NRDC and Other Environmental Groups Helped Take the First Step to Pull the Polar Bear Back from the Brink of Extinction
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2004 Annual Report
foresight courage commitment Ms. Foundation for Women annual report 2004 Table of Contents 2 Message From The Chair 3 Message From The President and CEO 4 The Work of the Ms. Foundation for Women foresight 5 Empowering Decision-Makers at the Center of Solutions courage 7 Revealing Choices so the Young Can Grow Old 9 Stopping Violence at its Roots commitment 11 Organizing for the Ballot Box and Beyond 13 Today’s Vision, Tomorrow’s Reality: Take Our Daughters And Sons To Work® 2004 17 Partnering for Success: The Donor Dynamic 19 Special Events 19 The Ms. 35 Campaign 20 The Gloria Awards 22 Carolines on Broadway 22 Recent Publications 23 Giving to the Ms. Foundation for Women 24 Information for Grant Seekers 25 Grants Approved in 2004 33 Partners in Philanthropy 37 Financial Statement 41 Board of Directors, Founding Board Members, & Staff mission The Ms. Foundation for Women supports the efforts of women and girls to govern their own lives and infl uence the world around them. Through its leadership, expertise and fi nancial support, the Ms. Foundation champions an equitable society by effecting change in public consciousness, law, philanthropy, and social policy. beliefs &values Our work is guided by our vision of a just and safe world where power and responsibility are not limited by gender, race, class, sexual orientation, disability or age. We believe that equity and inclusion are the cornerstones of a true democracy in which the worth Ms. Foundation and dignity of every person are valued. for Women annual report 2004 Message from the Chair of the Board: Andrea Levere During the past year, the Ms. -
STEPHEN MARK, ACE Editor
STEPHEN MARK, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. DELILAH (series) Various OWN / Warner Bros. Television EP: Craig Wright, Oprah Winfrey, Charles Randolph-Wright NEXT (series) Various Fox / 20th Century Fox Television EP: Manny Coto, Charlie Gogolak, Glenn Ficarra, John Requa SNEAKY PETE (series) Various Amazon / Sony Pictures Television EP: Blake Masters, Bryan Cranston, Jon Avnet, James Degus GREENLEAF (series) Various OWN / Lionsgate Television EP: Oprah Winfrey, Clement Virgo, Craig Wright HELL ON WHEELS (series) Various AMC / Entertainment One Television EP: Mark Richard, John Wirth, Jeremy Gold BLACK SAILS (series) Various Starz / Platinum Dunes EP: Michael Bay, Jonathan Steinberg, Robert Levine, Dan Shotz LEGENDS (pilot)* David Semel TNT / Fox 21 Prod: Howard Gordon, Jonathan Levin, Cyrus Voris, Ethan Reiff DEFIANCE (series) Various Syfy / Universal Cable Productions Prod: Kevin Murphy GAME OF THRONES** (season 2, ep.10) Alan Taylor HBO EP: Devid Benioff, D.B. Weiss BOSS (pilot* + series) Various Starz / Lionsgate Television EP: Farhad Safinia, Gus Van Sant, THE LINE (pilot) Michael Dinner CBS / CBS Television Studios EP: Carl Beverly, Sarah Timberman CANE (series) Various CBS / ABC Studios Prod: Jimmy Smits, Cynthia Cidre, MASTERS OF SCIENCE FICTION (anthology series) Michael Tolkin ABC / IDT Entertainment Jonathan Frakes Prod: Keith Addis, Sam Egan 3 LBS. (series) Various CBS / The Levinson-Fontana Company Prod: Peter Ocko DEADWOOD (series) Various HBO 2007 ACE Eddie Award Nominee | 2006 ACE Eddie Award Winner Prod: David Milch, Gregg Fienberg, Davis Guggenheim 2005 Emmy Nomination WITHOUT A TRACE (pilot) David Nutter CBS / Warner Bros. Television / Jerry Bruckheimer TV Prod: Jerry Bruckheimer, Hank Steinberg SMALLVILLE (pilot + series) David Nutter (pilot) CW / Warner Bros. -
Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
DIRECTING the Disorder the CFR Is the Deep State Powerhouse Undoing and Remaking Our World
DEEP STATE DIRECTING THE Disorder The CFR is the Deep State powerhouse undoing and remaking our world. 2 by William F. Jasper The nationalist vs. globalist conflict is not merely an he whole world has gone insane ideological struggle between shadowy, unidentifiable and the lunatics are in charge of T the asylum. At least it looks that forces; it is a struggle with organized globalists who have way to any rational person surveying the very real, identifiable, powerful organizations and networks escalating revolutions that have engulfed the planet in the year 2020. The revolu- operating incessantly to undermine and subvert our tions to which we refer are the COVID- constitutional Republic and our Christian-style civilization. 19 revolution and the Black Lives Matter revolution, which, combined, are wreak- ing unprecedented havoc and destruction — political, social, economic, moral, and spiritual — worldwide. As we will show, these two seemingly unrelated upheavals are very closely tied together, and are but the latest and most profound manifesta- tions of a global revolutionary transfor- mation that has been under way for many years. Both of these revolutions are being stoked and orchestrated by elitist forces that intend to unmake the United States of America and extinguish liberty as we know it everywhere. In his famous “Lectures on the French Revolution,” delivered at Cambridge University between 1895 and 1899, the distinguished British historian and states- man John Emerich Dalberg, more com- monly known as Lord Acton, noted: “The appalling thing in the French Revolution is not the tumult, but the design. Through all the fire and smoke we perceive the evidence of calculating organization. -
MAYA LIN Lin, Maya, Pin River
ART GUIDES FOR EDUCATORS: MAYA LIN Lin, Maya, Pin River. Colorado River. 2010.385 ART GUIDES FOR EDUCATORS: MAYA LIN MEET THE ARTIST which was carved by the river millions of years ago. Maya Lin was only 21 years old when her proposal was chosen Interesting facts about the Colorado River: in 1981 for the Vietnam Memorial, in Washington, D.C. Although, initially a controversial choice for its minimalist • The Spanish word Colorado means, “colored red.” The approach, the memorial is now regarded as one of the most name was given first to the Colorado River, which flows notable sights in the United States. through canyons of red stone. • The Colorado River is 1450 miles in length and flows Lin was trained as an artist and architect, and her sculptures, through seven U.S. states (Colorado, New Mexico, Utah, parks, monuments, and architectural projects are linked by her Arizona, Wyoming, California and Nevada) and two ideal of making a place for individuals within the landscape. Mexican states. The artist is passionate about the environment and the power • Its source in La Poudre Pass in Rocky Mountains, and it of nature, saying: “Nature is going to reach out whether you ends in the Gulf of Mexico, between the Mexican states, notice it or not. It’s going to come out and say hello.” Baja California and Sonora. • The Colorado River supplies water to more than 30 Lin is fascinated by maps, and undertakes considerable million people, and irrigates 3.5 million acres of farmland. topographical research in her art making. She remarks: “As the • The depth of the river varies from 6 feet to 90 feet, with child of immigrants, you have that sense of ‘Where are you? the average being about 20 feet. -
Fall 2005 $2.50
American Jewish Historical Society Fall 2005 $2.50 PRESIDENTIAL DINNER 'CRADLED IN JUDEA' EXHIBITION CHANUKAH AMERICAN STYLE BOSTON OPENS 350TH ANNIVERSARY EXHIBIT FROM THE ARCHIVES: NEW YORK SECTION, NCJW NEW JEWISH BASEBALL DISCOVERIES TO OUR DONORS The American Jewish Historical Society gratefully STEVEN PLOTNICK HENRY FRIESS JACK OLSHANSKY ARNOLD J. RABINOR KARL FRISCH KATHE OPPENHEIMER acknowledges the generosity of our members and TOBY & JEROME RAPPOPORT ROBERTA FRISSELL JOAN & STEVE ORNSTEIN donors. Our mission to collect, preserve and disseminate JEFF ROBINS PHILLIP FYMAN REYNOLD PARIS ROBERT N. ROSEN DR. MICHAEL GILLMAN MITCHELL PEARL the record of the American Jewish experience would LIEF ROSENBLATT RABBI STEVEN GLAZER MICHAEL PERETZ be impossible without your commitment and support. DORIS ROSENTHAL MILTON GLICKSMAN HAROLD PERLMUTTER WALTER ROTH GARY GLUCKOW PHILLIP ZINMAN FOUNDATION ELLEN R. SARNOFF MARC GOLD EVY PICKER $100,000+ FARLA & HARVEY CHET JOAN & STUART SCHAPIRO SHEILA GOLDBERG BETSY & KEN PLEVAN RUTH & SIDNEY LAPIDUS KRENTZMAN THE SCHWARTZ FAMILY JEROME D. GOLDFISHER JACK PREISS SANDRA C. & KENNETH D. LAPIDUS FAMILY FUND FOUNDATION ANDREA GOLDKLANG ELLIOTT PRESS MALAMED NORMAN LISS EVAN SEGAL JOHN GOLDKRAND JAMES N. PRITZKER JOSEPH S. & DIANE H. ARTHUR OBERMAYER SUSAN & BENJAMIN SHAPELL HOWARD K. GOLDSTEIN EDWARD H RABIN STEINBERG ZITA ROSENTHAL DOUGLAS SHIFFMAN JILL GOODMAN ARTHUR RADACK CHARITABLE TRUST H. A. SCHUPF LEONARD SIMON DAVID GORDIS NANCY GALE RAPHAEL $50,000+ ARTHUR SEGEL HENRY SMITH LINDA GORENS-LEVEY LAUREN RAPPORT JOAN & TED CUTLER ROSALIE & JIM SHANE TAWANI FOUNDATION GOTTESTEIN FAMILY FOUNDATION JULIE RATNER THE TRUSTEES VALYA & ROBERT SHAPIRO MEL TEITELBAUM LEONARD GREENBERG ALAN REDNER UNDER THE WILL OF STANLEY & MARY ANN SNIDER MARC A. -
Photograph by Candace Dicarlo
60 MAY | JUNE 2013 THE PENNSYLVANIA GAZETTE PHOTOGRAPH BY CANDACE DICARLO Showtime CEO Matt Blank has used boundary-pushing programming, cutting-edge marketing, and smart management to build his cable network into a national powerhouse. By Susan Karlin SUBVERSIVE PRACTICALLY PRACTICALLY THE PENNSYLVANIA GAZETTE MAY | JUNE 2013 61 seems too … normal. “Matt runs the company in a very col- Showtime, Blank is involved with numer- This slim, understated, affa- legial way—he sets a tone among top man- ous media and non-profit organizations, Heble man speaking in tight, agers of cooperation, congeniality, and serving on the directing boards of the corporate phrases—monetizing the brand, loose boundaries that really works in a National Cable Television Association high-impact environments—this can’t be creative business,” says David Nevins, and The Cable Center, an industry edu- the guy whose whimsical vision has Showtime’s president of entertainment. cational arm. Then there are the frequent turned Weeds’ pot-dealing suburban “It helps create a sense of, ‘That’s a club trips to Los Angeles. mom, Dexter’s vigilante serial killer, and that I want to belong to.’ He stays focused “I’m an active person,” he adds. “I like Homeland’s bipolar CIA agent into TV on the big picture, maintaining the integ- a long day with a lot of different things heroes. Can it? rity of the brand and growing its exposure. going on. I think if I sat in a room and did Yet Matt Blank W’72, the CEO of Showtime, Matt is very savvy at this combination of one thing all day, I’d get frustrated.” has more in common with his network than programming and marketing that keeps his conventional appearance suggests. -
The President's News Conference with Prime Minister Andreas
Administration of William J. Clinton, 1994 / Apr. 22 The President. Absolutely. Q. Are you going to visit Greece, sir? Q. What do you believe about these meas- The President. Oh, I'd love to do that. I've ures? never been there. The President. What I think is that we have Mr. Nimetz over there and Mr. Vance. We're Cyprus trying to help work it out. I think that it's very Q. What about Cyprus? much in the interest of Greece and Europe The President. We're working hard on Cyprus, and the world community for the matters to and I thinkÐI hope there will be some move- be worked out between the two countries, and ment from the Turkish side on Cyprus in the I think they can be. next couple of days with regard to the con- Q. How committed are you to delaying the fidence-building measures. I think that the ball process until Greece's concerns are satisfied, sir? has been sort of in Mr. Denktash's court, and The President. I think it's obvious that we've I hope he will take it up. And then I hope shown a real concern for Greece's concerns. that Greece and all others will support pushing That's one of the main reasons I sent a special forward. I have worked hard to resolve this since envoy over there, and we're trying to work I've been in office, and I will continue to stay through it. We'll discuss that today. We just on it. -
The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
Fear and Threat in Illegal America: Latinas/Os, Immigration, and Progressive Representation in Colorblind Times by Hannah Kathr
Fear and Threat in Illegal America: Latinas/os, Immigration, and Progressive Representation in Colorblind Times by Hannah Kathryn Noel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in the University of Michigan 2014 Doctoral Committee: Associate Professor Evelyn A. Alsultany, Co-chair Associate Professor María E. Cotera, Co-chair Associate Professor María Elena Cepeda, Williams College Associate Professor Anthony P. Mora © Hannah Kathryn Noel DEDICATION for Mom & Dad ii ACKNOWLEGEMENTS I could not have accomplished this dissertation without the guidance of my co-chairs, and graduate and undergraduate mentors: Evelyn Alsultany, María Cotera, María Elena Cepeda, Mérida Rúa, Larry La Fountain-Stokes, Carmen Whalen, Ondine Chavoya, Amy Carroll, and Anthony Mora. Evelyn, thank you for the countless phone calls, comments on every page of my dissertation (and more), advice, guidance, kind gestures, and most of all your sensibilities. You truly went above and beyond in commenting and helping me grow as a teacher, scholar, and human. María, thank you for standing by my side in both turbulent, and joyous times; your insight and flair with words (and style) are beyond parallel. Maria Elena, thank you for your constant guidance and keen constructive criticism that has forced me to grow as an intellectual and teacher. I will never forget celebrating with you when I found out I got into Michigan, I am beyond honored and feel sincere privilege that I have been able to work and grow under your mentorship. Mérida, I would have never found my way to my life’s work if I had not walked into your class. -
Ingenuity Honey Collector Tea Blends Ducks Trickle up Program Fishing
honey TRICKLE UP INGENUITY collector tea blends ducks PROGRAM weighing fishing retail items fruit vendor baker handmade blacksmith coin banks watch repair maker of motor prosthetic mechanic soap selling shoes quilt making shop electrical beauty parlor pickle making repair cumin and anise seed farming sweet stall buffaloes egg shop installing village electrical photographer making mats wire cereal banks for rice cosmetics or millet piggery nut seller leather tanning and cows cane furniture sewing 2005 ANNUAL candle maker masala seller sari selling REPORT OUR MISSION The mission of Trickle Up is to help the low- est income people worldwide take the first steps up out of poverty, by providing con- ditional seed capital, business training and relevant support services essential to the launch or expansion of a microenterprise. This proven social and economic empower- ment model is implemented in partnership with local agencies. OUR VALUES We believe in people and their capacity to make a difference. We empower the world’s poorest people to develop their potential and strengthen their communities. We pursue this goal in a way that encourages innova- tion and leadership, maximizes resources, and promotes communication and coopera- tion among all Trickle Up constituencies. is the theme for the 2005 Trickle Up annual INGENUITY report. There are many qualities that come to mind when we think about our entrepreneurs, local partners, staff and the very story of Trickle Up itself: optimism, perseverance, confidence, boldness, trust. We chose to celebrate ingenuity – the combination of inventiveness, resourcefulness and imagination that is an important strand of our DNA. Take a close look at the cover of this report and you’ll see ingenuity at work in the array of businesses that our entrepreneurs operate. -
Part I: Introduction
Part I: Introduction “Perhaps the sentiments contained in the following pages are not yet sufficiently fashionable to procure them general favor; a long habit of not thinking a thing wrong gives it a superficial appearance of being right, and raises at first a formidable outcry in defense of custom. But the tumult soon subsides. Time makes more converts than reason.” -Thomas Paine, Common Sense (1776) “For my part, whatever anguish of spirit it may cost, I am willing to know the whole truth; to know the worst and provide for it.” -Patrick Henry (1776) “I am aware that many object to the severity of my language; but is there not cause for severity? I will be as harsh as truth. On this subject I do not wish to think, or speak, or write, with moderation. No! No! Tell a man whose house is on fire to give a moderate alarm; tell him to moderately rescue his wife from the hands of the ravisher; tell the mother to gradually extricate her babe from the fire into which it has fallen -- but urge me not to use moderation in a cause like the present. The apathy of the people is enough to make every statue leap from its pedestal, and to hasten the resurrection of the dead.” -William Lloyd Garrison, The Liberator (1831) “Gas is running low . .” -Amelia Earhart (July 2, 1937) 1 2 Dear Reader, Civilization as we know it is coming to an end soon. This is not the wacky proclamation of a doomsday cult, apocalypse bible prophecy sect, or conspiracy theory society.