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Lincoln Steffens: "The Shame of Minneapolis."
THE SHAME OF MINNEAPOLIS : The Ruin and Redemption of a City that was Sold Out. By Lincoln Steffens _____ With an Introduction by Mark Neuzil, Ph.D. Lincoln Steffens in 1914 1 Minneapolis and the Muckrakers: Lincoln Steffens and the Rise of Investigative Journalism * By Mark Neuzil, Ph.D. ** The muckraking era in American history is generally thought of as beginning in about 1902 and lasting until the end of the Taft administration or the beginning of World War One, depending on which historian you read. Muckraking, in terms of journalism history, is thought of as a crusading, reform-oriented style of the craft that fathered the investigative reporting of modern times, from Watergate to current issues. One of the most significant early muckraking stories happened here in Minneapolis, and although it is sometimes overlooked in the general journalism histories of the time, it remains important to our understanding of how the field evolved. The story was titled “The Shame of Minneapolis: The Ruin and Redemption of a City that was Sold Out,” and it ___________ * An earlier version of this paper was delivered on October 5, 2003, to an audience at the Mill City Museum in Minneapolis. It was revised by the author in September 2011, for the MLHP . ** Mark Neuzil received his doctorate from the University of Minnesota in 1993. He was a reporter for several years for many newspapers, including the Minneapolis Star Tribune . In 1993, he joined the Department of Communication and Journalism at the University of St. Thomas in St. Paul. His publications include: Mass Media and Environmental Conflict: America's Green Crusades (Sage, 1996) co-authored with William Kovarik; Views of the Mississippi: The Photographs of Henry Bosse (Minnesota, 2001), which won a Minnesota Book Award; A Spiritual Field Guide; Meditations for the Outdoors (Brazos Press, 2005), co-authored with Bernard Brady; and The Environment and the Press: From Adventure Writing to Advocacy (Northwestern University Press, 2008). -
John Reed, Ten Days That Shook the World
Review: John Reed, Ten Days That Shook the World Barney Doherty thing but a detailed account’ of the revolu- tion, amongst its pages are counters to the common criticism of the revolution as well as several important lessons for revolutionaries today. Immediately in Ten Days That Shook the World, Reed reveals how Russian society was in a flux. Ideas were being debated on street corners and in large halls, all of Russia, he writes, ‘was learning to read politics, eco- nomics, history because people wanted to know.’ The masses were not passive spec- tators of the political discussion but were energetic participants. Reed commented that by October the period of the February Revolution seemed conservative by comparison. Russian poli- John Reed, Ten Days That Shook the World tics ‘swung bodily to the Left’ as the masses grew in confidence and changed the param- eters of political discourse, ‘until the Cadets The centenary of the Russian Revolution were outlawed as ‘enemies of the people’, in 1917 is obviously significant for Marxists. Kerensky became a ‘counter-revolutionist’, This year will see attempts to misrepresent the ‘middle’ Socialist leaders... were too re- the revolution or questions its democratic actionary for their following’. (p. 36) nature or political necessity. Revolutionary socialists, therefore, must The revolution in October was part of a study the event themselves and understand wider process of human liberation, as people how it happened and what its significance were actively involved in conciously shap- was. A good place to start is with John ing their society. The levels of engagement Reed’s Ten Days That Shook the World. -
The Salon of Mabel Dodge
DIVISION OF THE HUMANITIES AND SOCIAL SCIENCES CALIFORNIA INSTITUTE OF TECHNOLOGY PASADENA, CALIFORNIA 91125 THE SALON OF MABEL DODGE Robert A. Rosenstone To be published in Peter Quennell, ed., Salon (London: Weidenfeld and Nicolson, 1980). HUMANITIES WORKING PAPER 24 January 1979 THE SALON OF ~WillEL DODGE Robert A. Rosenstone Mabel Dodge's salon ••• burst upon New York like a rocket. Margaret Sanger It was the only successful salon I have ever seen in America. Lincoln Steffens Many famous salons have been established by women of wit or beauty; Mabel's was the only one ever established by pure will power. And it was no second-rate salon; everybody in the ferment of ideas could be found there. Max Eastman 2 It is indeed the happy woman who has no history, for by happy we mean the loving and beloved, and by history we designate all those relatable occurences on earth caused by the human energies seeking other outlets than the biological one. • . That I have so many pages to write signifies, solely, that I was unlucky in love. Most of the pages are about what I did instead •. Mabel Dodge 1 Mabel Dodge was rich and attractive and more than a little lucky. For two years -- from 1912 to 1914 -- she played hostess to the most famous and no doubt the most interesting salon in American history. This success was no accident, but the result of a subtle interplay between her individual needs and ambitions and the historical moment. It was a very special period in the cultural life of the United States, one when expatriate Irish painter John Butler Yeats cocked an ear and heard "the fiddles • tuning as it were allover America. -
Radicalism and the Limits of Reform: the Case of John Reed
DIVISION OF THE HUMANITIES AND SOCIAL SCIENCES CALIFORNIA INSTITUTE OF TECHNOLOGY PASADENA, CALIFORNIA 91125 RADICALISM AND THE LIMITS OF REFORM: THE CASE OF JOHN REED Robert A. Rosenstone To be published in a volume of essays honoring George Mowry HUMANITIES WORKING PAPER 52 September 1980 ABSTRACT Poet, journalist, editorial bo,ard member of the Masses and founding member of the Communist Labor Party, John Reed is a hero in both the worlds of cultural and political radicalism. This paper shows how his development through pre-World War One Bohemia and into left wing politics was part of a larger movement of middle class youngsters who were in that era in reaction against the reform mentality of their parent's generation. Reed and his peers were critical of the following, common reformist views: that economic individualism is the engine of progress; that the ideas and morals of WASP America are superior to those of all other ethnic groups; that the practical constitutes the best approach to social life. By tracing Reed's development on these issues one can see that his generation was critical of a larger cultural view, a system of beliefs common to middle class reformers and conservatives alike. Their revolt was thus primarily cultural, one which tested the psychic boundaries, the definitions of humanity, that reformers shared as part of their class. RADICALISM AND THE LIMITS OF REFORM: THE CASE OF JOHN REED Robert A. Rosenstone In American history the name John Reed is synonymous with radicalism, both cultural and political. Between 1910 and 1917, the first great era of Bohemianism in this country, he was one of the heroes of Greenwich Village, a man equally renowned as satiric poet and tough-minded short story writer; as dashing reporter, contributing editor of the Masses, and co-founder of the Provinceton Players; as lover of attractive women like Mabel Dodge, and friend of the notorious like Bill Haywood, Enma Goldman, Margaret Sanger and Pancho Villa. -
Nota Bene News from the Yale Library
Spring 2005 Volume XIX, Number 1 Nota Bene News from the Yale Library The Lost Papers of Louise Bryant The personal papers of the pioneering foreign correspon- dent Louise Bryant arrived unexpectedly at the Sterling Memorial Library at Yale University. Thought to be lost, the papers contain such treasures as Bryant’s notes on what she witnessed in Russia during the communist revolution of 1917 and several poems written by the young playwright Eugene O’Neill, apparently never before published. Louise Bryant lived a remarkable life. Born in 1885, she was one of the earliest women to become a star foreign correspondent. Her reporting on the Russian Revolution appeared in hundreds of American news- papers and, for a brief period, she was one of the lead- ing authorities in the United States on the new Soviet government, publishing two books on the subject. She knew personally and interviewed many of the leading figures of revolutionary Russia including Vladimir Lenin, Leon Trotsky, and Alexandr Kerensky. Bryant filled her personal life with similarly noteworthy individuals. Her second husband was the radical journalist John Reed; her third husband was William C. Bullitt, the first American ambassador to the Soviet Union and later ambassador to France; and she had a short but 1919 intense affair with Eugene O’Neill. Poster advertising a lecture by Louise Bryant, The Bryant papers came to Sterling Memorial Library along with the papers of William C. Bullitt as part of a deposit by Anne Moen Bullitt, the daughter of Bryant and Bullitt. Biographers of Bryant believed her personal Lloyd Richards papers at the papers to be lost, but when the boxes arrived, archi- Beinecke Library vists were astonished by the quantity and quality of the materials relating to Louise Bryant. -
Bohemians: Greenwich Village and the Masses Joanna Levin Chapman University, [email protected]
Chapman University Chapman University Digital Commons English Faculty Books and Book Chapters English 12-2017 Bohemians: Greenwich Village and The Masses Joanna Levin Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/english_books Part of the American Popular Culture Commons, Literature in English, North America Commons, Other American Studies Commons, and the Other English Language and Literature Commons Recommended Citation Levin, Joanna. "Bohemians: Greenwich Village and The Masses." American Literature in Transition,1910–1920. Edited by Mark W. Van Wienen, Cambridge University Press, 2018, pp. 117-130. This Book is brought to you for free and open access by the English at Chapman University Digital Commons. It has been accepted for inclusion in English Faculty Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPTER 8 Bohemians Greenwich Village and The Masses Joanna Levin Ever since Rodolphe, Henri Murger's prototypical struggling writer, stood before the grave of Mimi, his lost love and partner in the romance of bohemia, crying, "Oh my youth, it is you that is being buried," la vie boheme has represented a fabled transitional period between youth and mature adulthood in many an individual life, memoir, and Bildungsroman (Seigel 45). Similarly, ever since its inception in the wake of the 1830 Rev olution in France, bohemianism - as a larger subcultural movement has flourished during periods of historical transition. It was in the tumultuous lead-up to the Civil War that la vie boheme first took root in the United States (in a basement beer hall beneath the sidewalks of Broadway and Bleecker and on the pages of the New York Saturday Press), but it was dur ing the 1910s, the decade known for ushering in a host of radical and mod ernist movements, that bohemia assumed its most famous American form in New York City's Greenwich Village. -
World War One Blog July to September 1917 Adobe
Irish Voices from the First World War A blog based on PRONI sources Monitoring the pace, accuracy and effect of bombardment and the ebb and flow of infantry attack was indispensable to trench warfare, D1981/1 July to September 1917 British Army commanders were convinced that the Western German army would have been close to defeat by later 1917, had not the Russian front begun to crumble in September, as revolutionary insurgents, crucially assisted by the German state, took over the Russian administration in a vast upheaval. Following the misery of Passchendaele where teeming rain created perhaps one of the bleakest landscapes of battle in the war, the British Army revived in confidence by virtue of promising success in the mass use of tanks during the first days of Cambrai. In spite of formal adherence to international rules of combat, how prisoners were treated, by all sides, depended greatly on the state of mind of attacking troops hour by hour, D1981/1 Document 1: Journal entries of Captain Godfrey John Mulholland (4th son of Henry, 2nd Baron Dunleath, Ballwalter Park), Horse Transport, Army Service Corps, June 1917. The A.S.C. was responsible for supply of food, equipment and ammunition to forces on front line. Mulholland proud of equestrian assignment and skills [D4179/9/2/] 4th June – Went on Leave 14th June – Went to very good Corps Horse Show near Mardeuil in which we won 1st prize for best stripped H.D. horse. Went to still better Army Horse Show at Camblain l’Abbé, excellent jumping and turns out. A Portuguese officer won the jumping. -
TIMELINE of EVENTS March 1917 Tsar Nicholas Abdicates and The
TIMELINE OF EVENTS March 1917 Tsar Nicholas abdicates and the Provisional Government takes over supported by the Soviet. It now has to deal with all the problems which led to the downfall of the Tsar – the war, food shortages and peasant demands for land…. April 16th 1917 Lenin arrives in Russia. He makes a speech demanding an end to the war with Germany, land for the peasants and nationalisation of banks. He insists that no support be given to the Provisional Government – instead the Soviets (there are Soviets in other cities) should get together and form a new government. These ideas became known as the April Theses. June 1917 The Provisional Government orders the armies to attack Austria. This fails and turns into a retreat. Soldiers began to desert in large numbers. Many go to Petrograd and join the Bolsheviks demanding an end to the Provisional Government July 1917 100000 soldiers and Bolsheviks are out in the streets demanding ‘All power to the Soviets’. These three days of rioting in Petrograd are known as the July Days. Kerensky sends loyal troops into the city to deal with the uprising. He claims the Bolsheviks have been paid by Germany to make trouble and Lenin is a German agent. Lenin has to leave Russia to avoid arrest and goes to Finland. Other leading Bolsheviks are arrested. The Bolsheviks have become unpopular and weak. August 1917 Kerensky become leader of the Provisional Government. He has to deal with a challenge from General Kornilov, Commander in Chief of the army who wants to take control. -
Morris Childs Papers
http://oac.cdlib.org/findaid/ark:/13030/tf896nb2v4 No online items Register of the Morris Childs papers Finding aid prepared by Lora Soroka and David Jacobs Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6010 (650) 723-3563 [email protected] © 1999 Register of the Morris Childs 98069 1 papers Title: Morris Childs papers Date (inclusive): 1924-1995 Collection Number: 98069 Contributing Institution: Hoover Institution Archives Language of Material: English and Russian Physical Description: 2 manuscript boxes, 35 microfilm reels(4.3 linear feet) Abstract: Correspondence, reports, notes, speeches and writings, and interview transcripts relating to Federal Bureau of Investigation surveillance of the Communist Party, and the relationship between the Communist Party of the United States and the Soviet communist party and government. Includes some papers of John Barron used as research material for his book Operation Solo: The FBI's Man in the Kremlin (Washington, D.C., 1996). Hard-copy material also available on microfilm (2 reels). Physical Location: Hoover Institution Archives Creator: Childs, Morris, 1902-1991. Contributor: Barron, John, 1930-2005. Location of Original Materials J. Edgar Hoover Foundation (in part). Access Collection is open for research. The Hoover Institution Archives only allows access to copies of audiovisual items, computer media, and digital files. To listen to sound recordings or to view videos, films, or digital files during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all material is immediately accessible. -
Anarchy! an Anthology of Emma Goldman's Mother Earth
U.S. $22.95 Political Science anarchy ! Anarchy! An Anthology of Emma Goldman’s MOTHER EARTH (1906–1918) is the first An A n t hol o g y collection of work drawn from the pages of the foremost anarchist journal published in America—provocative writings by Goldman, Margaret Sanger, Peter Kropotkin, Alexander Berkman, and dozens of other radical thinkers of the early twentieth cen- tury. For this expanded edition, editor Peter Glassgold contributes a new preface that offers historical grounding to many of today’s political movements, from liber- tarianism on the right to Occupy! actions on the left, as well as adding a substantial section, “The Trial and Conviction of Emma Goldman and Alexander Berkman,” which includes a transcription of their eloquent and moving self-defense prior to their imprisonment and deportation on trumped-up charges of wartime espionage. of E m m A g ol dm A n’s Mot h er ea rt h “An indispensable book . a judicious, lively, and enlightening work.” —Paul Avrich, author of Anarchist Voices “Peter Glassgold has done a great service to the activist spirit by returning to print Mother Earth’s often stirring, always illuminating essays.” —Alix Kates Shulman, author of Memoirs of an Ex-Prom Queen “It is wonderful to have this collection of pieces from the days when anarchism was an ism— and so heady a brew that the government had to resort to illegal repression to squelch it. What’s more, it is still a heady brew.” —Kirkpatrick Sale, author of The Dwellers in the Land “Glassgold opens with an excellent brief history of the publication. -
The Triumph and Anguish of the Russian Revolution: Bessie Beatty's
The Triumph and Anguish of the Russian Revolution: Bessie Beatty’s Forgotten Chronicle Lyubov Ginzburg … only time will be able to attribute both the political and the social revolution their true values. Bessie Beatty, the Bulletin, 25 September 1917 The centennial of the Russian Revolution celebrated two and a half years ago has been marked by a pronounced revival of interest in its origins and impact upon modern history all over the globe. The occasion presented an opportunity to revisit the unprecedented social and political upheaval that convulsed the country in 1917, defined the world order for much of the twentieth century, and continues to reverberate in Russian national and international politics to this day. Along with countless newly revealed primary sources which have gradually found their way into the public domain, this event has been encrusted with novel meanings spawned within a growing number of discourses previously excluded from his- torical scrutiny. An example of such a disparity would be an unfortunate slight to gendered narratives in the understanding and interpretation of one of the most controversial social experiments in human history. In spite of the fact that, as with their male counterparts, foreign female correspondents became chroniclers, witnesses, and, in some instances, participants in the thrilling social drama, there have been few references to their representation of the Revolution(s) in its histori- ography.1 Meanwhile, compelled to understanding Russia, while informing com- 1 Although disproportionally less than their men-authored counterparts, women’s narratives have previously sparked some occasional interest among historians and scholars of journalism and women studies. -
The Left Front : Radical Art in the "Red Decade," 1929-1940
LEFT FRONT EVENTS All events are free and open to the public Saturday, January 18, 2pm Winter Exhibition Opening with W. J. T. Mitchell Wednesday, February 5, 6pm Lecture & Reception: Julia Bryan-Wilson, Figurations Wednesday, February 26, 6pm Poetry Reading: Working Poems: An Evening with Mark Nowak Saturday, March 8, 2pm Film Screening and Discussion: Body and Soul with J. Hoberman Saturday, March 15, 2pm Guest Lecture: Vasif Kortun of SALT, Istanbul Thursday, April 3, 6pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Saturday, April 5, 5pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Wednesday, April 16, 2014, 6pm Lecture: Andrew Hemingway, Style of the New Era: THE LEFT FRONT John Reed Clubs and Proletariat Art RADICAL ART IN THE "RED DECADE," 1929-1940 Mary and Leigh Block Museum of Art Northwestern University 40 Arts Circle Drive, Evanston, IL, 60208-2140 www.blockmuseum.northwestern.edu Generous support for The Left Front is provided by the Terra Foundation for American Art, as well as the Terra Foundation on behalf of William Osborn and David Kabiller, and the MARY AND LEIGH BLOCK MUSEUM OF ART Myers Foundations. Additional funding is from the Carlyle Anderson Endowment, Mary and Leigh Block Endowment, the Louise E. Drangsholt Fund, the Kessel Fund at the NORTHWESTERN UNIVERSIty Block Museum, and the Illinois Arts Council, a state agency. theleftfront-blockmuseum.tumblr.com January 17–June 22, 2014 DIRECTOR'S FOREWORD The Left Front: Radical Art in the “Red Decade”, 1929–1940 was curated by John Murphy undergraduate seminar that focused on themes in the exhibition and culminated in and Jill Bugajski, doctoral candidates in the Department of Art History at Northwestern student essays offering close examinations of particular objects from the show.