Amc2014 Program for Web.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Amc2014 Program for Web.Pdf Obsidian Blues Social Justice performance Troupe No TVs WELCOME TO your AMC base March the Mask 4620 CASS AVE Closing day of AMC, cass & Alexandrine 313-831-1400 Obsidianblues.com &+,1(6( 3(23/( ($7 +(5( '$,/<',0680)8//%$5686+, 4710 Cass Avenue, Detroit 313.974.7669 midtownshangri-la.com ALLIED MEDIA CONFERENCE 2014 contents 2 welcome to the amc 4 amp network principles 6 amptalk 9 schedule overview 12 tracks 21 ongoing activities 27 thursday, june 19 35 friday, june 20 81 saturday, june 21 127 sunday, june 22 153 sponsors & funders 154 credits 157 get involved with allied media projects 159 safety at the amc 162 places to eat 169 getting around detroit 173 ads 181 maps c o n t AMC Wayne State Wireless Login e n USER*: ab0227g32 t PASSWORD*: rSYk9oFe s * case sensitive Or… Magic Net A mesh network built by the Digital Stewards for AMC2014 1 INTRODUCTION CREATE welcome to the 16th annual allied media conference! This program book presents the more than 200 sessions, meet-ups, activities, and special events of AMC2014 – all entry-points to the universe of media-based organizing. At the AMC, we define “media-based organizing” as the use of media, art, or technology to advance a more just, creative, and collaborative world. You will find hands-on workshops on everything from data w encryption technologies to gender non-conforming fashion, e l from data visualization to Detroit dance traditions. c o m e You will find strategy sessions and panels that weave new connections between movements for social change, while asking critical questions about how we “move” and what we’re moving towards. 2 ALLIED MEDIA CONFERENCE 2014 CONNECT TRANSFORM At night you will find some of the best dance parties of your life. Chill time with new friends, or simply getting some rest, are also great options! If you feel daunted by the task of choosing between 10, or 12, or 16 intriguing sessions all happening at once, you can turn to the “Tracks” and “Ongoing” sections of the program book. These lighted paths of content can help you navigate the wilds of the AMC by pointing you to the sessions or activities that might align best with your interests. Of course it is always advisable to go o! the path – don’t just stick to the places that seem most comfortable! Seek out the unfamiliar at the AMC and keep an open heart and mind. You will most likely be delighted. w e l c Be sure to travel between practice, theory, and play. Take good o care of yourself and others. Enjoy AMC2014! m e 3 INTRODUCTION allied media projects network principles We are making an honest attempt to solve the most significant problems of our day. We are building a network of people and organizations that are developing long-term solutions based on the immediate confrontation of our most pressing problems. Wherever there is a problem, there are already people acting on the problem in some fashion. Understanding those actions is the starting point for developing e!ective strategies to resolve the problem, so we focus on the solutions, not the problems. We emphasize our own power and legitimacy. We presume our power, not our powerlessness. p r i We spend more time building than attacking. n c i We focus on strategies rather than issues. p l e s The strongest solutions happen through the process, not in a moment at the end of the process. 4 ALLIED MEDIA CONFERENCE 2014 The most e!ective strategies for us are the ones that work in situations of scarce resources and intersecting systems of oppression because those solutions tend to be the most holistic and sustainable. Place is important. For the AMC, Detroit is important as a source of innovative, collaborative, low-resource solutions. Detroit gives the conference a sense of place, just as each of the conference participants bring their own sense of place with them to the conference. We encourage people to engage with their whole selves, not just with one part of their identity. We begin by listening. SEE ALSO: Principles of the Detroit Digital Justice Coalition http://detroitdjc.org/principles/ p NETWORK PRINCIPLES r i n c i p l e s 5 INTRODUCTION amptalk: talk.alliedmedia.org Browse AMC sessions: talk.alliedmedia.org/amc2014/sessions Browse AMC sessions and filter by track or practice space, location, or day/time. You can bookmark sessions that you want to attend. Comment on and document AMC sessions Take notes on sessions and post your reflections via comment, tweet, and Etherpad. You will need to create an account in order to post if you do not already have one. Below each session description in this program booklet are urls that will direct you to each session’s discussion page. Twitter users may tweet comments to the discussion pages for each session by using the assigned hashtags. In order for your tweets to appear on session discussion pages, you will need to use both of the assigned hashtags, for example: #AMC2014 and #REALLYRAD for the “Really Rad Radio/TV Station” Practice Space. a m p t a l k 6 ALLIED MEDIA CONFERENCE 2014 how to use amptalk forums o start a discussion or share an article on the Newswire: talk.alliedmedia.org/newswire o add +1 to posts that you like. Upvoted posts will be shared out via the @AMP_talk Twitter and RSS feeds o look for AMC rideshares or housing on the Housing forum and Rideboard FOLLOW @ALLIE DMEDIACONF FOR UPDATES a m p t a l k 7 MEDIA-BASED ORGANIZING ALLIED MEDIA CONFERENCE 2014 schedule overview thursday, june 19 9:00am Registration Opens !MCGREGOR CONFERENCE CENTER] 10:00am - 5:00pm Network Gatherings 5:00pm - 7:00pm Break 7:00pm - 11:00pm Welcome to AMC2014 Open Mic Event !FURNITURE FACTORY] friday, june 20 8:00AM Registration opens !MCGREGOR CONFERENCE CENTER] 9:00AM - 10:30AM Session Block 1 11:00AM - 12:30PM Session Block 2 12:30PM - 2:00PM Break / Lunch Caucuses (12:45PM - 1:45PM) 2:00PM -3:30PM Session Block 3 4:00PM - 5:30PM Session Block 4 5:45PM - 7:00PM Opening Ceremony !COMMUNITY ARTS AUDITORIUM] 7:30PM - 9:30PM Break / Dinner Caucuses s o c v 8:00PM - 1:00AM Bowling / Karaoke Extravaganza h e !MAJESTIC THEATER COMPLEX] e r d v u i l e e w 9 SCHEDULE OVERVIEW saturday, june 21 8:00AM Registration opens !MCGREGOR CONFERENCE CENTER] 9:00AM - 10:30AM Session Block 5 11:00AM - 12:30PM Session Block 6 12:30PM - 2:00PM Lunch Break / Caucuses (12:45PM - 1:45PM) 2:00PM - 3:30PM Session Block 7 4:00PM - 5:30PM Session Block 8 5:30PM - 8:00PM Dinner Break / Caucuses (6:00PM - 8:00PM) 8:00PM - 2:00AM AMC Music !MUSEUM OF CONTEMPORARY ART DETROIT] sunday, june 22 10:00AM - 11:30AM Session Block 9 11:30AM - 1:00PM Lunch Break / Caucuses (11:45 - 12:45) 1:00PM - 2:30PM Session Block 10 3:00PM - 4:30PM Session Block 11 4:30PM - 5:30PM Closing Celebration !MCGREGOR CONFERENCE CENTER] 8:00PM - 2:00AM Allied Mania !CASS CAFE] s o c v h e e r d v u i EVERYTHING IS l e SUBJECT TO CHANGE. e w !AND IF IT DOES, WE'LL LET YOU KNOW ) 10 TRACKS TRACKS tracks Tracks are series of Allied Media Conference sessions connected by a shared theme. abundant bodies media ln this track we will gather, share and celebrate the wisdom and abundance of our bodies. Abundant/thick/fat bodies are the target of so much hate, policing and negativity, even in our organizing communities. How do we unlearn mainstream ideas of what a body should look like and (re)-learn to celebrate the diversity, resilience, wisdom and beauty of all bodies? This track will explore these questions and create spaces to challenge the ongoing ways mainstream media shames and harms abundant bodies, to name fatphobia in our organizing and activism, and to create media and practical strategies for resistance, healing and community building. We will broaden the conversation around fat activism by centering this track on the voices of Indigenous, Black, people of color, dis/ abled, super-sized, trans and queer fat folks. Through workshops, panels and skillshares we will transform mainstream ideas around abundant bodies and create resilient communities, media and art centred around abundant bodies! Coordinated by Aruna Zehra, It Gets Fatter; Asam Ahmad, It Gets t Fatter; Jennifer DePoe, Fat Awesome and Queer r #AMC2014 #AbundantBodies a c k s 12 ALLIED MEDIA CONFERENCE 2014 building better futures through play How does play inform our social movements? Exploring how we play, and how we can build games to reflect our hopes and aspirations for the world. Games are a crucial avenue to understanding the systems we inhabit and allow us to envision new, di!erent systems. Through sharing tools and know-how to build and publish independent games, engaging in critical conversation about existing games, and relating game cultures to social justice, we are making games a more accessible medium for players and designers of all ages. Participants will work on their skills, discuss the strengths and limitations of games, and push the boundaries of what they think of as possible through this dynamic medium. Let’s play together! Coordinated by Cayden Mak, 18millionrising.org; Jonathan Beilin, Liam Liwanag Burke, Sarah Burke, Mohini Dutta, Antidote Games; Ben Norskov #AMC2014 #BBFTP creative placemaking / placekeeping What is the word for “the opposite of gentrification”? And what is the role of creativity in achieving that thing, for which we have no word? The alignment of philanthropy in recent years around t the framework of “creative placemaking” brings new urgency to r a these questions.
Recommended publications
  • GRASSROOTS RUN DEEP Table of Contents Accessibiltiy Accessibility Statement
    NASCO Cooperative Education and Training Institute 2008 cooperating in the struggle for land rights GRASSROOTS RUN DEEP table of contents Accessibiltiy Accessibility Statement..... 2 Making the Most e aim to avoid replicating the barriers in so- of Institute. 3 Wciety which exclude and marginalize people. We strive to create an event which is totally acces- Spotlight on sible for all who wish to participate. Friday........ 4 Spotlight on We have taken these steps to ensure that Institute Saturday...... 5 is accessible: Skill Share + Building and maintaining an environment with Schedule...... 6 zero-tolerance policy for racist, sexist, classist, Friday homophobic and/or other oppressive behaviors. Schedule...... 7 + Providing a gender neutral restroom (on the Saturday 3rd floor of the Union, just to the left of the eleva- Schedule...... 8 tors) Sunday Schedule...... 9 + Making affordable childcare available Caucuses + Housing participants in co-ops where they will and Working feel safe and comfortable Groups........ 10 + Assuring the building is wheelchair accessible Course Track Listing....... 11 + Providing ingredient lists for all meals Course Block + Asking that participants refrain from wearing One...........13 strong smelling perfumes or lotions Course Block + Requesting that all presenters speak loudly and Two...........16 clearly, respecting the needs of those who have Course Block hearing problems Three.........19 Course Block Much of the power to foster a safe and respectful Four..........23 atmosphere rests on you, the participants. Course Block All of our attempts to equalize access are made Five.......... 26 within the limits of current resources and there- Faculty Bios. 29 fore may not be perfect. We welcome suggestions Mentorship....35 for improvement and will do our best to imple- Thank You.....38 ment them.
    [Show full text]
  • T H E M I L F O R D from the Pastor
    Milford Presbyterian Church 238 North Main Street, Milford, Michigan 48381 www.milfordpc.org THE MILFORD messenger From the Pastor SUMMER 2020 I am grateful for your patience as we well as unison speaking, which though not in the Youth Room. have worked to determine the safest together account for most of the Some other churches are already means and timing for the reopening elements of our worship apart from open. Why are we taking our time? of the church building for worship the sermon. The service will be much and other activities. After the shorter in duration—probably about The bottom line here is that if we are thorough and thoughtful work of our 25-30 minutes. We will limit the going to invite people into our COVID-19 Task Force, the session has seating capacity in the sanctuary to building for worship, we should only decided how to proceed based upon 40 and provide (socially distanced) do so if we are reasonably confident the Task Force’s recommendations. I overflow seating in the Chapel and/ that we are not putting them—or want to share the outline of our or Café. Depending on attendance, our staff and volunteers—at plans with you here. we may offer two services in order to unnecessary risk. accommodate everyone safely. When will we reopen? Even over the course of the six There will not be gathering time weeks that the Task Force conducted We will begin in-person worship inside the building before or after its work, we were learning new when Oakland County has moved to worship; attendees will enter things about the novel coronavirus, Phase 5 in the MI Safe Start starting about 15 minutes prior to and not many of them good.
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • D E Tr O It Future Media
    DETROIT FUTURE MEDIA GUIDE TO DIGITAL LITERACY ALLIED MEDIA PROJECTS MEDI RE A TU U F T I O R T E D DETROIT FUTURE MEDIA GUIDE DIGITAL TO LITERACY DESIGN: THE WORK DEPARTMENT / theworkdept.com guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit illustration by triana kazaleh sirdenis DETROIT FUTURE MEDIA guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit making our own media is a process of speaking and listening as a community, through which we transform ourselves and our world. DETROIT FUTURE MEDIA 7 contents 7 acknowledgements 9 introduction: digital literacy for community revitalization 13 background 17 foundations 25 structure 37 outcomes 45 curriculum samples 61 appendix 8 ALLIED MEDIA PROJECTS program credits Diana J. Nucera DFM Program Director DFM1 / DFM2 / DFM3 Mike Medow Director of Communications and Finance DFM1 / DFM2 / DFM3 Jeanette Lee Executive Director / Media-Based Organizing Instructor DFM1 / DFM2 / DFM3 Joe Namy Program Coordinator DFM1 / DFM2 / DFM3 Joshua Breitbart Program Advisor / Digital Stewards Instructor DFM1 / DFM2 / DFM3 Janel Yamashiro Program Coordinator / Web Instructor DFM1 / DFM2 / DFM3 Imad Hassan Program Coordinator / Video Instructor DFM1 / DFM2 / DFM3 Ora Wise Curriculum Consultant DFM1 / DFM2 / DFM3 Ron Watters Entrepreneurship and Graphics Instructor DFM2 / DFM3 Anderson Walworth IT Coordinator/ Digital Stewards Instructor DFM1 /
    [Show full text]
  • Table of Contents Perspectives on Anarchist Theory
    Table of Contents Introduction 2 Maia Ramnath Atmospheric Dialectics 8 Javier Sethness The Climate Crisis or the Crisis of Climate Politics? 26 perspectives Andre Pusey & Bertie Russell All Power to the People 48 on anarchist Lara Messersmith-Glavin theory Movements for Climate Action 56 Brian Tokar v.12 n.2 What We’re Reading 76 fall 2010 Cindy Crabb, John Duda, & Joshua Stevens Editorial Collective: Lara Messersmith-Glavin, Paul About the Illustrations 80 Messersmith-Glavin, and Maia Call for Submissions 81 Ramnath. Anarchist Interventions 82 Layout & Cover Design: Josh About the IAS 84 MacPhee. Perspectives on Anarchist Theoryis a publication of the Institute for Anarchist Studies (IAS). The views expressed here do not necessarily re- flect the IAS. Contact us at perspectivesmagazine@ Special Thanks: Josh MacPhee, the googlegroups.com. New articles, many artists from Justseeds, Jon Keller, not contained in our print edition, are David Combs, Cindy Crabb, John continually posted on line at our website. Duda, Joshua Stevens, AK Press, and You can see them at Anarchiststudies.org, Charles at Eberhardt Press. just look under “Perspectives.” “The non-sustainability and bankruptcy of the ruling world order is fully evident. The need for alternatives has never been stronger....As we face the double closure of spaces by corporate globalisation and militarised police states, by economic fascism aided by po- litical fascism, our challenge is to reclaim our freedoms and the freedoms of our fellow beings.... At the heart of building alternatives and localising economic and political systems is the recovery of the commons and the reclaiming of community. Rights to natural resources are natural rights.
    [Show full text]
  • The Unreal Estate Guide to Detroit
    The Unreal Estate Guide to Detroit Digitalculturebooks, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. The Unreal Estate Guide to Detroit Andrew Herscher The University of Michigan Press Ann Arbor Copyright © by Andrew Herscher 2012 Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-03521-2 (pbk. : alk. paper) ISBN 978-0-472-02917-4 (e-book) “Precisely because physical devastation on such a huge scale boggles the mind, it also frees the imagination … to perceive reality anew; to see vacant lots not as eyesores but as empty spaces inviting the viewer to fill them in with other forms, other structures that presage a new kind of city which will embody and nurture new life-affirming values in sharp contrast to the values of materialism, individualism and competition that have brought us to this denouement.” —Grace Lee Boggs, The Next American Revolution “The world of capitalist culture, economy,
    [Show full text]
  • Draft Programme
    Conference Programme November 11th: Day One 9.00am Welcome Wharenui LT 1 9.30am Keynote: Constitutional Transformation Wharenui Featuring: Professor Margaret Mutu and Dr Veronica Tawhai LT 1 Constitutional transformation is one of the biggest political ideas Aotearoa must grapple with. But what does it mean? How does it happen? Sparking off our conference, Tayla Cook and Safari Hynes will sit down for a kaputī with Professor Margaret Mutu and Dr Veronica Tawhai, members of Matike Mai Aotearoa, the Independent Working Group on Constitutional Transformation. This intergenerational kōrero will set the scene for the rest of the week, and go straight to the heart of Aotearoa’s biggest questions around Te Tiriti o Waitangi, tino rangatiratanga, mana motuhake and political change. 10.30am Morning Tea 11.00am Papers: “Questioning Place and Privilege” Wharenui Missing from our Refugee Debate: the Right to Cross Borders LT 1 Presented by: Umesh Perinpanayagam Over the last few years activists have focused on (increasing) the New Zealand government’s refugee quota intake — a program which sees the government chose a fixed number of refugees from overseas to be resettled here. However, challenging the government’s policies to stop potential refugees reaching New Zealand borders, where they can claim asylum, has been missing from this debate. These policies have coincided with a marked decline in people claiming asylum here despite an unprecedented number of people displaced by wars and persecution globally — to which Western states have been major contributors. This paper outlines New Zealand government policies based on public sources and official information requests and touches upon their legal and moral implications.
    [Show full text]
  • Making Space
    Alternative radical histories and campaigns continuing today. Sam Burgum November 2018 Property ownership is not a given, but a social and legal construction, with a specific history. Magna Carta (1215) established a legal precedent for protecting property owners from arbitrary possession by the state. ‘For a man’s home is his ASS Archives ASS castle, and each man’s home is his safest refuge’ - Edward Coke, 1604 Charter of the Forest (1217) asserted the rights of the ‘commons’ (i.e. propertyless) to access the 143 royal forests enclosed since 1066. Enclosure Acts (1760-1870) enclosed 7million acres of commons through 4000 acts of parliament. My land – a squatter fable A man is out walking on a hillside when suddenly John Locke (1632-1704) Squatting & Trespass Context in Trespass & Squatting the owner appears. argued that enclosure could ‘Get off my land’, he yells. only be justified if: ‘Who says it’s your land?’ demands the intruder. • ‘As much and as good’ ‘I do, and I’ve got the deeds to prove it.’ was left to others; ‘Well, where did you get it from?’ ‘From my father.’ • Unused property could be ‘And where did he get it from?’ forfeited for better use. ‘From his father. He was the seventeenth Earl. The estate originally belonged to the first Earl.’ This logic was used to ‘And how did he get it?’ dispossess indigenous people ‘He fought for it in the War of the Roses.’ of land, which appeared Right – then I’ll fight you for it!’ ‘unused’ to European settlers. 1 ‘England is not a Free people till the poor that have no land… live as Comfortably as the landlords that live in their inclosures.’ Many post-Civil war movements and sects saw the execution of King Charles as ending a centuries-long Norman oppression.
    [Show full text]
  • LONDON Book Fair 2018 Rights List
    LONDON Book Fair 2018 Rights List Éditions Calmann-Lévy 21, rue du Montparnasse 75006 Paris FRANCE www.calmann-levy.fr Rights Department Patricia Roussel Rights Director [email protected] +33 (0)1 49 54 36 49 Julia Balcells Foreign & Subsidiary Rights [email protected] +33 (0)1 49 54 36 48 Table of contents Highlights Fiction & Non Fiction • Highlights Fiction Camille Anseaume - Four Walls and a Roof - Quatre murs et un toit •6 Sylvie Baron - Rendezvous in Bélinay - Rendez-vous à Bélinay •7 Boris Bergmann - Apnea - Nage libre •8 Roxane Dambre - An Almost Perfect Karma - Un karma presque parfait •9 Marie-Bernadette Dupuy - Amelia, a Heart in Exile - Amélia, un coeur en exil •10 Johann Guillaud-Bachet - Drowned Alive - Noyé vif •11 Érik L’Homme - Tearing the Shadows - Déchirer les ombres •12 Karine Lambert - Once Upon a Tree - Un arbre, un jour •13 Hélène Legrais - The Angels of Beau-Rivage - Les anges de Beau-Rivage •14 Alfred Lenglet - Hearts of Glass - Coeurs de glace •15 Antonin Malroux- The Straw-made Bread - Le pain de paille •16 Éric Le Nabour - Back to Glenmoran - Retour à Glenmoran •17 Florence Roche - Philomena and her kin - Philomène et les siens •18 Julien Sandrel - The Room of Wonders - La Chambre des merveilles •19 Jean Siccardi - Stepping Stone Inn - L’auberge du Gué •20 Laurence Peyrin - The Virgins’ Wing - L’aile des vierges •21 Pascal Voisine - My Kid - Mon Gamin •22 • Highlights Suspense Fiction Jérôme Loubry - The Hounds of Detroit - Les chiens de Detroit •24 Philippe Lyon -The Black Piece - L’oeuvre noire
    [Show full text]
  • Charles Mcgee Was Named by the Kresge Foundation As Their First Eminent Artist Award Winner in 2008
    2008 Kresge Eminent Artist Contents The Kresge Eminent Artist Award honors an exceptional artist in the visual, performing or literary arts for his or her professional achievements and contributions to Metropolitan Detroit’s cultural community. The award, which includes a $50,000 prize, is unrestricted and is given annually to an artist who has lived and worked in Wayne, Oakland or Macomb Counties for a significant number of years. Charles McGee was named by The Kresge Foundation as their first Eminent Artist Award winner in 2008. This monograph has been created to commemorate this honor and is being published in 2010. 3 | Foreword 6 | Composition: 18 | Evolution: 30 | Environment: 48 | 54 | On the by Rip Rapson the Nature of Signature McGee McGee in Public Metamorphosis: Kresge Eminent President and McGee the Life, the Art Artist Award CEO, The Kresge 20 | Charles 32 | Artist of and of McGee Foundation 9 | The Mystery McGee for the People 56 | A Letter from of Genius by Marsha Miro by Sue Levytsky 50 | Biography Richard L. Rogers 1 5 | Artist’s by Marion Jackson President, College 2008 Statement 22 | Charting the 36 | Education for Creative Studies Kresge Eminent 11 | A Legend in Course of Time: A Conversation Artist His Own Time The Work of with Charles Professional 57 | A Tribute from by Michael Hodges Charles McGee by Nick Sousanis Activities Michelle Perron by MaryAnn Solo Exhibitions Director, Kresge 16 | Paths of the Wilkinson 40 | What’s Next, Arts in Detroit Traveled Artist Charles? Selected Group by Bill Harris 26 | The McGee by Nick Sousanis Exhibitions 58 | Kresge Arts Dynamic in Detroit – Advisory by Dennis Alan 43 | A Letter Selected Honors Council Nawrocki in Tribute from Graham W.
    [Show full text]
  • Anarchist Fortnightly 30P 1 7Th April 1982 Vol 43 No 7
    anarchist fortnightly 30p 1 7th April 1982 Vol 43 No 7 IF Andrew Lloyd Webber is so hooked on By the time you are reading this, com- it before that, had evacuated all their Argentinian politics that he ever wants rade, you will probably know the end of ‘possessions’ in the South Atlantic and to write a sequel to ‘Evita’he could hardly this divertissement, for things are happen- claim had been laid to it by the newly do better than pick up a scenario from ing so quickly that as we go to press we emerging state of Argentina— who made the media of last week and write songs to can only say that the British Fleet, God the mistake of not occupying and planting fit. Bless ’Er, is still steaming resolutely south- a flag on the relatively barren islands, 400 In fact, some of the songs are already wards towards the 200-mile circle declared miles off the eastern shores of Patagonia. there, with a bit of pirating, which would out-of-bounds for Argentininan ships by Those were still the heydays of Empire, be appropriate. Alter the lyrics of ‘Georgia the Lord High of the Admiralty here in especially the British Empire , and anybody On My Mind’ and stir in a bit of ‘Any Old London where everybody is still deter- finding the odd island floating around Iron’ and you’ve got the opening number mined to hang on to the ownership of a without a flag on it (even 8000 miles away) with all those scrap merchants landing on couple of barren rocks pinched by our felt entitled to stick up their own flag and South Georgia (where?) to demolish an ancestors in the nineteenth century.
    [Show full text]
  • Cass Corridor Documentation Project Oral History Project
    Schaerges Interview, 1 Cass Corridor Documentation Project Oral History Project Interviewee: Allen Schaerges Relationship to Cass Corridor: Collector, Willis Gallery Property Owner, Initiated Dally in the Alley Interviewer: Elizabeth Gruber Date of Interview: April 7, 2011 Location: Schaerges’s law office on Second Avenue, Detroit, Michigan Gruber: All right, this is Beth Gruber and I am interviewing Mr. Schaerges. Today is April 7, 2011 and we are at Mr. Schaerges’ office on Second Street in Detroit. Can you tell me about where you were born and where you grew up? Schaerges: I was born in Indiana in 1946 and grew up at Thirteen Mile and Woodward, where I rode my bike. I went to Albion College, spent three years in the army, came down to Wayne State to go to Law School in 1971 and forty years later I’m still here. Gruber: I have to say, I went to Albion as well. So that’s nice to know. What did your parents do for a living? Schaerges Interview, 2 Schaerges: My father worked for an automobile supplier and my mother was a classic housewife who never worked a day after she got married. Gruber: Did you have any siblings? Schaerges: I have a brother and sister who both live in California and I have been married thirty years, to Carol. Gruber: When was the first time you remember being interested in art. Schaerges: For the high school class gift from Birmingham Groves Class of 1964, I think I persuaded my classmates that we should give the school a piece of art.
    [Show full text]