Astrid Bussink Michelangelo Frammartino Christoph

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Astrid Bussink Michelangelo Frammartino Christoph PANO RAMI QUES VALLE d’AOSTA - VALLéE d’AOSTE Periodico semestrale - Sped. in a.p. - art. comma 20/c legge 662/96 - Filiale di Aosta - Tassa riscossa / Taxe perçue / Taxe riscossa - Tassa legge 662/96 - Filiale di Aosta - Sped. in a.p. art. comma 20/c Periodico semestrale Astrid Bussink + Cinema in valle d'aosta Michelangelo Frammartino Christoph Hochhäusler + Conversazione con Marietta Kesting e Aljoscha Weskott Robert Mitchell Jordi Ballò 50 Laurent Perreau e marta andreu David Verbeek II semestre 2010 Frederick Wiseman + Focus sulla didattica Rivista di cinema edita dall’assessoRato istRuzione e cultuRa della Regione autonoma valle d’aosta E éDITORIAL Il cinema e il rispetto della cultura dei popoli Nei giorni in cui questo numero di valdostana; il secondo di recente rea- dell'identità di un popolo la parte for- Panoramiques è impaginato, in Valle lizzazione (è presentato in anteprima mativa ricopre un ruolo centrale; per d'Aosta si sta svolgendo un festival al festival) è rivolto alla comunità bre- questo motivo ci è sembrato giusto dedicato alla cultura dei popoli mi- tone, alla sua terra, alla sua lingua, alla dedicare un dossier alla didattica. Al noritari, organizzato dall'Assessorato musica e ai giochi tradizionali. L'idea è raffronto tra la situazione italiana e Istruzione e Cultura della Regione au- di proseguire e di produrre un'ideale francese si aggiunge una riflessione tonoma Valle d'Aosta. Insieme a mu- carrellata delle particolarità cultura- più approfondita all'Università «Pom- sica e riflessione scientifica anche il li delle tante espressioni minoritarie peu Fabra» di Barcellona che in pochi cinema fa parte delle discipline inda- che popolano il nostro pianeta. anni ha saputo porsi come un modello gate dal "festival des peuples minori- In questo progetto di attenzione alla formativo e produttivo vincente. Nel taires". In particolare abbiamo voluto diversità, a quelle realtà che spesso i momento in cui la Valle d'Aosta sta in- rivolgere l'attenzione verso il genere grandi riflettori dei media trascurano vestendo nel settore audiovisivo, l'in- che meglio si presta a rappresentare o relegano a fatti di cronaca spiccia, tervista al direttore del «Master Docu- l'identità di un popolo, il documenta- rientra a pieno titolo anche il cinema mental» fornisce, se non un modello, rio. Le comunità invitate per l'edizio- che Panoramiques da tanti anni segue un interessante spunto di riflessione ne di quest'anno (i ladini, i bretoni e i e promuove: la nostra rivista ha infatti per una crescita che sia efficace e al catalani) sono dunque rappresentate dato sempre tanto spazio alle cinema- contempo rispettosa della particolari- anche da un loro film documentario. tografie emergenti e ai cineasti in for- tà storica, geografica e culturale di un Parte integrante di questo progetto mazione mettendo in campo un vero popolo. è Des visages et des mots, una piccola discorso alternativo a quel cinema ma importante serie di ritratti dedicati mainstream di cui le riviste nazionali ad alcuni popoli. Il primo volet è stato sono ostaggio. Laurent Viérin realizzato l'anno scorso e affronta con Tra le componenti che contribuisco- Assessore all'Istruzione e Cultura delicatezza e precisione la situazione no alla preservazione e allo sviluppo della Regione autonoma Valle d'Aosta Bilingue non solo per natura geogra- strumento al servizio delle società, cale, ma sono i vettori di nuove voca- fica e per disposizione culturale, ma che in esso si rispecchiano come in zioni professionali. anche e soprattutto perché il fran- una forma liturgica. Lo fa perché è al In questo senso, dunque, Panorami- cese è da sempre una delle lingue servizio della trasmissione: trasmis- ques è il testimone più attendibile di maggioritarie del cinema, la rivista sione della memoria, trasmissione una volontà della «polis» di aprirsi Panoramiques compie vent’anni. In delle forme, trasmissione dei valori. verso l’esterno e di cogliere in que- tutto questo tempo, attraverso la Fedele a questa logica, la rivista pas- sta apertura tutte le possibili oppor- pubblicazione di cinquanta nume- sa dunque di mano. Cambiano i nomi tunità per crescere, non da sola o al ri, coloro che, tramite la scrittura, che la pensano, la realizzano e la di sopra degli altri, ma insieme. hanno partecipato al dibattito delle diffondono, ma non cambia il senso idee, hanno affrontato il cinema sot- dell’operazione. Che resta sempre lo to i più diversi aspetti, avendo ben stesso: parlare di cinema per parlare Luciano Barisone presenti, al centro delle loro rifles- dell’essere umano. Basta guardare il sioni, i motivi estetici ed etici che lo sommario di questo cinquantesimo abitano. Quando il progetto fu lan- numero per rendersene conto: le ciato, l’idea originaria era quella di opinioni critiche sui film, che hanno creare da una base culturale fertile scandito la scorsa Saison Culturelle, (la Saison Culturelle) degli esperti e le interviste ai cineasti, che più che di generazione in generazione hanno impressionato pubblico e cri- portassero avanti la vocazione prio- tica nei vari festival internazionali, ritaria del cinema: pensare il mondo. si alternano alle notizie di una Valle Così è stato fatto. d’Aosta in pieno sviluppo in ambito Ricordare il passato, osservare il pre- cinematografico, con la nascita di sente e immaginare il futuro sono una Film Commission e l’arrivo sul operazioni che il cinema compie fino territorio di produzioni, che non solo dalle sue origini. Lo fa perché è uno esaltano il paesaggio e la cultura lo- panoramiques Editoriali 2 Année XX, n°50 Revue de cinéma CINEMA EN NOIR ET ROUGE Insegnare il cinema, di Carlo Chatrian 4 Directeur Audaces et menaces, par Thierry Méranger 5 Luciano Barisone Arriverderci, ragazzi? di Francesco Pitassio 7 Modelli di libertà, conversazione con J. Balló e M. Andreu 9 Rédacteur en chef a cura di Luciano Barisone e Carlo Chatrian 11 Carlo Chatrian Il cinema in Valle d'Aosta 14 Rédaction Raphaël Bixhain SCHEDE Alice Moroni 500 giorni insieme di Leonardo Gandini 15 Afterschool di Charlotte Garson 16 Collaborateurs Amabili resti di Silvia Colombo 17 Francesca Betteni Lorenzo Leone La bocca del lupo di Daniela Persico 18 Barnes Roberto Manassero Brothers di Roberto Manassero 19 Alessia Bottani Thierry Méranger Massimo Causo Umberto Mosca Cella 211 di Massimo Causo 20 Silvia Colombo Giona A. Nazzaro Le Chant de mariées di Charlotte Garson 21 Alexine Dayné Grazia Paganelli Daniele Dottorini Daniela Persico Chéri di Giuseppe Gariazzo 22 Leonardo Gandini Francesco Pitassio Colpo di fulmine di Roberto Manassero 23 Charlotte Garson Eugenio Renzi Giuseppe Gariazzo Massimo Rota Le Concert di Alessia Bottani 24 Marco Gianni Donne senza uomini di Giuseppe Gariazzo 25 La Famille Wolberg di Charlotte Garson 26 Francesca di Daniele Dottorini 27 Propriété I gatti persiani di Umberto Mosca 28 Région autonome Vallée d’Aoste Good Morning, Aman di Lorenzo Leone 29 Les Grandes Personnes di Charlotte Garson 30 Direction et rédaction 33, rue de Paris - I - 11100 Aoste Invictus di Grazia Paganelli 31 Tél. : +39 0165 26 17 90 Nel paese delle creature selvagge di Marco Gianni 32 Courriel : [email protected] Nemico pubblico di Giona A. Nazzaro 33 Nord di Leonardo Gandini 34 Administration Oltre le regole di Daniele Dottorini 35 Perdona e dimentica di Leonardo Gandini 36 Le petit Nicolas di Alessia Bottani 37 Shutter Island di Marco Gianni 38 Soul kitchen di Eugenio Renzi 39 Tra le nuvole di Roberto Manassero 40 L’uomo che verrà di Silvia Colombo 41 Un uomo solo di Marco Gianni 42 Yuki and Nina di Francesca Betteni Barnes 43 1, place Deffeyes - I-11100 Aoste Tél. : +39 0165 27 34 13 / 32 FESTIVAL Fax : +39 0165 27 33 96 Courriel : [email protected] International Film Festival, Rotterdam 2010 Quel sentimento di umana debolezza. Conversazione con A. Bussink, Graphisme et mise en page a cura di Luciano Barisone e Carlo Chatrian 44 Pier Francesco Grizi International Film Festival, Berlino 2010 Charvensod (AO) - Italie Il nuovo volto dell'apartheid, Conversazione con A. Weskott e M. Kesting, Impression a cura di Luciano Barisone e Carlo Chatrian 50 Musumeci S.p.A. - Quart (AO) - Italie Festival International du Film d’Amour, Mons 2010 Deux univers opposés qui se rencontrent , Entretien avec L.Perreau, Enregistrement au tribunal d’Aoste n°8/90 par Alexine Dayné 54 Revue semestrielle Festival International du Film, Cannes 2010 Expédition par abonnement postal Il paesaggio contemporaneo dei sentimenti , Conversazione con D. Verbeek, Art. 2, alinéa 20/c de la loi n°662/96 - Aoste a cura di Giuseppe Gariazzo e Grazia Paganelli 57 Pour recevoir Panoramiques Immagini come presenze, Conversazione con M. Frammartino, Assessorat de l’éducation et de la culture Direction soutien et développement a cura di Luciano Barisone e Carlo Chatrian 60 des activités culturelles, musicales, Frapper l’air , Entretien avec F. Wiseman, théâtrales et artistiques 1 place Deffeyes - 11100 Aoste - Italie par Charlotte Garson 68 Courriel : [email protected] Il gioco dell’identità nel mondo del capitale, Conversazione con C. Hochhäusler, En couverture: a cura di Carlo Chatrian e Roberto Manassero 71 Des visages et des mots de Joseph Péaquin La vita fragile degli adolescenti, Conversazione con D. R. Mitchell, a cura di Roberto Manassero 76 4 CINEMA EN NOIR ET ROUGE INSEGNARE IL CINEMA ensare il cinema insegnamento dell'im- di trattare il discorso come strumen- magine in movimento della didattica e del- P to di crescita di e che delega la cono- la formazione secondo una comunità implica scenza del linguaggio un'ottica più genera- necessariamente un audiovisivo alla buona le, fornendo un quadro duplice discorso: alla volontà di insegnanti d'insieme. Dalla nostra messa in atto delle o allievi. Oggi, l'unica posizione privilegia- condizioni finanziarie e formazione permanen- ta di regione bilingue strutturali che rendono te è fornita dalla tele- abbiamo messo a con- possibile la realizza- visione, che ha un suo fronto due situazioni: zione di opere cinema- linguaggio e autonome quella francese e quel- tografiche va affianca- strategie di comunica- la italiana.
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