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Fantasy Anthology Index 1
THA FANTASY ANTHOLOGY INDEX .. - Sam Moskowitz EDITORS Alex Osheroff I0r Fantasy Amateur Press 2)istributiun by gam ‘-W^z^S-Jell^^ Kew jerSey0 SLAN-pPtr^.^PiON AND EXPLANATION by gam Moskowitz Tamnc; v ~$US tltle ’’Fantasy Times” was appropriated by view t-i+ipT SS1-f°r on hls news publication so I had. to get a r--on-r TT:tf ^^ograph machine;, given me as a present by James who wanted ?? hS, JevG1°FG<i to bo the property of John Ba Michel end } - * r®, a“cnabla t0 a cash offer. -George Ro Pox to t-k^Vt^n? tko nonine over and the latter decided end T h-v^ fantasy Commentator” (a commendable motive) sumo^h't bQcCW of Michel in the process but I as- crux of th < s2mc °F suitable arrangemente The no,rr t ■'r^/c.r ‘tnat I couldrMt publish oven with a title good st-rcMq ™°8rG^’ Rewriter keys were too worn to type is no question of my competence in regard to tvS't’- J ^°f '2^i^i&s s£j£c.)..-l!r.. Osheroff into _3iinc tiiu stencilo c.nd induced (an even politer term) Mro Tourrsi ?* I-tooiaoa upon 6 JSLiSXn u^srt* yn index, yet having a utility value to those ■“ _ dn t .oxm ^nem, .to those who could^t make up their minds whether to buy them o-whn5 HnJnT? ®31lc2tors ?ho wantod to check on duplication and the s J didn-t wc-nt to yank out the whole volume to check on a ’ title Thu contribution of Wo Gardner is published as a public bchloa^ri ty t tnCt l70rthy register his proper NAPA credits. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
The Multidimensional Guide to Science Fiction and Fantasy of the Twentieth Century, Volume 1
THE MULTIDIMENSIONAL GUIDE TO SCIENCE FICTION AND FANTASY OF THE TWENTIETH CENTURY, VOLUME 1 EDITED BY NAT TILANDER 2 Copyright © 2010 by Nathaniel Garret Tilander All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means—whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law. Cover art from the novella Last Enemy by H. Beam Piper, first published in the August 1950 issue of Astounding Science Fiction, and illustrated by Miller. Image downloaded from the ―zorger.com‖ website which states that the image is licensed under a Creative Commons Public Domain License. Additional copyrighted materials incorporated in this book are as follows: Copyright © 1949-1951 by L. Sprague de Camp. These articles originally appeared in Analog Science Fiction. Copyright © 1951-1979 by P. Schuyler Miller. These articles originally appeared in Analog Science Fiction. Copyright © 1975-1979 by Lester Del Rey. These articles originally appeared in Analog Science Fiction. Copyright © 1978-1981 by Spider Robinson. These articles originally appeared in Analog Science Fiction. Copyright © 1979-1999 by Tom Easton. These articles originally appeared in Analog Science Fiction. Copyright © 1950-1954 by J. Francis McComas. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1950-1959 by Anthony Boucher. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1959-1960 by Damon Knight. These articles originally appeared in Fantasy and Science Fiction. -
TALES of TOMORROW” TV Sci-Fi Experiment in the 1950’S
“TALES OF TOMORROW” TV Sci-Fi Experiment in the 1950’s Retrospective by Dr. John L. Flynn Tales of Tomorrow was the first television series to treat the science fiction genre seriously. Many of its scripts were adapted from stories by masters of science fiction (such as H.G. Wells and Mary Shelley), and its production values were highly technological for 1951. It was a forerunner of The Twilight Zone, Science Fiction Theatre, and The Outer Limits , and with its unique format as an anthology series. Tales of Tomorrow was flexible enough to offer a full range of science fiction, fantasy and horror stories. Late in 1950, creator Mort Abrahams (first producer of Tom Corbett-Space Cadet) and producer George F. Foley Jr. came up with the revolutionary idea of involving science fiction writers in the production of a series. They organized a semi-commercial group, known as the Science Fiction League, and employed writers such as Fletcher Pratt, Horace Gold and Alvin Sapinsky. They then approached several network executives with a unique format proposal, and sold ABC-TV a science fiction series that would showcase the most talented writers, artists and technicians in the field. First telecast on Aug. 3, 1951, Tales of Tomorrow was critically acclaimed for its excellent stories and first quality production values. Its half hour segments were highly innovative (considering the restrictions of ''live'' television) and included adaptations of classics such as Frankenstein and 20,000 Leagues Under the Sea as well as original stories. Abrahams insisted, as a rule, that all episodes focus on human drama played against the backdrop of science fiction and that technical effects never be substituted for first class writing! But the audiences at the time were less sophisticated in their viewing tastes and preferred the comic book exploits of Captain Video or the juvenile fantasy of Tom Corbett-Space Cadet to Abrahams' vision. -
{PDF EPUB} ~Download the Midwich Cuckoos by John Wyndham John Wyndham: the Unread Bestseller
{Read} {PDF EPUB} ~download The Midwich Cuckoos by John Wyndham John Wyndham: The unread bestseller. One of the drawbacks of being a bestselling author is that no one reads you properly. Sure they read you, but do they really read you? I've been thinking about this because Nicola Swords and I have just made a documentary for Radio 4 about John Wyndham. Wyndham is probably the most successful British science fiction writer after HG Wells, and his books have never been out of print. He continues to haunt the public imagination – either through adaptations of his own work (last Christmas gave us a new Day of the Triffids on the BBC) or through thinly disguised homages (witness the opening of Danny Boyle's 28 Days Later, which almost exactly resembles the first chapters of The Day of the Triffids, and is in its turn parodied in the opening of Shaun of the Dead). But because his books are so familiar, maybe we don't look too closely at them. I read a lot of Wyndham when I was a teenager. Then, a few years ago, when I was looking around for books to adapt as a Radio 4 "classic serial", I thought of The Midwich Cuckoos. Rereading it, I was startled to find a searching novel of moral ambiguities where once I'd seen only an inventive but simple SF thriller. If you don't know the story, the village of Midwich is visited by aliens who put the whole place to sleep for 24 hours and depart; some weeks later all the women of childbearing age find they are pregnant, and give birth to golden-eyed telepathic children whose powers are soon turned against the village and the world. -
{PDF EPUB} the Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A
Read Ebook {PDF EPUB} The Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A. Heinlein. Published 1949. Originally published as The Day After Tomorrow by Anson McDonald in Astounding Magazine , (later Analog ),1941. 241 pages (from the Virginia Heinlein edition, based on the 1949 Gnome Press hardback.) Review by Mark Yon. Here’s one of my occasional re-reads of Robert Anson Heinlein’s novels. This one is what they call ‘a fixup’, originally being in three parts in the January, February and March editions of Astounding Magazine , under the editorial tuition of John W. Campbell. It became a slightly revised novel in 1949, with the author’s real name rather than his pseudonym, and a little tidying up. Putting it in the context of Heinlein’s other writing, it was published as a novel after his juvenile book Red Planet and before Farmer in the Sky . As written by Anson McDonald, however, it was not written with the intention of being for the juvenile market, but as something more adult. I found it less satisfying than Red Planet and Farmer in the Sky , its adult voice both uncertain and unreal. It reflects the fact that it was written before Heinlein had had any novels published, and seems a little wobbly both in its concept and its delivery: something which would become much less noticeable as Heinlein becomes more confident in later writing. This lack of success may also be partly due to the fact that Sixth Column was based upon an idea given to Heinlein from Campbell, the only major work of Heinlein’s career to be plotted by someone else. -
Disclave 1970
DISCLAVE 1970 Murray Leinster Guest of Honor Skyline Inn May 15, 16, 17 Washington, D.C. Sponsored by the WASHINGTON SCIENCE FICTION ASSOCIATION. Jay Haldeman - Chairman Recent Guests of Honor 1969 - Lester Del Rey 1968 - Robert Silverberg 1967 - Jack Gaughan 1966 - Roger Zelazny Copyright 1970© Jac* C Haldeman II MURRAY LEINSTER (WILL F. JENKINS) A BIBLIOGRAPHY compiled by Mark Owings Adapter—ASF 8/46; Brit 8/48 City on the Moon—Avalon: NY, 1957, pp. Aliens, The—ASF 8/59; in The Aliens(q.v.) 224, $2.75; Ace: NY. 1958, wpps 151,35$ with Men on the Moon, ed. Wollheim; as Aliens, The — Berkeley: NY, 1960, wpps 144, Sabotage sur la Lune. tr. Michel Averlant, 35$. Contents: The Aliens, Anthropological Ditis: Paris. 1961.1 NF Note, Fugitive from Space, The Skit-Tree Colonial Survey — Gnome: NY. 1957, pp. Planet, Thing from the Sky 185, $3.00, dj Wood; Avon:NY, 1957, Amateur Alchemist, The—TWS Fall/54 wpps 171, 35$ as The Planet Explorer. Contents: Solar Constant, Sand Doom, Ambulance Made Two Trips, The— Combat Team, The Swamp was Upside ASF 4/60 Down Anthropological Note — F&SF 4/57; F&SF Combat Team — see Exploration Team (Aust) #14, 8/58; in The Aliens (q.v.) Conquest of the Stars—see Proxima Cen Assignment on Pasik—TWS 2/49 (as by tauri William Fitzgerald);POPULAR SF (Aust) Corianis Disaster, The — SFS 5/60; included #1, 7/53; included in Adventures on in Seven Come Infinity, ed. Groff Conklin Other Planets, ed. Donald A. Wollheim (Gold Medal; NY, 1966, wpps 222, 50$) (Ace; NY1955, wpps 160, 25$) Creatures of the Abyss — Berkeley: NY, Atmosphere—ARG 1/26/18 1961, wpps 143, 35$; Sidgwick & Jackson: Attention Saint Patrick—ASF 1 /60 London. -
Nelson Slade Bond Collection, 1920-2006
Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2006 0749: Nelson Slade Bond Collection, 1920-2006 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the Fiction Commons, Intellectual History Commons, Playwriting Commons, and the Social History Commons Recommended Citation Nelson Slade Bond Collection, 1920-2006, Accession No. 2006/04.0749, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. 0 REGISTER OF THE NELSON SLADE BOND COLLECTION Accession Number: 2006/04.749 Special Collections Department James E. Morrow Library Marshall University Huntington, West Virginia 2007 1 Special Collections Department James E. Morrow Library Marshall University Huntington, WV 25755-2060 Finding Aid for the Nelson Slade Bond Collection, ca.1920-2006 Accession Number: 2006/04.749 Processor: Gabe McKee Date Completed: February 2008 Location: Special Collections Department, Morrow Library, Room 217 and Nelson Bond Room Corporate Name: N/A Date: ca.1920-2006, bulk of content: 1935-1965 Extent: 54 linear ft. System of Arrangement: File arrangement is the original order imposed by Nelson Bond with small variations noted in the finding aid. The collection was a gift from Nelson S. Bond and his family in April of 2006 with other materials forwarded in May, September, and November of 2007. -
Fantasy Review #2
FANI TASY RIVIIW Vol. I, No. 3 SIXPENCtr -!-PR.-MAY 194? REVELATION Much as $e anticipated. F.t)iT-{SY REYIEMas cor.ne as a complete e]'e-opener to hundreds \\ho. except fol a ierv emasculated magazines oI an occasioDal ]:ook discovered by accident, have been all too long isolated frorn thcir favoulite literafure. Its news of publishing developmenis of \i hich lhey we1'e una\\rare; its reviews of books thel'did not suspect were forfhcoming in such appetising arral-: iis lea"';akeniug of an interest rvhich, in many cases. had alnlosl, died of attritior-r, have brought unqualif,ed apploval f1'om ils sub- scribers. Such a publication, they generall]' agree. is just rvhat the5'needed ro enlightcn and advise them. Even those ferv rvho rvere already alive to thc fact of lantasy ficrion's increased fertility have $'elcomed FANTASY REVIEW as the onl)' journal to catel adequately for their interest and enable them to keep pace with the I'apid gro$'th of the medium on both sides of the Atlantic. Ft'orh the U.S.A. especially have come encoulagiDg comments indicating that it has alreadl' assumed a unique positior-r in tite field rvhich il covers. And, knorving the usual transitorittess of such publications on their side, these lvell-$'.ishers eafncsti.v beg us not to let this most promising of all joulnals devoted to f antasl' ficlicn-"the best ever," thel' describe it-die a hramq tlrra dpa f h But as -\'et we have onl-v begun. And iu spiie of the special difficulties we have to contend rvith on this side in these days, $'e have no intention of srispeitding FANTASY REVIDW while there are readers to \\-hom it is so essential to the maintenance of their hobby. -
The Outer Limits
From the Inner Mind to The Outer Limits Retrospective by Dr. John L. Flynn Introduction “There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image; make it flutter. We can change the focus to a soft blur, or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to THE OUTER LIMITS. .” Those few chilling words, when first heard on September 16, 1963, introduced what many consider the best anthology series of its kind to American audiences. The three major networks produced few exceptional television shows during the decade of the Sixties, and even fewer ones with a science-fictional premise, yet widespread acclaim for The Outer Limits has continued more than thirty years after its untimely cancellation. Like its predecessors, including Tales of Tomorrow, Science Fiction Theatre and The Twilight Zone, The Outer Limits offered some bewitching excursions into the realm of science fiction; but it also journeyed beyond the limitless regions of time and space into the human soul. Nearly everyone who remembers the series fondly recalls the monsters that appeared in their living rooms week after week. -
Etherline 63
. p u o e r G n o i t c i F e c n e i c S e n r u o b l e M r o F A P F A y b d . e o h N s i l b E u U P S S I Published by AMATEUR FANTASY PUBLICATIONS OF AUSTRALIA and edited by Ian J. Crozier, production by Mervyn R. Binns. All material for publi cation to be forwarded to 6 Bramerton Road, Caulfield, S.E.8, Victoria, Australia. All Subscriptions to AFPA, 90 Lilydale Grove, Hawthorn East, Victoria. ETHERLUffi ETHERLINE AUTHOR STORY LISTING 3 Girdles enquiries to : the OPERATION FANTAST, Globe 22 Broad St., Syston, Leics., ENGLAND. THE LARGEST FAN ORGANIZATION IN THE WORLD ~Th e Largest AND WIDEST STOCKS OF NEW AND BACK ISSUES This author originally came to prominence for his writings under the pseudonym ‘John Beynon’ in the '30's, which OF ORIGINAL AND REPRINT included appearances in WONDER STORIES and the publishing of two BRITISH books. Post war he adopted the pseudonym ’John Wyndham* and SoEa/c£ PKTiOA/ this is now used on all works and by which he is conceded to be one of the best British science fiction writers. Part of • his success has been shown in that the BBC broadcast' his THE KRAKEN BOOKS AND MAGAZINES TO BE WAKES in 1954. FOUND IN AUSTRALIA !! I! BOOKS THE ONLY STOCKS IN AUSTRALASIA OF KALIAN PRESS ISSUES Bl THE CHRYSALIDS (Michael Joseph: London 1955 239 10/6) Writ ten under pseudonym ’John Wyndham’ ; US ed - the first THE BL1C CENTAUR BOOK CO., Box 4940, G.P.O., Sydney, Neil,SButH.Wale to appear - is P3. -
Introduction
Notes Introduction 1. The choice of literary fiction to the general exclusion of popular fiction is partly because the latter’s response to the Cold War has received some study, but also because study of the topic tends to overemphasise its source material. For example, see LynnDiane Beene paraphrased in Brian Diemert, ‘The Anti- American: Graham Greene and the Cold War in the 1950s’, in Andrew Hammond, ed., Cold War Literature: Writing the Global Conflict (London and New York: Routledge, 2006), p. 213; and David Seed, American Science Fiction and the Cold War: Literature and Film (Edinburgh: Edinburgh University Press, 1999), p. 192. 2. Caute, Politics and the Novel during the Cold War (New Brunswick and London: Transaction Publishers, 2010), p. 76. 3. Richard J. Aldrich, ‘Introduction: Intelligence, Strategy and the Cold War’, in Aldrich, ed., British Intelligence, Strategy and the Cold War, 1945–51 (London and New York: Routledge, 1992), p. 1. For useful summaries of the different schools of Cold War historiography, see S.J. Ball, The Cold War: An International History, 1947– 1991 (London and New York: Arnold, 1998), pp. 1–4; and Ann Lane, ‘Introduction: The Cold War as History’, in Klaus Larres and Lane, eds, The Cold War: The Essential Readings (Oxford and Malden: Blackwell, 2001), pp. 3–16. 4. Dwight D. Eisenhower quoted in John Lewis Gaddis, The Cold War, new edn (2005; London: Penguin, 2007), p. 123. In the mid-1940s, the US assertion that ‘in this global war there is literally no question, political or military, in which the United States is not interested’ was soon echoed by Vyacheslav Molotov’s claim that ‘[o]ne cannot decide now any serious problems of international relations without the USSR’ (quoted in Paul Kennedy, The Rise and Fall of the Great Powers: Economic Change and Military Conflict from 1500 to 2000, new edn (1987; New York: Vintage Books, 1989), p.