An Inklings Bibliography (55)

Total Page:16

File Type:pdf, Size:1020Kb

An Inklings Bibliography (55) Volume 21 Number 1 Article 9 Summer 7-15-1995 An Inklings Bibliography (55) Joe R. Christopher Wayne G. Hammond Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christopher, Joe R. and Hammond, Wayne G. (1995) "An Inklings Bibliography (55)," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 1 , Article 9. Available at: https://dc.swosu.edu/mythlore/vol21/iss1/9 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Entries 42–59 in this series are written by Hammond (Tolkien material) and Christopher (Lewis and other material). See Hammond, Wayne G., for one later entry in this series. This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol21/iss1/9 c d e o s j q s s Issu e 79 ° * > J^UCDCOeR 1995 P a QG 61 CIocnpiLeO b y }o e I\. Q?RisTopl?eR a n C> [a y m e <0. I\ a c d c d o n O Authors and readers are encouraged to send copies "Supplement for 1987-1990 till En Tolkienbibliogra.fi" by and bibliographic references on: J.R.R. Tolkien — Ake Bertenstam, pp. 204-404. In Swedish and English. Wayne G. Hammond, 30 Talcott Road, Fully half of this number of Arda is occupied with Berten- Williamstown, MA 01267; C.S. Lewis and Charles stam's latest supplement to his indispensable bibliog­ Williams — Dr. J.R.Christopher,EnglishDepart- raphy of works by and about Tolkien, covering the years ment,Tarleton StateUniversity,Stephenville,TX 76402. 1987-1990, with additions and corrections for earlier years. He has made changes to the way certain kinds of entries Arda 1988-1991. Ed. Beregond, Anders Stenstrom. Upsala: are presented, and both editorial and typographical Arda-sallskapet, 1994.xviii + 404 pp. [Tolkien] changes to im prove clarity. The size of the present supple­ ment—which Bertenstam notes could have been larger, The latest number of the Journal Arda, covering four but Arda was already very full and already delayed—at­ years, contains: tests both to the ever-expanding body of Tolkien studies "Beowulf— A Work of Art" by Andreas Haarder, pp. and to additional printed and electronic sources of infor­ 1-22. With a summary in Danish. The essay, a chapter mation now available to the bibliographer. [WGH] reprinted from Haarder's 1975 dissertation, Beowulf: The Day, David. Tolkien's Ring. Appeal o f a Poem, discusses Tolkien's British Academy lec­ Illustrated by Alan Lee. ture, "Beowulf: The Monsters and the Critics," which London: HarperCollins, 1994.183 pp. + 12 color plates. "marks the beginning of a new age in Beowulf criticism" (p. Day attempts to discuss Tolkien's 'sources of inspira­ 6). Haarder also touches briefly on the affinity between tion for his epic fantasy novel, The Lord of the Rings," Beowulf and The Lord of the Rings. following on the path (ancient now in the history of "Skonhet och fara och sorg [Beauty and Peril and Sor­ Tolkien studies, and potentially misleading) of Lin Car­ row]: en tankevav hos Tolkien" by Beregond, Anders ter's 1969 Tolkien: A Look Behind "The Lord of the Rings”. In Stenstrom, pp. 24-51. With a summary in English. Day's investigation, "the symbol of the Ring is of primary importance. Through understanding its meaning and sig­ "Tolkien's Conception of Evil: An Anthropological nificance, we can begin to understand how Tolkien's The Perspective" by Chris Seeman, pp. 52-70. With a summary Lord of the Rings is the result of an ancient story-telling in Swedish. tradition that dates back to the dawn of Western culture' "Mordor: Empire of Evil or Decline of a Model?" by (p. 11). He begins, in chapter 1 ("Tolkien's M ind"), with a Sebastien Ferenczi, pp. 72-79. With a summary in Swedish. superficial statement on Tolkien's debts to myth and leg­ end, and his desire to "make a body of more or less "The Hero Stereotype and Its M odifications in The Lord connected legend" which he could dedicate to Eng­ of the Rings" by Jadwiga Wegrodzka, pp. 80-91. With a land—of course this was not The Lord o f the Rings, but "The summary in Swedish. Silmarillion" broadly considered. "The Clerkes Compleinte Yet Again: A Note on The criticism of superficiality is deserved by the rest of Maystryes" by Nils-Lennart Johannesson, pp. 92-95. With Day's book as well. In his examination of rings as symbols a summary in Swedish. Johannesson disputes T.A. Ship- and as used for divination and magic, he looks at Norse pey's view on maystres as a probable error for maystryes in mythology, especially the myth of Odin's ring; at the Tolkien's Chaucer pastiche "The Clerkes Compleinte" Volsunga Saga-, at Arthurian and Carolingian legends; at (Arda 1986). Celtic, Saxon, Greek, Roman, biblical, and Oriental myths; "The Years' Work in Tolkien Studies," pp. 96-198. A at alchemy; and, at excessive length, at the Nibelungenlied. chronicle and report, primarily in Swedish, of Tolkien-re­ That work figures in two of Day's chapters, and in yet lated events in 1988-1991, by Beregond, Anders Stenstrom, another chapter he discusses and summarizes Wagner's Morlug, Mattias Wahlen, and Gilrandir Sjofararen; and related Ring cycle of operas. reviews in English and Swedish, with abstracts in Swedish Day's final chapter concerns how The Lord of the Rings and English, of numerous books by and about Tolkien, is seen by its readers, especially the image of the Ring as a including vols. 6-9 of The History of Middle-earth (reviewed nuclear bomb—a relationship which Tolkien denied in his by Douglas A. Anderson) and several essay collections. foreword to the second edition of The Lord of the Rings. These are followed by Swedish and English summaries of Despite Day's stated concentration on that work, refer­ letters to Arda. ences to The Silmarillion abound in his book—necessarily pAC^e 62 Issue 79 J0UCDCDeR 1995 m a o n n o s e so, and which demonstrate that one cannot easily divorce pictures between 186 and 187 is a standard one of Williams.] The Lord o f the Rings from the larger context of Tolkien's Heath-Stubbs' autobiography does tell the story of his mythology. life and does say a few things about his poetry— mainly Alan Lee's illustrations are partly in black and white and the process of getting it published. But it is mainly an partly in color. Some illustrate Tolkien's works. [WGH] anecdotal account of the people he has known. The fifth chapter, "Queen's College, Oxford" (58-85), describes his Fulweiler, Howard W. "The Other Missing Link: experiences in Oxford during World War II; most of his Owen Barfield and the Scientific Imagination." references to the Inklings occur because they were lectur­ Renascence: Essays on Values in Literature 46:1 (Fall 1993): 39-54. ing there then. Fulweiler is essentially summing up Barfield's ideas on Of the male lecturers in English, the most prominent evolution, with its intellectual background, in order to were Coghill, Professor David Nichol Smith and C. S. make it known to more readers; this is not a critique of Lewis. There was also Lord David Cecil, but he tended Barfield. Nevertheless, it is a pleasant essay. The first part, to lecture on Victorian subjects which most of us did not have to study. (62) with its discussion of western mankind's alienation from nature, follows mainly Saving the Appearances. In the mid­ Heath-Stubbs attended Lewis's lectures "A Prolegomena dle of the essay appears a short dialogue, with a speech to Mediaeval Literature" and, as a postgraduate student, each by a Darwinian, a Creationist, and Barfield, with "his seminars on textual criticism" (62-63). The few com­ Barfield pointing out how both of the others are picturing ments about Lewis which Heath-Stubbs makes seem gen­ nature as a machine. The end of the essay turns to the last erally correct although one might quibble; moreover, he chapter of Saving the Appearances with its hopes for a "final errs in saying Till We Have Faces was written after Joy participation" of human beings in nature. [JRC] Davidman's death (63), he probably overstates the influ­ ence of George MacDonald on The Lion, the Witch and the Garlands of Fantasy: Garland, Linda and Roger. Wardrobe (63), he is wrong in saying Lewis ar­ The Art of Linda & Roger Garland. T ext by ranged for Charles Williams to receive an hon­ N igel Suckling. Limpsfield, Surrey: Paper Tiger, orary M.A. from Oxford—although that has 1994. 128 pp. [Tolkien [1], [2], [5], 6, 36, [55J-56, been several times printed (64)— and, later, 82-105,110-11] he picks up incorrect information, from a Roger Garland's brightly-colored paint­ biography of Roy Campbell, that Lewis was ings based on Tolkien's works are well- told by Campbell of his marital problems known, if not acclaimed universally among (162).
Recommended publications
  • Tee BBC Serlal Was First Broadcast in the Spring of 19(11, To
    tee B.B.C. seRlaL was first broadcast in the Spring of 19(11, to a spate of patronising reactions in the media and in Tolkien Fan circles. As the serial progressed. Its true scale and achievement was more widely appreciated. This sequence oT reactions resembled tlioso originally given the hook -- the whimsy oT the first few chapters repelling readers then unlikely to sample the more mature Imagination oT the later parts. Only with a full study oT the saga was Its worth better understood. Nonetheless, both novel and serial have produced the most polarised reactions concerning technique and content. With Its fourth broadcast in the Spring of 1907, this radio dramatisation Is now regarded as one of the finest of the decade, surpassing past productions In scope and ambition. Ihe strongest tribute from within the BBC Is the serial's present release on audio cassette. The first broadcast had a profound effect on the Tolkien Society. Radio limes published a colour feature on the serial, discussing the book and the Society. A Tolkien Society address was printed, prompting a flood of enquiries and new members, until the total membership reached an unprecedented high oT around 1000, a number which has since declined. A number oT subjective criticisms were printed in Amon Hen, but nothing resembling any kind of appraisal of the full serial. A one-off magazine was published. Microphones in Middle-earth, with some perceptive analyses and comments from actors and production staff, as well as some blindingly prejudiced remarks from casual listeners. Copies are now rrjre and highly prized.
    [Show full text]
  • The Maps of Tolkiens Middle-Earth: Special Edition Free
    FREE THE MAPS OF TOLKIENS MIDDLE-EARTH: SPECIAL EDITION PDF Brian Sibley,John Howe,J. R. R. Tolkien | 64 pages | 15 Sep 2003 | HarperCollins Publishers | 9780007169702 | English | London, United Kingdom The Maps of Tolkien's Middle-earth - Brian Sibley - Bok () | Bokus His fascination with J. Brian's subsequent radio dramas included several of Tolkien's short novels The Maps of Tolkiens Middle-earth: Special Edition under The Maps of Tolkiens Middle-earth: Special Edition title Tales from the Perilous Realm, C. Brian is currently writing an in-depth account of the making of Peter Jackson's The Lord of the Rings Trilogy for future publication. Du kanske gillar. The Complete Fiction of H. Lovecraft H P Lovecraft Inbunden. Inbunden Engelska, Spara som favorit. Skickas inom vardagar. Available together for the first time, Tolkien's Maps of The Hobbit, Beleriend and Middle-earth are beautifully presented in an exquisite box-set illustrated by John Howe. This special edition includes a unique map of Numenor. Written by the writer and broadcaster Brian Sibley, a foremost expert on The Lord of the Rings he adapted the novel for the award-winning BBC radio dramatisation inthis slipcase features Tolkien's Maps of The Hobbit, Beleriand and Middle-earth, available together for the first time. The maps, presented with individual books and wallets, are larger than those previously published, showing Tolkien's mythical lands in perfect detail - they are also expertly bound with fewer folds, making them perfect for portfolios or framing. Passar bra ihop. The Maps of Tolkien’s Middle-earth - The Official Tolkien Online Bookshop Amazon Studios has a multi-season The Maps of Tolkiens Middle-earth: Special Edition for the series, and the deal also includes a potential spin- off series.
    [Show full text]
  • EDINBURGH UNIVERSITY LIBRARY. Special Collections
    EDINBURGH UNIVERSITY LIBRARY. Special Collections Handlist of Manuscripts, H 29 JOHN WAIN ARCHIVE MSS 2851-2875; MSS 3124-3137 E97.67 Literary manuscripts of John Barrington Wain (1925-1994) were deposited in Edinburgh University Library in 1974, and subsequently added to by the author until 1986, when the whole deposit was purchased by the Library with the help of the Local Museums Purchase Fund. These manuscripts constitute MSS 2851-2874. Some items were deposited after 1985 and these, along with the manuscripts in the possession of the author at his death were purchased in 1996, with the aid of the National Fund for Acquisitions. These manuscripts constitute MSS 3124-3137. Further manuscripts were found by his family subsequently and were gifted in December 1997: these manuscripts constitute E97.67. This group is not sorted or listed and needs to integrated with MSS 3124-3137 as the material is closely linked with the material in this group, e.g. further mss and tss of his Oxford trilogy. Wain’s incoming correspondence and outgoing letters to Philip Larkin were purchased with the help of the National Fund for Acquisitions in 1999 (E99.01). These are included in MS 2875. The manuscript of his first novel, Hurry on Down (1953), has not survived, but notebooks, mss and typescripts of most of his later novels, short stories, poetry, plays and criticism are present. The list below was compiled at different times, and conventions regarding italicization, etc. are not consistent. (Note: See the 1985 Edinburgh University Library exhibition catalogue 'Hurry Back Down: John Wain at Sixty' for further information.
    [Show full text]
  • Catalog06.Pdf
    $EAR&RIENDS 7ITHAPASSIONTOWARDCREATINGUNIQUE HIGHLYSOUGHTAFTERCOLLECTIBLES THE ARTISANS OF 3IDESHOW HAVE DISTINGUISHED THEMSELVES FOR THEIR CRAFTSMANSHIPANDCOMMITMENTTOAUTHENTICITY%ACHNEWITEMIS CAREFULLYCONSIDEREDFORITSCOLLECTIBLEVALUEANDDESIRABILITY!SASPECIALTY MARKET MANUFACTURER OF LICENSED AND PROPRIETARY COLLECTIBLE PRODUCTS 3IDESHOW#OLLECTIBLESHASBEENCREATINGMUSEUM QUALITYCOLLECTIBLEPIECES FORNEARLYYEARS4HECOMPANYSORIGINSINTHESPECIALEFFECTSAND MAKE UPINDUSTRYHAVEHELPEDTOESTABLISHITSPLACEOFREVERENCEINTHE COLLECTIBLEINDUSTRY7ORKINGFROMTHECREATIONSOFRENOWNEDSCULPTORS THEEXPERIENCEDMODEL MAKERS PAINTERSANDCOSTUMERSAT3IDESHOWCREATEINTRICATELYDETAILEDLIKENESSESOFPOPULAR CHARACTERS9OUWILLINSTANTLYRECOGNIZEMANYFAMOUSANDINFAMOUSFILMANDTELEVISIONMONSTERS VILLAINSANDHEROESASYOUGOTHROUGHTHISCATALOG4HEFOLLOWINGPAGESAREALSOFILLEDWITH SOMEWELL KNOWNSTARSOFCOMEDYANDMYSTICALCREATURESOFFANTASY 3IDESHOW#OLLECTIBLESISPROUDTOMANUFACTURERCOLLECTIBLEPRODUCTSBASEDONTHEFOLLOWING LICENSEDPROPERTIES4HE0LANETOFTHE!PES 4HE,ORDOFTHE2INGS (ELLBOY 6AN (ELSING *AMES "OND 5NIVERSAL 3TUDIOS #LASSIC -ONSTERS 4 *ASON &REDDY ,EATHERFACE 0LATOON 8&ILES "UFFYTHE6AMPIRE3LAYER 4HE3IMPSONS 3TAR4REK /UTER ,IMITS 4WILIGHT:ONE !RMYOF$ARKNESS -ONTY0YTHON AND*IM(ENSONS-UPPETS )NADDITION 3IDESHOWMANUFACTURERSITSOWNLINEOFHISTORICALLYACCURATEFIGURESUNDER THESE3IDESHOWTRADEMARKS"AYONETS"ARBED7IRE77) "ROTHERHOODOF!RMS!MERICAN #IVIL7AR AND3IX'UN,EGENDSHISTORICALFIGURESOFTHE!MERICAN7EST !NIMPORTANTELEMENTOF3IDESHOWSSUCCESSISTHEVALUABLEPARTNERSHIPSESTABLISHEDWITH INNOVATIVECOMPANIESANDCREATIVEPEOPLE3IDESHOWHASFORGEDRELATIONSHIPSWITHSPECIAL
    [Show full text]
  • The Oxford Anthology of English Poetry: Volume 2: Blake to Heaney Pdf, Epub, Ebook
    THE OXFORD ANTHOLOGY OF ENGLISH POETRY: VOLUME 2: BLAKE TO HEANEY PDF, EPUB, EBOOK John Wain | 800 pages | 15 May 2003 | Oxford University Press | 9780192804228 | English | Oxford, United Kingdom The Oxford Anthology of English Poetry: Volume 2: Blake to Heaney PDF Book Brand new Book. Return to Book Page. Encompassing a broad range of subjects, styles, and moods, English poetry of the late eighteenth We have recently updated our Privacy Policy. Enabling JavaScript in your browser will allow you to experience all the features of our site. Nick H rated it it was amazing Oct 12, Quantity Add to basket. The richness and variety of this tradition are represented in this collection by all the great and familiar names, but also some of the less well-known poets who have often provided startling exceptions to the poetry of their age. Ten Poems About Cats. Anthony Holden. Various Poets. How Han rated it it was ok Jul 08, Sign in to Purchase Instantly. John Wain. Carolyne Larrington. Oxford University Press is a department of the University of Oxford. Stephen Conlon. Ten Poems About London. Preferred contact method Email Text message. Reset password. The result is a rich and multi-coloured tapestry of the depth, diversity, and energy of poetry written in Britain and Ireland. Academic Skip to main content. Other Editions 1. Laura rated it liked it Jun 14, About John Wain. Call us on or send us an email at. Bobby rated it really liked it Feb 26, We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
    [Show full text]
  • John Wain.Pdf
    JOHN W AIN: EL REI'ORNO DE LA TRADICION PICARESCA A LA NOVELA INGLESA En la década de los cincuenta un nombre nuevo aparece en el panorama literario inglés: John Wain. Siendo profesor de literatura inglesa en la Universidad de Reading, a la edad de 28 años, publica su primera novela, Hurry On Down, (1953), que inmediatamente atrae la atención de gran parte de la crítica del momento. Por su protagonista rebelde y crítico del sistema, algunos enmarcan esta obra y a su autor entre los denominados "Angry young Men", 1 grupo de jóvenes escritores que protestan airadamente contra los defectos de su sociedad y cuyo principal representante es el dramaturgo John Osborne con su obra Look Rack in Anger (1956). Otros críticos, sin embargo, asocian aJobo Wain con un grupo de novelistas y poetas anterior conocido como "The Movement",2 y que reúne a nombres tan notables como los de Kingsley Amis, Philip Larkin, Donald Davie, Elizabeth Jennings o ThomGunn. Al margen de la conveniencia o no de adscribir la figura de John Wain a un movimiento literario concreto, 10 cierto es que es uno de los pioneros de las nuevas tendencias que surgen en la literatura inglesa de los años cincuenta. Hurry On Down es una de las primeras novelas de la posguerra que vuelve hacia los cánones realistas tradicionales, después de casi medio siglo de experimentación modernista. Y 10 que es más significativo, con su publicación en octubre de 1953 tiene lugar el retorno de la tradición picaresca a la literatura inglesa. Este camino, que en parte había sido ya iniciado por la obra de William Cooper, Scenes From Provincial Life (1950), 1,_ Cf.
    [Show full text]
  • A Middle-Earth Traveller John Howe Bok PDF Epub Fb2 Boken
    A Middle-earth Traveller Ladda ner boken PDF John Howe A Middle-earth Traveller John Howe boken PDF Let acclaimed Tolkien artist John Howe take you on an unforgettable journey across Middle-earth, from Bag End to Mordor, in this richly illustrated sketchbook fully of previously unseen artwork, anecdotes and meditations on Middle-earth. Middle-earth has been mapped, Bilbo's and Frodo's journeys plotted and measured, but it remains a wilderland for all that. The roads as yet untravelled far outnumber those down which J.R.R. Tolkien led us in his writings. A Middle- earth Traveller presents a walking tour of Tolkien's Middle-earth, visiting not only places central to his stories, but also those just over the hill or beyond the horizon. Events from Tolkien's books are explored - battles of the different ages that are almost legend by the time of The Lord of the Rings; lost kingdoms and ancient myths, as well as those places only hinted at: kingdoms of the far North and lands beyond the seas. Sketches that have an `on-the-spot' feel to them are interwoven with the artist's observations gleaned from Tolkien's books as he paints pictures with his words as well as his pencil. He also recollects his time spent working alongside Peter Jackson on the Lord of the Rings and Hobbit film trilogies. Combining concept work produced for films, existing Middle-earth art and dozens of new paintings and sketches exclusive to this book, A Middle-earth Traveller will take the reader on a unique and unforgettable journey across Tolkien's magical landscape.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses The religious aspects of the works of J.R.R. Tolkien. Armstrong, Darren Philip How to cite: Armstrong, Darren Philip (1994) The religious aspects of the works of J.R.R. Tolkien., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1044/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk .;ý THE RELIGIOUS ASPECTS OF THE WORKS OF T. R. R. TOLKIEN by DARREN PHILIP ARMSTRONG A thesis submitted for Ph.D to the University of Durham, (researched in the Departments of English and Theology); submitted in 1994. The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. +c 27 JUL 1994 The religious aspects of the works of JRR Tolkien; a thesis by D.P.
    [Show full text]
  • The Art of John Howe by John Howe Book
    Myth and Magic: The Art of John Howe by John Howe book Ebook Myth and Magic: The Art of John Howe currently available for review only, if you need complete ebook Myth and Magic: The Art of John Howe please fill out registration form to access in our databases Download here >> Hardcover:::: 144 pages+++Publisher:::: HarperCollins UK; First Edition edition (December 1, 2001)+++Language:::: English+++ISBN-10:::: 0007107951+++ISBN-13:::: 978-0007107957+++Product Dimensions::::9.1 x 0.7 x 11 inches++++++ ISBN10 0007107951 ISBN13 978-0007107 Download here >> Description: For the first time ever, a portfolio of illustrated work from the award-winning artist, John Howe, which reveals the breathtaking vision of one of the foremost fantasy artists in the world. Myth and Magic is arranged into six sections, which looks at the books by J.R.R. Tolkien that have inspired John, as well as a fascinating tour through the paintings that he has produced for some of the finest fantasy authors working today. From the beloved painting of Smaug which decorates The Hobbit, his numerous and bestselling calendar illustrations, the world famous Gandalf picture, which is synonymous with the HarperCollins one-volume edition of The Lord of the Rings, this large-format hardback will delight fans of Tolkien, and anyone who has been captured by the imagination of the artist who so brilliantly brings to life the literary vision of J.R.R. Tolkien. I got the three volume version of Lord of the Rings with all the Alan Lee illustrations. Its a great set, the one that ought to be on the shelf of every Tolkien fan.
    [Show full text]
  • Harold Pinter: the Dramatist and His World
    Harold Pinter: The Dramatist and His World Background Nobel winner, Harold Pinter (1930- 2008) was born in London, England in a Jewish family. Some of the most recognizable features in his plays are the use of understatement, small talk, distance, and silence. These devices are employed to convey the substance of a character’s thoughts. At the outbreak of World War II, Pinter was evacuated from the city to Cornwall; to be wrenched from his parents was a traumatic event for Pinter. He lived with 26 other boys in a castle on the coast. At the age of 14, he returned to London. "The condition of being bombed has never left me," Pinter later said. At school one of Pinter's main intellectual interests was English literature, particularly poetry. He also read works of Franz Kafka and Ernest Hemingway, and started writing poetry for little magazines in his teens. The seeds of rebellion in Pinter could be spotted early on when he refused to do the National Service. As a young man, he studied acting at the Royal Academy of Dramatic Art and the Central School of Speech and Drama, but soon left to undertake an acting career under the stage name David Baron. He travelled around Ireland in a Shakespearean company and spent years working in provincial repertory before deciding to turn his attention to playwriting. Pinter was married from 1956 to the actress Vivien Merchant. For a time, they lived in Notting Hill Gate in a slum. Eventually Pinter managed to borrow some money and move away. Although Pinter said in an interview in 1966, that he never has written any part for any actor, his wife Vivien frequently appeared in his plays.
    [Show full text]
  • A Companion to J.R.R. Tolkien, Ed. Stuart D. Lee, Reviewed by Andrew Higgins Andrew Higgins [email protected]
    Journal of Tolkien Research Volume 2 | Issue 1 Article 2 2015 A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins Andrew Higgins [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Higgins, Andrew (2015) "A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins," Journal of Tolkien Research: Vol. 2: Iss. 1, Article 2. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol2/iss1/2 This Book Review is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Higgins: A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins A Companion to J.R.R. Tolkien, edited by Stuart D. Lee. Chichester, West Sussex, and Malden, Massachusetts: Wiley-Blackwell, 2014. xxxiv, 568 pp. $199.95 ISBN 9780470659823. As this is a review for the Journal of Tolkien Research, a volume with the title A Companion to J.R.R. Tolkien will undoubtedly be of interest to Tolkien students and scholars. Reviewing such a lengthy scholarly work is indeed both a daunting and equally challenging task. The reason for this is twofold: 1) the academic profile of the volume and 2) the eminent line-up of Tolkien scholars who have contributed their specific knowledge to each of the thirty-six papers in this volume.
    [Show full text]
  • Chapter Template
    Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade.
    [Show full text]