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The Player and the Playing: an Interpretive Study of Richard
DOCUMENT RESUME ED 442 143 CS 510 330 AUTHOR Henry, Mallika TITLE The Player and the Playing: AA Interpretive Study of Richard Courtney's Texts on Learning through Drama. PUB DATE 1999-00-00 NOTE 411p.; Doctoral dissertation, School of Education, New York University. PUB TYPE Dissertations/Theses Doctoral Dissertations (041) EDRS PRICE MFO1 /PC17 Plus Postage. DESCRIPTORS *Drama; *Learning Processes; Metaphors; Qualitative Research; *Scholarship ABSTRACT Using qualitative and interpretive methodologies, this dissertation analyzed Richard Courtney's writings to interpret his basic ideas on learning through drama. It focused on later writings (1989, 1990, 1995, 1997) in which Courtney distilled ideas he had been working on for as many as 30 years. It approached Courtney's texts using dramatistic metaphors which concretized his predominantly abstract writings. These metaphors focused on finding the basic elements of a drama: the setting, the act, the actor, and the Other. Through the lenses afforded by these metaphors, the thesis examined Courtney's wide-ranging, eclectic and often imprecise ideas to distill major themes. Courtney used notions like metaphor, symbol, ritual, Being, mind, perspective, oscillation and quaternity with apparently shifting definitions and loosely circumscribed meanings. It collected and analyzed Courtney's meanings recursively, both distilling Courtney's meanings and expanding them through concrete hypothetical examples. Courtney wrote about drama in abstract terms, using notions he had garnered from other disciplines to describe the process of learning through drama. The final construction that emerged in this dissertation represents the experience of the actor/learner: it is concentric, radiating from a nub which represents the feelings and imagination of the actor. -
Love Is a Metaphor: 99 Metaphors of Love
LOVE IS A METAPHOR: 99 METAPHORS OF LOVE https://www.thoughtco.com/love-is-a-metaphor-1691861 1. A Fruit Love is a fruit, in season at all times and within the reach of every hand. Anyone may gather it and no limit is set. (Mother Teresa, No Greater Love, 1997) 2. A Banana Peel I look at you and wham, I'm head over heels. I guess that love is a banana peel. I feel so bad and yet I'm feeling so well. I slipped, I stumbled, I fell. (Ben Weisman and Fred Wise, "I Slipped, I Stumbled, I Fell," sung by Elvis Presley in the film Wild in the Country, 1961) 3. A Spice Love is a spice with many tastes--a dizzying array of textures and moments. (Wayne Knight as Newman in the final episode of Seinfeld, 1998) 4. A Rose Love is a rose but you better not pick it. It only grows when it's on the vine. A handful of thorns and you'll know you've missed it. You lose your love when you say the word "mine."(Neil Young, "Love Is a Rose," 1977) 5. A Garden Now that you're gone I can see That love is a garden if you let it go. It fades away before you know, And love is a garden--it needs help to grow.(Jewel and Shaye Smith, "Love Is a Garden," 2008) 6. A Plant Love is a plant of the most tender kind, That shrinks and shakes with every ruffling wind. (George Granville, The British Enchanters, 1705) 7. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
2018 APOSTOLIC PRAISE CHORUSBOOK Richard W. Smith
2018 APOSTOLIC PRAISE CHORUSBOOK The 2018 Apostolic Praise© Chorusbook combines a unique compilation of 130 choruses, written chiefly for those who have gone through the Apostolic Praise© series who wish to enlarge their repertoire of songs. It contains a wide variety of songs, from old standards such as “Wonderful Peace” to Gospel choruses such as “Saved” “Power” and “Breakthrough” to more contemporary songs such as “Jesus Messiah.” However, what makes this chorusbook different is the fact that the songs are not written with just the basic, easy, boring chords, as most lead sheets are. Instead, the songs have been totally rewritten with advanced, fullsounding chords, giving the musician that plays them a very professional sound. When the musician plays “O I Want To See Him” the Apostolic Praise© way, it won’t be with just the simple IIVV chords. Instead, it is going to have a variety of complex, beautifulsounding chords that will make the song sound more modern. Also included are some resources on how to transpose songs to different keys, as well as an explanation page for some of the unique symbols that this chorusbook uses. Richard W. Smith www.ApostolicPSOM.com Email: [email protected] 6508772473 © 2018 Richard W. Smith Apostolic Prais e How To Transpose Songs To Different Keys Imagine that you are the main pianist for your church. One day an evangelist comes to your church and you have to play “Amazing Grace” for his wife, who is going to sing a solo that night. Unfortunately, she wants you to play it in the key of Ab and your church always sings it in F. -
Grant Application
2017/2018 ECHO Grants-in-Aid Standard & Exceptional Grant Application SECTION 1: Grant Application CITY OF ORANGE CITY COLEMAN PARK COLIN’S DREAM PROJECT ECHO #18-06 2017/2018 ECHO Grants-in-Aid Standard & Exceptional Grant Application SECTION 1 GRANT APPLICATION 1.1 GRANT APPLICATION FORM 1.) Applicant: (Legal name of organization as incorporated in the State of Florida) City of Orange City Address: (mailing) 205 East Graves Avenue City: Orange City State: Florida Zip Code: 32763 Address: (Applicant’s physical address) Same City: State: Zip Code: 2.) Federal ID #: 59-0946992 Florida Not-For-Profit Corporation Charter # Not Applicable-Municipal Government Florida Dept. of Agriculture & Consumer Services Reg #Not Applicable-Municipal Government 3.) Resident County Council District of Project: District 1 4.) Contact Person: Name: Theresa E. Brooks Title: Grants Manager Telephone #: (386) 717-9050 E-Mail: [email protected] 5.) Project Title City of Orange City Colin’s Dream 6.) Project Location Address: Coleman Park – 200 East Blue Springs Avenue City: Orange City State: Florida Zip Code: 32763 7.) Type of Project: (Check one – See ECHO project categories) Renovation Restoration X New Construction Acquisition 8.) ECHO Category: (Check all that apply – See ECHO categories) ⎕ ⎕ ⎕ Environmental Cultural Historical Outdoor Recreation 9.) The project site or facility is: (Check one) ⎕ ⎕ ⎕ ⎕ X Owned by Applicant Leased by the Applicant – length of lease Applicant has Land/Project Management Agreement – length of Agreement ⎕ Lease or Land/Project -
Riverfront Park Master Plan Survey 1 Results
COMMUNITY SURVEY #1 Survey Overview The City of Salem Public Works Department administered an online community survey from December 4, 2017 through January 25, 2018. This survey focused on collecting the interest, views, concerns, and preferences of local residents and park users. This information was used to prepare design alternatives for the Riverfront Park Master Plan Update. A total of 868 survey responses were received, including 6 hard-copies completed at a public meeting held on January 18, 2018 and 3 responses submitted through a Spanish language version of the online survey. Survey Results 1. How often do you visit Salem’s Riverfront Park? Response Response Answer Choices Percent Count Several times a week 16.76% 145 Every week or two 37.49% 322 Several times a year 41.09% 355 Once every year or two 4.07% 35 Never 0.58% 5 Answered question 862 Skipped question 6 How often do you visit Salem’s Riverfront Park? 50.00% 40.00% 30.00% 20.00% 10.00% 0.00% Several times a Every week or Several times a Once every year Never week two year or two Riverfront Park Master Plan Update 1 Community Survey #1 2. How important are the following Riverfront Park activities to you on a scale of 1 “not important” to 5 “very important”? Weighted Response Park Features 1 2 3 4 5 Average Count Walk/run/jog on the trails 23 39 97 187 519 4.32 865 Bicycle riding/skateboarding 165 129 186 139 238 3.18 857 Participate in group walk/run events 251 157 219 120 105 2.61 852 Picnicking 121 140 228 213 147 3.14 849 Take children to the park playground 163 57 -
FOLKLORE I N the MASS MEDIA Priscilla Denby Folklore Institute Indiana University As the Accompanying Cartoon (See Appendix ) Su
FOLKLORE IN THE MASS MEDIA Priscilla Denby Folklore Institute Indiana University As the accompanying cartoon (see Appendix ) suggests ,l the disclosure of the powerful phenomenon known as the "media" in contemporary society is analogous to the opening of Pandora's box. It would seem that the media, a relatively new societal force, has literally "sprung up, It full-grown, in some mysterious fashion to the surprise and bewilderment of many -- and the consternation of a few -- and become a dominant influence in our cul- ture. Moreover, in keeping with the mythological analogy, it may be safe to assume that the artist equates the media with the societal ills which were released st the touch of Pandora's hand. Whether the media is indeed a general evil in present-day American society is debatable; what is to be briefly discussed here, however, is its effect upon, and how it is affected by, folklore. Based upon the small sampling of data collected in this study, I would tentatively hold that the media's influence upon and use of folklore has undergone a great change. In the 1920's and 1930's when American society seemed to be in need of some kind of folk image as a means of self-definition and identification, the media graciously obliged; the result was a virtual inundation of the "fakelore" typified by the "folk hero" tradition of a Paul Bunyan or a Johnny Appleseed. Today such figures still inhabit the media. Yet as far as I can tell, contemporary media is less cmcerned with the invention and promulgation of non-traditional lore and more concerned with traditional texts used in various contexts. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Special Libraries, October 1982
San Jose State University SJSU ScholarWorks Special Libraries, 1982 Special Libraries, 1980s 10-1-1982 Special Libraries, October 1982 Special Libraries Association Follow this and additional works at: https://scholarworks.sjsu.edu/sla_sl_1982 Part of the Cataloging and Metadata Commons, Collection Development and Management Commons, Information Literacy Commons, and the Scholarly Communication Commons Recommended Citation Special Libraries Association, "Special Libraries, October 1982" (1982). Special Libraries, 1982. 4. https://scholarworks.sjsu.edu/sla_sl_1982/4 This Magazine is brought to you for free and open access by the Special Libraries, 1980s at SJSU ScholarWorks. It has been accepted for inclusion in Special Libraries, 1982 by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. lnformation on information... INFORMATION INDUSTRY MARKET PLACE 1983 An International Directory of lnformation Products and Services IlMP 1983 keeps up with the rapldly changing Industry wlth listings of new addresses. new phone numbers, new products, 6ersonnel telephone address and product~servicesInfor- mation worldwide for more than 1000 database publishers online vendors information brokers telecommunications networks l~brarynetworks and consortia terminal manufac- turers consultants and many other related flrms and ser- vices The slngle place to go for lnformatlon There is no other reference as complete as this -Mass Medfa Book- notes Published as Informat~onTrade Dfrectory outside the $39 -
The Write Stuff: Memos and Short Reports. an Offering of Step Ahead: a Partnership for Improved Health Care Communication
DOCUMENT RESUME ED 343 026 CE 060 686 AUTHOR Bernhardt, Steve; Laroche, Pierre TITLE The Write Stuff: Memos and Short Reports. An Offering of Step Ahead: A Partnership for Improved Health Care Communication. INSTITUTION New Mexico State Univ., Las Cruces. SPOONS AGENCY Office of Vocational and Adult Education (ED). Washington, DC. PUB DATE 91 CONTRACT V198A00163 NOTE 88p.; For related documents, see CE 060 682-685. PUB TYPE Guides - Classroom Use - Instructional Materials (For Learner) (051) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Adult Basic Educaon; Adult Literacy; *Allied Health Occupations; Basic Skills; *Communication Skills; *Hospital Personnel; Hospitals; Illiteracy; Literacy Education; *Reports; Staff Development; *Technical Writing; *Writing Skills; Writing Strategies IDENTIFIERS *Workplace Literacy ABSTRACT This coursebook provides materials for a course to improve the writing skills of workers in health care settings. The course is designed to be presented in eight sessions over a 4-week period. Stated objectives for the participant are as follows: feel more comfortable with on-the-job writing, understand and use a process approach to writing, be able to choose from several outlining and planning methods, choose effective language for both reporting and persuasive writing, and revise memos and reports with a clear purpose and an intended audience in mind. Introductory materials include course goals, outline, and four suggested writing assignments. The first section covers the communication triangle, purpose, and audience. The second section addresses these topics: the writing process, writing behaviors/styles, planning strategies, drafting strategies, and revising and editing. Worksheets are provided in the first two sections for some topics. Two tip sheets discuss reviewing someone else's writing and strategies for quick writing. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1.