Accounting for the Salvation Army: a Narrative Approach
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The Salvation Army Bahamas Division 2020 ANNUAL REPORT 1 SALVATION ARMY BAHAMAS DIVISION 2020 TABLE of CONTENTS
The Salvation Army Bahamas Division 2020 ANNUAL REPORT 1 SALVATION ARMY BAHAMAS DIVISION 2020 TABLE OF CONTENTS 04 About The Salvation Army 06 Advisory Board 08 Message from the Chairman 10 Message from the Divisional Commander Service is our watchword, and there is no 12 reward equal to that of doing the most good to Key Stats the most people in the most need. 14 -Evangeline Booth Annual Highlights 16 Financial Statement 18 Our Partners 19 William Booth Society 20 Thrift Shop Donors 21 People Helping People 2 ANNUAL REPORT SALVATION ARMY BAHAMAS DIVISION 2020 SALVATION ARMY BAHAMAS DIVISION 2020 The Army in The Bahamas The administrative offices (or Divisional Headquarters) for The Salvation Army are located on 31 Mackey Street, Nassau. From this location, The Salvation Army coordinates all of its programs and services rendered in The Bahamas. The Divisional Commander is directly responsible for the Army’s work and business in The Bahamas, and is ably supported at Divisional Headquarters by other Salvation Army officers, advisory board members, employees and volunteers. The Salvation Army in The Bahamas falls under the administrative jurisdiction of the Caribbean Territory, with Territorial Headquarters in Kingston, Jamaica. The Salvation Army’s international offices are in London, England, where the General, the Army’s world leader, gives guidance to the organization in 113 countries around the world. How it all got started In 1931 Colonel Mary Booth, then Territorial Commander for The Salvation Army in the Caribbean, was on her way to Bermuda from the Territorial Headquarters in Jamaica when the ship she was sailing in made a brief stop at the port in Nassau. -
Introduction
Official WANDSWORTH BOROUGH COUNCIL BUILDINGS OF SPECIAL ARCHITECTURAL OR HISTORIC INTEREST INTRODUCTION The Secretary of State for Digital, Culture, Media and Sport is required to compile lists of buildings of special architectural or historic interest for the guidance of local planning authorities. Conservation policies are often based on the lists, which are being revised within nationally applied surveys of specific building types. How Buildings are Chosen The principles of selection for these lists were originally drawn up by an expert committee of architects, antiquarians and historians, and are still followed, although now adapted to thematic surveys and Post-War buildings. Buildings that qualify for listing are:- (a) All buildings before 1700 which survive in anything like their original condition. (b) Most buildings between 1700-1840, though some selection is necessary. (c) Between 1840 and 1914 only buildings of definite quality and character, the selection being designed to include the best examples of particular building types. (d) Selected buildings from the period after 1914 are selected on the same basis. (e) Buildings under 30 years old (but more than ten) are normally listed only if they are of outstanding quality and under threat. In choosing buildings, particular attention is paid to:- � Special value within certain types, either for architectural or planning reasons or as illustrating social and economic history (for instance, industrial buildings, railway stations, schools, hospitals, prisons, theatres). � Technological innovation or virtuosity (for instance cast iron, prefabrication, or the early use of concrete). � Group value, especially as examples of town planning (for instance, squares, terraces or model estates). � Association with well-known characters or events. -
History of the Salvation Army Early Beginnings the Salvation Army Is
History of the Salvation Army Early Beginnings The Salvation Army is an international organization, which began humbly in 1865 under the guidance of a radical Methodist minister named William Booth. More than 130 years later, The Salvation Army now stretches across the globe with churches and missions on every continent except Antarctica. With its international headquarters in London, England, The Salvation Army is dedicated to spreading the Gospel of Jesus Christ and ministering whenever and wherever there is need. The Salvation Army was founded by William Booth, an ordained Methodist minister. Aided by his wife Catherine, Booth formed an evangelical group dedicated to preaching among the “unchurched” people living in the midst of appalling poverty in London’s East End. Booth abandoned the conventional concept of church and a pulpit, instead taking is message to the people. His fervor led to disagreement with church leaders in London, who preferred traditional methods. As a result, he withdrew from the church and traveled throughout England, conducting evangelistic meetings. In 1865, William Booth was invited to hold a series of Evangelistic meetings in the East of London. He set up a tent in a Quaker graveyard, and his services became an instant success. This proved to be the end of his wanderings as an independent traveling evangelist. His renown as a religious leader spread throughout London, and he attracted followers who were dedicated to fighting for the souls of men and women. Thieves, prostitutes, gamblers and drunkards were among Booth’s first converts to Christianity. To congregations that were desperately poor, he preached hope and salvation. -
Out There: Our Post-War Public Art Elisabeth Frink, Boar, 1970, Harlow
CONTENTS 6 28—29 Foreword SOS – Save Our Sculpture 8—11 30—31 Brave Art For A Brave New World Out There Now 12—15 32—33 Harlow Sculpture Town Get Involved 16—17 34 Art For The People Acknowledgements 18—19 Private Public Art 20—21 City Sculpture Project All images and text are protected by copyright. No part of this book may be reprinted or reproduced 22—23 in any form or by any electronic means, without written permission of the publisher. © Historic England. Sculpitecture All images © Historic England except where stated. Inside covers: Nicholas Monro, King Kong for 24—27 the City Sculpture Project, 1972, the Bull Ring, Our Post-War Public Art Birmingham. © Arnolfini Archive 4 Out There: Our Post-War Public Art Elisabeth Frink, Boar, 1970, Harlow Out There: Our Post-War Public Art 5 FOREWORD Winston Churchill said: “We shape our buildings and afterwards our buildings shape us”. The generation that went to war against the Nazis lost a great many of their buildings – their homes and workplaces, as well as their monuments, sculptures and works of art. They had to rebuild and reshape their England. They did a remarkable job. They rebuilt ravaged cities and towns, and they built new institutions. From the National Health Service to the Arts Council, they wanted access-for-all to fundamental aspects of modern human life. And part of their vision was to create new public spaces that would raise the spirits. The wave of public art that emerged has shaped the England we live in, and it has shaped us. -
Chapter 5: Parks and Open Spaces
Draft CHAPTER 5 Parks and Open Spaces Before it became intensively developed for housing, the parish of Battersea was mostly open agricultural land governed by differing types of tenure (Ill. 5.1). Perhaps a third of it was in some form of common tenure. It was from these areas that the larger public open spaces described in this chapter— Battersea Park, Clapham Common and Wandsworth Common—have come down in the guise familiar today. The two commons, as their names imply, occupied common land, governed by laws defining the rights of the lords of the manor and copyholders or commoners. Mainly they provided rough grazing and were exploited for brushwood and gravel. In addition there was the large expanse known as Battersea Common Field or Fields, located on more fertile ground closer to the river and subject to flooding. This was not full common land in the same sense as the two commons. It was owned freehold by the lord of the manor, leased or tenanted largely in strips, and intensively cultivated for arable farming or market gardening. ‘Lammas rights’ of turning out livestock over the fields for certain weeks of the year were held by local parishioners, while entertainment venues had become an established feature of its riverside sector by 1800. It was here that Battersea Park was created. The perceived public interest in both types of tenure led eventually to the emergence of Battersea’s three great open spaces. But they evolved in different ways. Battersea Park came into being by a series of accidents. After endeavouring to enclose Battersea Fields and failing, the Spencers as lords of Survey of London © English Heritage 2013 1 Draft the manor decided in the 1830s to sell the area in lots. -
Form Vision Hans Theys
Form Vision Hans Theys Form Vision Artists on Art Tornado Editions 2019 To Tamara Van San In 1983, a fellow student handed me this Banda copy, suggesting it might be interesting for me – as an aficionado of art and literature – to study the writings of Kafka without interpreting them. The origin of the book you are holding now lies within this generous gesture. Thirty years later, when I accidently rediscovered it, I realised that the text quotes a book by Susan Sontag, translated and typewritten by an unknown hand. Everyone has a sort of individual form vision. In all the greatest artists the seeds of this form vision has been present even in their early work, and to some extent their work has been a gradual unfolding of this rhythm throughout. (…) It’s something the artist can’t control – it’s his make up. (…) The less conscious you are of your own individual form rhythm, the more likely it is, I think, to get richer and fuller and develop. Henry Moore, 1941 What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. Our task is not to find the maximum amount of content in a work of art, much less to squeeze more content out of the work than is already there. Our task is to cut back content so that we can see the thing at all. (…) The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means. -
A Philosophical Understanding of Communication As Testimony Jessica Nicole Sturgess Purdue University
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations January 2016 Saying the World Anew: A Philosophical Understanding of Communication as Testimony Jessica Nicole Sturgess Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Sturgess, Jessica Nicole, "Saying the World Anew: A Philosophical Understanding of Communication as Testimony" (2016). Open Access Dissertations. 1276. https://docs.lib.purdue.edu/open_access_dissertations/1276 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 12/26/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Jessica N. Sturgess Entitled SAYING THE WORLD ANEW: A PHILOSOPHICAL UNDERSTANDING OF COMMUNICATION AS TESTIMONY For the degree of Doctor of Philosophy Is approved by the final examining committee: Dr. Patrice Buzzanell Dr. Ramsey Eric Ramsey Co-chair Dr. Daniel W. Smith Co-chair Dr. Stacey Connaughton Dr. Calvin O. Schrag To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Dr. Patrice Buzzanell and Dr. Daniel W. Smith Dr. Marifran Mattson 4/11/2016 Approved by: Head of the Departmental Graduate Program Date i SAYING THE WORLD ANEW: A PHILOSOPHICAL UNDERSTANDING OF COMMUNICATION AS TESTIMONY A Dissertation Submitted to the Faculty of Purdue University by Jessica N. -
Central News Pages Feb08
The Salvation Army / USA Central Territory News and Views from the Midwest “We are all one body, we have the same Spirit, and we have all been called to the same glorious future.” Eph. 4:3,4 (NLT) Volume 47, Number 11 December 2017 Love rings true at Christmas by Craig Dirkes Unit. Incredibly, his last name is eral mental disabilities. Winterringer! 45-year-old man is in his “The only reason I’m alive is fourth year of ringing Michael Winterringer has manned because of God,” said Michael, Abells at kettles in the cold the same spot outside the local who celebrated five years of and snow for the Grand Walmart for more than 200 hours sobriety last spring. “There are Rapids, Minn., Service Extension each season—and he’s loved every no words to explain the depths minute of it. of God’s love,” he said, fighting “You know back tears. “It’s better than any that feeling drug. It’s better than any you get when drink.” you fall in love Michael’s lifelong struggle with Jesus? with addiction ended when he That’s the way moved to Grand Rapids and hour for The Salvation Army. I feel when I got involved with a Presbyterian ring bells,” he church in the nearby city of Although ringing bells outside for said. Coleraine. Several members of his eight hours a day is frigid work, Michael said he doesn’t mind the Michael church have been like parents to him, as have members of other cold. In fact, he almost prefers it. -
Shrine of Remembrance St Kilda Road, Melbourne Conservation
Shrine of Remembrance St Kilda Road, Melbourne Conservation Management Plan Shrine of Remembrance St Kilda Road, Melbourne Conservation Management Plan Prepared for the Shrine of Remembrance Trustees October 2010 TABLE OF CONTENTS 1.0 INTRODUCTION 1 1.1 Background and brief 1 1.2 Site Location and Description 1 1.2.1 Location 1 1.2.2 Description 1 1.3 Heritage Controls and Listings 1 1.3.1 Victorian Heritage Act 1995 1 1.3.2 Planning and Environment Act 1987 2 1.3.3 Environment Protection and Biodiversity Conservation Act 1999 (Cwlth) 3 1.3.4 Non-Statutory Listings 4 1.4 Methodology and Terminology 4 1.5 Archaeology 4 2.0 HISTORY 9 2.1 Planning for Victoria’s War Memorial: Choice of a Site 9 2.2 The War Memorial Design Competition 11 2.3 The Architects 11 2.4 The Winning Design 12 2.5 Fundraising 16 2.6 Construction of the Shrine 1928-34 17 2.7 Initial Landscaping Works 1928-1934 20 2.8 World War II Memorial Competition 26 2.9 Landscaping Developments 1951-2000 27 2.9.1 Hard Landscaping Features 27 2.9.2 Plantings 30 2.10 Building Alterations and Maintenance Works 1934-2000 31 2.10.1 Alterations 31 2.10.2 Maintenance Works 32 2.11 Developments Since 2001 33 2.11.1 Building Works 33 2.11.2 Landscaping Developments 34 2.12 A Commemorative Place 34 3.0 PHYSICAL ANAYLSIS 37 3.1 Introduction 37 3.2 Documentation 37 3.3 The Site 37 3.4 Individual Buildings and Elements 40 3.4.1 The Shrine (1929-34) 40 I 3.4.2 Visitor Centre (2003) 57 3.4.3 WWII Forecourt (1951-54) 60 3.4.4 Cenotaph (1955) 61 3.4.5 Eternal Flame (1954) 62 3.4.6 Flagpoles (1954) -
Selected Works Selected Works Works Selected
Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J. -
Spiritual Formation Towards Christ Likeness in a Holiness Context
3377 Bayview Avenue TEL: Toronto, ON 416.226.6620 M2M 3S4 www.tyndale.ca UNIVERSITY Note: This Work has been made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws of Canada without the written authority from the copyright owner. Bond, Linda Christene Diane. "Through the Lens of Grace: Spiritual Formation Towards Christlikeness in a Holiness Context." D. Min., Tyndale University College & Seminary, 2017. Tyndale University College and Seminary Through the Lens of Grace: Spiritual Formation towards Christlikeness in a Holiness Context A Research Portfolio Submitted in partial fulfillment of the requirements for the degree of Doctor of Ministry Tyndale Seminary by Linda Christene Diane Bond Toronto, Canada July 3, 2017 Copyright © 2017 by Linda Bond All rights reserved ABSTRACT To see life through the lens of grace is to gain a new perspective of how God shapes his children in the image of his Son. Spiritual formation is a process, a journey with God’s people, which calls for faith and participation, but all is of grace. This portfolio testifies to spiritual formation being God’s work. Though our involvement in spiritual disciplines and the nurturing of the Christian community are indispensable, they too are means of grace. The journey of spiritual formation for the individual Christian within the community of faith is explained in the writings of A.W. Tozer as well as the Model of Spiritual Formation in The Salvation Army. The goal is Christlikeness, a goal which requires adversity and suffering to deepen our faith and further our witness. -
Called to Service Officers in the Norwegian Salvation Army
Called to Service Officers in the Norwegian Salvation Army Jens Inge Flataas Master’s Thesis in Comparative Religion Spring 2014 Department of Archaeology, History, Cultural Studies and Religion Faculty of Humanities University of Bergen II Called to Service The Norwegian Salvation Army Officer © Jens Inge Flataas. Masters Thesis, University of Bergen, 2014 III Table of Contents Norwegian Summary/Norsk sammendrag V Acknowledgements VI Part I: Background 1 Chapter 1 - The Salvation Army 1 A Brief History of the Salvation Army 1 A Brief Organizational Profile 7 Previous Research 14 Chapter 2 - Leadership and Religion 16 Personal Motivation 16 Strategy 18 Human Resources 21 Spiritual Leadership & Workplace Spirituality 24 Further Perspectives on Religion and Leadership 28 Chapter 3 – Method 34 The Interviewees 34 The Interview Guide 35 Group Interview 37 The Post – Interview Process 40 NSD 41 Part II: Analysis Chapter 4 - Approaching Officership 42 Motivation 42 The Calling 50 Challenging Aspects of Officership 58 Handling Stress 65 Chapter 5 – Strategy 72 Visions 72 Guiding Orders 80 Challenges 83 Individual Strategies 86 Chapter 6 - Human Resources 91 Motivation 91 Work Tasks 97 Use of Resources 100 Guidelines for Human Resource Management 102 Part III: Synthesis 104 Chapter 7 – The Norwegian Salvation Army Officer 104 Suggestions for Further Research 106 Bibliography Appendices IV Norwegian Summary – Norsk sammendrag Denne oppgaven tar for seg frelsesarmeen i Norge. Offiserene i frelsesarmeen fyller en rekke ulike funksjoner i frelsesarmeen, men offisersutdanningen forbereder offiserene til å fungere primært som religiøse- og administrative ledere. Prosjektet baserer seg på en presentasjon av data samlet gjennom intervjuer med tolv individuelle offiserer i tillegg til et gruppeintervju med fire deltakere.