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“Stan Martin Is a Celebration of What's Best About Country Music. His
“Stan Martin is a celebration of what’s best about country music. His rolling, popping Telecaster runs are the kinds that cause players to adopt that beloved plank as their ax of choice. This boy sure can play.” –Rick Allen, Vintage Guitar Magazine- Stan Martin is hitting full stride as a consummate artist with his fifth studio album “Whiskey Morning”. His competence to author and deliver a three minute tale with infectious choruses, honest vocals and colorful Telecaster precision deliver appeal broad enough to not only satiate the appetites of devote honky tonk fans but to seduce those who find themselves straddling between Americana and classic country. His performances lure audience anticipation as he sizes up the room and delivers just the right energy to bring everyone along for the ride! Born and raised in the projects of South Boston, Stan Martin sounds more like a direct disciple of country greats such as Merle Haggard and Buck Owens with resemblent vocal tone to Dwight Yoakam and Tele skills like Pete Anderson. Stan played lead guitar for mainstay country rockers, The Merles, and for award winning New England singer/songwriter, John Lincoln Wright and the Sour Mash Boys. An invitation and a trip to Warner Brothers, after arranging and producing a Demo for a local singer/songwriter, spurred Martin to write, produce and record his own songs while continuing to master his passion; the Telecaster . His talent has not gone unnoticed and Stan has received accolades from high places. His album “Cigarettes and Cheap Whiskey” pinnacled at #1 on XM Satellite Radio X-Country for 3 weeks and remained in the top 5 for 18 weeks. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
Blues CD Reviews
In This Issue... April Blues Bash: Son Jack, Jr. KBA Photographer Suzanne Swanson Dawn Tyler Watson (IBC First Place Band) (Photo by Daniel Sheehan) (Photo by Paul Brown) (Photo by Paul Brown) Letter from the President 2 Remembering James Cotton 6 Membership Opportunities 14 Letter from the Editor 3 April Blues Bash Preview 11 B Sharp Coffee House 15 Officers and Directors 4 Memphis Memo 12 Extended CD Review 16 On the Cover 4 New Venue: Cask & Trotter 14 Hawkeye Herman in Spokane! 17 Letter from Washington Blues Society President Tony Frederickson Kevin Sutton & the Blue Monday Band opening American Indian Chief and several bidders really Hi Blues Fans, the show and getting the crowd in a fevered pitch went to work on this item and provided as much that never let up the whole evening. We had many excitement as the music we had already heard. The This past month the Washington Blues Society, special guests throughout the show and the Blue silent auction closed and almost every item had Lee Oskar Harmonicas, and Anacortes Brewery Monday Band invited Jimmy Fadden to sit in multiple bids and displayed the generosity of those (H2O & Rockfish) sponsored the first of what we with them which raised the bar even higher. After in attendance. Our last special guest of the evening hope will be an annual fundraising event for the a brief break for a set change and live auction, was Mark Dufresne who led the Lee Oskar band Washington Blues Society’s Musician Relief Fund Bobby Holland & the Breadline took the stage with a few songs in memory of James Cotton, who at the Historic Everett Theater. -
Lennar's First Quarter Earnings Conference Call. at This Time, A
LENNAR CORP Page 1 LENNAR CORP March 19, 2020 11:00 am EST Operator: Welcome to Lennar’s first quarter earnings conference call. At this time, all participants are in a listen-only mode. After the presentation, we will conduct a question-and-answer session. Today’s conference is being recorded. If you have any objections, please disconnect at this time. I will now turn the call over to Alexandra Lumpkin for the reading of the forward-looking statements. Alexandra Lumpkin: Thank you and good morning. Today’s conference call may include forward-looking statements, including statements regarding Lennar’s business, financial condition, results of operations, cash flows, strategies and prospects. Forward-looking statements represent only Lennar’s estimates on the date of this conference call and are not intended to give any assurance as to actual future results. Because forward-looking statements relate to matters that have not yet occurred, these statements are inherently subject to risks and uncertainties. Many factors could affect future results and may cause Lennar’s actual activities or results to differ materially from the activities and results anticipated in forward-looking statements. These factors include those described in this morning’s press release and our SEC filings, including those under the caption Risk Factors contained in Lennar’s Annual Report on Form 10-K, most recently filed with the SEC. Please note that Lennar assumes no obligation to update any forward-looking statements. LENNAR CORP Page 2 Coordinator: Thank you. I would like to introduce your host, Mr. Stuart Miller, Executive Chairman. Sir, you may begin. -
2008 Annual Report Bob Evans Farms, Inc
Regional Brandswith National Potential 2008 Annual Report Bob Evans Farms, Inc. BOb EVANS ReSTAUrANTS MIMI’S CAFÉ bOb eVANS FOOD PrODUCTS 2008 ANNUAL REPORT BOB EVANS FARMS, INC. Regional Brandswith National Bob Evans Farms, Inc. is a growing family of regional Potential brands. The $1.7 billion company owns and operates 703 full-service restaurants and a complete line of retail products under the Bob Evans and Owens names. The nearly 600 family Bob Evans Restaurants are located in 18 states with a heavy concentration in the Midwest. Mimi’s Cafés are in 22 states with nearly one-half of the 100+ units located in California. Bob Evans Restaurants 8 51 39 3 16 59 195 7 31 17 28 3 24 22 11 4 4 49 • 7 quarters of positive same-store sales after 3 years of quarterly declines. • New Units: FY ‘07: 10 | FY ‘08: 2 571 Restaurants | 18 States as of 4/25/08 • Average Unit Volume: $1.78 million I 2008 ANNUAL REPORT BOB EVANS FARMS, INC. Mimi’s Café 4 1 3 4 2 8 22 55 2 2 1 4 2 Bob Evans Farms, Inc. is a growing family of regional 12 1 2 2 1 brands. The $1.7 billion company owns and operates 2 9 703 full-service restaurants and a complete line of 11 retail products under the Bob Evans and Owens names. • Positive same-store sales in 46 The nearly 600 family Bob Evans Restaurants are located of last 51 quarters in 18 states with a heavy concentration in the Midwest. -
Offering Memorandum Exclusive Net – Lease Offering Confidentiality and Disclaimer
Bob Evans 2040 South Reed Road Kokomo, Indiana, 46901 Representative Photo OFFERING MEMORANDUM EXCLUSIVE NET – LEASE OFFERING CONFIDENTIALITY AND DISCLAIMER Marcus & Millichap hereby advises all prospective some properties, including newly-constructed facilities or the subject property, the future projected financial purchasers of Net Leased property as follows: newly-acquired locations, may be set based on a tenant’s performance of the property, the size and square footage projected sales with little or no record of actual of the property and improvements, the presence or The information contained in this Marketing Brochure has performance, or comparable rents for the area. Returns absence of contaminating substances, PCB’s or asbestos, been obtained from sources we believe to be reliable. are not guaranteed; the tenant and any guarantors may the compliance with State and Federal regulations, the However, Marcus & Millichap has not and will not verify fail to pay the lease rent or property taxes, or may fail to physical condition of the improvements thereon, or the any of this information, nor has Marcus & Millichap comply with other material terms of the lease; cash flow financial condition or business prospects of any tenant, or conducted any investigation regarding these matters. may be interrupted in part or in whole due to market, any tenant’s plans or intentions to continue its occupancy Marcus & Millichap makes no guarantee, warranty or economic, environmental or other conditions. Regardless of the subject property. The information contained in this representation whatsoever about the accuracy or of tenant history and lease guarantees, Buyer is Marketing Brochure has been obtained from sources we completeness of any information provided. -
1 Album #1 Hit Track Album Pick Hit Pick
Volume 71 No. 10 July 10, 2000 Pavlo does Music World in-store Guitarist Pavlo seen with Universal's Glenda Rush and jazz legend Al Jarreau. See story page 7 $3.00 ($2.80 plus .20 GST) Publication Mail Registration No. 08141 the service. Then later came lawsuits from Metallica Home taping gone mad or anew medium for the industry? and Dr. Dre, who took the step of collecting some 300,000 user names, with demands that they be Napster: would somebody please show us the money? removed from the system. Unfortunately for the artists, it's far too easy for auser to simply log on by Ron Rogers wanna steal our songs, then BAM!, try doin' it with with a new name, and continue with their file- some broken fingers!' But hunting down Napster swapping ways. Napster - even the name sounds suspect. Napster, nasties is next to impossible —the perpetrators may Then last month came anew development — as in nabster, as in nab, as in grab, as in take, as in be found, but even then, they simply log on with a Limp Bizkit announced that their upcoming tour will steal. The name has become detested throughout the new nickname and go right back at it. The devillish be sponsored by Napster, with the software- music industry. It comes with an accompanying maelstrom known as the intemet has become the swapping service pumping $1.8 million into the rap/ image of apimple-faced dweeb, sitting in front of computer geek's version of the Young Offender's metal group's tour. -
Producer Pete Andersen Leads Calif.'S Gold Rush
UIYTRr Producer Pete Andersen Leads Calif.'s Gold Rush fill (Warner Bros.) to Rosie Flores make." an alternative firm in Hollywood, Not being a part of the Nashville BY HOLLY GLEASON (Reprise) California country. Yoakam and Anderson met Calif., "kind of stuck out in the pile hierarchy works to Anderson's ad- LOS ANGELES With the success "I don't know if it's so much a while playing in bands and discov- of TSOL and Hell Comes To Your vantage, he believes, since he of Dwight Yoakam's gold albums resurgence of the California coun- ered they shared mutual attitudes House records." The grass -roots doesn't waste time worrying about ( "Guitars, Cadillacs, Etc., Etc." try sound as much as it is a resur- about music. When Yoakam need- rock press embraced the record, what everyone else is doing. He and "Hillbilly Deluxe "), producer gence of country music," Ander- ed a guitarist, he called on the De- praising it as honest and authen- feels many country music estab- Pete Anderson has found a beach- son says. "I don't like the label of troit-born Anderson. tic. Soon, the Nashville labels lishment leaders don't understand head from which to launch the re- traditional country music because Yoakam's group, playing songs started showing interest. Paige his mission. "I have a good rela- birth of the California country either it's country or it's not." by Yoakam himself in addition to tionship with those people because sound. Laced with Mexican-influ- Some country radio programming solid country numbers by such leg- of Dwight's success .. -
In the United States District Court for the Eastern District of Texas Marshall Division
Case 2:10-cv-00572-TJW Document 1 Filed 12/17/10 Page 1 of 21 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF TEXAS MARSHALL DIVISION GEOTAG, INC. PLAINTIFF, v. CIVIL ACTION NO. _______________ STARBUCKS CORP.; AFC ENTERPRISES, INC. D/B/A POPEYE'S CHICKEN AND BISCUITS D/B/A POPEYE'S; BOB EVANS FARMS, INC. D/B/A BOB EVANS; BOB EVANS RESTAURANTS OF MICHIGAN, LLC; BRINKER INTERNATIONAL, INC. D/B/A CHILI'S D/B/A ROMANO'S MACARONI GRILL D/B/A MAGGIANO'S LITTLE ITALY; BURGER KING CORP.; CALIFORNIA PIZZA KITCHEN, INC.; CEC ENTERTAINMENT, INC. D/B/A CHUCK E. CHEESE'S; CEC ENTERTAINMENT CONCEPTS, L.P.; CICI ENTERPRISES, LP D/B/A CICI'S PIZZA; CINNABON, INC.; CRACKER BARREL OLD COUNTRY STORE, INC. D/B/A CRACKER BARREL; DARDEN RESTAURANTS, INC. D/B/A RED LOBSTER D/B/A LONGHORN STEAKHOUSE D/B/A OLIVE GARDEN D/B/A THE CAPITAL GRILLE D/B/A BAHAMA BREEZE D/B/A SEASONS D/B/A LONGHORNSTEAKHOUSE.COM; DARDEN CONCEPTS, INC.; GMRI, INC.; DD IP HOLDER, LLC; DUNKIN' BRANDS, INC. D/B/A DUNKIN DONUTS; DUNKIN DONUTS, INC.; DELI MANAGEMENT, INC. D/B/A JASON'S DELI; APPLEBEE'S INTERNATIONAL, INC.; APPLEBEE'S IP, LLC; DOCTOR'S ASSOCIATES INC. D/B/A Case 2:10-cv-00572-TJW Document 1 Filed 12/17/10 Page 2 of 21 SUBWAY; FRANCHISE WORLD HEADQUARTERS, LLC; DOMINO'S PIZZA, INC.; DR. PEPPER SNAPPLE GROUP, INC.; GODFATHER'S PIZZA, INC.; GREAT HARVEST BREAD CO.; IHOP CORP.; IHOP IP, LLC; DINEEQUITY, INC. -
Bob Evans Exclusive Net - Lease Offering
Representative Photo BOB EVANS EXCLUSIVE NET - LEASE OFFERING OFFERING MEMORANDUM 510 Ohio Pike, Cincinnati, OH 45255 Confidentiality and Disclaimer Marcus & Millichap hereby advises all prospective purchasers of properties, including newly-constructed facilities or newly- income or expenses for the subject property, the future projected Net Leased property as follows: acquired locations, may be set based on a tenant’s projected financial performance of the property, the size and square sales with little or no record of actual performance, or footage of the property and improvements, the presence or The information contained in this Marketing Brochure has been comparable rents for the area. Returns are not guaranteed; the absence of contaminating substances, PCB’s or asbestos, the obtained from sources we believe to be reliable. However, tenant and any guarantors may fail to pay the lease rent or compliance with State and Federal regulations, the physical Marcus & Millichap has not and will not verify any of this property taxes, or may fail to comply with other material terms of condition of the improvements thereon, or the financial information, nor has Marcus & Millichap conducted any the lease; cash flow may be interrupted in part or in whole due to condition or business prospects of any tenant, or any tenant’s investigation regarding these matters. Marcus & Millichap makes market, economic, environmental or other conditions. Regardless plans or intentions to continue its occupancy of the subject no guarantee, warranty or representation whatsoever about the of tenant history and lease guarantees, Buyer is responsible for property. The information contained in this Marketing Brochure accuracy or completeness of any information provided. -
12 Years of Recording Dwight Yoakam, Dusty Wakeman 6/16/10 9:39 AM
12 Years Of Recording Dwight Yoakam, Dusty Wakeman 6/16/10 9:39 AM 12 Years Of Recording Dwight Yoakam Dusty Wakeman email print ShareThis rss Ron told me of plans to record a country and cowpunk compilation and asked if I wanted to be the engineer, which, being Texas born-n- bred, I jumped on. Pete Anderson walked in the door and we really hit it off. Dwight was in the process of getting signed and had already released the EP version of Guitars . ., which was creating quite a buzz. They were opening for bands like X, Los Lobos, and The Blasters, and really connecting with those crowds. The plan was to go in and cut four more tracks to complete the album. There was some controversy with the label — Warner Nashville — who wanted Dwight to go to Nashville and work with “the establishment” there. There have been scores of great records recorded there that we all love, but this was the tail end of the Urban Cowboy era, and most everything coming out of Nashville at that moment was pretty wimpy and formulaic. Pete liked me because I was coming from a rock background but knew and loved classic country. He had Dwight drop by Mad Dog to meet me while working on Town South of Bakersfield. I remember Dwight and Pete looking at the 2-track and being impressed with how hot the recording levels were. GUITARS, CADILLACS, ETC. ETC. We were booked into Capitol Studio B for something like three days, as I recall, to cut four tracks: “Honky Tonk Man,” “Guitars, Cadillacs,” “Bury Me” (a duet with Maria McKee), and “Heartaches by the Number.” We were like kids in a candy store — we kept waiting for some adult to come and stop the fun. -
Lonesomehighway Issue4.Pdf
In the fair city of Detroit, nestled among the garage- rock nooks and country crannies, lurks the music of Blanche. Husband and wife Dan and Tracee Miller trade intense and haunting vocals over an uneasy sea of pedal steel, banjo, raw guitar sounds, and sparse, driving drumming. The moods created in the songs seem to define Blanche. Some songs are sad and pretty, while others have a powerful, spooky feel. The melodies trick you into singing along with tales of superstitions, garbage picking, fading trust, and feelings of lost hope. The sound combines the intense desperation of the Gun Club, the sincere sadness of the Carter Family, and the creepy playfulness of Lee Hazlewood Intro taken from the biography on the Blanche website which is well worth a visit and a wonderful design. www.blanchemusic.com INTERVIEW BY STEVE RAPID | PHOTOGRAPHY BY RONNIE NORTON Tell us what the secret of Little Amber Bottles is? Feeny on the pedal steel and his singing. That’s what is most important that overall sound, everyone bringing Well Tracee wrote that song so that’s more for her. I think you can find the answers to little amber bottles in dif- what they have to it. ferent ways, because they can be medication, something that helps you, or you can look to little amber bottles for the wrong reasons. It’s whichever way you use them. I think people rely on medication too much. But you have done some solo shows? Well every once in awhile I do it. I think I’ve done three.