Right-Angle Viewing Attachment DR-4 Nikon F3, FA, FE2, Remove the Eyepiece and S セットねじ アダプターリングDK-12 撮影レンズの光軸と直角の方向からファインダー視野を見るとき 1
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Nikon F3 Instruction Manual
Nomenclature 1. Shutter-speed dial locking button 2. Depth-of-field preview button 3. Mirror lockup lever 4. Neckstrap eyelet 5. Self-timer LED 6. Backup mechanical release lever 7. Expose memory lock button 8. Lens mounting flange 9. Reflex mirror 14. ADR window 15. Film rewind knob 16. ASA/ISO film speed/Exposure compensation dial 17. Sync terminal 18. Lens mounting index 19. Lens release button 20. Meter coupling lever release button 21. Meter coupling lever 22. Viewfinder illuminator 10. Motor drive coupling 11. Motor drive positioning hole 12. Film rewind button 13. Memo holder 23. Tripod/Motor drive coupling socket 24. Motor drive electrical contacts 25. Battery chamber lid 26. Motor drivecoupling cover 27. Depth-of-field indicators/Mounting ring 28. Focusing ring 29. Aperture ring 30. Meter coupling ridge 31. Finder mounting/release levers 32. Exposure compensation scale 33. Exposure compensation index 34. Film rewind crank 35. Hot-shoe contacts 36. Accessory shoe 37. Camera back lock lever 38. Exposure compensation locking button 39. ASA/ISO film-speed scale 40. Eyepiece shutter lever 41. Viewfinder eyepiece 42. Shutter speed index 43. Aperture/Focusing index 44. Meter coupling shoe 45. Distance scale 46. Aperture-direct-readout scale 47. Viewfinder illuminator button 48. Self-timer lever 49. Self-timer ON index 50. Power switch ON index 51. Power switch 52. Multiple exposure lever 53. Shutter release button 54. Frame counter 55. Film advance lever 56. Shutter-speed scale 57. Shutter speed dial 58. Film plane indicator TABLE OF -
35 Mm Aperture Priority 35Mm Cameras This Manual Is for Reference and Historical Purposes, All Rights Reserved
35 mm Aperture Priority 35mm cameras This manual is for reference and historical purposes, all rights reserved. This page is copyright © by [email protected], M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera compnay On-line camera manual library This is the full text and images from the manual. This may take 3 full minutes for all images to appear. If they do not all appear. Try clicking the browser "refresh" or "reload button" or right click on the image, choose "view image" then go back. It should now appear. To print, try printing only 3 or 4 pages at a time. Back to main on-line manual page If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will allow me to continue to buy new manuals and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal or wish to use your credit card, click on the secure site below. 35mm SLR EE Selection Guide Aperture-Priority INTRODUCTION 2 PENTAX ES THE APERTURE-PRIORITY SYSTEM YASHICA ELECTRO AX PROS AND CONS MORE ON THE WAY The Future What Does It All Mean? MINOLTA XK Should You Buy One? NIKKORMAT EL INTRODUCTION Progress towards exposure automation has been slow, but since the original Konica Autoreflex appeared in 1968, the pace has accelerated and there are now 10 35mm SLR cameras so equipped. -
ARTLAB MEDIA CRIB Reservation Form
ARTLAB MEDIA CRIB Reservation Form Students may use Reservation Forms to request equipment no earlier than 48 hours prior to when they wish use the equipment. Forms are processed on a first come first serve basis and do not guarantee that the equipment will be available. Please submit Reservation Forms via email to [email protected], in person during Media Crib hours, or in the secure box outside of the Media Crib after hours. Please fill in the required information below. Incomplete forms will not be considered. LAST NAME: _____________________________________FIRST NAME: _____________________________________ DAY NEEDED: RETURNED/RECEIVED (check one) ☐ MONDAY ☐ TUESDAY ________________________ _______________________________ ☐ WED (d/m/y) (DATE & TIME RETURNED) ☐ THURSDAY ☐ FRIDAY ______________ ______________ RETURN DAY: (Lender’s Initials) (User’s initials) (check one) ☐ MONDAY ☐ TUESDAY ________________________ ☐ WED (d/m/y) ☐ THURSDAY ☐ FRIDAY Please use the boxes provided to check off the equipment you wish to borrow DIGITAL SLR KITS TRIPODS o Canon 5D Mark III (22.3MP), w/ Tamron 24- o Manfrotto 055XPROB ¢¢¢ 70mm lens ¢ o Manfrotto 804RC2 ¢¢¢ o Canon 5D Mark II (21.1MP), w/ 24-70mm o Reis J series ¢¢ lens¢¢ ___________________________________________ o Canon 6D (20.2MP), w/ Tamron 24-70mm REMOTES lens ¢¢ o Canon RS-80N3 – compatible only with o Canon 7D (19MP), w/ 17-55mm lens ¢¢ Canon EOS 5D and 6D ¢¢ o Canon 60D (18 MP), w/ 18-200mm & 50mm ___________________________________________ lenses ¢¢¢ VIDEO CAMERAS ____________________________________________ -
Nikon F6 Vs Canon EOS-1V Vs Leica R9
Battle of the Titans: NIKON F6 vs. CANON EOS-1v vs. LEICA R9 Shutter Release, April 2005 Revised March 2007 Canon got the better of Nikon and Leica on Internet forums in 2004 with regard to film cameras. If ad hoc quips about the world’s leading 35mm SLR cameras were to be believed, Canon had pulled ahead in optics and overall speed of operation. As to Leica, well, the legendary mark had already had its day and is a stodgy if reliable instrument years behind Canon and Nikon. The stereotypes were flat-out wrong, even before the introduction of the new Nikon F6 in late 2004. The reality is that each manufacturer has selectively invested in features for different users. Canon has led in technology to steady hand-held telephoto lenses. The Leica R9 provides ultimate finessing of manual with automatic controls to a precision of 0.1 f-stop (in multi-pattern metering), and is arguably the most user-friendly of the three cameras. The Nikon F6 is a more versatile and lighter redesign of the F5 that pioneered the most advanced autoexposure system available, engineered for accuracy in extreme or peculiar lighting conditions where other cameras would fall short. Features in Common The three flagship models are equipped to enable excellence in most photographic situations. Together with their abundant selections of optics and all manner of gadgetry, the top-of-line Nikon, Canon and Leica cameras have been widely considered the best in 35mm film photography. The Nikon F6, Canon EOS-1v and Leica R9 offer: Evaluative autoexposure: The microcomputer in the camera assesses a scene through an array of sensors, and applies an ideal aperture and/or shutter speed as fast as 1/8000 sec. -
Used Equipment 35Mm Cameras & Accessories
Used Equipment 35mm Cameras & Accessories Leica M6 Classic MF Camera Minolta Maxxum7xi AF Camera Nikon N8008S AF Camera Nikon N90s AF Camera Nikon SB-28 AF Speedlight Flash • Body Only • Auto Focus • Auto Focus • Auto Focus • Dedicated TTL • Manual Focus • Body Only • Body Only • Body Only Shoe Mount • Black Color • Guide No. 13 • Bounce, Swivel & Zoom Head Condition 9 Condition 8+ Condition 8+ Condition 8+ Condition 9 $1,699 $149 $185 $259 $129 Leica M6 Wetzlar MF Camera Minolta Maxxum 700si AF Camera Nikon N6006 AF Camera Nikon F5 AF Camera Kodak 80-210mm AF SLR Lens • Body Only • Auto Focus • Auto Focus • Auto Focus • For Nikon AF • Manual Focus • Body Only Body • Body Only • Auto Focus • Black Color • f/.-.6 Condition 9 Condition 8+ Condition 8+ Condition 8+ New $1,649 $179 $99 $799 $59.95 35mm SLR Cameras Bodies, Lenses, Flashes, Accessories CANON Canon FD Breech MT Lenses MINOLTA MD Lenses MT-2 Intervalometer (No cord) .................399 EOS Bodies 24/2.8 ..............................................9 ......199 Maxxum Bodies 24/2.8 ..............................................9 ......239 MH-2 ...............................................8+ .....49 620...................................................9 ......129 28/2.8 ..............................................8+ .....69 XTsi QD ............................................8+ .....79 28/3.5 Celtic ....................................8+ .....49 AC-1E ..............................................9 ........49 630 QD ............................................8+ ...139 28/3.5 -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
How to Shoot Fireworks – Capture the Nighttime Celebration
cover story How to Shoot Fireworks – capture the nighttime celebration Text and Photography By Robert Berdan Capturing fireworks with your camera may seem dif- ficult, but it’s easy if you use a tripod. There are plenty of opportunities and places to photograph fireworks. Look for special events around your area such as Canada Day celebrations, festivals, fairs and exhib- itions. A quick search of the internet will give you all the information you need. You can photograph fire- works with film or a digital camera. The methods are the same for both, though they’re easier to capture with digital cameras. Here are some tips to help you capture fireworks this summer. 38 Summer/Fall 2008 era has a double exposure mode you can 9 Bring a Photo pages 38-39: Calgary Stampede. try exposing several firework explosions Photographed with 20-35mm zoom lens, small flashlight ƒ8@8 sec., composite of two exposures. onto a single frame. A small pocket flashlight is essential if Nikon F5,Velvia IS0 50, tripod. you want to see your camera controls or Photo top of page 40: Olympic Plaza 4 Lens choice and change a lens in the dark — don’t leave Downtown Calgary. ƒ5.6@2 sec. exposure, F-stop setting home without one in your camera bag. Kodachrome ISO 64 film, Olympus OM-4 I like to use a wide angle zoom (F2.8 camera, 24mm lens, tripod set up in the crowd during the celebrations downtown. 20-35mm) and a telephoto zoom lens 10 Focus (F2.8 70-200mm) for firework photog- Start with your camera focused at infinity Photo bottom of page 40: Canada Day Canada Olympic Park in Calgary. -
SB-22S’S Built-In Sensor Measures the Flash Illumination Reflected Back from the in This Mode, the Flash Always Fires at Full Output
Preparation TTL Auto Flash t Mode Non-TTL Auto Flash ˙ Mode Manual Flash ƒ Mode The built-in TTL auto flash sensor in cameras so equipped measures the illumination The SB-22s’s built-in sensor measures the flash illumination reflected back from the In this mode, the flash always fires at full output. Manual flash photography is recommended Set the SB-22s’s POWER switch to OFF, then slide down the battery provided by the SB-22s that is reflected back from the subject. This measurement is made subject, automatically controlling the flash output to give you the correct exposure. when shooting subjects in which the correct exposure is difficult to obtain in the TTL or 1 chamber lid in the direction of the arrow and lift it off. through-the-lens and when the light is sufficient to ensure proper exposure, the camera This is called the Non-TTL Auto Flash A mode. A choice of four shooting apertures at Non-TTL Auto Flash mode or when you want to exercise your creative preferences. 11 sends a signal to the SB-22s to stop firing. TTL Auto Flash TTL mode* provides simple 16 A1 to A4 are available, covering a variety of shooting distances. 22 and effective flash operation, recommended for users with little experience with flash. Set your camera’s exposure mode to Aperture-priority auto (A) or Manual (M). m 0.6 0.91.3 2 3 5 7 10 Autofocus Speedlight ft 23468 1215 20 30 40 1 ● Set your camera’s metering system to any setting. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
Modern Classic Slrs Series : Nikon F3 AF - Full Specifications
Modern Classic SLRs Series : Nikon F3 AF - Full Specifications Specifications Type of camera 35mm single-lens-reflex Picture format: 24mm x 36mm (standard 35mm film format) Lens mount: Nikon bayonet mount Lenses: Autofocus operation:AF-Nikkor 80mm f/2.8 and 200mm f/3.5 IF-ED; focus-aid operation: more than 30 Nikkor and Nikon Series E lenses with a maximum apeture of f/3.5 or faster; manual operation: more than 60 Nikkor and Nikon Series E lenses available. Focus detecting system: TTL image displacement detecting system by SPDs built into AF-Finder DX-1 Brightness range for autofocus/focus aid operation: Appox EV 4~EV 20 (at ASA/ISO 100) Focus information display: Visible in the viewfinder via red LEDs; two red arrows light up to indicate correct focus in autofocus/focus-aid operation, right or left hand arrows indicate out-of-focus image (too near or too far), red X glows to when autofocus/focus-aid is impossible or subject is out of focus to a great extent. Focus lock buttons: Two buttons provided on AF-Nikkor lens barrel; either locks lens distance setting during autofocus operation. Exposure control system>: Apeture priority automatic exposure or manual override and backup mechanical control; through the lens, full apeture metering via silicon photodiode (SPD) with centreweighted metering pattern and metering circuits incorporated into the camera body; meter works with all viewfinders. Metering range: EV 1 to EV18 at ASA/ISO 100 with f/1.4 lens or EV 3 to EV 20 at ASA/ISO 100 with f/2.8 lens. -
Format SLR Camera F3 / Specifications
35mm [135] Format SLR Camera F3 / Specifications Type of camera: 35mm single-lens reflex Viewfinder illuminator: Via button; illuminates both LCD and ADR f/number Picture format: 24mm × 36mm [standard 35mm (135) format] Multiple exposure control: Via lever Lens mount: Nikon bayonet mount; meter coupling lever provided Depth-of-field preview: Via button; coaxial with the mirror lockup lever Lenses: More than 80 current Nikkor lenses; IX-Nikkor and G- Reflex mirror: Automatic instant-return type with lockup facility; incor- type Nikkor lenses cannot be used porates air damper and brake mechanism for reduced vibration and noise Shutter: Electromagnetically controlled, horizontal-travel, titanium foil focal-plane shutter Self-timer: Quartz-controlled 10 sec. delayed exposure; LED blinks at 2Hz for first 8 sec., then at 8Hz for last 2 sec.; setting Shutter release button: Switches meter on when depressed halfway (after shut- cancelable ter release lock is released), meter then remains on for 16 sec. after finger is taken off button; threaded in the Film advance lever: Wound in single stroke or series of strokes; 30° stand- center to accept standard cable release off angle and 140° winding angle; automatic film advance possible when Motor Drive MD-4 is used Automatic exposure control: Aperture-priority automatic exposure control; stepless shutter speeds from 8 sec. to 1/2000 sec. Film rewind: By crank after film rewind button is depressed; automat- ic film rewind possible when MD-4 is used Manual exposure control: Quartz digital control for 16 shutter speeds from 8 sec. to 1/2000 sec. including X (1/80 sec.); B and T also pro- Frame counter: Additive type; frame numbers from 0 to 40; automatical- vided ly reset when camera back is opened Mechanical shutter control: Possible at T setting on shutter speed dial or at approx.