Forbidden Colours
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Australian Music Calendar South Australia 2011
australian music calendar South Australia 2011 The Australian Music Calendar lists events from around Australia which feature music by one or more Australian composers, sound artists or improvisers. Events are sorted by state and further information on each event can be found online at http://www.australianmusiccentre.com.au/calendar * denotes World premiere ; ** denotes Australian premiere SOUTH AUSTRALIA 26 February 2011 - Australian String Quartet : Performance in Campbell Park Venue: Campbell Park Station - Lake Albert, Meningie, 7pm Program: Graeme Koehne - Shaker dances. Also: Glazunov, Boccherini. Performers: Australian String Quartet. Tickets: $70. Phone number for further information: 1800 040 444. 10 March 2011 - Australian String Quartet: Shaker Dances Venue: Adelaide Town Hall - 128 King William St, Adelaide, 7pm Program: Graeme Koehne - String quartet no. 2. Also: Boccerini, Shostakovich, Glazunov. Performers: Australian String Quartet. Tickets: Adult $57 / Concession $43 / Student $22 (service fee applies). 20 March 2011 - Masquerade : Kegelstatt Ensemble Venue: Pilgrim Church - 12 Flinders St, Adelaide, 3.00pm Program: Paul Stanhope - Shadow dancing, Brett Dean - Night window. Also: Kurtag; Mozart. Performers: Leigh Harold, Kegelstatt Ensemble, Stephanie Wake-Dyster, Anna Webb, Kegelstatt Ensemble. Tickets: $25/$18. 27 March 2011 - AdYO: Beginnings Venue: Elder Hall - Elder Conservatorium of Music, University of Adelaide, Adelaide, 6.30pm Program: Natalie Williams - Fourth alarm. Also: Respighi, Sejourne. Performers: Adelaide Youth Orchestra, Keith Crellin. Tickets: Adults: $25 | Concession: $20 | Students: $10 | Group (8+): $22 | Family: $60. Phone number for further information: 131246 (Tickets). 1 April 2011 - Adelaide Symphony Orchestra: Grandage premiere Venue: Adelaide Town Hall - 128 King William St, Adelaide, 8pm Program: Iain Grandage - Spindle*. Also: Lalo, Dvorak, Tchaikovsky, Elgar. -
Monteverdi's L'orfeo
Australian Brandenburg Orchestra MONTEVERDI’S L’ORFEO Paul Dyer, Artistic Director and Conductor Brendan Ross, Staging Justin Nardella, Styling Teresa Desmarchelier, Italian Diction Coach Narelle French & Lynne Murray, Surtitles Joanna Tondys, Surtitle Operator SINGERS Markus Brutscher – Sara Macliver Fiona Campbell – Wolf Matthias Friedrich Tobias Cole – Robert MacFarlane – Morgan Pearse Sarah Ampil – Siobhan Stagg – Anna Sandström Richard Butler – Nick Gilbert – Paul Sutton ORCHESTRA Brendan Joyce – Aaron Brown – Monique O’Dea – Marianne Yeomans Jamie Hey – Kirsty McCahon – Laura Vaughan Melissa Farrow – Mikaela Oberg – Matthew Manchester – Russell Gilmour Roslyn Jorgensen – Nigel Crocker – Jamie Kennedy – Keal Couper – Brett Page Brian Nixon – Jess Ciampa – Tommie Andersson – Samantha Cohen Marshall McGuire – Paul Dyer – Donald Nicolson This concert will last approximately 2 1/2 hours including interval. We request that you kindly switch off all electronic devices during the performance. The Australian Brandenburg Orchestra is assisted The Australian Brandenburg by the Australian Government through the Australia Orchestra is assisted by the NSW 1 Council, its arts funding and advisory body. Government through Arts NSW. PRINCIPAL PARTNER LORFEO Program_FINAL.indd 1 13/09/12 7:37 PM CAST AND CHARACTERS PROLOGUE: La Musica (Music) Sara Macliver THE UPPER WORLD Apollo, god of music and the sun Morgan Pearse Orfeo, son of Apollo Eurydice, loved by Orfeo Markus Brutscher Sara Macliver La messagiera (Messenger), friend of Eurydice Fiona Campbell -
BRUCE CALE, SERIALISM and the LYDIAN CONCEPT by Eric Myers* ______
BRUCE CALE, SERIALISM AND THE LYDIAN CONCEPT by Eric Myers* ____________________________________________________ [This article appeared in the October, 1985 edition of APRA, the magazine of the Australasian Performing Right Association.] hen the Australia** Music Centre's film on Australian composers Notes On A Landscape came out in 1980, it was apparent that most of the ten W composers included, picked themselves: Don Banks, Anne Boyd, Colin Brumby, Barry Conyngham, Keith Humble, Elena Kats, Graeme Koehne, Richard Meale, Peter Sculthorpe. In addition to them, there was one composer who, on the face of it, might not have been regarded as such an automatic choice: Bruce Cale. Bruce Cale on the verandah of his house in the Blue Mountains, with his dog Muffin… PHOTO CREDIT MARGARET SULLIVAN __________________________________________________________________ *When this was written in October, 1985, Eric Myers was editor of the Australian Jazz Magazine, and writing jazz reviews for The Australian. **Australia Music Centre was at the time the correct spelling. Sometime later ‘Australia’ was changed to ‘Australian’. 1 After all, he was principally known as a jazz composer and performer, and when the film was planned, had been back in Australia only two years, following 13 years in Britain and the United States. On the other hand, there were some eyebrows raised in the Australian jazz world that Cale was "the only jazz composer" included in the film. But those who were aware of Cale's work knew that he had been included because of his orchestral writing as well as his jazz composition; his work had certainly emerged from jazz but, in a highly individual way, he was seeking to merge jazz and classical traditions. -
Bankks Butterley Mealee Werder
BANKS BUTTERLEY MEALE WERDER Like so many string quartets, the maestoso’, but the music is hard and changes texture in a more flexible manner. pieces recorded here engage with the concrete. These blocks of sound vary The moments when the quartet comes relationship of the ensemble’s four in length – the rhythmic notation is together in rhythmically regular music are players. Some of the works continue flexible – and the performers decide the striking and climactic. the tradition of cohesive playing, and length of each block in the moment of The second seating configuration, ‘far others question that aspect of the genre’s performance. The effect is that both the away’, begins with, is sustained by, and history. start and end of notes are highly charged. ends with clouds of harmonics. If the first In live performances of Meale’s String In some cases Meale further heightens section retains some hint of progression Quartet No. 1 his direct challenge to this idea, and the fourth chord, marked in its procession of variations, this section the performers is plain to see, for the dolce, ends with a left-hand pizzicato as is totally still. Through the harmonics piece is in two sections: in the first the the bow leaves the string. The abruptness Meale traces lines of pitches that lead us performers sit in the usual configuration, of the gesture is not at all what one might across the stage, but nowhere else. These and for the second section the performers think of as dolce, but this is a piece that three sequences are labelled ‘Tropes’. -
Monash's Public Sector Management Institute Gets A$1.5M Boost
• Monash's Public Sector ~~ Management Institute gets a$1.5m boost ~ The Federal Government has granted the university 51.S million over the next two and a half years towards expanding tbe recently-eslablished Public. AMAGAZINE FORTHE UNIVERSITY Sector Management Institute witbin tbe Graduate School of Management. Registered by Australia Post - publication No. VBG0435 The grant, announced by the Minister the Minister for Transport and Com NUMBER 4-88 JUNE 8, 1988 for Employment, Education and Train munications. Senator Gareth Evans. ing, Mr John Dawkins, represents the Professor Chris Selby·Smith will be lion's share of $1.8 million set aside in responsible for health policy and the last budget as the National Public management, and the chairman of the Sector Management Study Fund. Economics department, Professor John Gun lobby's aim: "To According to its director, Professor Head, for tax and expenditure Allan Fels, the primary thrust of the new administration. He will co-operate in the institute will be research, but it wiD also area of tax. law with Professor Yuri involve itself in teaching non-degree Grbich. a former Monash academic, intimidate government courses, providing in-service training for now at the University of New South public sector managers and carrying out Wales Law School. contract research for Australian and The position of Professor of Public foreign governments and private sector Sector Management, concerned with in the frontier society" organisations. effectiveness and efficiency in the public In addition to the successful tender to service, has been advertised. It is ex Australian sbooten are travelling down a well"trodden American road, says noted the Commonwealth, the institute has pected that an appointment will be made lua coatrol lobbyist, Joba Crook, la b1s Master of Arts tbesls. -
Ryuichi Sakamoto Merry Christmas Mr
Ryuichi Sakamoto Merry Christmas Mr. Lawrence mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Stage & Screen Album: Merry Christmas Mr. Lawrence Country: UK Released: 1988 Style: Soundtrack, Downtempo MP3 version RAR size: 1633 mb FLAC version RAR size: 1391 mb WMA version RAR size: 1695 mb Rating: 4.7 Votes: 573 Other Formats: XM AHX VOX WAV AAC DTS TTA Tracklist Hide Credits Merry Christmas Mr. Lawrence A1 4:34 Composed By – R. Sakamoto* Batavia A2 1:18 Composed By – R. Sakamoto* Germination A3 1:47 Composed By – R. Sakamoto* A Hearty Breakfast A4 1:21 Composed By – R. Sakamoto* Before The War A5 2:14 Composed By – R. Sakamoto* The Seed And The Sower A6 5:00 Composed By – R. Sakamoto* A Brief Encounter A7 2:23 Composed By – R. Sakamoto* Ride, Ride, Ride (Celliers' Brother's Song) A8 1:03 Composed By – S. McCurdy* The Fight A9 1:29 Composed By – R. Sakamoto* Father Christmas B1 2:00 Composed By – R. Sakamoto* Dismissed! B2 0:10 Composed By – R. Sakamoto* Assembly B3 2:16 Composed By – R. Sakamoto* Beyond Reason B4 2:01 Composed By – R. Sakamoto* Sowing The Seed B5 1:53 Composed By – R. Sakamoto* 23rd Psalm B6 2:00 Written-By – Trad.* Last Regrets B7 2:40 Composed By – R. Sakamoto* Ride, Ride, Ride (Reprise) B8 1:04 Composed By – S. McCurdy* The Seed B9 1:02 Composed By – R. Sakamoto* Forbidden Colours B10 4:42 Composed By – D. Sylvian / R. Sakamoto*Vocals – David Sylvian Companies, etc. Phonographic Copyright (p) – National Film Trustee Company Ltd. Copyright (c) – Virgin Records Ltd. -
Mozart Beethoven
Beethoven WITH RACT FAMILY ROADSIDE & When you take out RACT Roadside for your family, Mozart we’ll be watching over them – which means you can rest easy, knowing we’ll be ready to swoop in and help when they need us most. MASTER 1 • LAUNCESTON 1 Friday Saturday 1 March 7.30pm 2 March 7.30pm Federation Concert Hall Albert Hall Hobart Launceston Richard Tognetti conductor and violin INTERVAL - 20 mins To mark the opening of the 2019 concert BEETHOVEN season, complimentary sparkling wine will be Coriolan, Overture served in the foyer. Duration 8 mins MEALE Cantilena Pacifica MOZART Violin Concerto No 5, Turkish Duration 8 mins Allegro aperto – Adagio – Allegro aperto BEETHOVEN Adagio Symphony No 1 Rondeau. Tempo di Menuetto – Allegro Adagio molto – Allegro con brio – Tempo di Menuetto Andante cantabile con moto Duration 31 mins Menuetto (Allegro molto e vivace) Adagio – Allegro molto e vivace Duration 26 mins RACT3889 • BC This concert will end at approximately 9.30pm. Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic. We would appreciate your cooperation in keeping In branch | ract.com.au | 13 27 22 | ROADSIDE by coughing to a minimum. Please ensure that your mobile phone is switched off. 3 Ludwig van Beethoven (1770-1827) Coriolan, Overture, Op 62 immediately dissolve into a nervous Heinrich von Collin (1771-1811), a civil violin theme that manically yo-yos servant, minor playwright and friend of between loud and soft. A sighing motive Beethoven, had something of a hit with heard in the woodwinds is the basis for his tragic play, Coriolan (a free gloss the second theme, Volumnia’s plaint, gaining urgency as it rises tone by tone. -
Utzon Music Series Utzon Room, Sydney Opera House
MEDIA RELEASE: 24 NOVEMBER 2014 SYDNEY OPERA HOUSE presents Utzon Music Series Utzon Room, Sydney Opera House Marshall McGuire & Friends • Harry Christophers & Members of The Sixteen Gabriela Montero • Florian Boesch & Malcolm Martineau • Australian World Orchestra’s Berlin Trio • Pinchas Zukerman Trio • London Haydn Quartet • Benjamin Grosvenor Cameron Carpenter Sydney Opera House today announced the line-up for the 2015 Utzon Music Series, a year-long chamber music and recital program from renowned artists presented in the intimate setting of the Utzon Room. Utzon Music Series curator Yarmila Alfonzetti said, “I am thrilled to be able to share this program of exceptional artists in the Utzon Music Series with you. These are names you know and musicians whom I adore; join me to revel in good friends and fine music as we welcome some of the best instrumentalists to our little corner of the world, delight in masterful interpretations and experience some of the great beauty of the classical music canon.” Sydney Opera House CEO Louise Herron AM said, “Yarmila Alfonzetti has once again assembled an inspired line-up of brilliant international musicians along with some of our homegrown heroes. Their exciting programs of old favourites and plenty of surprises show that 2015 promises to be another great year of music-making in this beautifully intimate setting" The 2015 season features 12 concerts, including an Australian premiere, with artists from Venezuela, Austria, UK, USA and Australia. All patrons will receive a complimentary drink and program with specially commissioned articles, while enjoying the recitals against sparkling harbour views. The season will open on February 15 with a birthday celebration for one of Australia’s most versatile and most charming musicians, Marshall Maguire and Friends. -
Ferienkurse Für Internationale Neue Musik, 25.8.-29.9. 1946
Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946 Seminare der Fachgruppen: Dirigieren Carl Mathieu Lange Komposition Wolfgang Fortner (Hauptkurs) Hermann Heiß (Zusatzkurs) Kammermusik Fritz Straub (Hauptkurs) Kurt Redel (Zusatzkurs) Klavier Georg Kuhlmann (auch Zusatzkurs Kammermusik) Gesang Elisabeth Delseit Henny Wolff (Zusatzkurs) Violine Günter Kehr Opernregie Bruno Heyn Walter Jockisch Musikkritik Fred Hamel Gemeinsame Veranstaltungen und Vorträge: Den zweiten Teil dieser Übersicht bilden die Veranstaltungen der „Internationalen zeitgenössischen Musiktage“ (22.9.-29.9.), die zum Abschluß der Ferienkurse von der Stadt Darmstadt in Verbindung mit dem Landestheater Darmstadt, der „Neuen Darmstädter Sezession“ und dem Süddeutschen Rundfunk, Radio Frankfurt, durchgeführt wurden. Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit So., 25.8. Erste Schloßhof-Serenade Kst., 11.00 Ansprache: Bürgermeister Julius Reiber Conrad Beck Serenade für Flöte, Klarinette und Streichorchester des Landes- Streichorchester (1935) theaters Darmstadt, Ltg.: Carl Wolfgang Fortner Konzert für Streichorchester Mathieu Lange (1933) Solisten: Kurt Redel (Fl.), Michael Mayer (Klar.) Kst., 16.00 Erstes Schloß-Konzert mit neuer Kammermusik Ansprachen: Kultusminister F. Schramm, Oberbürger- meister Ludwig Metzger Lehrkräfte der Ferienkurse: Paul Hindemith Sonate für Klavier vierhändig Heinz Schröter, Georg Kuhl- (1938) mann (Kl.) Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit Hermann Heiß Sonate für Flöte und Klavier Kurt Redel (Fl.), Hermann Heiß (1944-45) (Kl.) Heinz Schröter Altdeutsches Liederspiel , II. Teil, Elisabeth Delseit (Sopr.), Heinz op. 4 Nr. 4-6 (1936-37) Schröter (Kl.) Wolfgang Fortner Sonatina für Klavier (1934) Georg Kuhlmann (Kl.) Igor Strawinsky Duo concertant für Violine und Günter Kehr (Vl.), Heinz Schrö- Klavier (1931-32) ter (Kl.) Mo., 26.8. Komponisten-Selbstporträts I: Helmut Degen Kst., 16.00 Kst., 19.00 Einführung zum Klavierabend Georg Kuhlmann Di., 27.8. -
Roslyn Dunlop, Clarinet
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 10-8-2001 Guest Artist Recital: Roslyn Dunlop, clarinet Roslyn Dunlop Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Dunlop, Roslyn, "Guest Artist Recital: Roslyn Dunlop, clarinet" (2001). All Concert & Recital Programs. 7684. https://digitalcommons.ithaca.edu/music_programs/7684 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. GUEST ARTIST RECITAL Roslyn Dunlop, clarinet 25Measures Elena Kats-Chemin Trio Don Banks NRG (1996) Gerard Brophy Instant Winners Barney Childs Frenzy and Folly, Fire and Joy Graham Hair for solo clarinet Martin Wesley-Smith INTERMISSION Every Tune Phill Niblock You can take it anywhere! Judy Bailey New Work Stephen Ingham Recital Hall Monday, October 8, 2001 8:15 p.m. Roslyn Dunlop has earned a reputation as a specialist of new music for the clarinet, bass clarinet, and Eb clarinet. She is a keen promoter of her countryman's music and to this end has performed Australian composers works en every continent of the world. She graduated from ~he Sydney Conservatorium of Music with a Bachelor of Music in 1983; her teacher was Gabor Reeves. Subsequently she undertook post- graduate studies at Michigan State University where she studied clarinet with Elsa Ludewig-Verdehr. Since 1986 she has performed regularly as soloist and chamber musician. Currently a member of Charisma and Touchbass, Ms. -
Sydney Opera House Annual Report 2012-2013
_2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people. -
Sydney Symphony Limited ANNUAL FINANCIAL REPORT
Sydney Symphony Limited ABN 50 121 561 528 ANNUAL FINANCIAL REPORT 31 December 2020 0 Sydney Symphony Limited ABN 50 121 561 528 Contents Page Directors Report 2 Corporate Governance Statement 10 Auditor’s Independence Declaration 13 Income Statement 14 Statement of Comprehensive Income 15 Statement of Financial Position 16 Statement of Changes in Equity 17 Statement of Cash Flows 18 Notes to the Financial Statements 19 Directors’ Declarations 39 Independent Auditor’s Report 40 1 Sydney Symphony Limited ABN 50 121 561 528 Directors Report The Directors present their report together with the financial report of Sydney Symphony Limited, the parent entity, and its controlled entity Sydney Symphony Orchestra Holdings Pty Limited (the Group) for the year ended 31 December 2020. Directors The Directors in office, at any time during or since the financial period until the date of this report, are: Terrey Arcus AM (Chairman) Geoff Ainsworth AM Andrew Baxter Kees Boersma Ewen Crouch AM (resigned 18 June 2020) Emma Dunch Catherine Hewgill The Hon Justice A J Meagher Samantha Meers AO (appointed 3 November 2020) Karen Moses Dr John Vallance Geoff Wilson Qualification of Directors Director Experience and Qualifications Terrey Arcus AM BSc, BE (Hons) Syd; MBA (Dist) Harv. Founder & Consultant to Port Jackson Partners Limited Emma Dunch (CEO) B A (Communications) B Music Performance (Opera) Managing Director, Sydney Symphony Orchestra Director, Symphony Services Australia Limited Geoff Ainsworth AM BA (Hons) UNSW, MA Macq, Dip. Fin. Mgt. UNE Director,