The William Tell Overture
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L Ethics Update 2010 L
COLUMBIAN LAWYERS ASSOCIATION First Judicial Department An Association Of Attorneys Of Italian American Descent 8 East 69th Street, New York, NY 10021 • Tel: (212) 661-1661 • Fax: 212) 557-9610 • www.columbianlawyers.com L L ETHICS UPDATE 2010 2010 THE NEW RULES OF CONDUCT OUR 55th YEAR Presented by Sarah Jo Hamilton, Esq., Scalise & Hamilton, LLP. Special Guest Speaker: Officers Hon. Angela Mazzarelli, Appellate Division, First Department Joseph DeMatteo President Wednesday, February 3, 2010 at 6:00 p.m. Sigismondo Renda First Vice President The Columbus Club – 8 East 69th Street, NY, NY Steven Savva Attendees receive 2 CLE Credits in Ethics (transitional) Second Vice President Maria Guccione RSVP (212) 661-1661, ext. 106 Treasurer Victoria Lombardi Members/Friends*: Dinner & Credits: $100.00 Executive Secretary Hon. Patricia LaFreniere Dinner Only: $100.00 Recording Secretary Marianne E. Bertuna Non-Members: Dinner & Credits: $150.00 Financial Secretary Dinner Only: $125.00; Credits Only: $50.00 Joseph Longo Parliamentarian * If your dues are not current, you will be charged the Non-Member Board Of Directors rate for attendance at the CLE Dinner Programs. Andrew Maggio - Chairman Gerry Bilotto - 2012 L Don’t Miss This Outstanding CLE Program! L Michael Scotto 2012 Paolo Strino 2012 *RSVP IS REQUIRED FOR THIS EXCEPTIONAL PROGRAM* John DeChiaro - 2011 Matthew Grieco - 2011 Effective April 2009, each branch of the Appellate Division adopted the American Bar Association’s Model Leonardo DeAngelica - 2011 Donna D. Marinacci - 2010 Rules of Professional Conduct, introducing a variety of significant changes to the ethics rules under which Thomas Laquercia - 2010 + attorneys have been practicing for years. -
Ctspubs Brochure Nov 2005
THE MUSIC OF CLAUDE T. SMITH CONCERT BAND WORKS ENJOY A CD RECORDING CTS = Claude T. Smith Publications WJ = Wingert-Jones HL = Hal Leonard TITLE GRADE PUBLISHER TITLE GRADE PUBLISHER $1 OF THE MUSIC OF 7.95 each Acclamation..............................................................5 ..............Kalmus Intrada: Adoration and Praise ..................................4 ................CTS All 6 for Across the Wide Missouri (Concert Band) ................3..................WJ Introduction and Caccia............................................3 ................CTS $60 Affirmation and Credo ..............................................4 ................CTS Introduction and Fugato............................................3 ................CTS Claude T. Smith Allegheny Portrait ....................................................4 ................CTS Invocation and Jubiloso ............................................2 ..................HL Allegro and Intermezzo Overture ..............................3 ................CTS Island Fiesta ............................................................3 ................CTS America the Beautiful ..............................................2 ................CTS Joyance....................................................................5..................WJ CLAUDE T. SMITH: CLAUDE T. SMITH: American Folk Trilogy ..............................................3 ................CTS Jubilant Prelude ......................................................4 ..................HL A SYMPHONIC PORTRAIT -
Classics 3: Program Notes Overture to Candide Leonard Bernstein Born in Lawrence, Massachusetts, August 25, 1918
Classics 3: Program Notes Overture to Candide Leonard Bernstein Born in Lawrence, Massachusetts, August 25, 1918; died in New York, October 14, 1990 After collaborating on The Lark, a play with incidental music about Joan of Arc, Leonard Bernstein and Lillian Hellman turned their attention in 1954 to Voltaire’s novella Candide. They thought it the perfect vehicle to make an artistic statement against political intolerance in American society, just as Voltaire had done in eighteenth-century France. After bringing in poet Richard Wilbur to write the lyrics, they worked intermittently on Candide for two years. Enormous amounts of money were spent on the production, which opened in Boston on October 29, 1956. Though many critics called it brilliant, the production failed financially; after moving to New York in December, it was shut down after just seventy-three performances. Everyone had someone to blame, but many thought it failed because of audience confusion about its hybrid nature—was it an opera, operetta, or a musical? Leonard Bernstein: celebrating his The story revolves around the illegitimate Candide, who centennial loves and is loved in return by Cunegonde, daughter of nobility. They are plagued by myriad disasters, which lead them from Westphalia to Lisbon, Paris, Cadiz, Buenos Aires, Eldorado, Surinam, and finally Venice, where they are united at last. Bernstein’s often witty, sometimes tender music has been considered the work’s greatest asset, both in the initial failed production and in later successful versions. The Overture, possibly Bernstein’s most frequently performed piece, perfectly captures the mockery and satire as well as the occasional introspective moment of Voltaire’s masterful creation. -
Xerox University Microfilms 300 North Zaab Road Ann Arbor, Michigan 46106 I I
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Friedrich Schiller - Poems
Classic Poetry Series Friedrich Schiller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Friedrich Schiller(10 November 1759 – 9 May 1805) Johann Christoph Friedrich von Schiller was a German poet, philosopher, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with already famous and influential <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Johann Wolfgang Von Goethe</a>. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. <b>Life</b> Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the only son of military doctor Johann Kaspar Schiller (1733–96), and Elisabeth Dorothea Kodweiß (1732–1802). They also had five daughters. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him. Due to the high cost of living—especially the rent—the family moved to nearby Lorch. -
PROGRAM NOTES Ludwig Van Beethoven Overture to Fidelio
PROGRAM NOTES by Phillip Huscher Ludwig van Beethoven Born December 16, 1770, Bonn, Germany. Died March 26, 1827, Vienna, Austria. Overture to Fidelio Beethoven began to compose Fidelio in 1804, and he completed the score the following year. The first performance was given on November 20, 1805, at the Theater an der Wien in Vienna. Beethoven revised the score in preparation for a revival that opened there on March 29, 1806. For a new production in 1814, he made substantial revisions and wrote the overture performed at these concerts. The overture wasn’t ready in time for the premiere on May 23, 1814, in Vienna’s Kärntnertor Theater, but it was played at the second performance. The overture calls for an orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, two trombones, timpani, and strings. Performance time is approximately six minutes. The Chicago Symphony Orchestra’s first subscription concert performances of Beethoven’s Overture to Fidelio were given at the Auditorium Theatre on December 14 and 15, 1894, with Theodore Thomas conducting. Our most recent subscription concert performances of the overture (and the complete opera) were given at Orchestra Hall on May 26, 28, and 31, 1998, with Daniel Barenboim conducting. The Orchestra first performed this overture at the Ravinia Festival on July 16, 1938, with Willem van Hoogstraten conducting, and most recently on July 30, 2008, with Sir Andrew Davis conducting. Nothing else in Beethoven’s career caused as much effort and heartbreak as the composition of his only opera, which took ten years, inspired four different overtures, and underwent two major revisions and a name change before convincing Beethoven that he was not a man of the theater. -
Activity #1, Overture to William Tell
STUDENT ACTIVITIES Student Activities – Activity #1, Overture to William Tell William Tell is an opera written by the composer Gioachino Rossini. This famous piece is based upon the legend of William Tell and has been used in cartoons, movies, and even commercials! Listen to the Overture to William Tell and see if you recognize it! https://www.youtube.com/watch?v=YIbYCOiETx0 Read the Legend of William Tell. This was Rossini’s inspiration for writing the opera! THE LEGEND OF WILLIAM TELL William Tell is a Swiss folk hero. As the legend goes, William Tell was known as a mighty man who was an expert with the crossbow. After refusing to pay homage to the Austrian emperor, Tell was arrested and the emperor deemed that William and his son Walter be executed. However, the emperor would let them go free if William was able to shoot an apple off the head of his son! Walter nervously stood against a tree and an apple was placed upon his head. William successfully shot the apple from 50 steps away in front of a crowd of onlookers! William Tell and his never ending fight for liberty helped start the rebellion against the emperor and other tyrants as well. FWPHIL.ORG 1 STUDENT ACTIVITIES Activity #1, Overture to William Tell Listen to the musical excerpt again and answer the 5. Although there are no horses in the following questions. Rossini opera, this music was used as the theme song for “The Lone Ranger” 1. Do you recognize the overture to William Tell? as he rode his galloping horse! It has however, been used in commercials and even cartoons! Where else have you heard this piece? Explain. -
2011 Tanglewood Season Listing All Programs and Artists Are Subject to Change
2011 Tanglewood Season Listing All programs and artists are subject to change. Saturday, June 25, at 7 p.m. Koussevitzky Music Shed Earth, Wind, and Fire Tuesday, June 28, 11 a.m. and 3 p.m. Theatre Wednesday, June 29, 11 a.m. and 3 p.m. Theatre String Quartet Marathon Two 2‐hour concerts each day Tuesday, June 28, 8 p.m. Ozawa Hall Wednesday, June 29, 8 p.m. Ozawa Hall Mark Morris Dance Group Tanglewood Music Center Fellows Mark Morris, choreographer Yo‐Yo Ma, cello Isaac Mizrahi, costume designer Phil Sandstrom and Michael Chybowski, lighting designers Frisson Stravinsky ‐ Symphonies of Wind Instruments New work (world premiere; BSO commission) Stravinsky ‐ Renard Falling Down Stairs J.S. Bach ‐ Suite No. 3 in C for solo cello, BWV 1009 Thursday, June 30, 8 p.m. Ozawa Hall James Taylor in Ozawa Hall James Taylor and guests In the more intimate setting of Tanglewood's Ozawa Hall, James Taylor offers the music that has made him one of the most beloved artists of our day. Friday, July 1, 8:30 p.m. Shed James Taylor and the Boston Pops Boston Pops James Taylor, soloist John Williams, conductor Tanglewood’s favorite singer joins “America's Orchestra,” the Boston Pops and John Williams for a remarkable collaboration. Saturday, July 2, 5:45 p.m. Shed A Prairie Home Companion at Tanglewood with Garrison Keillor Live broadcast Sunday, July 3, 7 p.m. Shed Monday, July 4, 7 p.m. Shed The Essential James Taylor James Taylor returns to Tanglewood with his extraordinary band of musicians for two spectacular performances. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
Program Notes
Program Notes Program Notes by April L. Racana Wed. October 19 The 105th Tokyo Opera City Subscription Concert 10 19 Macbeth was Verdi’s tenth opera, years in developing Italian opera. The Giuseppe Verdi (1813-1901) composed originally in 1847, and revised effectiveness of these sonorities to Opera“Luisa Miller” Overture (Ca. 6min) significantly in 1865. Based on the convey the heights and depths of each Shakespeare play, the composer worked of the character’s emotions as well as Ballet Music from Opera“Macbeth” (ca. 12 min) closely with Francesco Maria Piave (and set the stage for his operas and draw the later Andrea Maffei) to create the libretto. audience into each scene is a testament Verdi has been quoted as saying that the to the talents of Verdi’s writing. In Giuseppe Verdi is known as one of becomes a victim of her male love- bard was “one of my very special poets, addition, they have withstood the test of the primary figures contributing to the interest, who she knows as Carlo, but and I have had him in my hands from time with audiences, even though the development of Italian opera during the who is really Rodolfo, the son of a local earliest youth, and I read and re-read him operas themselves have, at times, had time when Italian nationalism was on the count. Rodolfo, in turn loves her, but continually.” So much so that he would limited performances. rise. By the time La Traviata was staged is tricked into poisoning both her and go on to compose two more operas based in 1853, Verdi had already composed himself. -
"FEAR" Cast: LONE RANGER TONTO DAN REED SHERIFF JIM BARNES
THE LONE RANGER: "FEAR" Cast: LONE RANGER TONTO DAN REED SHERIFF JIM BARNES EVERETT BARNES BARKEEP BANKER THOMAS JUDY MASON MONK SAVAGE TRIG SLIM GLETCHER BILLY JOHNNY U.S. MARSHAL MUSIC:WILLIAM TELL OVERTURE - HORSE GALLOPING LR:"HI HO, SILVER, AWAY!!" FX:SHOTS (6) ANNOUNCER:A FIERY HORSE WITH THE SPEED OF LIGHT, THE CLOUD OF DUST AND A :HEARTY "HI HO SILVER" -- THE LONE RANGER! FX:WILLIAM TELL OVERTURE (THE WHOLE THING) ANNOUNCER:With his faithful Indian companion Tonto, the daring and resourceful masked rider of the plains led the fight for law and order in the early western United States. No where in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. FX:GRADUALLY BRING UP HOOF BEATS ANNOUNCER:From out of the past come the thundering hoof beats of the great horse Silver. The Lone Ranger rides again! FX:LOUD HOOFBEATS LR (from a distance):Come on, Silver! Let's go, big fella! Hi Ho, Silver -- AWAAYY!! FX:HOOFBEATS FADE TO MUSIC - BRING MUSIC UP (KEEP MUSIC UNDER ANNOUNCER) ANNOUNCER:There was death in Piute Basin that afternoon. It's ugly pattern was in the ugly swoop of a single buzzard that hovered high overhead. Its ominous threat was in the stifling heat of a relentless sun and its certainty was in the eyes of a man who lay mortally wounded at the foot of Indian Bluff. His eyes now dimming rapidly saw three horsemen rein up their mounts a short distance from where he lay. -
The Legend of William Tell the Choice
Lexia® PowerUp Literacy® Title Comprehension Passages The Legend of William Tell The Choice LEVEL 8, ACTIVITY 4 The Legend of William Tell [1] Long ago, the people of Switzerland did not rule themselves. Instead, they were forced to obey officials from the powerful Austrian empire. One official was a man named Gessler, and he was especially proud and cruel. Gessler put up a pole in the town square and set his hat on its top. He told his soldiers, “Guard this pole! Make sure that everyone who comes near bows to my hat. These people must show respect to my power. If they refuse, arrest them!” [2] The people were too frightened of Gessler and his brutal soldiers to even think of disobeying. All of them bowed to the hat—all but one. William Tell, known as the best hunter in the region, glanced up at the hat, gave a disgusted snort, and walked right by. The soldiers arrested him and brought him to Gessler. [3] Gessler narrowed his eyes as he looked at Tell, who stood tall with a green cap on his head. “I have heard of you,” Gessler said. “You have a reputation for being good with a crossbow.” “I have some skill,” replied Tell, a slight smile on his face. “Then I will put you to the test,” Gessler said, chuckling. “Your son will stand in the town square with an apple on his head. You must stand at 20 strides and shoot an arrow into the apple. If you succeed, you will go free.” [4] “And if I refuse?” asked Tell.