S15-Laurence-King.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Contents Forthcoming Titles 3 Enchanted Forest: An Inky Quest & Coloring Book 4 Icons of Women’s Style 5 Denim Dudes: Street Style Vintage, Workwear, Obsession 6 This is Cézanne 7 This is Van Gogh 8 This is Matisse 9 Alexander McQueen’s Inferno 01 100 Children’s Picturebooks 12 Fashion Visionaries 13 Photography Visionaries 14 London Sketchbook 51 Stickerbomb Skate: 150 Classic Skateboard Stickers 61 3-D Bubble Writer: A Crazy Craft Book 71 Sew Fab: Sewing and Style for Young Fashionistas 81 Best-Dressed Pets: A Sticker & Coloring Book 19 Doodleflip Dress-Up 12 Alan Kitching’s A–Z of Letterpress: Founts from the Typography Workshop 2 Cut Out + Keep: Around the USA in 50 Craft Projects 32 Girly Style Wardrobe 42 100 Ideas that Changed Advertising 52 Logo: The Reference Guide to Symbols and Logotypes, Mini Edition 62 Print & Pattern: Geometric 72 The Pattern Sourcebook: A Century of Surface Design, Mini Edition 82 Knit: Innovations in Fashion, Art, Design Print, Make, Wear: Creative Projects for Digital Textile Design 92 Sewing for Fashion Designers 03 The Sustainable Design Book 13 The Process: A New Foundation in Art and Design 23 Morphing: A Guide to Mathematical Transformations for Architects and Designers 3 Spatial Strategies for Interior Design 43 The New Sri Lankan House Forthcoming Gifts 36 Stickyscapes London 37 Stickyscapes Paris 38 Fingerprint Art Postcards Archibet 39 Cat Postcards Magma Sketchbook: Architecture 40 Woodland Friends: 20 Pull-out Prints Cycling Climbs: 20 Art Prints 14 Cycling Stars: A Trump Art Game Space Travel Dice 42 Gifts 84 Titles by Category 79 Student Books 90 Title Index 92 Author Index 49 Contacts, Distribution, Representatives Enchanted Forest An Inky Quest & Coloring Book Johanna Basford This stunning new coloring book by Johanna Basford takes readers on an inky quest through an enchanted forest to discover what lies in the castle at its heart. As well as drawings to complete, color, and embellish, there are hidden objects to be found along the way including wild flowers, animals, and birds, gems, lanterns, keys, and treasure chests. Beginning at the entrance to the forest, the journey progresses through woodland, rocky caves and tree- lined mazes, over streams and a waterfall, across the trees tops, to finally reach the castle. Also hidden throughout the book are nine symbols. Readers must find all the symbols to unlock the castle door at the end of the quest and discover what lies within. Johanna Basford is an illustrator and ink evangelist who creates intricate and hand-drawn illustrations rooted in the flora and fauna that surrounds her home in rural Scotland. • Beautiful coloring book for adults and children alike • Includes gatefold with stunning artwork • The follow-up to the hugely successful Secret Garden 978 1 78067 488 9 63 illustrations 84 pages • 9¾ x 9¾ ins $15.95 PB • Gift Mar 2015 ISBN 978-1-78067-488-9 01595 9 781780 674889 Also available: Secret Garden Secret Garden: Secret Garden: Secret Garden: An Inky Treasure Hunt 20 Postcards 12 Notecards Three Mini Journals and Coloring Book Johanna Basford Johanna Basford Johanna Basford Johanna Basford 978 1 85669 946 4 978 1 85669 947 1 978 1 85669 948 8 978 1 78067 106 2 $9.95 PB $14.95 PB $12.95 PB $15.95 PB Forthcoming Titles 3 Icons of Women’s Style Josh Sims Behind nearly every garment in the feminine wardrobe there is a first of its kind that has spawned countless others. While the definitive example – often created by a single designer – has achieved icon status, its various reinterpretations, season after season, have become fashion staples. Icons of Women’s Style examines, item by item, the most influential and legendary garments and accessories – their provenance and history, the stories of their design, the celebrities who made them famous, and the various ways they have shaped how women dress today. Josh Sims is a London-based writer and editor who contributes to the Financial Times, The Times, Wallpaper, and The Rake, among other publications. A specialist in matters of style, he is the author of several books including Icons of Men’s Style and Vintage Menswear (both published by Laurence King). • A stylish survey of the key items every fashionable woman should own – from the little black dress to the trench coat • Tells the stories behind these fashion items, who wore them and how they have evolved • Illustrated with wonderful photographs of legendary fashion icons, including Marlene Dietrich, Grace Kelly, Audrey Hepburn, Brigitte Bardot, Bianca Jagger, and Kate Moss, wearing these styles 978 1 78067 271 7 350 color illustrations 208 pages • 11 x 7¾ ins $29.95 PB • Fashion Feb 2015 ISBN 978-1-78067-271-7 02995 9 781780 672717 Also available: Icons of Men’s Style Josh Sims 978 1 85669 722 4 $29.95 PB 4 Forthcoming Titles Denim Dudes Street Style • Vintage • Workwear • Obsession Amy Leverton Denim Dudes is a street style book with a difference. As well as featuring key players in the global denim business, such as Jason Denham (Denham), François Girbaud (Marithé + François Girbaud), Adriano Goldschmied (Diesel, 7 For All Mankind) and Kenichi and Kenji Shiotani (Warehouse Japan), it also explores the very best and latest denim styling on the street, from bikers to vintage dealers and store owners. Exclusive photography for the book was shot in Paris, Tokyo, London, New York, LA, Milan, San Francisco, Amsterdam, Stockholm, Barcelona, Melbourne, Gothenburg, and Sydney. This inspirational title will appeal not just to designers and fashion professionals but to a public increasingly obsessed with the world of denim. It offers unrivalled insight into the stylish and sometimes eccentric "dudes" involved in this fascinating and diverse industry. Amy Leverton is a denim expert who has worked in the industry for ten years, most recently at the leading trend forecasting website, WGSN where she is currently Director of Denim and Youth Culture. • Features 80 stylish denim lovers • Photography exclusively shot for the book in Paris, Tokyo, London, New York, Milan, LA, San Francisco, Amsterdam, Stockholm, Gothenburg, Barcelona, Melbourne, Sydney, and Berlin • Perfect gift for fans of denim and vintage menswear 978 1 78067 418 6 265 color illustrations 272 pages • 9¾ x 6¾ ins $24.95 • PB • Fashion Feb 2015 ISBN 978-1-78067-418-6 02495 9 781780 674186 Also available: Vintage Menswear A Collection from The Vintage Showroom Josh Sims, Roy Luckett & Douglas Gunn 978 1 85669 883 2 $50.00 HC Forthcoming Titles 5 This is Cézanne Jorella Andrews, illustrated by Patrick Vale Paul Cézanne challenged convention, and pioneered new possibilities in painting. He was remarkable for his ability to perceive and paint aspects of everyday life in ways that revealed dynamic yet deeply harmonious visions of the world. But the intellectual and emotional difficulties of his achievements were considerable. Mainly self- taught, most of his career was plagued by rejection. The critics, and the public, disliked his paintings, and in 1884 Cézanne declared that Paris, the center of the nineteenth-century art world, had defeated him. Repeatedly, he retreated into self-doubt and bad temper. This book follows Cézanne on his extraordinary artistic journey, focusing on his formative discoveries, made not in the flashy, fashionable metropolis of Paris but in provincial and rural France, often in isolation. Jorella Andrews is a senior lecturer in the Visual Cultures department at Goldsmiths, University of London, and the author of Showing Off! A Philosophy of Image (2014). Patrick Vale is an internationally recognized illustrator best known for his work based on cities and architecture. Among his recent projects is the time-lapsed film “Empire State of Pen,” described by The Huffington Post as “jaw-dropping.” • The story and work of Paul Cézanne is brought to life through specially commissioned illustrations • Text and illustrations are meticulously researched to ensure historical accuracy • Art history made visual and accessible 978 1 78067 478 0 50 color illustrations 80 pages • 9 x 6¾ ins $15.95 HC • Art Mar 2015 ISBN 978-1-78067-478-0 01595 9 781780 674780 Also available: This is Bacon This is Gauguin Kitty Hauser George Roddam 978 1 78067 185 7 978 1 78067 189 5 $15.95 HC $15.95 HC 6 Forthcoming Titles This is Van Gogh George Roddam, illustrated by Sława Harasymowicz Vincent van Gogh used art to express his intensely emotional response to the world around him. Enraptured by the beauty of nature and tormented by the sorrows of human existence, he produced in his tragically short life some of the most powerfully expressive paintings ever seen. Many have made the mistake of thinking him mad, and he did suffer throughout his life periods of mental anguish. But Van Gogh’s paintings are not the works of a madman. Van Gogh famously sold only one painting during his life, but within a few years of his death he was recognized as one of the greatest modern painters. George Roddam has taught art history at universities in the UK and US. His research focuses primarily on European modernisms. He lives in southeast England with his wife and two sons. Sława Harasymowicz is a Polish artist based in London. Following the release of the graphic novel The Wolf Man, she had a solo exhibition at The Freud Museum, London. She was a member of the V&A Award’s jury in 2010. • The story of Van Gogh's life and work is brought to life through specially commissioned illustrations • Includes key works by the artist • Text and illustrations are meticulously researched to ensure historical accuracy 978 1 78067 480 3 50 color illustrations 80 pages • 9 x 6¾ ins $15.95 HC • Art Mar 2015 ISBN 978-1-78067-480-3 01595 9 781780 674803 Also available: This is Warhol This is Dalí This is Pollock Catherine Ingram Catherine Ingram Catherine Ingram 978 1 78067 014 0 978 1 78067 109 3 978 1 78067 346 2 $15.95 HC $15.95 HC $15.95 HC Forthcoming Titles 7 This is Matisse Catherine Ingram, illustrated by Agnès Decourchelle In the history of twentieth century modernism, Henri Matisse is a calm and unstoppable revolution of creative genius.
Recommended publications
  • The National Life Story Collection

    The National Life Story Collection

    IN PARTNERSHIP WITH AN ORAL HISTORY OF BRITISH FASHION Betty Jackson Interviewed by Eva Simmons C1046/10 IMPORTANT Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 [0]20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. NATIONAL LIFE STORY COLLECTION INTERVIEW SUMMARY SHEET Title Page Ref. No.: C1046/10/01-26 Playback No: F15711, F16089-92, F16724- 8, F16989-96, F17511-8 Collection title: Oral History of British Fashion Interviewee’s surname: Jackson Title: Ms Interviewee’s forenames: Betty Sex: F Occupation: Fashion Designer Date of birth: 1949 Mother’s occupation: Housewife Father’s occupation: Shoe Manufacturer Date(s) of recording: 14.07.04, 29.09.04, 20.10.04, 25.11.04, 02.12.04, 14.01.05, 25.02.05, 08.04.05, 22.04.05, 06.05.05, 03.06.05, 27.06.05 Location of interview: Betty Jackson’s office, Shepherds Bush, London Name of interviewer: Eva Simmons Type of recorder: Marantz CP430 Total no. of tapes: 26 Type of tape: D60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: open Interviewer’s comments: Betty Jackson Page 1 C1046/10 Tape 1 Side A (part 1) Tape 1 Side A [part 1] This is Eva Simmons interviewing Betty Jackson.
  • David Hockney

    David Hockney

    DAVID HOCKNEY David Hockney (b. 1937) • Born in Bradford, went to Bradford Grammar School and Bradford College of Art. He was born with synaesthesia and sees colours in response to music. At the Royal College of Art he met R. B. Kitaj • 1961 Young Contemporaries exhibition announcing the arrival of British Pop art. His early work shows expressionist elements similar to some Francis Bacon. He exhibited alongside Peter Blake (born 1932), Patrick Caulfield and Allen Jones. He met Ossie Clarke and Andy Warhol. • He featured in Ken Russell’s Pop Goes the Weasel with Pauline Boty (pronounced ‘boat-ee’) • Hockney had his first one-man show when he was 26 in 1963, and by 1970 (or 1971) the Whitechapel Gallery in London had organized the first of several major retrospectives. • He moved to Los Angeles in 1964, London 1968-73 and then Paris 1973-75. He produced 1967 paintings A Bigger Splash and A Lawn Being Sprinkled. Los Angeles again in 1978 rented then bought the canyon house and extended it. He also bought a beach house in Malibu. He moved between New York, London and Paris before settling in California in 1982. • He was openly gay and painted many celebratory works. It 1964 he met the model 1 Peter Schlesinger and was romantically involved. In California he switched from oils to acrylic using smooth, flat and brilliant colours. • He made prints, took photographs and stage design work for Glyndebourne, La Scala and the Metropolitan Opera House in New York. • From 1968 he painted portraits of friends just under life size.
  • Feminism Reframed Alexandra M. Kokoli Cambridge Scholars

    Feminism Reframed Alexandra M. Kokoli Cambridge Scholars

    Feminism Reframed Edited by Alexandra M. Kokoli Cambridge Scholars Publishing Feminism Reframed, Edited by Alexandra M. Kokoli This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Alexandra M. Kokoli and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-405-7, ISBN (13): 9781847184054 TABLE OF CONTENTS Introduction ................................................................................................. 1 Looking On, Bouncing Back Alexandra M. Kokoli Section I: On Exhibition(s): Institutions, Curatorship, Representation Chapter One............................................................................................... 20 Women Artists, Feminism and the Museum: Beyond the Blockbuster Retrospective Joanne Heath Chapter Two.............................................................................................. 41 Why Have There Been No Great Women Dadaists? Ruth Hemus Chapter Three............................................................................................ 61 “Draws Like a Girl”: The Necessity of Old-School Feminist Interventions in the World of Comics and Graphic Novels
  • Chapter 1 1850-1890: the Dawn of Modern Clothing

    Chapter 1 1850-1890: the Dawn of Modern Clothing

    Chapter 1 1850-1890: The Dawn of Modern Clothing This Teacher’s Guide, compiled with the assistance of Stephanie Kramer, is designed to provide you with a summary of the key points in the development of fashion during the period/decade covered in this chapter. It also provides a concise survey of the significant designers of the time, essay and discussion questions, and further reading and research suggestions. Objective The main objective of this chapter is to study the development of fashion during the second half of the 19th century, particularly the establishment of those aspects of the fashion system that are still in place today. Fashion in this period reflected the latest developments in engineering, chemistry, and communication and witnessed development of the role of the “fashion designer.” Key Teaching Points The following teaching points have been arranged thematically and highlight the important topics that need to be covered in order to meet the main objective of the chapter. Social and Economic Background • Britain o reign of Queen Victoria (1837-1901); stress on propriety and etiquette o rapid industrialization o expanding overseas empire • United States o impact of Civil War (1861-1865) on global trade o emergence as industrial power • France o reestablishment of court during Second Empire (begins 1852, ends with Franco-Prussian war 1870) o transformation of Paris into fashionable modern city • Japan o opens borders (1853-1854) o goods enter the Western market and impact Western tastes The Arts • Orientalism and Academic
  • Unit 119: Printed Textiles for Fashion and Clothing

    Unit 119: Printed Textiles for Fashion and Clothing

    Unit 119: Printed Textiles Code: R/502/5438 QCF Level 3: BTEC National Credit value: 10 Guided learning hours: 60 Aim and purpose The aim of the unit is to develop learners’ knowledge and skills in the use of printed textiles for different applications and their understanding of the way designers, artists and craftworkers work with traditional and non-traditional materials to produce individual and diverse work using a variety of techniques. Unit introduction Textile designers, who produce designs for commercial fashion and clothing, work with small and large pattern repeats. Large-scale designs that wrap around a garment can be produced by textile artists who use printed textiles to communicate and express ideas in their personal work and these are usually one-off pieces. Textile designers usually produce hand painted designs or computer generated work which is sold to buyers on behalf of fabric printers. Ideas are then adapted and put into production. Designers usually present their ideas in a selection of colour-ways that follow seasonal or independent trend predictions. The aim of the unit is to introduce learners to the techniques and application of printed textiles in fashion and clothing. Fashion designers and textile artists work with traditional and non-traditional materials to produce individual and exciting work using a variety of techniques. Designers use a range of skills in developing ideas for printed textiles. Learners will research a range of visual sources including exploring the work of historical and contemporary textile designers. They will develop these sources using a variety of materials, techniques and processes using both traditional and non-traditional materials.
  • Danad Design: 1958-62 Tom Adams

    Danad Design: 1958-62 Tom Adams

    DANAD DESIGN: 1958-62 TOM ADAMS. PETER BLAKE. BERNARD COHEN. ROBYN DENNY. BARRY DANIELS. EDWARD WRIGHT. A Learning Resource for Teachers to support the Pop by Design Exhibition at 1 Hoe Street Gallery, 8 February – 26 April 2020: An introduction to DANAD Design with background information, ‘Works in Focus’ and classroom activities. 1 Cover images clockwise from top left: Painting 50s, 1956, Barry Daniels; Wall Bar, 1960, Robyn Denny; Painting 60s, 1962, Barry Daniels; Tattooed Lady, 1985, Sir Peter Blake; Agatha Christie book cover, 1970s, Tom Adams; Mary Quant textile design, around 1962, Barry Daniels; Table, 1960, Barry Daniels. Courtesy of DANAD Design Foundation 2 Pop by Design: DANAD DESIGN 1958-1960 These notes have been created to support teachers of Art and Design and Design and Technology who are interested in visiting the DANAD Design exhibition at One Hoe Street Gallery, Waltham Forest’s new exhibition space run in partnership with the William Morris Gallery. Whilst developed with KS3 and KS4 level in mind, this resource is also suitable for teachers of other age groups. There are links to literacy (expressing opinions, evaluating ideas) and social history (1960s Pop Art), as well as textile and fashion design. The background information outlines the ideas and environment that led to the DANAD Design collective, exploring how they were the early instigators of Pop Art in Britain with a lasting impact on textiles, fashion and interior design from the 1960s to today. It also explores how their work links back to the creative principles of both William Morris and the Bauhaus, in their desire to bring art, craft and design together.
  • Maggs 1453 No

    Maggs 1453 No

    Autographs Maggs 1453 No. 120, Nathalie Krassovska No. 126, Serge Lifar No. 95, Peggy Ashcroft and John Gielgud No. 98, Martha Graham AUTOGRAPH LETTERS & HISTORICAL DOCUMENTS MAGGS 1453 Peter de Corbeil, no. 176 Catalogue compiled by Hinda Rose and Polly Beauwin Maggs Bros Ltd., 50 Berkeley Square, London W1J 5BA Open Monday – Friday, 9.30am – 5.00pm Tel: (00)44-(0)20-7493 7160 Fax: (00)44-(0)20-7499 2007 [email protected] [email protected] Bank Account: Allied Irish (GB), 10 Berkeley Square, London W1J 6AA Sort code: 23-83-97 Account Number: 47777070 IBAN: GB94AIBK23839747777070 BIC: AIBKGB2L VAT No.: GB239381347 Access/Mastercard and Visa: Please quote card number, expiry date, name, security code and invoice number by mail, fax or telephone. EU members: please quote your VAT/TVA number when ordering. Items may be subject to VAT within the EU; EU customers outside the UK may not be subject to VAT if they provide a VAT number at time of purchase. The goods shall legally remain the property of the seller until the price has been discharged in full. ©Maggs Bros Ltd. 2011 express to you personally my full admiration for all the truly wonderful energy, devotion and power of administration you have displayed during these long and critical years.” Slight splitting at the edges of the centre horizontal folds has been repaired under our direction. Together with a contemporary postcard photograph of ‘Alexandra, the Queen Mother’, an elegant oval head and shoulders image. “WE HAD A GOOD CAMPAIGN” 2. ALLENBY, Edmund, Viscount (1861-1936). Field-Mashal.
  • Marit Allen Interviewed by Alistair O'neill C1046/13

    Marit Allen Interviewed by Alistair O'neill C1046/13

    IN PARTNERSHIP WITH AN ORAL HISTORY OF BRITISH FASHION Marit Allen Interviewed by Alistair O’Neill C1046/13 IMPORTANT Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB United Kingdom +44 [0]20 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators. NATIONAL LIFE STORY COLLECTION INTERVIEW SUMMARY SHEET Title Page Ref. No.: C1046/13/01-8 Collection title: Oral History of British Fashion Interviewee’s surname: Allen Title: Ms Interviewee’s forenames: Marit Sex: Female Occupation: Film Costume Designer Date of birth: Mother’s occupation: Hotelier Father’s occupation: Hotelier Date(s) of recording: 09.08.2005, 06.09.2005, 21.09.2005, 06.10.2005 Location of interview: Interviewee’s home, London SW6 Name of interviewer: Alistair O’Neill Type of recorder: Marantz CP430 Total no. of tapes: 8 Type of tape: D60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: © The British Library Board Interviewer’s comments: Marit Allen Page 1 C1046/13 Tape 1 Side A [part 1] Tape 1 Side A [part 1] Can I just ask you what you had for breakfast this morning? Yes, you can.
  • Queen Elizabeth II 2009-2016

    Queen Elizabeth II 2009-2016

    13th January 2009. British Design Classics (1st issue). 1st 1st 1st Supermarine Spitfure Mini Skirt Mini (R. J. Mitchell) (Mary Quant) (Sir Alec Issigonis) 1st 1st 1st Anglepoise Lamp Concorde K2 Telephone Kiosk (George Carwardine)© Gerard (AérospatialeJ McGouran-BAC) 2018(Sir Giles Gilbert Scott) www.gbstampalbums.co.uk © Gerard J McGouran 2018 ©J Gerard 1st 1st 1st Polypropylene Chair Penguin Books London Underground Map (Robin Day) (Edward Young) 1st Routemaster Bus (design team led by AAM Durrant) www.gbstampalbums.co.uk © Gerard J McGouran 2018 QEII Decimal Commemoratives 205 13th January 2009. British Design Classics (2nd series). Booklet stamp. 1st Concorde 12th February 2009. Birth Bicentenary of Charles Darwin (naturalist and evolutionary theorist) (1st issue). Self-adhesive. 1st 48p 50p © Gerard J McGouran 2018 Charles Darwinwww.gbstampalbums.co.uk Marine Iguana Finches © Gerard J McGouran 2018 ©J Gerard 56p 72p 81p Atoli Bee Orchid Orang-utan www.gbstampalbums.co.uk QEII Decimal Commemoratives 206 12th February 2009. Birth Bicentenary of Charles Darwin (naturalist and evolutionary theorist) (2nd issue). Booklet stamps. 1st 48p 50p Charles Darwin Marine Iguana Finches 56p 72p 81p Atoll Bee Orchid Orang-utan © Gerard J McGouran 2018 www.gbstampalbums.co.uk10th March 2009. British Design Classics (3rd series). © Gerard J McGouran 2018 ©J Gerard Self-adhesive booklet stamps. 1st 1st 1st K2 Telephone Kiosk Routemaster Bus (design team Mini (Sir Giles Gilbert Scott) led by AAM Durrant) (Sir Alec Issigonis) 1st 1st 1st Concorde Mini Skirt Supermarine Spitfire (Aérospatiale-BAC) (Mary Quant) (R. J. Mitchell) www.gbstampalbums.co.uk QEII Decimal Commemoratives 207 10th March 2009. Pioneers of the Industrial Revolution.
  • 46 AIM to Design Garment Shape Within Flat Textile Layers

    46 AIM to Design Garment Shape Within Flat Textile Layers

    PEELING GARMENTS Flat garment construction between fabric layers using the printing process as a construction method and the reference of a peeling wallpaper to create expressive dress Author: Monika Colja Master of Fine Arts with Specialisation in Fashion Design Report Number: 2020.6.08 Supervisor: Holly McQuillan Opponent: Ute Ploier Examiner: Clemens Thornquist May 2020 The past two years have been so much more than I could ever imagine. I have learnt, grown and made great friends. I would like to thank my amazing supervisor Holly McQuil- lan, without whose support and knowledge my work would not be the same. And all the other lecturers and staff (especially the print technicians, Sara and Emilia) for all the help. It has been a pleasure being here, working alongside everyone. I am most grateful for our class, the amazing people and creatives: the community we built to support each other and share everything has felt like a family. The times we had together I will treasure dearly. And lastly, to my family and friends, for always supporting me in my decisions, before I even take them. For believing in me and cheering me on. OVERVIEW / LINEUP PEELING GARMENTS MONIKA COLJA LOOK 1 PEELING GARMENTS MONIKA COLJA LOOK 2 PEELING GARMENTS MONIKA COLJA LOOK 3 PEELING GARMENTS MONIKA COLJA LOOK 4 PEELING GARMENTS MONIKA COLJA LOOK 5 PEELING GARMENTS MONIKA COLJA LOOK 6 PEELING GARMENTS MONIKA COLJA LOOK 7 PEELING GARMENTS MONIKA COLJA keywords: fashion design, print in fashion, flat garment construction, screen-printing, layering, simultaneous design ABSTRACT This work is a proposal for an alternative approach to working with print, making the printing process a key element within designing.
  • Rector's Review

    Rector's Review

    RECTORS COVER ALT film 22/11/06 11:56 am Page 1 rector’s review 05/06 Royal College of Art Kensington Gore London SW7 2EU www.rca.ac.uk RECTORS COVER ALT film 22/11/06 11:56 am Page 2 ‘The objects of the College are to advance learning, knowledge and professional competence particularly in the field of fine arts, in the principles and practice of art and design in their relation to industrial and commercial processes and social developments and other subjects relating thereto through teaching, research and collaboration with industry and commerce.’ Charter of Incorporation of the Royal College of Art, 28 July 1967 Visitor: His Royal Highness The Prince Philip Duke of Edinburgh Provost: Sir Terence Conran Pro-Provost and Chairman of the Council: Ian Hay Davison CBE Rector and Vice-Provost: Professor Sir Christopher Frayling Editor: Alison Sedgwick Design: Happily Ever After www.happily-ever-after.co.uk Photography: Alys Tomlinson Dominic Sweeny Printed by: Balding + Mansell Printed on Munken Print White. FSC Certified, mixed sources from well managed forests and other controlled sources. Contents Rector’s Introduction 3 Other College 43 Departments and College Year in Brief 4 2005/2006 Selected Highlights 6 Activities Exhibitions 44 External Relations 44 Department Reviews 11 Computing Services 45 School of Applied Art 12 Estates & Buildings 45 Ceramics & Glass 12 Students’ Union 46 Goldsmithing, Silversmithing, 13 College-wide and Graduate Initiatives 46 Metalwork & Jewellery LearnRCA 46 InnovationRCA 47 School of Architecture and Design
  • Shopping Is GREAT Edition

    Shopping Is GREAT Edition

    A guide Brought to you by for international media Edition 4 – June 2015 Manchester England visitbritain.com/media Contents Contents ....................................................................................................................................................... 1 Quick facts about Shopping in Britain .................................................................................................. 3 Introduction to Shopping is GREAT ...................................................................................................... 4 Why go shopping anyway?! .................................................................................................................... 5 Ten great British designers .................................................................................................................... 8 Ones to watch: Ten fashion stars of the future ................................................................................ 10 Time for a history lesson: the department store ............................................................................. 12 Capital shopping outside of London .................................................................................................... 13 Independent Shopping in the UK: a directory ................................................................................... 17 LONDON ................................................................................................................................................. 17 ENGLAND ..............................................................................................................................................