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Gay Marriage Opponents Closer To
Columbia Foundation Articles and Reports July 2012 Arts and Culture ALONZO KING’S LINES BALLET $40,000 awarded in August 2010 for two new world-premiere ballets, a collaboration with architect Christopher Haas (Triangle of the Squinches) and a new work set to Sephardic music (Resin) 1. Isadora Duncan Dance Awards, March 27, 2012 2012 Isadora Duncan Dance Award Winners Announced Christopher Haas wins a 2012 Isadora Duncan Dance Award for Outstanding Achievement in Visual Design for his set design for Triangle of the Squinches. Alonzo King’s LINES Ballet wins two other Isadora Duncan Dance Awards for the production Sheherazade. ASIAN ART MUSEUM $255,000 awarded since 2003, including $50,000 in July 2011 for Phantoms of Asia, the first major exhibition of Asian contemporary art from May 18 to September 2, 2012, which explores the question “What is Asia?” through the lens of supernatural, non-material, and spiritual sensibilities in art of the Asian region 2. San Francisco Chronicle, May 13, 2012 Asian Art Museum's 'Phantoms of Asia' connects Phantoms of Asia features over 60 pieces of contemporary art playing off and connecting with the Asian Art Museum's prized historical objects. According to the writer, Phantoms of Asia, the museum’s first large-scale exhibition of contemporary art is an “an expansive and ambitious show.” Allison Harding, the Asian Art Museum's assistant curator of contemporary art says, “We're trying to create a dialogue between art of the past and art of the present, and look at the way in which artists today are exploring many of the same concerns of artists throughout time. -
Shakespeare and London Programme
andShakespeare London A FREE EXHIBITION at London Metropolitan Archives from 28 May to 26 September 2013, including, at advertised times, THE SHAKESPEARE DEED A property deed signed by Mr. William Shakespeare, one of only six known examples of his signature. Also featuring documents from his lifetime along with maps, photographs, prints and models which explore his relationship with the great metropolis of LONDONHighlights will include the great panoramas of London by Hollar and Visscher, a wall of portraits of Mr Shakespeare, Mr. David Garrick’s signature, 16th century maps of the metropolis, 19th century playbills, a 1951 wooden model of The Globe Theatre and ephemera, performance recording and a gown from Shakespeare’s Globe. andShakespeare London In 1613 William Shakespeare purchased a property in Blackfriars, close to the Blackfriars Theatre and just across the river from the Globe Theatre. These were the venues used by The Kings Men (formerly the Lord Chamberlain’s Men) the performance group to which he belonged throughout most of his career. The counterpart deed he signed during the sale is one of the treasures we care for in the City of London’s collections and is on public display for the first time at London Metropolitan Archives. Celebrating the 400th anniversary of the document, this exhibition explores Shakespeare’s relationship with London through images, documents and maps drawn from the archives. From records created during his lifetime to contemporary performances of his plays, these documents follow the development of his work by dramatists and the ways in which the ‘bardologists’ have kept William Shakespeare alive in the fabric of the city through the centuries. -
Education Pack
Education Pack 1 Contents Introduction ..................................................................................................................... 3 Section 1: Shakespeare and the Original Twelfth Night ..................................................... 4 William Shakespeare 1564 - 1616 ...................................................................................... 5 Elizabethan and Jacobean Theatre ..................................................................................... 6 Section 2: The Watermill’s Production of Twelfth Night .................................................. 10 A Brief Synopsis .............................................................................................................. 11 Character Map ................................................................................................................ 13 1920s and Twelfth Night.................................................................................................. 14 Meet the Cast ................................................................................................................. 16 Actor’s Blog .................................................................................................................... 20 Two Shows, One Set ........................................................................................................ 24 Rehearsal Diary ............................................................................................................... 26 Rehearsal Reports .......................................................................................................... -
SANDERS Siftings No. 57
SANDERSSiftings an exchange of Sanders/Saunders family research Number 57 April, 2009 four issues per year • $12 per year subscription • edited by Don E. Schaefer, 1297 Deane Street, Fayetteville, AR 72703-1544 Jim Sanders Searches for the Connection of It Has Been A Very Moses Sanders and Patrick Sanders Interesting 14 Years The following is the result of research Moses Saunders and a Mary Hamilton in The first issue of Sanders Siftings, of Jim Sanders, 2235 Los Encinos Road, the same, immediate geographic area as only eight pages, featured a story of Ojai, CA 93023, well as the correct time frame. The Glenn D. Sanders’ grandfather—and <[email protected]>. occurrence of the names Moses Sanders that was what got me interested in Moses Sanders/Brunswick, Va. 1772 and Mary (Hamilton) Sanders, may have taken place in other records but to our printing stories of our Sanders kin. In 1772, Moses Saunders was a knowledge, it has not been substantiated. That first issue was started with a defendant against Thomas Preston, who nucleus of people who were was a neighbor of Joseph Hamilton’s. ADD: August 2008: Francis, Moses exchanging Sanders stuff in the (Preston’s property is noted in Joseph and their brothers were very active in early days of the internet. Hamilton’s will and again in a obtaining land grants between 1771 and In that same issue were two sto- Brunswick Deed recorded in Book 7 1780 in Anson County, N.C. As shown ries by Justin Sanders, now living in Page 165). Hamilton’s property was earlier, Patrick and William left Halifax Mobile, Ala. -
1940, February
Li. _____.... d1Y l '"'T�� tt r t>' J�:� 6•1?4�' news-£e e UN<\ The SHAKESPEARE FELLOWSHIP-E.wA,HIM,rnN AMERICAN BRANCH VOL. I FEBRUARY, 1940 NO. 2 The Secret Personality of "Shakespeare" Brought to Light After Three Centuries The Ashbourne portrait (above), owned by the cally for the first time in history - with results Folger Shakespeare Library, and two other famous likely to change the whole course of Shakespearean paintings of the poet have been dissected scientifi• research. Solution of authorship mystery at hand. 2 NEWS-LETTER Scientific Proof Given that Lord Oxford Posed for Ancient Portraits of the Bard X-RAYS AND INFRA-RED PHOTOGRAPHY SHOW THAT EDWARD DE VERE, MYSTERIOUS LITERARY NOBLEMAN, IS THE REAL MAN IN THE FAMOUS ASHBOURNE "SHAKESPEARE" AND ALSO IN OTHER PAINTINGS OF ENGLAND'S GREATEST DRAMATIST. CHARLES WISNER BARRELL'S EPOCH-MAKING DISCOVERIES ARE FEATURED BY SCIENTIFIC AMERICAN AND TELEGRAPHED TO MORE THAN 2,000 NEWSPAPERS BY THE ASSOCIATED PRESS AND OTHER NEWS AGENCIES. WORK OF AMERICAN SECRETARY OF THE SHAKESPEARE FELLOW SHIP REPRESENTS A LANDMARK IN ELIZABETHAN RESEARCH AND MAY CAUSE IMMEDIATE REVALUATION OF THE COMMONLY ACCEPTED THEORY OF THE AUTHORSHIP OF THE PLAYS. Early in the morning of December 13, 1939 - It has remained for the American secretary of a date not soon to be forgotten by anyone in THE SHAKESPEARE FELLOWSHIP and a skilled terested in the pictorial record of "Mr. William group of technicians working under his direction, Shakespeare" - the news operators of the As to bring to light and accurately interpret after sociated Press began to tap out across two exhaustive corroborative studies among Eliza thousand wires leading to newspapers throughout bethan and Jacobean art, historical and genealog the length and breadth of the American continent, ical records, facts which the foremost "orthodox" a feature story that began as follows: Shakespearean authorities have completely over New York, Dec. -
Notes on the Bacon-Shakespeare Question
NOTES ON THE BACON-SHAKESPEARE QUESTION BY CHARLES ALLEN BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY ftiucrsi&c press, 1900 COPYRIGHT, 1900, BY CHARLES ALLEN ALL RIGHTS RESERVED GIFT PREFACE AN attempt is here made to throw some new light, at least for those who are Dot already Shakespearian scholars, upon the still vexed ques- tion of the authorship of the plays and poems which bear Shakespeare's name. In the first place, it has seemed to me that the Baconian ar- gument from the legal knowledge shown in the plays is of slight weight, but that heretofore it has not been adequately met. Accordingly I have en- deavored with some elaboration to make it plain that this legal knowledge was not extraordinary, or such as to imply that the author was educated as a lawyer, or even as a lawyer's clerk. In ad- dition to dealing with this rather technical phase of the general subject, I have sought from the plays themselves and from other sources to bring together materials which have a bearing upon the question of authorship, and some of which, though familiar enough of themselves, have not been sufficiently considered in this special aspect. The writer of the plays showed an intimate M758108 iv PREFACE familiarity with many things which it is believed would have been known to Shakespeare but not to Bacon and I have to collect the most '; soughtO important of these, to exhibit them in some de- tail, and to arrange them in order, so that their weight may be easily understood and appreci- ated. -
English 725: Shakespeare: Tragedies Week 1 Organization Romeo and Juliet. Acts
English 725: Shakespeare: Tragedies Week 1 Organization Romeo and Juliet. Acts 1-2 Week 2 Romeo and Juliet. Acts 3-5 Romeo and Juliet Week 3: Julius Caesar, Acts 1-2 Julius Caesar, Acts 3-5 Week 4: Julius Caesar Review Week 5: EXAM: Take Home Hamlet, Acts 1-2 Week 6: Hamlet, 3-5 Hamlet Week 7: Hamlet Othello, Acts. 1-2 Week 8: Othello, Acts 3-5 Othello Week 9: Review of Hamlet and Othello Week 10: King Lear, Acts 1-2 King Lear, Acts 3-5 Week 11: King Lear Macbeth, Acts 1-2 Week 12: Macbeth, Acts 3-5 Macbeth Week 13: The Winter’s Tale, Acts 1-2 The Winter’s Tale, Acts 3-5 Week 14 The Winter’s Tale Paper Due: (Submitted online by 5:00 P.M.) Week 15 Review Review Final Exam: Take Home Exam Assignments: --One in class report; 20-30 minutes (see topics below) --Complete reading assignment before each class. --One take home midterm exam; one take home final exam. --One 4000-6000 word paper: due April 28. Topics listed below. To be submitted online by 5:00 P.M. Early drafts of the paper may be submitted for me to return and read no later than one week before the due date. --Final exam: Take Home Exam Learning objectives: Through classroom discussion and original written criticism, students will be able to explain the historical importance of Shakespeare’s tragedies as works of art and as historical documents. Students will learn how to analyze, evaluate, and employ interpretative approaches in speaking and writing about Shakespeare and will develop a professional competency in critical thinking and writing about literature. -
APTG Guidelines (September 2018)
UNITE THE UNION FOR YOU GUIDELINESGUIDELINES APTG MEMBERS HAVE THEIR SAY WEBSITE LEADS SURVEY Many thanks to all those members who responded to our recent Website Leads Survey covering leads received during 2017. In total, Seventy two members completed the survey, which is about 13-14% of the membership, a figure we hope will grow in future surveys. Less than 2% said they had never had a lead from the website, whilst the majority received between one and fifty Leads. 18% had received more than fifty leads, which is pretty impressive. Not surprisingly, the majority of leads are for English-speaking guides, but we hope to increase the range of languages requested as we work to improve the website. The vast majority of enquiries are coming from individual customers and not tour operators, clearly an opportunity for us to increase the latter’s awareness of the site. Just under 80% of those who got leads converted at least one to a paid job, whilst some Guides managed to convert over twenty into jobs. For the majority of those who responded (78%), the site generates an income up to £2,000, about a fifth are earning between £2,000 and £5,000 and some guides are securing tours worth over £5,000 a year from the website. About 30% of those who confirmed tours recruited other guides to help deliver the tour, mostly just a handful, but on two occasions eight and ten guides respectively, which is a pretty good knock-on benefit of the site. Added to which, just over a quarter of guides had repeat business from clients through the John Donald out of uniform website, and some now have regular contracts. -
A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Is This a Shakespeare Which I See Before Me? - Nytimes.Com Page 1 of 3
Is This a Shakespeare Which I See Before Me? - NYTimes.com Page 1 of 3 This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. March 10, 2009 Is This a Shakespeare Which I See Before Me? By JOHN F. BURNS LONDON — Nearly 400 years after his death, William Shakespeare appeared in a new and more handsome guise on Monday, thanks to a recently discovered portrait that a group of Shakespeare scholars and art historians said was the only known likeness to have been painted in his lifetime. Stanley Wells, the chairman of the Shakespeare Birthplace Trust, based in Shakespeare’s birthplace of Stratford-upon-Avon, described the portrait at a news conference as a “pinup.” It shows the Bard as a far more alluring figure than the solemn-faced, balding image that has been conveyed by engravings, busts and portraits that have been accepted by scholars as the best available likeness of English literature’s most famous figure. Until now, scholars have deemed the most authentic representations of Shakespeare to be a black-and-white woodcut engraving by the Flemish artist Martin Droeshout that appeared in the first folio edition of Shakespeare’s works in 1623, and a marble bust displayed since the 1620s in a Stratford church. In their place, the scholars in London showed reporters a portrait taken from the private collection of an aristocratic Anglo-Irish family, the Cobbes, who have owned it for nearly 300 years, since inheriting it through a family relationship with Shakespeare’s only known literary patron, Henry Wriothesley, the 3rd Earl of Southampton. -
John Boydell's Shakespeare Gallery and the Promotion of a National Aesthetic
JOHN BOYDELL'S SHAKESPEARE GALLERY AND THE PROMOTION OF A NATIONAL AESTHETIC ROSEMARIE DIAS TWO VOLUMES VOLUME I PHD THE UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2003 2 TABLE OF CONTENTS Page Volume I Abstract 3 List of Illustrations 4 Introduction 11 I Creating a Space for English Art 30 II Reynolds, Boydell and Northcote: Negotiating the Ideology 85 of the English Aesthetic. III "The Shakespeare of the Canvas": Fuseli and the 154 Construction of English Artistic Genius IV "Another Hogarth is Known": Robert Smirke's Seven Ages 203 of Man and the Construction of the English School V Pall Mall and Beyond: The Reception and Consumption of 244 Boydell's Shakespeare after 1793 290 Conclusion Bibliography 293 Volume II Illustrations 3 ABSTRACT This thesis offers a new analysis of John Boydell's Shakespeare Gallery, an exhibition venture operating in London between 1789 and 1805. It explores a number of trajectories embarked upon by Boydell and his artists in their collective attempt to promote an English aesthetic. It broadly argues that the Shakespeare Gallery offered an antidote to a variety of perceived problems which had emerged at the Royal Academy over the previous twenty years, defining itself against Academic theory and practice. Identifying and examining the cluster of spatial, ideological and aesthetic concerns which characterised the Shakespeare Gallery, my research suggests that the Gallery promoted a vision for a national art form which corresponded to contemporary senses of English cultural and political identity, and takes issue with current art-historical perceptions about the 'failure' of Boydell's scheme. The introduction maps out some of the existing scholarship in this area and exposes the gaps which art historians have previously left in our understanding of the Shakespeare Gallery. -
The Sonnets and Shorter Poems
AN ANALYSIS OF A NOTEBOOK OF JAMES ORCHARD HALLIWELL-PHILLIPPS THE SONNETS AND SHORTER POEMS by ELIZABETH PATRICIA PRACY A thesis submitted to the Faculty of Arts of The University of Birmingham for the degree of MASTER OF PHILOSOPHY The Shakespeare Institute Faculty of Arts The University of Birmingham March 1999 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. O t:O SYNOPSIS The thesis starts with an Introduction which explains that the subject of the work is an analysis of the Notebook of J. O. Halliwell-Phillipps dealing with the Sonnets and shorter poems of Shakespeare owned by the Shakespeare Centre Library, Stratford-upon- Avon. This is followed by an explanation of the material and methods used to examine the pages of the Notebook and a brief account of Halliwell-Phillipps and his collections as well as a description of his work on the life and background of Shakespeare. Each page of the Notebook is then dealt with in order and outlined, together with a photocopy of Halliwell-Phillipps1 entry. Entries are identified where possible, with an explanation and description of the work referred to.