Pressrelease-La Nuit Du Cinema a Perce-27Mars2010
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NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
As Promised, Faculty, Admin, and Tech Have All Been Coming up with Works to Watch While Shuttered Inside (In the Physical, and Not Psychological, Sense)
As promised, Faculty, Admin, and Tech have all been coming up with works to watch while shuttered inside (in the physical, and not psychological, sense). We will have more forthcoming from other members of the department, I’d hope next week, to get you through the exam period and beyond. The range below is eclectic, at times challenging, and most of all fun of all sorts. A lot of the material is easily streamable and/or downloadable; I’m sure there are other ways you can find material too. We hope you find stuff here to get you through the days and nights and days and nights and days and nights. We are all in this together, so feel free to come up with lists (on your own, or even better, get together digitally and socialize) of works you think faculty, admin, and techs ought to be watching. Teach us something and make it a two- way street! UPDATE, April 14: See below for new recommendations from Adonay, Tama, and Karine! Films for Students: From Karine Here is my Top Ten list of Road Movies (from around the world) to watch while in Quarantine (Traveling without risk): 1. Traveling to France: Agnes Varda's Faces Places (2017). 2. Traveling to Germany: Wim Wenders' Kings of the Road (1976). 3. Traveling to New Zealand: Taika Waititi's Hunt for the Wilderpeople (2016). 4. Traveling to Mexico: Alfonso Curaon's Y Tu Mama Tambien (2001) 5. Traveling to Argentina: Lucrecia Martel's La Mujer Sin Cabeza (2008) 6. Traveling to Australia: Ivan Sen's Beneath Clouds (2002) 7. -
CIN-1103 : Nouvelle Vague Et Nouveaux Cinémas Contenu Et
Département de littérature, théâtre et cinéma Professeur : Jean-Pierre Sirois-Trahan Faculté des lettres et des sciences humaines Session : Hiver 2020 CIN-1103 : Nouvelle Vague et nouveaux cinémas Local du cours : CSL-1630 Horaire : Mercredi, 15h30-18h20 Projection : Mercredi, 18h30-21h20 (CSL-1630) Téléphone : 418-656-2131, p. 407074 Bureau : CSL-3447 Courriel : [email protected] Site personnel : https://ulaval.academia.edu/JeanPierreSiroisTrahan Contenu et objectifs du cours Dans l’histoire du cinéma mondial, la Nouvelle Vague (française) peut être considérée comme l’un des événements majeurs, de telle façon que l’on a pu dire qu’il y avait un avant et un après. Deuxième moment de la modernité au cinéma après le néoréalisme italien, son avènement au tournant des années soixante a profondément changé la donne esthétique de l’art cinématographique, et ce jusqu’à aujourd’hui. L’une des caractéristiques les plus essentielles de ce mouvement fut de considérer le cinéma, dans l’exercice même de sa praxis, de façon critique, cinéphile et réflexive. Groupée autour de la revue des Cahiers du Cinéma, cofondée par André Bazin, la Nouvelle Vague est souvent réduite à un groupe de critiques passés à la réalisation : Claude Chabrol, François Truffaut, Jean-Luc Godard, Jacques Rivette, Éric Rohmer, Pierre Kast, Jacques Doniol-Valcroze et Marilù Parolini (scénariste). Aussi, il ne faudrait pas oublier ceux que l’on nomma le « groupe Rive gauche » : Agnès Varda, Alain Resnais, Chris Marker, Jacques Demy, Jean-Daniel Pollet, Henri Colpi et Jacques Rozier. On peut aussi y rattacher un certain nombre d’outsiders importants, soit immédiatement précurseurs (Jean- Pierre Melville, Georges Franju, Jean Rouch et Alexandre Astruc), soit continuateurs à l’esthétique plus ou moins proche (Marguerite Duras, Jean-Marie Straub et Danièle Huillet, Paula Delsol, Maurice Pialat, Jean Eustache, Chantal Akerman, Philippe Garrel, Jacques Doillon, Catherine Breillat, Danièle Dubroux et André Téchiné). -
Winter Film Highlights
The Museum off Modern Art For Immediate Release December 1992 WINTER FILM HIGHLIGHTS The Museum of Modern Art's winter season features programs ranging from the New York premieres of two new Canadian films to African-American films made in the late silent/early-sound era, as well as a look at Ken Russell's films of the 1980s. THIS FILM IS FROM CANADA January 5, 1993 In Montreal vu par... (Montreal Sextet) (1991), six of Canada's most talented filmmakers joined forces to offer a cinematic tribute to the city of Montreal on the occasion of its 350th birthday. The diversity, idiosyncrasy, and romance of the city and its citizens are captured in sketches by Denys Arcand, Michel Brault, Atom Egoyan, Jacques Leduc, Lea Pool, and Patricia Rozema. Organized by Adrienne Mancia, curator, Department of Film. AFRICAN-AMERICAN PIONEERS January 16 - 18, 1993 Six films from the late silent/early sound era, in which African-American artists participated either in front of or behind the camera, are presented in this three-day program. Selected from the Circulating Film and Video Library, the series includes films with two vastly different starring roles by Paul Robeson, the melodrama Body and Soul (1924) and the experimental narrative Borderline (1928). Also featured are St. Louis Blues (1928), with Bessie Smith, and Black and Tan (1929), with Duke Ellington. Organized by Jytte Jensen, assistant curator, Department of Film. FROM THE ARCHIVES: CONRAD VEIDT January 22 - 26, 1993 The actor Conrad Veidt (1883-1943) is remembered with a program of four films, beginning on the 100th anniversary of his birth. -
Curriculum Vitae
CURRICULUM VITAE NAME: André Loiselle DATE : October, 2015 BIRTH: 8 January, 1963 Full Professor of Film Studies Assistant Vice-President (Academic) EDUCATION: Degrees received Department University Year PhD. Theatre and Film U. of British Columbia 1995 M.A. Theatre and Film UBC 1989 Diploma Theatre and Film UBC 1988 (Film production) B.A. Arts Dramatiques U du Québec à Montréal 1986 ACADEMIC EMPLOYMENT: Dates Rank Department Institution 2008 - present Full Professor School for Studies Carleton U. in Art and Culture 2001 - 2008 Associate Professor S.S.A.C. Carleton U. 1997 - 2001 Assistant Professor S.S.A.C. Carleton U. 1995 - 1997 Assistant Professor Film and Video U. of Regina 1994 -1995 Contract Instructor School of Contemporary Simon Fraser Arts 1993 - 1995 Contract Instructor Theatre and Film UBC Page 1 of 17 MAIN ADMINISTRATIVE POSITIONS HELD AT CARLETON UNIVERSITY: 2015 – Present Asst Vice-President Office of the Provost & VP (Academic) 2011 – 2014 Associate Dean Faculty of Graduate and Postdoctoral Affairs (Student & Postdoctoral affairs) 2007 – 2010 Director School of Canadian Studies 2005 – 2006 Acting Director School for Studies in Art & Culture MAIN ADMINISTRATIVE POSITIONS HELD OUTSIDE CARLETON: 2014 – Present Member of the provincial Adjudication Committee #13 (Cinema) for the master’s and doctoral grants of the “Fonds de recherche du Québec – Société et culture.” 2013 – Present Member of the provincial Appraisal Committee, Ontario Universities Council on Quality Assurance. 2009 – 2015 Member of the national Award to Scholarly Publication Program committee (area Film and Theatre Studies), Canadian Federation for the Humanities and Social Sciences. 2004 – 2005 Member of the provincial Adjudication Committee (arts and humanities) for the standard grants of the “Fonds québécois de la recherche - société et culture.” 2001 – 2005 Member of the national Adjudication Committee #3 (Fine Arts) for SSHRC Standard Research Grants Program. -
The Film Imagine an Angel Who Memorized All the Sights and Sounds of a City
The film Imagine an angel who memorized all the sights and sounds of a city. Imagine them coming to life: busy streets full of people and vehicles, activity at the port, children playing in yards and lanes, lovers kissing in leafy parks. Then recall the musical accompaniment of the past: Charles Trenet, Raymond Lévesque, Dominique Michel, Paul Anka, Willie Lamothe. Groove to an Oscar Peterson boogie. Dream to the Symphony of Psalms by Stravinsky. That city is Montreal. That angel guarding the sights and sounds is the National Film Board of Canada. The combined result is The Memories of Angels, Luc Bourdon’s virtuoso assembly of clips from 120 NFB films of the ’50s and ’60s. The Memories of Angels will charm audiences of all ages. It’s a journey in time, a visit to the varied corners of Montreal, a tribute to the vitality of the city and a wonderful cinematic adventure. It recalls Wim Wenders’ Wings of Desire in which angels flew over and watched the citizens of Berlin. It has the same sense of ubiquity, the same flexibility, the sense of dreamlike freedom allowing us to fly from Place Ville- Marie under construction to the workers in a textile factory or firemen at work. Underpinning the film is Stravinsky’s music, representing love, hope and faith. A firefighter has died. The funeral procession makes its way up St. Laurent Boulevard. The Laudate Dominum of the 20th century’s greatest composer pays tribute to him. Without commentary, didacticism or ostentation, the film is a history lesson of the last century: the red light district, the eloquent Jean Drapeau, the young Queen Elizabeth greeting the crowd and Tex Lecor shouting “Aux armes Québécois !” Here are kids dreaming of hockey glory, here’s the Jacques-Cartier market bursting with fresh produce, and the department stores downtown thronged with Christmas shoppers. -
Télécharger La Lettre 298 (Pdf)
juin 2019 La lettre n° 298 , s e l b a r é s i M s e d e g a n r u o t e l r u s r y u L j e t d a a s L i l t a e é r R t J n e a d s i , l s i s e a , m d r n e f a t r r n e o u M G - r y u h c h i t l r C A e , e d t s p i e r u c q s i , n e o n r i h a t c n s o e F L e e n u n q a s e e J r f , y a L l j e d d a t L n , C e F A m d g r a a r f p u n o u P t n n a e i v l e u J d AFC AFC, ASC u enTreTiens AFC RoberT Alazraki > p. 20 Darius Khondji > p. 28 José Luis Alcaine > p. 22 Josée Deshaies > p. 30 AFC Pierre-William Glenn > p. 23 Thomas Favel > p. 32 AFC Simon Beaufils > p. 24 LaurenT Dailland > p. 34 AFC, SBC AFC Yves Cape > p. 26 Pierre Novion > p. 35 e s i e e a u i FiLMs AFC sur Les éCrAns > p. 2 ACtuALités AFC > p. 4 ç q h i n p h a a r s p r r F a g u r FestivALs > p. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
The Cinema of the Quiet Revolution: Quebec‟S Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967
The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion A Thesis in The Department of History Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (History) at Concordia University Montreal, Quebec, Canada March 2012 © Eric Fillion, 2012 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Eric Fillion Entitled: The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 and submitted in partial fulfillment of the requirements for the degree of Master of Arts (History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ___________________________________ Chair Dr. Barbara Lorenzkowski ___________________________________ Examiner Dr. Graham Carr ___________________________________ Examiner Dr. Nora Jaffary ___________________________________ Supervisor Dr. Ronald Rudin Approved by: ___________________________________ Dr. Norman Ingram Chair of Department _____________ 2012 ___________________________________ Dean of Faculty iii ABSTRACT The Cinema of the Quiet Revolution: Quebec‟s Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967 Eric Fillion Film historians situate the birth of le cinéma québécois in the late 1950s with the emergence – within the National Film Board of Canada (NFB) – of an Équipe française whose Direct Cinema revolutionized documentary filmmaking. The grand narrative of Quebec national cinema emphasises the emancipating qualities of this cinematographic language and insists that it contributed to a collective prise de parole and Quebec‟s ascension to modernity. -
Filmmaking and Film Studies
Libraries FILMMAKING AND FILM STUDIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 025 Sunset Red DVD-9505 African Violet #1 VHS-3655 1000 Eyes of Dr. Mabuse DVD-0048 After Gorbachev's USSR DVD-2615 11 x 14/One Way Boogie Woogie/27 Years Later DVD-9953 Agit-Film VHS-2622 13 Most Beautiful: Songs for Andy Warhol's Screen Tests DVD-2978 Ah, Liberty! VHS-5952 14 Video Paintings DVD-8355 Airport/Airport 1975 DVD-3307 2001: A Space Odyssey DVD-1239 Akira DVD-0315 DVD-0260 DVD-1214 25th Hour DVD-2291 Akran DVD-6838 39 Steps DVD-0337 Alaya VHS-1199 4 Films by Virgil Wildrich DVD-8361 Alexander Nevsky DVD-8367 400 Blows DVD-8362 DVD-4983 56 Up DVD-8322 Alexander Nevsky (Criterion) c.2 DVD-4983 c.2 8 1/2 c.2 DVD-3832 c.2 Alexeieff at the Pinboard VHS-3822 A to Z VHS-4494 Alfred Hitchcock: The Masterpiece Collection Bonus DVD-0958 Disc Abbas Kiarostami (Discs 1-4) DVD-6979 Discs 1 Ali: Fear Eats the Soul DVD-4725 Abbas Kiarostami (Discs 5-8) DVD-6979 Discs 5 Alice DVD-4863 Abbas Kiarostami (Discs 9-10) DVD-6979 Discs 9 Alice c,2 DVD-4863 c.2 Aberration of Light DVD-7584 All My Life VHS-2415 Abstronic VHS-1350 All Quiet on the Western Front DVD-1284 Ace of Light VHS-1123 All that Heaven Allows DVD-0329 Across the Rappahannock VHS-5541 All That Heaven Allows c.2 DVD-0329 c.2 Act of Killing DVD-4434 Alleessi: An African Actress DVD-3247 Adaptation DVD-4192 Alphaville -
National Identity and the British Historical Film
Past and Present: National Identity and the British Historical Film By James Chapman London: I. B. Tauris, 2005. ISBN 1-85043-808-0 (pbk), ISBN 1-85043-807-2 (hbk). 22 illustrations, xvi + 385pp. £15.99 (pbk), £49.50 (hbk) A review by Jack Newsinger, University of Nottingham, UK One obvious concern when reading a book by someone as prolific as James Chapman is that it may be light in the way of research. Happily this is not the case with Past and Present. What Chapman offers is a richly detailed and informed history that strikes an excellent balance between accessibility and sophistication. As well as providing a thorough analysis of some of the key films of the genre the book will be of use to anyone interested in an overview of the historical dynamics of British film production and consumption. The historical film, defined as a genre that takes as its subject matter real events in British history, has been particularly ubiquitous in the history of British film production, having a direct relationship with some of the key markers of British national identity -- the monarchy, British national 'heroes', famous wartime exploits, and so on -- and being at the forefront of attempts to open up the American market for British films. Chapman's stated aim is to test the hypothesis that these films are as much about the period in which they were made as they are about the events they depict. As he notes: While this is far from being a new idea, it has tended, hitherto, to be taken as a self-evident truth.