Franco Fagioli Arias for Caffarelli

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Season 2013/14 Season 2014/15 Season 2015/16 Season 2016/17 Franco Fagioli Arias for Caffarelli Maxim Emelyanychev & Il Pomo d’Oro ARIAS FOR CAFFARELLI PARNASSUS ARTS PRODUCTIONS Arias for Caffarelli Franco Fagioli, Countertenor Il Pomo d’Oro | Maxim Emelyanychev Next to Farinelli, Caffarelli (his real name being Gaetano Majorana) is the most famous castrato in the history of opera. His outstanding voice and the brilliant interpretation of his roles captivated the audience just as much as his colourful personality. Great moments in the history of music were followed by fierce rival- ry and eccentric escapades. He perfor- med during the premières of Haendel’s operas Serse and Faramondo in London and Haendel composed his famous aria « Ombra mai fu » (from Serse) for him. In the course of his eventful career Caf- farelli made a considerable fortune and was also awarded the title of Duke of San Dorato. Franco Fagioli, one of the most renowned counter-tenors of our times, brings back to life the fascinating world of Caffarelli. The young and dynamic baroque orches- tra « Il Pomo d’oro », directed by Maxim Emelyanychev, will be his musical part- ner. The CD is due to be published by NAÏVE on september 13th, 2013. 1 ARIAS FOR CAFFARELLI PARNASSUS ARTS PRODUCTIONS Programme Instrumental Instrumental Nicola Porpora Giovanni Battista Pergolesi «Passaggier che sulla sponda» «Lieto così talvolta» Gennaro Manna Leonardo Leo «Cara ti lascio, Addio» «Sperai vicino il lido» Leonardo Vinci Instrumental «In braccio a mille furie» Pasquale Cafaro Instrumental «Gonfio tu vedi il fiume Johann Adolph Hasse Domenico Sarro «Fra l’orror della tempesta» «Un cor che ben ama» Leonardo Leo «Misero pargoletto» Gennaro Manna «Odo il suono di tromba guerriera» Intermission Maxim Emelyanychev Il Pomo d’Oro 2 ARIAS FOR CAFFARELLI PARNASSUS ARTS PRODUCTIONS Dates Partners 24 November 2013 Badisches Staatstheater Karlsruhe, DE 25 November 2013 Salle Gaveau, Paris, FR 13 June 2014 Festival Froville, Froville, FR 15 June 2014 Tivoli Festival, Copenhagen, DK 20 June 2014 Lessingtheater Wolfenbüttel, DE 7 June 2015 Halle, DE 9 June 2015 Opéra Royal, Versailles, FR 22 March 2017 Teatro Real, Madrid, ES 24 March 2017 Grenoble, FR CD PARNASSUS ARTS PRODUCTIONS Management: Georg Lang T: +43(0) 1 8904151 Barnabitengasse 5/4 E: [email protected] A - 1060 Vienna, Austria.

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Press Caffarelli
Caffarelli pt3 VOIX-DES-ARTS.COM, 21_09_2013 http://www.voix-des-arts.com/2013/09/cd-review-arias-for-caffarelli-franco.html 21 September 2013 CD REVIEW: ARIAS FOR CAFFARELLI (Franco Fagioli, countertenor; Naïve V 5333) PASQUALE CAFARO (circa 1716 – 1787) JOHANN ADOLF HASSE (1699 – 1783), LEONARDO LEO (1694 – 1744), GENNARO MANNA (1715 – 1779), GIOVANNI BATTISTA PERGOLESI (1710 – 1736), NICOLA ANTONIO PORPORA (1686 – 1768), DOMENICO SARRO (1679 – 1744), and LEONARDO VINCI (1690 – 1730): Arias for Caffarelli—Franco Fagioli, countertenor; Il Pomo d’Oro; Riccardo Minasi [Recorded at the Villa San Fermo, Convento dei Pavoniani, Lonigo, Vicenza, Italy, 25 August – 3 September 2012; Naïve V 5333; 1CD, 78:31; Available from Amazon, fnac, JPC, and all major music retailers] If contemporary accounts of his demeanor can be trusted, Gaetano Majorano—born in 1710 in Bitonto in the Puglia region of Italy and better known to history as Caffarelli—could have given the most arrogant among the opera singers of the 21st Century pointers on enhancing their self-appreciation. Unlike many of his 18th-Century rivals, Caffarelli enjoyed a certain level of privilege, his boyhood musical studies financed by the profits of two vineyards devoted to his tuition by his grandmother. Perhaps most remarkable, especially in comparison with other celebrated castrati who invented elaborate tales of childhood illnesses and unfortunate encounters with unfriendly animals to account for their ‘altered’ states, is the fact that, having been sufficiently impressed by the quality of his puerile voice or convinced thereof by the praise of his tutors, Caffarelli volunteered himself for castration. It is suggested that his most influential teacher, Porpora, with whom Farinelli also studied, was put off by Caffarelli’s arrogance but regarded him as the most talented of his pupils, reputedly having pronounced the castrato the greatest singer in Europe—a sentiment legitimately expressive of Porpora’s esteem for Caffarelli, perhaps, and surely a fine advertisement for his own services as composer and teacher.
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A Passion for Opera the DUCHESS and the GEORGIAN STAGE
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Music for Henry Benedict Stuart in Rome, 1740–91
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Swedish Debut at Royal Opera Stockholm with Handel's „Xerxes“
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Student Recital/Accompanist Request Form
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479 7542 Fagiolihandel Ebooklet.Indd
FRANCO FAGIOLI HHANDELANDEL AARIASRIAS IL POMO D’ORO | ZEFIRA VALOVA FRANCO FAGIOLI HHANDELANDEL AARIASRIAS IL POMO D’ORO | ZEFIRA VALOVA 2 GEORGE FRIDERIC HANDEL (1685–1759) ORESTE RODELINDA, REGINA DE’ LONGOBARDI Libretto after Giangualberto Barlocci Libretto: Nicola Francesco Haym First performance: London, Covent Garden Theatre, 18 December 1734 First performance: London, King’s Theatre, 13 February 1725 A “Agitato da fiere tempeste” (Oreste) 4:24 I “Pompe vane di morte” (Bertarido) 2:53 J “Dove sei, amato bene?” (Bertarido) 6:19 SERSE Libretto after Silvio Stampiglia and Nicolò Minato GIULIO CESARE IN EGITTO First performance: London, King’s Theatre, 15 April 1738 Libretto: Nicola Francesco Haym B “Frondi tenere e belle” (Serse) 0:47 First performance: London, King’s Theatre, 20 February 1724 C “Ombra mai fu” (Serse) 3:24 K “Se in fiorito, ameno prato” (Cesare) 8:40 D “Crude furie degl’orridi abissi” (Serse) 3:55 ARIODANTE Libretto after Antonio Salvi RINALDO First performance: London, Covent Garden Theatre, 8 January 1735 Libretto: Giacomo Rossi L First performance: London, Queen’s Theatre, 24 February 1711; “Scherza, infida, in grembo al drudo” (Ariodante) 11:13 rev. version: London, King’s Theatre, 6 April 1731 M “Dopo notte atra e funesta” (Ariodante) 7:28 E “Cara sposa, amante cara” (Rinaldo) 8:48 F PARTENOPE “Venti, turbini, prestate” (Rinaldo) 4:06 Libretto after Silvio Stampiglia IMENEO First performance: London, King’s Theatre, 24 February 1730 Libretto after Silvio Stampiglia N “Ch’io parta?” (Arsace) 4:14 First performance:
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4866795-114202-822186053331.Pdf
1 2 ARIEER P CAFFARELLI PASQUALE CAFARO, JOHANN ADOLF HASSE, LEONARDO LEO, GENNARO MANNA, GIOVANNI BATTISTA PERGOLESI, NICOLA ANTONIO PORPORA, DOMENICO SARRO, LEONARDO VINCI FRANCO FAGIOLI COUNTERTENOR IL POMO D’ORO RICCARDO MINASI CONDUCTOR 4 SOMMAIRE/CONTENTS Caffarelli, castrato assoluto p. 13 Caffarelli et Farinelli / Caffarelli and Farinelli p. 29 Caffarelli au Théâtre San Carlo / Caffarelli at the Teatro San Carlo p. 35 Les voyages de Caffarelli à travers l’Europe / Caffarelli’s travels around Europe p. 41 Dans les églises napolitaines / In the churches of Naples p. 47 Caffarelli et les compositeurs de son temps / Caffarelli and the composers of his time p. 53 Biographies p. 59 Textes chantés / Sung texts p. 68 Discography p. 74 Credits p. 75 5 ARIAS FOR CAFFARELLI 1 johann adolf hasse 1699-1783 fra l’orror della tempesta 5’05 Siroe, Bologna, Teatro Malvezzi 1733 2 johann adolf hasse ebbi da te la vita 7’26 Siroe, Bologna, Teatro Malvezzi 1733 3 leonardo vinci 1690-1730 in braccio a mille furie 5’09 Semiramide riconosciuta, Napoli, Teatro San Carlo 1744 4 leonardo leo 1694-1744 misero pargoletto 7’38 Demofoonte, Napoli, Teatro San Carlo 1741 5 nicola antonio porpora 1686-1768 passaggier che sulla sponda 6’22 Semiramide riconosciuta, Napoli, Teatro San Carlo 1739 6 6 giovanni battista pergolesi 1710-1736 lieto così talvolta 11’12 Adriano in Siria, Napoli, Teatro San Bartolomeo 1734 7 leonardo leo sperai vicino il lido 6’11 Demofoonte, Napoli, Teatro San Carlo 1741 8 pasquale cafaro 1716-1787 rendimi più sereno 8’03 L’Ipermestra, Napoli,
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