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Read Book Just for the Record
JUST FOR THE RECORD PDF, EPUB, EBOOK Geri Halliwell | 320 pages | 01 Nov 2003 | Ebury Publishing | 9780091888046 | English | London, United Kingdom Just For The Record PDF Book Jeff Randall Kenneth Cope When the Sun Comes Out. Pargiter Olivia Hamnett Ager Arlen Koehler Yellen. Barbra Streisand feat: Don Rickles. The Barbra Streisand Album , Marty Hopkirk Annette Andre Stoney End , Movies I have seen. Liner notes. Energetic Happy Hypnotic. DeSylva Lew Brown. Andre Mallot James Forrest Back to Broadway Halloween Movies for the Whole Family. Miss Marmelstein Harold Rome. Browne ultimately awarded the collection a grade of A- and called it a good representation of the singer's ability to "chang[e the] definition of pop" and "make mainstream adult pop that was strong, elegant, [and] even passionate". Another common usage of the idiom involves clarifying a person's motivation for saying something or engaging in a particular action. Rainy Day Relaxation Road Trip. Barbra Streisand feat: Judy Garland. The Broadway Album , Don't Rain on My Parade. Title: Just for the Record 15 Jan The Best Horror Movies on Netflix. Alternately, someone may use it to explain why he did something that appeared particularly unintelligent. I Can Do It. Other tracks were compiled from various live performances, TV specials, and previous albums from her back catalog. Warm All Over Frank Loesser. Lost Inside of You. My Honey's Lovin' Arms. Lorenz Hart Richard Rodgers. It includes 24 of the songs from Just for the Record The Moon and I. You're the Top Cole Porter. Cryin' Time. Add the first question. -
SMTA Catalog Complete
The Integrated Broadway Library Index including the complete works from 34 collections: sorted by musical HL The Singer's Musical Theatre Anthology (22 vols) A The Singer's Library of Musical Theatre (8 vols) TMTC The Teen's Musical Theatre Collection (2 vols) MTAT The Musical Theatre Anthology for Teens (2 vols) Publishers: HL = Hal Leonard; A = Alfred *denotes a song absent in the revised edition Pub Voice Vol Page Song Title Musical Title HL S 4 161 He Plays the Violin 1776 HL T 4 198 Mama, Look Sharp 1776 HL B 4 180 Molasses to Rum 1776 HL S 5 246 The Girl in 14G (not from a musical) HL Duet 1 96 A Man and A Woman 110 In The Shade HL B 5 146 Gonna Be Another Hot Day 110 in the Shade HL S 2 156 Is It Really Me? 110 in the Shade A S 1 32 Is It Really Me? 110 in the Shade HL S 4 117 Love, Don't Turn Away 110 in the Shade A S 1 22 Love, Don't Turn Away 110 in the Shade HL S 1 177 Old Maid 110 in the Shade HL S 2 150 Raunchy 110 in the Shade HL S 2 159 Simple Little Things 110 in the Shade A S 1 27 Simple Little Things 110 in the Shade HL S 5 194 Take Care of This House 1600 Pennsylvania Avenue A T 2 41 Dames 42nd Street HL B 5 98 Lullaby of Broadway 42nd Street A B 1 23 Lullaby of Broadway 42nd Street HL T 3 200 Coffee (In a Cardboard Cup) 70, Girls, 70 HL Mezz 1 78 Dance: Ten, Looks: Three A Chorus Line HL T 4 30 I Can Do That A Chorus Line HL YW MTAT 120 Nothing A Chorus Line HL Mezz 3 68 Nothing A Chorus Line HL Mezz 4 70 The Music and the Mirror A Chorus Line HL Mezz 2 64 What I Did for Love A Chorus Line HL T 4 42 One More Beautiful -
Cast Group: Welcome to Northallerton Gang Show 2009
TThhee 22000099 SSoonngg BBooookk Name: Contact Number: Group: Cast Group: Welcome to Northallerton Gang Show 2009 From all the production team on the Northallerton Gang Show, I'd like to welcome you to the greatest show on earth! The first Gang Show was performed 77 years ago in London. Ralph Reader was at the helm of the show and from then on the spectacle that is Gang Show has developed his ideals into individual shows around the world. Every night, somewhere in the world, someone is performing in a gang show! Gang Shows in our area are not uncommon. Great Smeaton Scout Group holds its own show in their meeting hall, and numerous other Scout and Guide groups present their own brand of show to help raise fund for their groups. So here we go with our third show in this Northallerton Gang Show run. The cast in the 2005 and 2007 shows made such an impact on the people who came to see the show, many of which came more than once to see it! During the show friendships and memories where forged that will never be broken; cast, crew and production team a like. Rachel, Helen, and I have all been involved with Middlesbrough Gang Show from 1992 onwards, both performing and helping backstage and have been at the helm of the Northallerton Gang Show since is renewal in 2005. But even more impressive is Reg, who is our Gang Show Chairman, was involved in several Gang Shows with Ralph Reader himself and still is involved with the London Gang Show fellowship. -
PLAYNOTES Season: 43 Issue: 05
PLAYNOTES SEASON: 43 ISSUE: 05 BACKGROUND INFORMATION PORTLANDSTAGE The Theater of Maine INTERVIEWS & COMMENTARY AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. By Johnathan Tollins Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
How Jews Became Sexy, 1968–1983
Acting Jewish: Negotiating Ethnicity on the American Stage and Screen Henry Bial http://www.press.umich.edu/titleDetailDesc.do?id=147187 The University of Michigan Press chapter 4 How Jews Became Sexy, 1968–1983 “What’s a nice Jewish girl like me doing on the cover of Playboy?” This caption appears, self-referentially enough, on the cover of Playboy’s October 1977 issue,1 which features a photograph of Barbra Streisand, wearing white shorts and a T-shirt emblazoned with the Playboy logo, reclining across the bottom half of a large white circle; Streisand’s extended left leg forms a line that transforms the circle into a Q, which presumably refers to the questions she will answer in what the leading headline bills as: “THE FIRST IN-DEPTH INTERVIEW WITH BARBRA STREISAND.” The caption (“What’s a nice Jewish girl . .”) appears suspended above and to the right of Streisand’s head, evoking a cartoon-style thought bubble. The location of the caption and the use of the ‹rst person (“like me”) suggests that this is a question that Streisand is asking herself. Yet perhaps there is a more interesting ques- tion: why has Playboy, the self-appointed arbiter of feminine sexual attractiveness, chosen to feature “a nice Jewish girl” on its cover? How did Streisand become, in fact, “the ‹rst female celebrity in 24 years” to pose for the magazine’s cover?2 In March of 1962, ‹fteen years prior to her Playboy appearance, Streisand made her Broadway debut as Miss Marmelstein in Jerome Weidman and Harold Rome’s I Can Get It for You Wholesale. -
Audition Requirements/Process
“Chitty Chitty Bang Bang” The Theater Project of Schoharie County Rehearsals Begin September16, 2019 Performances: November 8, 9, &10, 2019 Audition Requirements/Process Sunday, September 8, 2019: Read-through: This is not a required part of the audition process but an opportunity to become familiar with the stage version of “Chitty Chitty Bang Bang”. During the read-through everyone will get a chance to read various parts of the show as well as different character parts. We will also sing through the musical selections together as part of the read through. At the read-through session you will be provided with audition music selections to use for your individual audition. Monday & Tuesday, September 9 & 10, 2019: Individual Auditions 1. Initial audition. All people auditioning must attend one of the two “individual” audition dates. (There will be a quick review of the musical selections used for auditions – see list below with suggested listening ideas and practice links.) During this part of the audition process you will be asked to: A. Read/perform (with others) a few short dialogue selections from the script. B. Perform one musical selection (of your choice) from the appropriate group of musical numbers. C. You will then be asked to sing a second musical selection chosen by the Director and Assistant Director. Once you have completed this you are free to leave! Wednesday, September 11, 2019: Callbacks 2. On the final day (day three) of the auditions we will “call back” those individuals who are being considered for lead parts only. 3. On this 3rd and final audition date you may be asked to read and sing for multiple parts or just a few parts at the discretion of the directors. -
2021 Qualifying Roles As of 4.15.21 for Website
2021 Jimmy Awards Qualifying Roles SHOWS FOR WHICH MORE THAN 6 ROLES ARE ELIGIBLE DUE TO THE ENSEMBLE NATURE OF THE MATERIAL Show Name Actor Actress Olive Ostrovsky, Logainne 25th Annual Putnam County Spelling Bee, The Leaf Coneybear, Chip Tolentino, William Barfee Shwartzandgrubenierre, Marcy Park, Rona Lisa Peretti Gomez Addams, Uncle Fester, Pugsley Addams, Morticia Addams, Wednesday Addams, Alice Addams Family, The Lucas Beineke, Mal Beineke Beineke Man 1, Man 2, Man 3 (cast may be expanded to Woman 1, Woman 2, Woman 3 (cast may be As Thousands Cheer include as many roles as desired) expanded to include as many roles as desired) Avenue Q Princeton, Brian, Rod, Nicky Kate Monster, Christmas Eve, Gary Coleman Michael, Feargal, Billy, Corey Junior, Corey Tiffany, Cyndi, Eileen, Laura, Debbie, Miss Back to the 80's Senior, Mr. Cocker, Featured Male Brannigan Canterbury Tales Chaucer, Clerk, Host, Miller, Squire, Steward Nun, Prioress, The Sweetheart, Wife of Bath Children's Letters to God Ensemble Cast Ensemble Cast Hua Mulan, Pocahontas, Princess Disenchanted N/A Badroulbadour, Belle, Little Mermaid, Snow White, Rapunzel First Date Aaron, Man 1, Man 2, Man 3 Casey, Woman 1, Woman 2 Edna Turnblad, Link Larken, Seaweed, Corny Hairspray Tracy Turnblad, Velma, Motormouth Collins Norma Valverde, Heather Stovall, Kelli Hands on a Hardbody JD Drew, Benny Perkins, Greg Wilhote Mangrum Vanessa, Nina, Camila, Abuela Claudia, In the Heights Usnavi, Benny, Kevin Rosario Daniela Into the Woods Baker, Jack, The Wolf/Cinderella's Prince Baker's Wife, Witch, Cinderella, Little Red Is There Life After High School? Ensemble Ensemble Les Misérables Jean Valjean, Javert, Marius, Thenardier Fantine, Eponine, Cosette Frederick Egerman, Carl Magnus, Henrik Desiree Armfeldt, Madame Armfeldt, Little Night Music, A Egerman Charlotte, Anne Egerman, Petra The Queen Aggravain, Princess Winnifred, Once Upon a Mattress Prince Dauntless, Sir Harry, The Jester, Minstrel Lady Larkin Prom, The Barry Glickman, Trent Oliver, Mr. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Fanny Brice, Funny Girl, and “The Streisand Phenomenon”
____________________________________________________________________ Glorifying the Jewish-American Girl: Fanny Brice, Funny Girl, and “The Streisand Phenomenon” ____________________________________________________________________ ____________________________________________________________________ “What makes [a contemporary production of Funny Girl] all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt Jule Styne's and Bob Merrill's grand spectacle that propelled Barbra Streisand's career nearly 40 years ago.” Jillian Hornbeck Ambroz, The New York Times (April 2001) “Our renewed fondness, even adoration, of Streisand is evidence of a nostalgia for a time when striving for excellence was at least as important as making a buck, and when originality was prized over focus- grouped packaging. In the early 1960s, Streisand reset the cultural parameters when she walked onstage in Funny Girl and said ‘Hello, Gorgeous’ to herself in the mirror – a slender, unusual girl who wouldn’t compromise on appearance, performance, or integrity. Fifty years later, she still matters, and for all the same reasons.” William Mann, Hello, Gorgeous (2012) ____________________________________________________________________ Alexandra Strycula Thesis submitted in partial fulfillment of the requirements for the major in American Studies, Barnard College April 25, 2014 Thesis Advisers: Elizabeth Esch and Severin Fowles Abstract Rarely has there been a marriage of actress-and-role as lasting and profound as that -
Volume II (Spring 2016)
ConjuRings Creative Writing Magazine Of St. Louis College of Pharmacy Twenty-fourth Annual Issue, Volume II Spring 2016 Editor: Haseeb Wajid Faculty Advisor: Dr. Marilyn Fontane Front and Back Cover Art: Nicole Eng My front cover is entitled, "Feeding Ideas" because the one large lightbulb being dragged by the girl represents all of the essays, poems, and stories written by STLCOP's students. The head growing from the ground is supposed to be the reader of the magazine who "digests" the literary works by interpreting the underlying themes within each writing piece. The back cover is representative of this notion as the rays coming out of the head suggests enlightenment and satisfaction from the exchange of students' ideas with each other. Nicole Eng Table of Contents Title Author Page Little Red Riding Hood: Afreen Ziauddin 1 Chocolate Afreen Ziauddin 3 My Artistic Brother Afreen Ziauddin 4 Rat Attack Xi Wang 5 Invasion Xi Wang 5 Please Stop Michelle Chicoineau 5 No rest for the Whiskered Michelle Chicoineau 5 An Ode to Creature Samantha Nguyen 6 Kwansaba Justin Xu 6 Good Day Justin Xu 6 Helpful Justin Xu 7 Dramatic Monologue Steffi Thomas 7 Snow Bethany Meyer 8 Accepting my Acceptance to Taylor Win 8 Hogwarts Nature Suzie Chen 10 Wind and Water Suzie Chen 10 The Betrayal Jordan Welch 11 Stride Jessy Hoelscher 12 The Night Jon Weisner 12 A Day for the Ages Jon Weisner 13 All Day Kelly Ko 13 Instant Ramen Ha Ram Jeong 13 Nightmare at the Beach Ha Ram Jeong 14 “Beasts” Trey Weishaar 14 Memory Poem Trey Weishaar 15 “Trouble erupting” Trey -
THE SINGER's MUSICAL THEATRE ANTHOLOGY Mezzo-Soprano/Belter Volumes
THE SINGER’S MUSICAL THEATRE ANTHOLOGY Series Guide and Indexes for Mezzo-Soprano/Belter Volumes • Alphabetical Song Index • Alphabetical Show Index Updated October 2019 KEY Accompaniment Book CDs Book/Online Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 S7 = Soprano, Volume 7 00287553 00293737 00293731 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 - - Accompaniment Book CDs Book/Online Audio M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00740313 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 M7 = Mezzo-Soprano/Belter, Volume 7 00287554 00293738 00293734 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 - - Accompaniment Book CDs Book/Online Audio T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00074238 00000495 T4 = Tenor, Volume 4 00001153 00001160 00001164 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor,