\Cache\172\508\CALDERON Broken vows 1856.jpg Title: Broken vows Credit Line: Purchased 1947, Tate Date Created: 1856 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 91.40 (h) x 67.90 (w) cm Frame 120.50 (h) x 98.00 (w) x 10.40 (d) cm Provenance: exhibited at the Royal Academy, London, 1857 where it was purchased by an unknown person sold by/through Griffiths of Liverpool, 29 May 1860 where/from whom purchased by Henry Dallis (?) sold by/through Foster H, Wallis, 6 February 1861 where/from whom purchased by Coleman sold by ‘Th. E. P’ (name unreadable [Thomas E. Plint?]), 7 March 1862 where/from whom purchased by Creswick with Anthony Spencer, 1947 or before who sold it to the Tate Gallery, 1947 Creator: Rossetti, Dante Gabriel C:\Users\janem\AppData\Local\KESoftware\Cache\174\648\ROSSETTI Arthur’s tomb 1860.jpg Title: Arthur’s tomb Credit Line: Presented by the Art Fund 1918, Tate Date Created: 1860 Place of Creation: Type: paintings Medium: watercolour on paper Dimensions: 25.60 (h) x 36.80 (w) cm Provenance: with Mrs. M. D. Astely with Mrs Nicholson given by the National Art Collections Fund to the Tate Gallery, 1918 Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\172\526\MILLAIS The vale of rest 1858–59.jpg Title: The vale of rest Credit Line: Presented by Sir Henry Tate 1894, Tate Date Created: 1858-59 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 102.90 (h) x 172.70 (w) cm Framed 142.30 (h) x 210.20 (w) x 13.30 (d) Provenance: purchased by art dealer David Thomas White sold to Benjamin Godfrey Windus, London [? possibly by descent to his estate, 1867 ? which possibly sold it through Christie's, London, 14–17 February 1868] with William Graham, Glasgow, 1881 or before by descent to his estate, 1885 which sold it through Christie's, London (lot 87), 2 April 1886 where it was purchased by Dechamps for Sir Henry Tate, who gave it to the Tate Gallery, 1894 Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\174\597\MILLAIS The order of release 1852–53.jpg Title: The order of release Credit Line: Presented by Sir Henry Tate 1898, Tate Date Created: 1852-53 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: support 102.90 (h) x 73.70 (w) cm Frame 150.50 (h) x 121.00 (w) x 12.50 (d) cm Provenance: exhibited at The Royal Academy, 1853 where it was purchased by Joseph Arden (1799–1879), Rickmansworth, Hertfordshire passed to his estate, 1879 offered at his estate sale, Christie's, London (lot 67), 24 April 1879 where it was purchased by Thomas Agnew & Sons, London with James Hall Renton offered for sale at Christie's, London (lot 89), 30 April 1898 where it was purchased by Thomas Agnew & Sons, London, for Henry Tate (later Sir Henry Tate, 1st Baronet), London who gave it to the Tate Gallery, 1898 Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\172\335\MILLAIS Ophelia 1851-52.jpg Title: Ophelia Credit Line: Presented by Sir Henry Tate 1894, Tate Date Created: 1851-52 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 76.20 (h) x 111.80 (w) cm Frame 110.50 (h) x 145.80 (w) x 14.50 (d) cm Provenance: purchased from the artist by Henry Farrer, 1851 who sold it to Benjamin Godfrey Windus, London offered for sale through Christie's, London (lot 55), 19 July 1862 where it was bought by [?Henry] Graves with Ernest Gambart, 1864 or 1866 with William Fuller Maitland, Stanstead, 1872 or before by descent to Mrs [Charlotte] Fuller Maitland, 1876 who sold it to Sir Henry Tate, 1892 who gave it to the Tate Gallery, 1894 Creator: Millais, John E. C:\Users\janem\AppData\Local\KESoftware\Cache\174\651\MILLAIS Mrs James Wyatt Jr and her daughter Sarah c.1850.jpg Title: Mrs James Wyatt Jr and her daughter Sarah Credit Line: Purchased 1984, Tate Date Created: c. 1850 Place of Creation: Type: paintings Medium: oil on wood Dimensions: 35.30 (h) x 45.70 (w) cm Frame 57.50 (h) x 67.70 (w) x 6.80 (d) cm Provenance: commissioned by James Wyatt Sr, Oxford, c. 1850 by descent, 1853–1984 offered for sale by descendants of the subjects through Sotheby ’s, 1984 where it was purchased by the Tate Gallery Creator: Martineau, Robert Braithwaite C:\Users\janem\AppData\Local\KESoftware\Cache\172\327\MARTINEAU The last day in the old home 1862.jpg Title: The last day in the old home Credit Line: Presented by E.H. Martineau 1896, Tate Date Created: 1862 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: 107.30 (h) x 144.80 (w) cm Frame 141.80 (h) x 180.80 (w) x 14.00 (d) cm Provenance: by descent from the artist to E.H. Martineau, 1869 who gave it to the Tate Gallery, 1896 Creator: Martineau, Robert Braithwaite C:\Users\janem\AppData\Local\KESoftware\Cache\172\524\MARTINEAU Picciola 1853.jpg Title: Picciola Credit Line: Presented by Miss Helen Martineau 1922, Tate Date Created: 1853 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 63.50 (h) x 81.30 (w) cm Frame 90.70 (h) x 106.00 (w) x 9.00 (d) cm Provenance: by descent from the artist to his daughter Helen Martineau, 1869 who gave it to the Tate Gallery, 1922 Creator: Martineau, Robert Braithwaite C:\Users\janem\AppData\Local\KESoftware\Cache\172\523\MARTINEAU Kit’s writing lesson 1852.jpg Title: Kit’s writing lesson Credit Line: Presented by Mrs Phyllis Tillyard 1955, Tate Date Created: 1852 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 52.10 (h) x 70.50 (w) cm Frame 73.60 (h) x 91.00 (w) x 8.80 (d) cm Provenance: purchased from the artist by Charles Edward Mudie, London by descent to his granddaughter Mrs Phyllis Tillyard (née Phyllis Beatrice Mudie Cooke) who gave it to the Tate Gallery, 1955 Creator: Inchbold, John William C:\Users\janem\AppData\Local\KESoftware\Cache\172\522\INCHBOLD Gordale Scar, Yorkshire exh.1876.jpg Title: Gordale Scar, Yorkshire Credit Line: Presented by the Patrons of British Art through the Friends of the Tate Gallery 1988, Tate Date Created: exh.1876 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 125.40 (h) x 91.30 (w) cm Frame 158.00 (h) x 123.00 (w) x 10.00 (d) cm Provenance: offered for sale by (Messrs Foster, London) (lot 104), 6 June 1888 where it was purchased by George Rae, Birkenhead by descent to his estate, 1902 [whereabouts unknown] offered for sale through Sotheby's, [where?] (lot 90), 17 June 1986 with Julian Hartnoll, 1988 or before who sold it to the Patrons of British Art, 1988 who through the Friends of the Tate Gallery gave it to the Tate Gallery, 1988 Creator: Hughes, Arthur C:\Users\janem\AppData\Local\KESoftware\Cache\172\514\HUGHES April love 1855–56.jpg Title: April love Credit Line: Purchased 1909, Tate Date Created: 1855-56 Place of Creation: Type: paintings Medium: oil on canvas Dimensions: painting 88.90 (h) x 49.50 (w) cm Frame 108.40 (h) x 69.30 (w) x 7.50 (d) cm Provenance: exhibited at The Royal Academy, London, 1856 where it was bought by Edward Burne-Jones on behalf of William Morris, London with James F.