Top 40 Singles Top 40 Albums

Total Page:16

File Type:pdf, Size:1020Kb

Top 40 Singles Top 40 Albums 22 June 1980 CHART #240 Top 40 Singles Top 40 Albums Stomp Brass In Pocket Space Race The Long Run 1 Brothers Johnson 21 Pretenders 1 Mi Sex 21 The Eagles Last week 1 / 7 weeks Gold / FESTIVAL Last week 15 / 17 weeks Gold / WEA Last week 1 / 4 weeks Gold / CBS Last week 15 / 33 weeks Platinum / WEA I Pledge My Love Cruisin' True Colours Seventeen Seconds 2 Peaches & Herb 22 Smokey Robinson 2 Split Enz 22 The Cure Last week 2 / 8 weeks Gold / POLYGRAM Last week 18 / 16 weeks Gold / EMI Last week 3 / 17 weeks Platinum / POLYGRAM Last week - / 1 weeks CBS Coming Up Working My Way Back To You Damn The Torpedos Middle Man 3 Paul McCartney 23 The Spinners 3 Tom Petty & The Heartbreakers 23 Boz Scaggs Last week 3 / 5 weeks EMI Last week 25 / 13 weeks WEA Last week 2 / 23 weeks Platinum / POLYGRAM Last week 22 / 7 weeks Gold / CBS People Carrie The Motels Too Much Pressure 4 Mi Sex 24 Cliff Richard 4 The Motels 24 Selecter Last week 4 / 10 weeks CBS Last week 23 / 10 weeks EMI Last week 7 / 6 weeks EMI Last week 31 / 2 weeks FESTIVAL Fly Too High Little Jeannie Tarot Suite Empty Glass 5 Janis Ian 25 Elton John 5 Mike Batt 25 Pete Townshend Last week 5 / 5 weeks FESTIVAL Last week - / 1 weeks POLYGRAM Last week 6 / 4 weeks CBS Last week 21 / 3 weeks WEA Call Me Together We Are Beautiful The B-52's Breakfast In America 6 Blondie 26 Fern Kinney 6 The B-52's 26 Supertramp Last week 7 / 2 weeks FESTIVAL Last week 28 / 8 weeks WEA Last week 9 / 23 weeks WEA Last week 28 / 57 weeks Platinum / FESTIVAL The Second Time Around Tears Mccartney Ii The Rose Soundtrack 7 Shalamar 27 The Crocodiles 7 Paul McCartney 27 Bette Midler Last week 6 / 10 weeks RCA Last week 27 / 12 weeks RCA Last week - / 1 weeks EMI Last week 29 / 14 weeks WEA I'm In The Mood For Dancing Loving You (Is A Way Of Life) The Wall The Specials 8 The Nolans 28 Jon Stevens 8 Pink Floyd 28 The Specials Last week 8 / 6 weeks CBS Last week 29 / 3 weeks CBS Last week 4 / 23 weeks Platinum / CBS Last week 43 / 15 weeks FESTIVAL Funkytown Feel So Good In The Heat Of The Night Eat To The Beat 9 Lipps Inc 29 Spelling Mistakes 9 Pat Benatar 29 Blondie Last week 10 / 2 weeks Casablanca Last week - / 1 weeks ODE Last week 8 / 5 weeks FESTIVAL Last week 27 / 27 weeks Gold / FESTIVAL Cruisin' (Lucy & Ramona & Sunset S... One Good Reason Glass Houses Tusk 10 Mike Nesmith 30 The Swingers 10 Billy Joel 30 Fleetwood Mac Last week 13 / 6 weeks WEA Last week 24 / 6 weeks CBS Last week 12 / 10 weeks Platinum / CBS Last week 30 / 32 weeks Platinum / WEA And The Beat Goes On Don't Fall In Love With A Dreamer Pretenders London Calling 11 The Whispers 31 Kenny Rogers & Kim Carnes 11 Pretenders 31 The Clash Last week 11 / 10 weeks RCA Last week 32 / 3 weeks EMI Last week 5 / 12 weeks Gold / WEA Last week 23 / 15 weeks CBS Special Lady Do The Locomotion Music By Candlelight The James Galway Collection 12 Ray Goodman & Brown 32 Ritz 12 Gheorghe Zamfir 32 James Galway Last week 9 / 10 weeks POLYGRAM Last week 43 / 2 weeks CBS Last week 11 / 11 weeks Platinum / POLYGRAM Last week 36 / 12 weeks RCA Atomic I Hope I Never The Magic Of Boney M Against The Wind 13 Blondie 33 Split Enz 13 Boney M 33 Bob Seger Last week 14 / 10 weeks FESTIVAL Last week 37 / 2 weeks POLYGRAM Last week 20 / 2 weeks WEA Last week 26 / 13 weeks EMI Total Control Red Dress Light Up The Night Bop Till You Drop 14 The Motels 34 Tigers 14 Brothers Johnson 34 Ry Cooder Last week 22 / 3 weeks EMI Last week 39 / 4 weeks EMI Last week 10 / 5 weeks FESTIVAL Last week 34 / 36 weeks Gold / WEA She's Out Of My Life Stop Your Sobbing Night Rains Greatest 15 Michael Jackson 35 The Pretenders 15 Janis Ian 35 Bee Gees Last week 21 / 5 weeks CBS Last week 30 / 3 weeks WEA Last week 14 / 3 weeks FESTIVAL Last week 32 / 16 weeks Platinum / POLYGRAM Heartbreaker You May Be Right Graffiti Crimes Tom Petty & The Heartbreakers 16 Pat Benatar 36 Billy Joel 16 Mi Sex 36 Tom Petty & The Heartbreakers Last week 17 / 5 weeks FESTIVAL Last week 47 / 10 weeks CBS Last week 16 / 40 weeks Gold / CBS Last week 24 / 5 weeks FESTIVAL Sexy Eyes Monkey Chop Off The Wall Official Bootleg Album 17 Dr Hook 37 Dan I 17 Michael Jackson 37 The Blues Band Last week 19 / 11 weeks EMI Last week - / 1 weeks FESTIVAL Last week 18 / 31 weeks Platinum / CBS Last week 37 / 9 weeks EMI I Can't Tell You Why It's Still Rock And Roll To Me Twice The Fire Dark Side Of The Moon 18 The Eagles 38 Billy Joel 18 Peaches & Herb 38 Pink Floyd Last week 16 / 8 weeks WEA Last week 49 / 2 weeks CBS Last week 19 / 5 weeks POLYGRAM Last week 35 / 204 weeks Platinum / CAPITOL/EMI Pilot Of The Airways Biggest Part Of Me Live Rust Hypnotised 19 Charlie Dore 39 Ambrosia 19 Neil Young And Crazy Horse 39 The Undertones Last week 12 / 5 weeks FESTIVAL Last week 46 / 2 weeks WEA Last week 17 / 25 weeks Gold / WEA Last week 33 / 2 weeks WEA Refugee Ride Like The Wind Duke Look Hear 20 Tom Petty & The Heartbreakers 40 Christopher Cross 20 Genesis 40 10cc Last week 20 / 13 weeks POLYGRAM Last week 31 / 8 weeks WEA Last week 13 / 3 weeks POLYGRAM Last week 50 / 2 weeks POLYGRAM Top 20 NZ Singles Top 10 Compilations Top 20 NZ Albums Solid Gold Vol 26 1 Various Last week 1 / 7 weeks POLYGRAM Platinum Plus 2 Various Last week 2 / 7 weeks FESTIVAL/RTC Immortal Jazz Classics 3 Various Last week 5 / 2 weeks RCA Listen Easy 4 Various Last week 3 / 7 weeks MW Everything Is Beautiful 5 Various Last week - / 1 weeks RCA ©2013 Recorded Music New Zealand Limited. Any unauthorised copying, reproduction, linking or framing of any information included on this website is strictly prohibited..
Recommended publications
  • Feargal Sharkey Speaker Profile
    Feargal Sharkey Musical Legend and Co-founder of The Undertones Feargal Sharkey first found fame as the lead vocalist of punk band The Undertones, famous for hit singles such as Teenage Kicks. Since then Feargal has worked in the business side of music including, for a number of years, being head of UK Music, which represents the UK's commercial music industry. Feargal has been recognised for his outstanding achievements in the field of musi In detail Languages Feargal Sharkey was a co-founder of The Undertones at their He presents in English. inception in 1976. His best-known solo material is the 1985 UK chart-topping single penned by Maria McKee, A Good Heart, a Want to know more? worldwide number 1 in 1985. In the business side of the music Give us a call or send us an e-mail to find out exactly what he industry he was initially an A&R manager for Polydor Records, could bring to your event. and then Managing Director of EXP Ltd. He was appointed a Member of the Radio Authority for five years from 1998 to 2003. How to book him? He became Chairman of the UK Government task force the Live Simply phone, fax or e-mail us. Music Forum in 2004 to evaluate the impact of the Licensing Act 2003 on the performance of live music, and gave public evidence before the Culture, Media and Sport Committee in 2008. What he offers you Having enjoyed some 12 years of world tours and hit albums, Feargal Sharkey is keen for us to adapt, progress and develop to help secure a solid foundation from which a successful, vibrant and world dominating British online industry can be built.
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • Blondie Eat to the Beat Mp3, Flac, Wma
    Blondie Eat To The Beat mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Eat To The Beat Country: Sweden Released: 1979 Style: New Wave MP3 version RAR size: 1971 mb FLAC version RAR size: 1674 mb WMA version RAR size: 1855 mb Rating: 4.8 Votes: 904 Other Formats: ASF VOX MOD MPC AIFF VQF FLAC Tracklist Hide Credits Dreaming A1 3:04 Written-By – C. Stein*, D. Harry* The Hardest Part A2 3:40 Written-By – C. Stein*, D. Harry* Union City Blue A3 3:19 Written-By – D. Harry*, N. Harrison* Shayla A4 3:55 Written-By – C. Stein* Eat To The Beat A5 2:38 Written-By – D. Harry*, N. Harrison* Accidents Never Happen A6 4:12 Written-By – J. Destri* Heart Of Glass A7 5:48 Written-By – C. Stein*, D. Harry* Die Young Stay Pretty B1 3:32 Written-By – C. Stein*, D. Harry* Slow Motion B2 3:26 Written-By – J. Destri*, L. Davis* Atomic B3 4:38 Written-By – D. Harry*, J. Destri* Sound Asleep B4 4:13 Written-By – C. Stein*, D. Harry* Victor B5 3:17 Written-By – D. Harry*, F. Infante* Living In The Real World B6 2:42 Written-By – J. Destri* Sunday Girl B7 3:14 Written-By – C. Stein* Companies, etc. Recorded At – Power Station Recorded At – Electric Lady Studios Recorded At – Mediasound Mixed At – MCA Whitney Recording Studios Mastered At – MCA Whitney Recording Studios Published By – Rare Blue Music, Inc. Published By – Monster Island Music Phonographic Copyright (p) – Chrysalis Records Manufactured By – Toshiba EMI Ltd Credits Art Direction – Billy Bass Design, Photography By – Norman Seeff Design, Typography – John Van Hamersveld Engineer – David Tickle, Pete Coleman Mastered By – Steve Hall Producer – Mike Chapman Notes 1st Issue Chrisalys Promo White Labels - Promo Stickered Obi - 12" Poster - Printed Inner Sleeve - 4 Pages Insert With Lyrics Recorded at the Power Station, Electric Lady & Media Sound, N.Y.
    [Show full text]
  • Listening in on Belfast Punk Linsey Mcfadden Photo Courtesy of Sing Sing Records N the Late 1970’S Punk Rock Struck a City Divided by Religion and Politics
    Listening In On Belfast Punk Linsey McFadden Photo Courtesy of Sing Sing Records n the late 1970’s punk rock struck a city divided by religion and politics. A city with an atmosphere permeating with the smell of hatred and fear, security checkpoints marred the entrance to the city centre, while bombings and shootings were commonplace. At Inight the only people that dared to walk the city’s streets were the one’s that enforced the curfews and the ones that broke them— punks. It wasn’t London and it wasn’t New York. They weren’t the only cities to carve out their stake in the punk rock world. Welcome to Belfast, a city where punk rock came at a time when it really made sense. In Northern Ireland, punk rock was never simply a fashion piece to be gawked at. Punk rock came to Belfast at a time of Troubles, a time when the city was more comparable to a warzone than a Western metropolis. It came at a time of blown out buildings, shootings, tense security, intimidation, curfews, and hate. “It was a scary place to be, in the city centre at night,” said Aidan Murtagh of Protex. “People stayed in their own areas where they felt safe. The only people about town at nights were British army, police and punks. These tensions probably added to the way the music was played and performed by many of the bands.” Until the relatively recent release of the Good Vibrations movie, Northern Irish punk had largely been pushed to the background as writers and filmmakers rushed to document the rise of punk in cities like New ork,Y London and L.A.
    [Show full text]
  • What Questions Should Historians Be Asking About UK Popular Music in the 1970S? John Mullen
    What questions should historians be asking about UK popular music in the 1970s? John Mullen To cite this version: John Mullen. What questions should historians be asking about UK popular music in the 1970s?. Bernard Cros; Cornelius Crowley; Thierry Labica. Community in the UK 1970-79, Presses universi- taires de Paris Nanterre, 2017, 978-2-84016-287-2. hal-01817312 HAL Id: hal-01817312 https://hal-normandie-univ.archives-ouvertes.fr/hal-01817312 Submitted on 17 Jun 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What questions should historians be asking about UK popular music in the 1970s? John Mullen, Université de Rouen Normandie, Equipe ERIAC One of the most important jobs of the historian is to find useful and interesting questions about the past, and the debate about the 1970s has partly been a question of deciding which questions are important. The questions, of course, are not neutral, which is why those numerous commentators for whom the key question is “Did the British people become ungovernable in the 1970s?” might do well to balance this interrogation with other equally non-neutral questions, such as, perhaps, “Did the British elites become unbearable in the 1970s?” My reflection shows, it is true, a preoccupation with “history from below”, but this is the approach most suited to the study of popular music history.
    [Show full text]
  • MM" ,/ Ljtta) Fln; #-{
    I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup.
    [Show full text]
  • Harvest Records Discography
    Harvest Records Discography Capitol 100 series SKAO 314 - Quatermass - QUATERMASS [1970] Entropy/Black Sheep Of The Family/Post War Saturday Echo/Good Lord Knows/Up On The Ground//Gemini/Make Up Your Mind/Laughin’ Tackle/Entropy (Reprise) SKAO 351 - Horizons - The GREATEST SHOW ON EARTH [1970] Again And Again/Angelina/Day Of The Lady/Horizons/I Fought For Love/Real Cool World/Skylight Man/Sunflower Morning [*] ST 370 - Anthems In Eden - SHIRLEY & DOROTHY COLLINS [1969] Awakening-Whitesun Dance/Beginning/Bonny Cuckoo/Ca’ The Yowes/Courtship-Wedding Song/Denying- Blacksmith/Dream-Lowlands/Foresaking-Our Captain Cried/Gathering Rushes In The Month Of May/God Dog/Gower Wassail/Leavetaking-Pleasant And Delightful/Meeting-Searching For Lambs/Nellie/New Beginning-Staines Morris/Ramble Away [*] ST 371 - Wasa Wasa - The EDGAR BROUGHTON BAND [1969] Death Of An Electric Citizen/American Body Soldier/Why Can’t Somebody Love You/Neptune/Evil//Crying/Love In The Rain/Dawn Crept Away ST 376 - Alchemy - THIRD EAR BAND [1969] Area Three/Dragon Lines/Druid One/Egyptian Book Of The Dead/Ghetto Raga/Lark Rise/Mosaic/Stone Circle [*] SKAO 382 - Atom Heart Mother - The PINK FLOYD [1970] Atom Heart Mother Suite (Father’s Shout-Breast Milky-Mother Fore-Funky Dung-Mind Your Throats Please- Remergence)//If/Summer ’68/Fat Old Sun/Alan’s Psychedelic Breakfast (Rise And Shine-Sunny Side Up- Morning Glory) SKAO 387 - Panama Limited Jug Band - PANAMA LIMITED JUG BAND [1969] Canned Heat/Cocaine Habit/Don’t You Ease Me In/Going To Germany/Railroad/Rich Girl/Sundown/38
    [Show full text]
  • Fordham Movie Misses Premiere by Pete Birle Twenty Hindsight Saw That We Wouldn't Make the Poe Papers, Otherwise Known As the It
    Non-Profit Org. U.S. Postage PAID Bronx, New York Permit No. 7608 Mr. Manners - see centerfold Fordham Movie Misses Premiere by Pete Birle twenty hindsight saw that we wouldn't make The Poe Papers, otherwise known as The it. But, we were excited and determined that it Fordham Movie, was not ready for screening would be finished on time," she said. at the time of its scheduled premiere Friday The movie was scheduled to be shown at evening due to editing problems, according to 8:45 p.m., following a parade of the stars, an Drew Gagner, FC '88, master of ceremonies. opening address by Gagner, a salutation by While over 300 students, parents, faculty members, administrators, and trustees waited in the McGinley Center Ballroom for the arri- '' We should have made • val of the film, Director Sue Borden, resident I director of New Hall was down at Columbia the decision to University putting the finishing touches on the picture. Production and editing delays ensued, postpone it Wednesday and as a result, the showing was postponed I until Tuesday night. or Thursday. Twenty- "It became a nice, elegant affair that turned into a sham, a mockery. In a million twenty hindsight saw years, we could have never imagined this," Gagner said. that we wouldn H make hours. I had been editing all week, alone, with the phone call at 9:30 p.m. to bring the un- According to Tom Ellett, FC'86, execu- it" a lack of facilities," Borden said. "Friday ' tive producer, a total of $2640 was spent on finished film up to Rose Hill, she attempted to afternoon we had to redub a scene with Father make one more cut, which she said normally the premiere, with $1250 going loward renting — Susan Borden O'Hare.
    [Show full text]
  • The Clash and Mass Media Messages from the Only Band That Matters
    THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
    [Show full text]
  • The Story So Far
    1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band.
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 20th March at 4pm On View Thursday 19th March 10am-7pm and from 9am on the morning of the sale Catalogue website: WWW.LSK.CO.UK Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Image this page: 528 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: [email protected] Auctioneers & Valuers Email: 150 YEARS est. 1869 www.lsk.co.uk C 501 505 510 A late 19th century French violin, having a two A Columbia portable wind-up gramophone, 40 x A Honer Verdi I piano accordion, in fitted case. piece maple back, with ebony finger board and 28cm. £20-40 rosewood pegs, bearing a label for T. Baur, Luthier, £30-50 Mirecourt 1899, 36cm (excluding button.) 511 £200-300 506 A Fender Squier Strat electric guitar in black with A 1920’s mahogany cased Dulcetto table top white scratch plate no. ICS 11134095 with soft 502 gramophone, patent no. 10497, 46 x 52cm, carry case, together with a Fender Frontman A Hall Gisborne Defiance B electroplated two together with various gramophone records. (2) 15G amplifier. (2) piece trombone, no. 18052, in fitted case bearing £40-60 £60-80 a label for Bloomfield & Co., 7 Rosebery Road, Ipswich. 507 512 £30-50 A Baile piano accordion, in fitted case. A Thorens TD 166 turntable, w.43, d.34, h.15cm. £30-50 £40-60 503 A late 19th century simulated rosewood cased 508 513 music box, the 5 inch cylinder playing eight airs, A pair of Boosey & Co Ltd rosewood two piece A Quad 33 pre-amp, serial no.
    [Show full text]
  • Popular Music Stuart Bailie a Troubles Archive Essay
    popular music A Troubles Archive Essay Stuart Bailie Cover Image: Victor Sloan - Market Street, Derry From the collection of the Arts Council of Northern Ireland About the Author Stuart Bailie was on the staff of the NME (New Musical Express) from 1988 to 1996, rising to Assistant Editor in his last three years there. Since then, he has worked as a freelance journalist for Mojo, Uncut, Q, The Times, The Sunday Times and Hot Press. He has written sleevenotes for U2 and wrote the authorised story of Thin Lizzy, The Ballad Of The Thin Man in 1997. He has been presenting a BBC Radio Ulster show each Friday evening since 1999. He has been Associate Producer of several BBC TV music programmes, including the story of Ulster rock and pop: ‘So Hard To Beat’ in 2007. He has also been the scriptwriter / researcher for a series of BBC Radio 2 documentaries on U2, Thin Lizzy and Elvis Costello. Stuart is now CEO of Oh Yeah, a dedicated music centre in Belfast. Popular Music In September 1968 Van Morrison was in NewYork, recording a series of songs about life back in Belfast. This was his Astral Weeks album, one of his most important works. It was also a vivid snapshot of Northern Ireland just before the climate changed dramatically with the outbreak of the Troubles. In Morrison’s sentimental picture, there were youthful voices, parties and high-spirits; flamboyant figures such as Madame George cruised the streets of Belfast as the post-war generation challenged social conventions. The hippy ideals were already receding in America, but Belfast had experienced a belated Summer of Love and a blossoming social life.
    [Show full text]