An Experiment in Autobiographical Fiction
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ELA 10 Academic Lit and Comp
PLANNED COURSE OF STUDY Course Title English Literature and Composition - Academic Grade Level Tenth Grade Credits One Content Area / Dept. English Language Arts Length of Course One semester Author(s) J. McCaslin, K. Ward, G. Woehlcke Course Description: Literature and Composition (Academic), a diverse, thematically structured course, expands upon the writing process and the development of literary analysis skills. Students write a series of analytical and reader response essays and read from a variety of literary genres. Instruction focuses on analyzing literary elements, analyzing author’s purpose, and writing with precision and focus. Additionally, students learn and practice research skills and processes. Grammar usage within the context of students’ reading and writing is an integral component. Students also continue their study of vocabulary through close analysis of literary passages. Though many years of English education can have a bearing on their results, students take the Literature Keystone Exam in grade 10 in addition to their final exams. Course Rationale: The works in the tenth-grade curriculum compel all of us to examine who we are as storytellers. As students progress through the course, they engage in conversations about how we communicate our identities through the observations, insights, and stories we tell. To this end, students closely examine the obvious ways in which we communicate tone through language, movement, and the nature of our conflicts. These conversations yield valuable dialogue and allow multiple openings to evaluate how an author forms a literary identity. Equally important, students have the opportunity to self-reflect on their own identity. Ultimately, students can see how conflict shapes identity and produces insight and growth. -
This Book Was First Published in 1951 by Little, Brown and Company
This book was first published in 1951 by Little, Brown and Company. THE CATCHER IN THE RYE By J.D. Salinger © 1951 CHAPTER 1 If you really want to hear about it, the first thing you'll probably want to know is where I was born, an what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all--I'm not saying that--but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour. -
The Transformation Test: Artistic Expression, Fair Use, and the Derivative Right
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Florida International University College of Law FIU Law Review Volume 6 Number 1 Article 10 Fall 2010 The Transformation Test: Artistic Expression, Fair Use, and the Derivative Right Frank Houston Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation Frank Houston, The Transformation Test: Artistic Expression, Fair Use, and the Derivative Right, 6 FIU L. Rev. 123 (2010). Available at: https://ecollections.law.fiu.edu/lawreview/vol6/iss1/10 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. The Transformation Test: Artistic Expression, Fair Use, and the Derivative Right * Frank Houston “It would be a dangerous undertaking for persons trained only to the law to constitute themselves final judges of the worth of [art] . .”1 – Justice Oliver Wendell Holmes The fair use doctrine is perhaps copyright law’s most malleable concept. Defined as a privilege allowing the use of copyrighted ma- terial, for limited purposes, without the copyright owner’s consent,2 fair use stands for the proposition that copyright protection is not ab- solute. Copyright law’s purpose is twofold: It protects the remunera- tive interests of authors, and it cultivates a culture of learning and creativity.3 If its protections are too narrow, copyright’s incentives may be inadequate to motivate authors to create; if they are extended too broadly, copyright owners might chill discourse and cultural de- velopment.4 Fair use straddles this divide. -
The Burglar in the Rye
The Burglar in the Rye LAWRENCE BLOCK this one’s for Joe Pittman CONTENTS CHAPTER One The lobby was a bit the worse for wear. The… CHAPTER Two The business is Barnegat Books, an antiquarian bookstore on East… CHAPTER Three Since I’d missed lunch, you could say that I’d had… CHAPTER Four The Paddington had a single stairwell, and the fire door… CHAPTER Five I didn’t bide my time on the fire escape. I… CHAPTER Six I suppose I should begin at the beginning. It started… CHAPTER Seven “So this is rye,” Carolyn said. “It tastes a little… CHAPTER Eight Gulliver Fairborn would have hated it. CHAPTER Nine It was Ray Kirschmann, wearing a dark blue suit and… CHAPTER Ten “Whatever you’re doin’,” she growled, “keep doin’ it. Words of… CHAPTER Eleven “Kessler’s Maryland Rye Whiskey,” Martin Gilmartin pronounced, holding his glass… CHAPTER Twelve “The cat uses the toilet,” Henry Walden said. “But of… CHAPTER Thirteen I woke up eight hours later, well rested, glad to… CHAPTER Fourteen But by then I was standing in the bathtub, cowering… CHAPTER Fifteen Remarkably enough, I was open for business a few minutes… CHAPTER Sixteen In the time I was gone, Henry had made a… CHAPTER Seventeen “A dead woman,” I said. CHAPTER Eighteen It was getting on for nine that night by the… CHAPTER Nineteen Ray Kirschmann scratched his head. “I dunno,” he said. “Them’s… CHAPTER Twenty Isis Gauthier’s room was a lot nicer than mine. It… CHAPTER Twenty-one Everyone looked at Carl Pillsbury, and I have to hand… CHAPTER Twenty-two “Bernie,” she said, as if she’d just been stabbed in… CHAPTER Twenty-three I have to say the fresh air was welcome. -
The Genesis of Theme in Salinger: a Study of the Early Stories
The genesis of theme in Salinger: a study of the early stories Item Type text; Thesis-Reproduction (electronic) Authors Taiz, Nard Nicholas, 1939- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 05:33:52 Link to Item http://hdl.handle.net/10150/317934 THE GENESIS OF THEME IN SALINGER: A STUDY OF THE EARLY STORIES by Nard Nicholas Taiz A Thesis Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 6 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission? provided that accurate acknowl edgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the inter ests of scholarship« In all other instances9 however, permission must be obtained from the author. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON -
I Kissed Lanie Goodbye
I Kissed Lanie Goodbye: What Evangelicals Can Learn From the Relationships of Seinfeld's Elaine Benes A Downloadable White Paper / e-Book Presented Free of Charge by Gut Check Press™ By Ted Kluck and Zachary Bartels September, 2013 gut check smackademic ™ For Frank Turk, who would have totally dated Elaine had he been a character on Seinfeld . (Or maybe he would have played Costanza’s brother.) Note : If you enjoy this white paper, please visit www.gutcheckpress.com and check out our satires (available as e-books and paperbacks) and our new book, The Christian Gentleman’s Smoking Companion: A Celebration of Smoking Cigars and Pipes to the Glory of God. Authors: Ted Kluck, MFA is the author of many books, on topics ranging from Mike Tyson to the Emergent Church. Both Why We’re Not Emergent and Why We Love the Church (with Kevin DeYoung) won Christianity Today Book of the Year awards, and Paper Tiger: One Athlete’s Journey to the Underbelly of Pro Football won a Michigan Notable Book award in 2008. His work has also appeared in ESPN the Magazine and Christianity Today . Ted has played professional indoor football, coached high school football, trained as a professional wrestler, served as a missionary, and taught writing courses at the college level. He lives in Grand Ledge, MI with his wife Kristin and sons Tristan and Maxim. He once owned a used Volvo and currently has a boxing ring in his basement. Zachary Bartels, M.Div . is an award-winning preacher and Bible teacher (and, apparently, some sort of self-styled social scientist). -
Symbolism in the Catcher in the Rye by J.D. Salinger
JIHOČESKÁ UNIVERZITA V ČESKÝCH BUDĚJOVICÍCH FILOZOFICKÁ FAKULTA ÚSTAV ANGLISTIKY BAKALÁŘSKÁ PRÁCE SYMBOLISM IN THE CATCHER IN THE RYE BY J.D. SALINGER Vedoucí práce: Richard Stock, Ph.D. Autor práce: Jana Šojdelová Studijní obor: Bohemistika – Anglistika Ročník: 2. 2014 Prohlašuji, že svoji bakalářskou práci jsem vypracovala samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své bakalářské práce, a to v nezkrácené podobě elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. České Budějovice, 1. 5. 2014 …………………………… Acknowledgements I would like to sincerely thank my supervisor Richard Stock, Ph.D. for his valuable suggestions, insight and help. I am grateful for the constant support from my family and friends, and their willingness to listen to my endless “catcher” talk. Finally, my thanks also belong to J.D. Salinger and Holden, for making me feel understood and not alone. Anotace Nejpodstatnějším motivem románu J. D. Salingera, Kdo chytá v žitě, je všudypřítomný boj hlavního hrdiny Holdena Caulfielda s dospíváním, který ho nakonec po neúspěšném hledání svého místa ve společnosti dožene k nervovému zhroucení. -
Socialization, Sexuality, and Innocence in the Catcher in the Rye
Socialization, Sexuality, and Innocence in The Catcher in the Rye Eero Helenius University of Tampere School of Language, Translation and Literary Studies English Philology Master’s Thesis May 2014 Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden laitos HELENIUS, EERO: Socialization, Sexuality, and Innocence in The Catcher in the Rye Pro gradu -tutkielma, 88 sivua Kevät 2014 J.D. Salingerin 1951 julkaistu romaani The Catcher in the Rye (suom. Sieppari ruispellossa) on yksi kaikkien aikojen myydyimpiä kirjoja. Kirjassa sen päähenkilö, 16-vuotias Holden Caulfield, kertoo lukijoilleen siitä, mitä hänelle tapahtuu hänen paettuaan eräästä yksityiskoulusta vi- ikonlopuksi New Yorkiin kun hänet on erotettu koulusta huonon koulumenestyksen vuoksi. Vuonna 1950 julkaistiin sosiologi David Riesmanin teos The Lonely Crowd (suom. Yksinäinen väk- ijoukko). Kirjassa Riesman esittelee kolme historiallista luonnetyyppiä: perinneohjautuvan, sisältäohjautuvan, sekä ulkoaohjautuvan tyypin. Lisäksi hän listaa kolme niin sanottua univer- saalia luonnetyyppiä: mukautuneen, itsenäisen, sekä anomisen luonnetyypin. Tutkielmassa käydään läpi Riesmanin kaikki kuusi luonnetyyppiä sekä niihin liittyviä muita teorioita ja todetaan, että luonnetyypeistä kaikki ovat selkeästi edustettuina Salingerin ro- maanissa. Tämä osoittaa osaltaan, että Salingerin ja Riesmanin teokset ovat paitsi otollisia ku- via oman aikansa yhteiskunnasta, niin myös sen, että Riesmanin teoriat soveltuvat paitsi sosi- ologiseen niin myös kirjallisuustieteelliseen -
2 the Catcher in the Rye 13 2.1 Publication in the United States
RUSSIAN AND EURASIAN STUDIES MASTER THESIS The Catcher in the Rye Reception after its First Publication in Soviet Russia July 2017 R.M. Verkerke s0954594 Master Thesis R.M. Verkerke 2 Acknowledgements This research would not have been possible without the help of many people. First of all I would like to thank Professor Boele for suggesting this topic and giving me the opportunity to do a part of my research in Moscow. Besides that I am very grateful to all librarians from the Library of Foreign Literature, Library of Russian Emigrants, and Lenin State Library, who helped me finding relevant literature on my topic in Moscow. Also I would like to thank the editorial board of Inostrannaya Literatura for providing me with all the information I asked for; Daria, my former teacher from Perm State University, for answering all my questions about Russian formal letter writing and deciphering unreadable handwriting; Valeria for her advice on some of my translations and everything else; Michelle for proofreading; and last but not least Ruud, for his patience and support over the last year. Figure 1: Russian State Archive of Literature and Art, Moscow - January 2017 3 Master Thesis R.M. Verkerke 4 Translations and Transliteration All translations are done by myself, unless indicated otherwise. See the appendix for the original Russian texts from documents of RGALI. For the transliteration of the Cyrillic alphabet I used the following system: Cyrillic Latin Cyrillic Latin a a р r б b с s в v т t г g у u д d ф f е e х kh ж zh ц ts з z ч ch и i ш sh й i щ shch к k ъ - л l ы y м m ь - н n э e о o ю yu п p я ya 5 Master Thesis R.M. -
Lyrics Hello and Goodbye Corrsthe
Lyrics Hello And Goodbye – Corrs, The 1 / 5 Lyrics Hello And Goodbye – Corrs, The 2 / 5 3 / 5 Corrs - Hello And Goodbye tekst lyrics: [MADONNA:]Hello and goodbyeI've just unemployed youYou can go back to schoolYou've had a good runI'm sure he ... Heaven Knows · Hello And Goodbye · Hopelessly Addicted · Hurt Before. Head In The Air Lyrics & Music By: The Corrs Transcribed By: www.thecorrs.com ... I Gave Up Alcohol and Soda For 30 Days, and Here’s What I Learned Veja as letras de The Corrs e ouça "Breathless", "Only When I Sleep", "Runaway", "What ... Don't Come Knocking (Andrea Corr and Bono) ... Hello and Goodbye.. Lyrics by: tim rice sung by: madonna, andrea corr, jonathan pryce. Music by: andrew lloyd webber transcribed .... Ellis Island Songtext von The Corrs mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf ... Goodbye Ellis Island, hello land of free.. "Goodbye" is a single by The Corrs, released in 2006 from their compilation album Dreams. ... CorrsGoodbyeSingle.jpg ... Lyrics of this song at MetroLyrics. 010 Editor 8.0 Crack With Keygen Download 3 Free Remote Monitoring and Management Tools Progressive House Hunger Template For FL STUDiO + WAV CONSTRUCTiON KIT MiDi SYLENTH1 Presets Goodbye Ellis Island, hello land of free. Every man and woman. Every girl and boy. Sing out Ellis Island Sing a song of hope. Sing for us together. Sing we're not .... Letras de The Corrs para você acompanhar com vídeos, traduções, fotos e muito ... Head In The Air · Heart Like a Wheel · Heaven Knows · Hello and Goodbye .... View the 171 full and accurate lyrics we have for "The Corrs" on LyricsBox.com. -
Ecological Models of Musical Structure in Pop-Rock, 1950–2019
Ecological Models of Musical Structure in Pop-rock, 1950–2019 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas J. Shea, M.A., B.Ed. Graduate Program in Music The Ohio State University 2020 Dissertation Committee: Anna Gawboy, Advisor and Dissertation Co-Advisor Nicole Biamonte, Dissertation Co-Advisor Daniel Shanahan David Clampitt Copyright by Nicholas J. Shea 2020 Abstract This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular- music guitarists. Each offers gestural analyses that provide an alternative to the object- oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between “pop” and “rock” music. ii Dedication To Anna Gawboy, who is always in my corner. iii Acknowledgments Here I face the nearly insurmountable task of thanking those who have helped to develop this research. Even as all written and analytical content in this document is my own, I cannot deny the incredible value collaboration has brought to this inherently interdisciplinary study. I am extremely fortunate to have a small team of individuals on which I can rely for mentorship and support and whose research backgrounds contribute greatly to the domains of this document.