November 2005 Newsletter
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Monash's Public Sector Management Institute Gets A$1.5M Boost
• Monash's Public Sector ~~ Management Institute gets a$1.5m boost ~ The Federal Government has granted the university 51.S million over the next two and a half years towards expanding tbe recently-eslablished Public. AMAGAZINE FORTHE UNIVERSITY Sector Management Institute witbin tbe Graduate School of Management. Registered by Australia Post - publication No. VBG0435 The grant, announced by the Minister the Minister for Transport and Com NUMBER 4-88 JUNE 8, 1988 for Employment, Education and Train munications. Senator Gareth Evans. ing, Mr John Dawkins, represents the Professor Chris Selby·Smith will be lion's share of $1.8 million set aside in responsible for health policy and the last budget as the National Public management, and the chairman of the Sector Management Study Fund. Economics department, Professor John Gun lobby's aim: "To According to its director, Professor Head, for tax and expenditure Allan Fels, the primary thrust of the new administration. He will co-operate in the institute will be research, but it wiD also area of tax. law with Professor Yuri involve itself in teaching non-degree Grbich. a former Monash academic, intimidate government courses, providing in-service training for now at the University of New South public sector managers and carrying out Wales Law School. contract research for Australian and The position of Professor of Public foreign governments and private sector Sector Management, concerned with in the frontier society" organisations. effectiveness and efficiency in the public In addition to the successful tender to service, has been advertised. It is ex Australian sbooten are travelling down a well"trodden American road, says noted the Commonwealth, the institute has pected that an appointment will be made lua coatrol lobbyist, Joba Crook, la b1s Master of Arts tbesls. -
MS 5110 National Aboriginal Conference, National Office And
Australian Institute of Aboriginal and Torres Strait Islander Studies Library MS 5110 National Aboriginal Conference, National Office and Resource Centre records, 1974-1975, 1978-1985 CONTENTS COLLECTION SUMMARY .......…………………………………………………....…........ p.3 CULTURAL SENSITIVITY STATEMENT ……………………………………........... p.3 ACCESS TO COLLECTION .………………………………...…….……………….......... p.4 COLLECTION OVERVIEW ………...……………………………………..…....…..…… p.5 ADMNISTRATIVE NOTE …............………………………………...…………........….. p.6 Abbreviations ............................................................................................................... p.7 SERIES DESCRIPTION ………………………………………………………..……….... p.8 Series 1 NAC, National Executive, Meeting papers, 1974-1975, 1978-1985 p.8 Subseries 1/1 National Aboriginal Congress, copies of minutes of meetings and related papers, 1974-1975 ................................................ p.8 Subseries 1/2 National Aboriginal Conference, Minutes of meetings and related papers, 1979-1985 ......................................................... p.9 Subseries 1/3 National Aboriginal Conference, Resolutions and indexes to resolutions, 1978-1983 .............................................................. p.15 Subseries 1/4 Department of Aboriginal Affairs, Portfolio meeting papers, 1983-1984 .................................................................................. p.16 Series 2 NAC, National Office, Correspondence and telexes, 1979-1985.... p.20 Subseries 2/1 Correspondence registers, 1983-1985 ………………………… p.20 Subseries -
Dapto High School
DAPTO HIGH SCHOOL Legal Studies Preliminary and HSC Courses MEDIA FILE Media Articles for use in course information, referencing in essay responses and study material. CONTENTS Sources and Framework of International Law Australia will sign UN charter on indigenous rights: Dodson 4 Federal law aims to stop death penalty 5 Operation of the legal system in relation to native title Native title to be presumed in proposed law reforms 6 Victoria revamps native title 7 Native title claimants die before justice done 8 A few home truths, after Mabo 9 Power and Authority Bikie laws sideline the rule of law 10 Legal controls on state power Endangered Animal – charity worker biker now in firing line 11 Men of colours stand united in face of bikie bill 12 Duties GP hid abuse, niece alleges 13 Rights Bikie laws a threat to rights, says Cowdery 14 Focus Group: Aboriginal and Torres Strait Islander peoples $525,000 - the price of one stolen life 15 Tasmania pays $5m to stolen generations 16 Activists say intervention must be reviewed 17 Labor acts to close Aboriginal health gap 18 Howard years a dark age for progress: Labor 19 Anger reigns in a place shamed before the world 20 Between the Rock and a hard place 21 A long, slow detour in the Northern Territory 22 Promises galore, but change slow to come 23 End culture of racism, says UN inspector 28 UN finds ray of hope in ‘racist’ Australia 29 Focus Group: Women Women stretched to snapping point 30 Pay rises skipping female workers 31 Women pay dearly as earnings gap widens 32 Gender pay gap ‘should be declared’ 33 Women urged to sue to fix pay gap 34 Crime Boy on trial for railway death 35 Bail a fine balancing act by beaks 36 Police may win power to veto bail orders 37 New bail laws- presumption of innocence is the victim 38 2 Contents cont.. -
Forbidden Colours
476 3220 GERARD BROPHY forbidden colours TASMANIAN SYMPHONY ORCHESTRA Almost every Australian composer born literature, made Sculthorpe (vernacular) and between the end of the First World War and the Meale (international) obvious first generation end of the baby-boomer generation owes even leaders. The upheavals of 1968, and the social their most modest reputation to a half-truth: that revolution that followed in their wake, helped it was only in the early 1960s that our post- convince their students that their Australian colonial music culture caught up with the world identity should derive from looking both inward and produced its first distinctive national school and outward. But to Brophy in the next Gerard Brophy b. 1953 of composers. In press columns, and in his generation, the first to grow up in a multicultural 1967 book Australia’s Music: Themes of a New globalising environment, such a self-conscious 1 The Republic of Dreams 8’32 Society, Roger Covell gave culturally literate pursuit of Australianness came to seem not only Genevieve Lang harp, Philip South darabukka Australians their first reliable list of composers creatively irrelevant, but a failure of imagination. worth following, most of them contemporary. For Brophy, what would once have been Mantras [14’36] And what Donald Peart dubbed ‘The Australian described as a ‘cosmopolitan’ outlook comes 2 Mantra I 3’42 Avant-garde’ owed as much to frustrations of naturally to a contemporary Australian artist. 3 Mantra II 3’10 journalists, academics and conductors with the 4 Mantra III 7’44 deadening local cult of ‘musical cobwebs’ as it Born into an ‘ordinary Anglo-Irish family’ in did to the talents of the new movement’s Sydney’s eastern suburbs, Brophy grew up in 5 Maracatú 11’11 anointed leaders, Peter Sculthorpe, Richard country Coonamble. -
To Nuclear Waste
= FREE April 2016 VOLUME 6. NUMBER 1. TENANTSPG. ## HIT THE ROOF ABOUT REMOTE HOUSING FAILURE BIG ELECTION YEAR 2016 “NO” TO NUKE DUMP CRICKETERS SHINE P. 5 PG. # P. 6 PG. # P. 30 ISSN 1839-5279ISSN NEWS EDITORIAL Land Rights News Central Australia is published by the Central Land Council three Pressure rises as remote tenants take government to court times a year. AS A SECOND central The Central Land Council Australian community has 27 Stuart Hwy launched legal action against the Northern Territory Alice Springs government and an Alice NT 0870 Springs town camp is following tel: 89516211 suit, the Giles government is under increasing pressure to www.clc.org.au change how it manages remote email [email protected] community and town camp Contributions are welcome houses. Almost a third of Papunya households lodged claims for compensation through SUBSCRIPTIONS the Northern Territory Civil Land Rights News Central Administrative Tribunal in Australia subscriptions are March, over long delays in $20 per year. emergency repairs. A week later, half of the LRNCA is distributed free Larapinta Valley Town Camp Santa Teresa tenant Annie Young says the state of houses in her community has never been worse. to Aboriginal organisations tenants notified the housing and communities in Central department of 160 overdue water all over the front yard, sort told ABC Alice Springs. “Compensation is an Australia repairs, following a survey of like a swamp area,” Katie told “There’s some sort of inertia entitlement under the To subscribe email: by the Central Australian ABC. Some had wires exposed, or blockage in the system that [Residential Tenancies] Act,” [email protected] Aboriginal Legal Aid Service air conditioners not working, when tenants report things he told ABC Alice Springs. -
Sydney Opera House Annual Report 2012-2013
_2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people. -
Barunga Agreement Signed
FREE August 2018 VOLUME 8. NUMBER 2. BARUNGA AGREEMENT SIGNED P. 6 NATIVE TITLE NEW CDP PENALTIES OUTSTATION PROJECT CONSENT DETERMINATIONS THREATEN JOBSEEKERS KICKS OFF P. 9 PG. # P. 5 PG. # P. 4 ISSN 1839-5279ISSN NEWS EDITORIAL Barunga Agreement signed, hard work on treaty begins Land Rights News Central Australia is published by the THE four Northern Territory Central Land Council three land councils made history times a year. at Barunga for the second time on June 8, when they The Central Land Council signed an agreement to start 27 Stuart Hwy working towards a treaty Alice Springs between the NT government NT 0870 and Aboriginal Territorians. tel: 89516211 “This is a momentous day in the history of the www.clc.org.au Territory, a chance to reset email [email protected] the relationship between the Contributions are welcome Territory’s First Nations and the government,” Northern Land Council chair Samuel Bush-Blanasi said. SUBSCRIPTIONS Mr Bush-Blanasi said the Barunga Agreement Land Rights News Central “gives us high hopes about Australia subscriptions are the future and I hope the $22 per year. government stays true to the It is distributed free of spirit” of the memorandum of charge to Aboriginal understanding (MoU). organisations and The Barunga Agreement communities in Central comes 30 years after NT Central Land Council deputy chair Sammy Butcher signs the Barunga Agreement. Australia. Aboriginal leaders delivered the Barunga Statement to then but we don’t want to stay the On the morning before The next step along this To subscribe email prime minister Bob Hawke only players in this game. -
A Study of Central Characters in Seven Operas from Australia 1988-1998 Anne Power University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1999 Voiced identity: a study of central characters in seven operas from Australia 1988-1998 Anne Power University of Wollongong Recommended Citation Power, Anne, Voiced identity: a study of central characters in seven operas from Australia 1988-1998, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1999. http://ro.uow.edu.au/theses/1761 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] VOICED IDENTITY: A STUDY OF CENTRAL CHARACTERS IN SEVEN OPERAS FROM AUSTRALIA 1988-1998 ANNE POWER A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy July 1999 Faculty of Creative Arts University of Wollongong II ABSTRACT Composers of Australian operas, in the decade from 1988 to 1998, have responded to social and political events through the medium of central characters. In each of the seven operas in the study, a character becomes the signifier of reflections on events and conditions that affect Australian society. The works selected are Andrew Schultz's Black River, Gillian Whitehead's The Bride of Fortune, Moya Henderson's Lindy - The Trial Scene, Richard Mills' Summer of the Seventeenth Doll, Alan John's The Eighth Wonder, Martin Wesley-Smith's Quito and Colin Bright's The Sinking of the Rainbow Warrior. These operas are studied in three groups to investigate issues that concern voices of women in the contemporary operatic genre, issues of cultural identity and issues of political protest. -
Learning Communities
Learning Communities INTERNATIONAL JOURNAL OF LEARNING IN SOCIAL CONTEXTS SPECIAL ISSUE: ETHICAL RELATIONSHIPS, ETHICAL RESEARCH IN ABORIGINAL CONTEXTS: PERSPECTIVES FROM CENTRAL AUSTRALIA Number 23 NOVEMBER 2018 This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/au/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. Editor Professor Ruth Wallace Guest Editors Dr Al Strangeways Dr Judith Lovell Professor Barry Judd Publisher www.cdu.edu.au/northern-institute/lcj Northern Institute Faculty of Law, Education, Business and Arts CHARLES DARWIN UNIVERSITY Darwin, Northern Territory 0909 AUSTRALIA CRICOS Provider No. 00300K | RTO Provider No. 0373 ISSN 1329-1440 (online) ISSN 2202-7904 (print) Design and Print The Exhibitionist Phone: 08 8981 3166 Artwork Credit Artist: Marina Strocchi Title: Mystery Train 2007 Etching (workshop proof edn 60) 24.5 x 20cm [image] Collaborators: Leon Stainer & Dian Darmansjah Printer: Dian Darmansjah Gifted by the artist & Northern Editions, 2007 Charles Darwin University Art Collection CDU 1585 All research articles published in this journal have undergone rigorous double blind peer review, based on initial editor screening, anonymous refereeing by independent expert referees, and consequent revision by article authors when required. Please cite articles within this journal accordingly. Learning Communities INTERNATIONAL JOURNAL -
The Gweagal Shield SARAH KEENAN Birkbeck University of London
NILQ 68(3): 283–90 The Gweagal shield SARAH KEENAN Birkbeck University of London The Gweagal shield © Trustees of the British Museum † Abstract When British naval officer James Cook first landed on the continent now known as Australia in April 1770, he was met by warriors of the Gweagal nation whose land he was entering uninvited. The Gweagal were armed with bark shields and wooden spears. Cook fired a musket at them, hitting one. The shield from that first encounter, complete with musket hole, is today displayed in the British Museum. It is subject to a repatriation request from Gweagal man Rodney Kelly, who wishes the shield to be displayed in Australia where Aboriginal people will be able to care for and view it. In this article, I outline the contested legal status of the shield. Centring Kelly’s perspective, I argue that, regardless of whether he is able to prove the precise genealogy of either the shield as object or himself as owner, as an Aboriginal man he has a better claim to the shield than the British Museum. What is at stake in the dispute between Kelly and the British Museum is not just rights over the shield but also the broader issue of basic colonial reparations: in this instance returning an Aboriginal object to Aboriginal control. The issue of ownership/possession of the Gweagal shield cannot be separated from the historical reality of Britain’s mass theft of Aboriginal land, decimation of Aboriginal people and destruction of Aboriginal culture. Keywords: Gweagal shield; property; colonialism; repatriation; Aboriginal Australia. -
Metamodern Composition: in Search of an Authentic Harmonic Language
METAMODERN COMPOSITION: IN SEARCH OF AN AUTHENTIC HARMONIC LANGUAGE A. D. K. VOLTZ A thesis submitted in partial fulfilment of the requirements for the degree of Bachelor of Music with Honours in Composition. School of Music, The University of Queensland October 2020 STATEMENT OF ORIGINALITY I understand the University’s rules and policies on referencing and avoiding plagiarism. This thesis is my own work and contains nothing submitted for assessment elsewhere or for another course, at The University of Queensland or any other institution. I have appropriately and fairly accredited the work of others that I have drawn on in the writing of this thesis. I have undertaken the online Academic Integrity Tutorial: (https://www.uq.edu.au/integrity/Login.aspx?ReturnUrl=%25252fintegrity). I have also remained within a 10% margin of the word count pertaining to the relevant content. Name of student: Alexander Donald Kenneth VOLTZ Student number: 44734895 Course code: MUSC4550 Signature of student: Date submitted: 12 October 2020 Time submitted: c. 11:00 Disciplinary action will be taken for students found signing a false statement regarding the above, or who are in breach of the UQ Policy and Procedure Library 3.60.04 Student Integrity and Misconduct 6 Guidelines for Students (http://ppl.app.uq.edu.au/content/3.60.04- student-integrity-and-misconduct#Policy). ii ABSTRACT In this paper I investigate how contemporary art music composers use harmonic language to achieve authentic musical personalities. I believe harmony has an important role to play in the evolution of contemporary art music. Through analysing a portfolio of my compositions, I provide insight into my harmonic techniques and biases. -
Info About April 2017 Repertoire
General Information About Australian Music Australian choral works with orchestra Given modern Australia’s British roots, it is no surprise that the Choral Society, or its heirs and assigns, survives as a major musical organisation in most capital cities. And as well as merely serving up a diet of Messiahs and Belshazzar’s Feasts, many have commissioned new works. Resident composers since Isaac Nathan, who arrived in 1841, have composed choral works of various kinds; Eugene Goossens’s The Apocalypse of 1954 out-Waltoned Walton but failed to set the world on fire. Subsequent choral-orchestral works have in the main tended to be in the oratorio tradition, often specifically for public ceremonial events, such as Barry Conyngham’s Antipodes for Victoria’s sesquicentennial celebrations in 1985, or Peter Sculthorpe’s Child of Australia for the national Bicentenary in 1988. Others, like Moya Henderson in her recent work based on the Anna Akhmatova ReQuiem, use the choral-orchestral forces to explore important humanitarian and political issues. We purchased our music from this the Australian Music Centre based in Sydney, Australia. http://www.australianmusiccentre.com.au/about The Australian Music Centre (AMC) is the national service organisation dedicated to the promotion and support of both the artform of music and the creators and performers of contemporary classical, improvised jazz, experimental music and sound art in Australia. The AMC’s aims are to increase the profile and sustainability of the sector and to facilitate the performance,