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Pure Acoustic
A TAYLOR GUITARS QUARTERLY PUBLICATION • VOLUME 47 • WINTER 2006 pure acoustic THE GS SERIES TAKES SHAPE I’m a 30-year-old mother and wife who Jorma Kaukonen, Bert Jansch, Leo Kottke, 1959 Harmony Sovereign to a collector, loves to play guitar. I currently own two Reverend Gary Davis, and others, and my I will buy that Taylor 110, or even a 200 Letters Fenders. But after seeing you recognize listeners tell me I am better than before series model, which are priced right. my kind of player, my next guitar will be the “incident”. That’s a long story about John-Hans Melcher a Taylor (keeping my fingers crossed for a great guitar saving my hand, my music, (former percussionist for Christmas). Thanks for thinking of me. and my job. Thanks for building your Elvis Presley and Ann-Margret) Via e-mail Bonnie Manning product like I build mine — with pride Via e-mail and quality materials. By the way, I saw Artie Traum conduct After many years of searching and try- Aloha, Mahalo Nui a workshop here in Wakefield and it was ing all manner of quality instruments in Loa, A Hui Hou a very good time. Artie is a fine musician order to improve on the sound and feel Aloha from Maui! I met David Hosler, and a real down-to-earth guy — my kind of, would you believe, a 1966 Harmony Rob Magargal, and David Kaye at Bounty of people. Sovereign, I’ve done it! It’s called a Taylor Music on Maui last August, and I hope Bob “Slice” Crawford 710ce-L9. -
The BG News February 23, 1990
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-23-1990 The BG News February 23, 1990 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 23, 1990" (1990). BG News (Student Newspaper). 5046. https://scholarworks.bgsu.edu/bg-news/5046 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. '**>«»" STUDYING WITH CUFF WOTTLE RECALLS OLYMPICS 30-year-old study guides Gold medalist from Bowling Green aid with English classes honored to be in MAC Hall of Fame ?f Q Friday Mag Sports The Nation's Best College Newspaper Weather Friday Vol.72 Issue 88 February 23,1990 Bowling Green, Ohio High 35 The BG News e Low20 BRIEFLY Estates Students CAMPUS hurt by charged Indian rhythm: Graduate landfill music student Jamie K. Oxendine, a for BGHS Tuscarora Indian from North Carolina, will present "Rhythm of the by Mitch Weiss Red Man: An American Indian Music Associated Press writer and Dance Recital" at 8 p.m. in Bryan bombing Recital Hall of the Moore Musical TOLEDO — The possibility that Arts Center. Michigan may locate a low-level nu- by John Kohistrand clear waste landfill near Ohio's bor- city writer der has begun to hurt real estate Erices in an exclusive Toledo su- STATE urb, the Lucas County prosecutor Three Bowling Green High School said Thursday. -
Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
The Artillery of Critique Versus the General Uncritical Consensus: Standing up to Propaganda, 1990-1999
THE ARTILLERY OF CRITIQUE VERSUS THE GENERAL UNCRITICAL CONSENSUS: STANDING UP TO PROPAGANDA, 1990-1999 by Andrew Alexander Monti Master of Arts, York University, Toronto, Canada, 2013 Bachelor of Science, Bocconi University, Milan, Italy, 2005 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program of Communication and Culture Toronto, Ontario, Canada, 2018 © Andrew Alexander Monti, 2018 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The Artillery of Critique versus the General Uncritical Consensus: Standing Up to Propaganda, 1990-1999 Andrew Alexander Monti Doctor of Philosophy Communication and Culture Ryerson University, 2018 In 2011, leading comedy scholars singled-out two shortcomings in stand-up comedy research. The first shortcoming suggests a theoretical void: that although “a number of different disciplines take comedy as their subject matter, the opportunities afforded to the inter-disciplinary study of comedy are rarely, if ever, capitalized on.”1 The second indicates a methodological void: there is a “lack of literature on ‘how’ to analyse stand-up comedy.”2 This research project examines the relationship between political consciousness and satirical humour in stand-up comedy and attempts to redress these two shortcomings. -
New Jazz Label Discography
New Jazz Label Discography 10 Inch 100 Series: NJ 101 - Lennie Tristano and Lee Konitz - Lennie Tristano and Lee Konitz [1950] This album was reissued as Prestige 101. Side One Lee Konitz Marshmallow/Sound-Lee/Fishin’ Around/Tautology//Side Two Lennie Tristano Subconscious-Lee/Judy/Retrospection/Progression 10 Inch 1100 Series: NJLP 1101 - Jimmy Raney Quartet - Jimmy Raney Quartet [1954] Reissued as Prestige 201. Double Image/On the Square/Minor/Some Other Spring NJLP 1102 - Zoot Sims Quintet - Zoot Sims Quintet [1954] Reissued as Prestige 202. Howdy Podner/Toot, No. 2/Indian Summer/What's New? NJLP 1103 - Jimmy Raney Quintet - Jimmy Raney Quintet [1954] Reissued as Prestige 203. Stella by Starlight/Jo- Anne/Back and Blow/Five NJLP 1104 - Phil Woods Quintet - Phil Woods Quintet [1954] Reissued as Prestige 204. Pot Pie/Open Door/Robin's Bobbin'/Mad About the Girl NJLP 1105 - Jon Eardley Quartet - Jon Eardley Quartet [1955] Reissued as Prestige 205. Lute Leader/Indian Spring/Black/Cross NJLP 1106 - Teddy Charles Quartet - Teddy Charles Quartet [1955] Reissued as Prestige 206. Violetta/Relaxo Abstracto/Speak Low/Jay Walkin'/The Night We Called It a Day/I Can't Get Started 12 Inch 8200 Series: NJLP 8201 - Mal 3/Sounds - Mal Waldron [1/58] Tensions/Ollie's Caravan/The Cattin' Toddler/Portrait of a Young Mother/For Every Man There's a Woman NJLP 8202 - Roots – Prestige All Stars [1959] Roots/Sometimes I Feel Like a Motherless Child/Down by the Riverside NJLP 8203 - Farmer's Market - Art Farmer [1959] Reminiscing/By Myself/Wailing with Hank/With -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Rosh Hashanah Begins at Sunset Sept
Non-Profit Org. U.S. POSTAGE PAID Pittsfield, MA Berkshire Permit No. 19 JEWISHA publication of the Jewish Federation of the Berkshires, serving V the Berkshires and surrounding ICE NY, CT and VT Vol. 29, No. 7 Elul 5781 - Tishri/Cheshvan 5782 August 23 to October 10, 2021 jewishberkshires.org “Bob Dylan: Prophet Mystic Poet,” Soar Into the High Holy Days! with Seth Rogovoy Wishing everyone a happy, healthy, “American Jewry’s greatest Dylan scholar” and peaceful 5782 concludes his “Great Jewish Rock Poets” series On Thursday, September 30 at 6:45 p.m., nationally renowned (but still our favorite local) music and culture journalist Seth Rogovoy will conclude the two-part “Great Jewish Rock Poets” with “Bob Dylan: Prophet Mystic Poet.” This Jewish Federation of the Berkshires program will be presented via Zoom. Please visit our calendar of events at jewishberkshires.org for a link to this program. In this multimedia program incor- porating still images, video, and close lyrical analysis, Seth Rogovoy explores the deep and profound influence of the Jewish background and scriptural roots on Bob Dylan’s life and work. We will see how the Nobel Prize-winning rock poet’s familiarity with Torah, The Jewish Federation of the Berkshires wishes our PHOTO BY BILL INGALLS / NASA.GOV PUBLIC DOMAIN Talmud, and Kabbalah has worked its Bob Dylan receives the Medal of community a joyous and meaningful holiday season. This way into his songs and public utter- Freedom from President Barack circa 1915 Shana Tovah was printed in Germany and sold ances, along with his embrace of Israel Obama on May 29, 2012 in the US by the Williamsburg Postcard Company, one and the Jewish outreach organization of several holiday cards of the day featuring that then- Chabad. -
Oral History Interview with Robert M. Light, 2008 Apr. 25
Oral history interview with Robert M. Light, 2008 Apr. 25 Funding for this interview was provided by Art Dealers Association of America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Robert Light on 2008 April 25. The interview took place at Light's office in Monticeto, California, and was conducted by Gail Aronow for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by a grant from the Art Dealers Association of America. Gail Aronow has reviewed the transcript and has made corrections and emendations. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview GAIL ARONOW: This is Gail Aronow interviewing Robert Light at his office at 1224 Coast Village Circle in Montecito, California, on April 25, 2008, for the Archives of American Art, the Smithsonian Institution. This is disc number one. Mr. Light, hello. ROBERT M. LIGHT: Hello. MS. ARONOW: Would you care to talk about where you were born and when, and your early childhood, your parents, your education? MR. LIGHT: All right. A rather brief overview of the unimportant parts of my life: I was born in 1929 and grew up in Fairfield County in Connecticut. -
Students, Community Gather to Mourn Yongsang
the independent newspaper of Washington University in St. Louis since 1878 VOLUME 135, NO. 21 MONDAY, NOVEMBER 4, 2013 WWW.STUDLIFE.COM POKEMON MOVIE PREVIEW New games What to expect on attract old and the marquees come new players November FOOTBALL WINS AGAIN (Scene, pg 3) (Cadenza, pg 5) (Sports, pg 7) Students, community gather Student Union elections to mourn Yongsang Soh kick off to little fanfare DYLAN BASSETT CONTRIBUTING REPORTER SU FALL ELECTIONS A new seat added to each Student NOV. 5-6 Union Senate and Treasury this year ARCHITECTURE means that at least two write-in can- didates will be offered office after this week’s election, assuming their peers ART write them in. ? The elections this Tuesday and Wednesday are meant to offer more ARTS & SCIENCES students opportunities for involve- ment—one seat will be added to both the Treasury and the Senate in response to rising enrollment. However, neither of these seats is BUSINESS contested, so the elections remain gen- erally uncompetitive. While nine candidates are run- ENGINEERING ning for six Arts & Sciences Senate seats and two are running for the lone Architecture Senate seat, the remain- TREASURY ZOE KLINE | STUDENT LIFE ing elections have as many candidates The Washington University school flag over Brookings Hall flies at half-mast on Saturday afternoon in honor of Yong- sang Soh. The flag flew at half-mast all weekend following Soh’s death last Saturday. as or fewer candidates than available seats, and no candidates submitted an EMILY SCHIENVAR over by the Rev. Gary Braun. The cappella rendition of “The Sound election packet for a recently vacated CONTRIBUTING REPORTER Washington University flag on of Silence” in Soh’s memory. -
Have You Ever Seen the Sun Rise by Don Srisuriyo a Thesis Presented To
Have You Ever Seen the Sun Rise by Don Srisuriyo A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for graduation from the University Honors College Spring 2019 Have Your Ever Seen the Run Rise by Don Srisuriyo APPROVED: ____________________________ Mr. Matt Burleson Department of English ______________________________ Dr. Steven E. Severn Department of English ___________________________ Dr. Fred Arroyo Department of English ___________________________ Dr. Philip E. Phillips, Associate Dean University Honors College ii To the stranger I didn’t know, the friend I won’t forget. iii Acknowledgements I would like to thank Matt Burleson, my primary advisor on this project, for the support that he has given me every step of the way. Without our conversations, I would have never seen things from a different perspective. Without your lectures on literature, I would have never figured out the true meaning of Robert Frost’s “The Road Not Taken,” and that has made all the difference. I would like to thank Dr. Fred Arroyo, my second reader on this project, for his advice on creative writing. Without his years of experience and his knowledge of creative writing, this story would have failed to reach its full potential. Finally, I would like to thank Jessi Shipley, my former eighth-grade English teacher, who was the first person to read any of my creative writing pieces. Without her simple words of praise, I would have never found the strength to write this story. iv Abstract As advanced social animals, humans have adapted with the times to satisfy their social needs. -
Side-Steps-Digital-Booklet.Pdf
SIDE STEPS Disc One 1. WEEJA 11:13 3. WOODY’N YOU 6:51 2. POLKA DOTS AND MOONBEAMS 8:40 4. I’VE GOT IT BAD 6:17 3. ON IT 9:04 5. UNDECIDED 6:54 4. AVALON 9:40 6. SOUL JUNCTION 15:31 5. MATING CALL 5:36 7. WHAT IS THERE TO SAY? 5:59 6. SOULTRANE 5:24 8. BIRK’S WORKS 7:37 7. GNID 5:07 9. HALLELUJAH 6:29 8. SUPER JET 5:53 Disc Four 9. ON A MISTY NIGHT 6:21 10. ROMAS 6:50 1. ALL MORNING LONG 20:21 2. BILLIE’S BOUNCE 9:24 Disc Two 3. SOLITUDE 8:33 1. TENOR MADNESS 12:18 4. TWO BASS HIT 8:51 2. POTPOURRI 6:38 5. SOFT WINDS 13:47 3. J.M.’s DREAM DOLL 8:40 6. LAZY MAE 16:06 4. DON’T EXPLAIN 6:59 Disc Five 5. BLUE CALYPSO 8:58 6. FALLING IN LOVE WITH LOVE 11:40 1. UNDER PARIS SKIES 7:47 7. THE WAY YOU LOOK TONIGHT 8:26 2. CLIFFORD’S KAPPA 9:16 8. FROM THIS MOMENT ON 6:16 3. FILIDE 7:16 9. ONE BY ONE 9:39 4. TWO SONS 5:23 5. PAUL’S PAL 7:14 Esmond Edwards/CTS Images Disc Three 6. AMMON JOY 13:17 1. OUR DELIGHT 6:21 7. GROOVE BLUES 9:34 2. THEY CAN’T TAKE THAT 8. THE REAL McCOY 8:34 AWAY FROM ME 10:26 9. IT MIGHT AS WELL BE SPRING 11:32 ORIGINAL SESSIONS SUPERVISED BY BOB WEINSTOCK Recorded by RUY VAN GELDER at VAN GELDER STUDIO, Hackensack, NJ. -
Finding Aid for the Blues Archive Poster Collection (MUM01783)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library April 2020 Finding Aid for the Blues Archive Poster Collection (MUM01783) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, and the Other Music Commons Recommended Citation Blues Archive Poster Collection (MUM01783), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding Aid for the Blues Archive Poster Collection MUM01783 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Scope and Content Creator - Collector Arrangement Cole, Dick "Cane"; King, B. B.; Living Blues Administrative Information (Magazine); Malaco Records; University of Mississippi; Miller, Betty V. Related Materials Controlled Access Headings Title Blues Archive Poster Collection Collection Inventory ID Series 1: General Posters MUM01783 Series 2: B. B. King Posters Date [inclusive] 1926-2012 Series 3: Malaco Records Posters Date [bulk] Series 4: Living Blues Bulk, 1970-2012 Posters Extent Series 5: Dick “Cane” 3.0 Poster cases (16 drawers) Cole Collection Location Series 6: Betty V. Miller Blues Archive Collection Series 7: Southern Language of Materials Ontario Blues Association English Broadsides Abstract Series 8: Oversize These blues posters, broadsides, and oversize Periodicals printings, collected by various individuals and Series 9: Blues Bank institutions, document the world of blues advertising.