Memoir of James Wyld of Gilston, and His Family. Also of Robert Stodart Of

Total Page:16

File Type:pdf, Size:1020Kb

Memoir of James Wyld of Gilston, and His Family. Also of Robert Stodart Of Mf.iqa.1 A Na jjonal Library of Scotland MEMOIR OF JAMES WYLD OF GILSTON. MEMOIR OF JAMES WYLD OF GILSTON AND HIS FAMILY. ALSO OF ROBERT STODART OF KAILZIE AND ORMISTON HILL. BY ROBERT STODART WYLD, LL.D. FOR. PRIVATE CIRCULATION. 1889. EDINBURGH ". PRINTED BY SCOTT & FERGUSON, AND BURNESS & CO., PRINTERS TO HER MAJESTY. % 1958/ DEDICATED TO HIS DAUGHTER, JESSIE CASSELS SCOTT, MONTREAL, CANADA, BY THE AUTHOR. A CONTENTS. INTRODUCTORY NOTE, ...... xi CHAPTER I. ON HEREDITY—SOME TRAITS OF MY FATHER'S CHARACTER— HIS HABITS AND FIGURE— HIS MARRIAGE, .... I CHAPTER II. MY PATERNAL GRANDFATHER, HIS CHILDREN, GRANDCHILDREN, AND GREAT-GRANDCHILDREN, ...... CHAPTER III. MY UNCLE BROWN AND HIS CHILDREN, . 17 CHAPTER IV. MY FATHER'S EDUCATION AND MERCANTILE START IN LIFE— VOLUNTEER — HIS MARRIAGE—HIS FIRST HOUSE ON LEITH LINKS, ........ 26 CHAPTER V. OUR LIFE AT BONNINGTON BANK—MR DUNN'S SCHOOL — FULNEC SCHOOL, ........ 35 — viii CONTENTS. CHAPTER VI. MY FATHER AND MOTHER'S METHODICAL LIFE AT BONNINGTON—THE COMMERCIAL BANK STARTED, ..... 42 CHAPTER VII. THE LIFE AT GILSTON—MY FATHER AND MOTHER'S DEATH, . 51 CHAPTER VIII. ROBERT STODART WYLD AND HIS FAMILY, . -71 CHAPTER IX. ROBERT STODART WYLD AND HIS FAMILY continued, . 8<)l> CHAPTER X. JAMES CHARLES WYLD, ....... I36 CHAPTER XI. HENRY WYLD, ........ 151 CHAPTER XII. WILLIAM WYLD, . l6l CHAPTER XIII. GEORGE WYLD, ....... l{$7 CHAPTER XIV. EDWARD WYLD, ....... 200 CHAPTER XV. LIEUTENANT BENJAMIN WYLD, ... 215 CONTENTS. ix CHAPTER XVI. THE DAUGHTERS, ....... 234 CHAPTER XVII. CONCLUSION, ........ 268 ADDENDUM, 272 A CLOSING REFLECTION BY THE AUTHOR, . .273 A SKETCH OF ROBERT STODART, ESQ. OF KAILZIE AND ORMISTON HILL, . .275 APPENDIX, 303 THE FAMILY OF WYLD. INTRODUCTORY NOTE. It was with the intention of recording some particulars of the lives of parents whom I loved, and also of my grandparents on the mother's side, that I began to write the following sketches. I have been led to give also some notices, so far as was in my power, of my paternal grandparents, whom I had never seen, also of my brothers and sisters, as well as of some collateral branches of the family. We were a large family, and in spite of diversities of tastes and character, and pretty strong self-will in most of us, we have through life remained wonderfully attached to each other, keeping up a constant correspondence when separated, and taking a lively interest in each other's happiness and prosperity. My father and mother had fifteen children born to them. Of these, James and John, the second and the fourth, died re- spectively at the ages of six and eight. And Charlotte Mary died at Gilston, of fever, in 1838, when twelve years of age; she was the thirteenth child. When my father died, in i860, aged eighty-four years, he left a family of twelve children, namely, seven sons and five daughters. This is not the place to analyse the character of the individual xii INTR OD UCTOR Y NO TE. members of so large a family, but speaking in the general of them as a family, I may say confidently, that we were a sober, sincere, and thoughtful race—outspoken, holding honestly to our con- victions, fond of discussion, combative even at times, ever ready to speculate on the questions of the day, and at times to dip into philosophy. In our habits, we were careful and prudent ; in temper, we were quick, ardent, and enthusiastic. \n physique, we were active and muscular, rather than hardy and enduring. We were all tall ; one of the sons, a Canadian farmer, measures six feet four inches in height, and the other sons were either six feet, or close up to this height. In prosecuting our professional careers, whether these went with the grain or against it, we were never less than steady and honour- able, and we met with varying fortunes, as shall appear in the sequel. All the sons, seven in number, who reached manhood, and two of the daughters, married, and were eminently faithful, loving, and happy in the domestic relationship. Nor was there one of our number of whom we have reason to be ashamed. For this let us thank God. One characteristic of the family, deeply stamped, I have nearly forgotten to mention, namely, an overmastering diffidence, and a nervous discomfort experienced in the presence of strangers with whom we happen to have no natural and spontaneous affinities. This constitutional weakness, coming as it does in some measure from both sides of the house, is all the more inherent and un- governable, and likely therefore only to disappear and be buried with our bones. It is pleasant, however, to observe, that greater confidence is already beginning to display itself in some of the members of the rising generations, I shall now say something regarding the origin of the Scottish Wylds. INTROD UCTOR Y NO TE. xiii Our remoter ancestors, as well as our more immediate pre- decessors, flourished in the south-western counties of Scotland, especially in Lanark and Peebles, and their tombstones are still to be found in the parishes of Biggar, Dunsyre, Walston, Carnwath, and generally throughout Tweeddale and the upper wards of Lanark. These districts, I may here also remark, are sprinkled with the names of the Gladstone and Stodart families ; and my eldest sister, when on a visit to Professor and Mrs J. S. Blackie, at Broughton, Peeblesshire, when exploring the surrounding country, found on a tombstone in Biggar Parish Churchyard the marriage recorded of a Marion Wyld to John Gladstone. This John Glad- stone was full cousin of Sir John Gladstone, Bart., father of the celebrated G. O. M. of our day. The said Marion Wyld died 13th February 1822. In Messrs Irvine & Murray's work on the Upper Wards of Lanarkshire, published in 1864, there is a handsome tombstone engraved, on which is the figure of a man standing draped in a civilian robe, within a frame supported by pillars, under which is the inscription, Robert Wyld, died 1705, aged 63. As the name of Wyld was till recent times only to be found, as we understood, in the above districts of Scotland, we very naturally concluded that our ancestors must at some distant period have migrated from the south-west of England, where the name is far from uncommon. This was our theory. When I was, however, in September 1887, at Ruthven House, spending some weeks with Lord Trayner and my daughter, my attention was directed to a fine copy of Sir Walter Scott's edition of the ancient poem of Sir Tristram, of which Thomas the Rymer is the reputed author. On perusing Sir Walter's introduction and notes (p. 36, edition 1806), I stumbled upon what amused me, by showing the possibility, —shall I say, the probability ?—of our having been allied with the family of Merlin, xiv INTR OD UCTOR Y NO TE. the celebrated wizard or bard of the sixth century. To show the ground on which I rest this idea, I shall give the substance of what Sir Walter Scott says regarding Merlin and his times. The Britons, says he, inhabited the western districts of England, and also the district of Strathclwyd, which embraced the mountains of Cumberland, and the high grounds of Liddesdale and Teviotdale, Ettrick Forest, and Tweeddale. They waged continual wars with the Saxon invaders, who occupied the eastern parts of England. In the above district flourished some of the most distinguished British Bards who mingled in the memorable events of the period, and which decided the fate of the Island. The first of these bards mentioned by Sir Walter, is Merlin Wylit, translated by the French Merlin Sauvage, who inhabited the woods of Tweeddale, and who was buried at Drumelzier, near Peebles, where there is a stone pointed out as his tomb. This account, at least, fixes the name of IVyld, then spelt Wylit, as existing in the sixth century, and in precisely the same limited district of Scotland where our family is known to have dwelt for many centuries back from the present time. Merlin was called by the Welsh, Myrdin Wylit, or Merlin the Wild ; also Merlinus Sylvestris, or Woodland Merlin ; and Mer- linus Caledonius (see Veitch's History of the Scottish Border). The family name, Wylit, was probably given to his clan, from their inhabiting the wild and wooded regions of Upper Tweeddale. Following out the subject of the antiquity of our family, and so far strengthening the argument connecting us with Merlin's family, let me record another fact. My late much esteemed cousin, Robert Stodart, of the Lyon Office, Edinburgh, whose tastes and anti- quarian genius are well known by his valuable genealogical works, some time ago directed our attention to the work of the Rev. Mr Forbes Leith, published by Mr Paterson of Edinburgh in 1832, designated The Scots Men at Arms and Life Guards in INTROD UCTOR Y NO TE. xv France from 1418 to 1830. This work shows that Scotsmen of our family name are continually recorded as serving as archers in this Royal Body Guard of the Kings of France, especially from 1479 downwards for many years. The name is spelt variously, as was common in those times, when there was no established rule for spelling ; thus Weils, Wills, Wile, Wilet, and Weilt, are indiffer- ently used. In those days, they generally divided monosyllabic words, to make them more easily pronounced, as bird-is, hang-it, wash-it, &c. ; hard sounding consonants, at the end of words, were also either elided or softened, as for example, by omitting the last consonant by writing wile or weile for wild, or by changing the harder d into the softer /, as we see in the above examples.
Recommended publications
  • The Royal Scottish Academy of Painting', Sculpture Nd
    -z CONTENTS Vo1ue One Contents page 2 Acknowledgements Abstract Abbreviations 7 Introduction 9 Chapter One: Beginnings: Education and Taste 14 Chapter Two: 'A little Artistic Society' 37 Chapter Three: 'External Nature or Imaginary Spirits' IL' Chapter Four: Spirits of the enaissance 124 Chapter Five: 'Books Beautiful or Sublime' 154 Chapter Six: 'Little Lyrics' 199 Chapter Seven: Commissions 237 Conclusion 275 Footnotes 260 Bibliography 313 Appendix: Summary Catalogue of Work by Phoebe Traquair Section A: Mural Decorations 322 Section : Painted Furniture; House, Garden and Church Decorations 323 Section C: Paintings, Drawings and Sculpture Section D: Designs for Mural and Furniture Decorations, Embroideries, Illuminated Manuscripts and Enamelwork 337 Section B: EmbroiderIes 3415 Section F: Enamels and Metalwork Section G: Manuscript Illuminations S-fl Section E: Published Designs for Book Covers and Illustrations L'L. Section J: Bookbindings 333 Volumes Two and Three Plates 3 ACKOWLEDGEXE!TS This thesis could not have been researched or written without the willing help of many people. My supervisors, Professor Glies Robertson, who first suggested that I turn my interest in Phoebe Traquair into a university dissertation, and Dr Duncan Macmillan have both been supportive and encouraging at all stages. Members of the Traquair and Moss families have provided warm hospitality and given generously of their time to provide access to their collections and to answer questions which must have seemed endless: in particular I am deeply indebted to the grandchildren of Phoebe Traquair, Ramsay Traquair, Mrs Margaret Anderson, and Mrs Margaret Bartholomew. Francis S Nobbs and his sister, Mrs Phoebe Hyde, Phcebe Traquair's godddaughter, have furnished me with copies of letters written to their father and helped on numerous matters, Without exception owners and.
    [Show full text]
  • Former Fellows Biographical Index Part
    Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography.
    [Show full text]
  • White Gold Black Bodies
    Black Bodies White Gold Art, Cotton, and Commerce in the Atlantic World · AnnA ArAbindAn-Kesson · BLACK BODIES, WHITE GOLD Arabindan_ALL_FF.indd 1 2/24/21 12:59 PM BLACK BODIES, WHITE GOLD Art, Cotton, and Commerce in the Atlantic World Anna Arabindan- Kesson Duke university Press · Durham anD LonDon { 2021 } Arabindan_ALL_FF.indd 3 2/24/21 12:59 PM © 2021 Duke university Press All rights reserved Printed in the United States of America on acid- free paper ∞ Project editor: Lisa Lawley Designed by Matthew Tauch Typeset in Portrait Text by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Arabindan- Kesson, Anna, author. Title: Black bodies, white gold : art, cotton, and commerce in the Atlantic world / Anna Arabindan- Kesson. Description: Durham : Duke University Press, 2021. | Includes bibliographical references and index. Identifiers:L ccn 2020030916 (print) Lccn 2020030917 (ebook) isbn 9781478011927 (hardcover) isbn 9781478014065 (paperback) isbn 9781478021377 (ebook) Subjects: Lcsh: Cotton in art. | Slavery in art. | Cotton trade—Atlantic Ocean Region—History—19th century. | Slavery—Atlantic Ocean Region—History—19th century. | Cotton growing—Atlantic Ocean Region—History—19th century. | Afri- can diaspora in art. | Atlantic Ocean Region—Commerce—History—19th century. Classification:L cc n8217.c64 a733 2021 (print) | Lcc n8217.c64 (ebook) | DDc 704.0396—dc23 Lc record available at https://lccn.loc.gov/2020030916 Lc ebook record available at https://lccn.loc.gov/2020030917 Cover art: Hank Willis Thomas, Black Hands, White Cotton, 2014. Screen print and Carborundum on paper, 87.6 × 87.3 cm. (34 1/2 × 34 3/8 in.) © Hank Willis Thomas. Courtesy of the artist and Jack Shainman Gallery, New York.
    [Show full text]
  • The Architectural Heritage Society of Scotland ~
    THE ARCHITECTURAL HERITAGE SOCIETY OF SCOTLAND -r • . .-., - ) C , / ' ( ' ~ (( CA ITH NESS WEEKEND STUDY TOUR 16th - 18th May 1992 • • • • I • I I I I tlTIJlhJ (ii-.~ I kiln JRANSYtKSt SLCTIOH I I I ?. I I ; .. - = . - -- E. .. ==- --- !! .. - • . e . i: =='f . A ' a C i; -- • E I n, ~ ,A E ..__ ,,. ~ b P,/NCll'Al ffATtl'([) ~ : I II !o,.,,. ii•telc. l,\lrtlotl • : : ~-; ~ -~--~-J : ' I, l'J'~ff" b.x,n(.er/. ,~llttdn. I ' c vo<rlr l~wrl'lt1-tt d. hml't• f~1"'11hctt r" ltnlll}f•!Jt111n • "J'Jlf'" hl'fL t kcr11q,1tn( ,n,ts llt •:? •,,) I: PL>, N or K. I I ,_. S' F ltnte.-•!Udcs /"< i l,rt(l /in11n-/1001· h lfllt tkiorr Ft! ,o %0 JO ,IU I rt•IJc \''>lrtlntor • II I .. 5 I, ,o /2'. co,·n,9.it;rt. ll'Ot\ IW .Sbl-l 7 ' 9 " j e e e e e Acknowledgemems e The Architectural Heritage Society of Scotland would like to thank all the owners who have kindly given their permission for us to visit their property and to make this tour possible. e: Much assistance with the planning has been generously given by Lyn Leet, architect in Thurso, e Simon Montgomery and Andrew Kerr (the Kilmaichlie one). e The tour note~ have been produced courtesy o( Simpson & Brown and written by Marion Brune, Simon Green, John Sanders and Ross Sweetland, and culled from a variety of sources, especially f! the RCAHMS. The Society apologises for any errors or inadvenant infringements of copyright. e •e :9 :9 :::, 0 ·S lo ~l L..CS :::, :, ::, 13 3 ', ::, ::, \ \ ::, , / ' ::, I Su.th~ r l Md I ::, I I ::::, I I Ca."i t h "e s s I :::a I \ ::, \ / / ~ ' ' 'I ' I I \ --\ ..
    [Show full text]
  • CULTURAL SIGNIFICANCE ASSESSMENT Introduction the Princes Street Heritage Framework Study Area Comprises a Lo
    PRINCES STREET – CULTURAL SIGNIFICANCE ASSESSMENT Introduction The Princes Street Heritage Framework study area comprises a long, section of the city centre extending along the full length of Princes Street, over a single city block and bounded by Rose Street to the north. The site lies within the New Town Conservation Area and the Edinburgh World Heritage Site. The site contains a substantial number of buildings included on the Statutory List of Buildings of Historic or Architectural Interest (14 Category A, 79 Category B, and 11 Category C). The purpose of the Heritage Framework was to better understand the features, details and planned form which give the area its historic character and identity, and to provide a context for its preservation, development and management. The study established the development sequence and form of the surviving James Craig plan, the individual historic structures and the townscape. A more detailed understanding and assessment of the character, quality and comparative cultural significance of individual buildings is now required as a prerequisite to making decisions about the future of the area. Cultural significance refers to the collection of values associated with a place which together identify why it is important. The Burra Charter suggests that ‘Cultural significance is embodied in the place itself, its fabric, setting, use, associations, meanings, records, related places and related objects’. Where decisions are being made about the future of historic buildings, their historic and architectural significance should be adequately assessed. This should form part of the master planning and design process, and the assessment undertaken at the earliest opportunity and before detailed proposals are drawn up for the regeneration.
    [Show full text]
  • THE HOME of the ROYAL SOCIETY of EDINBURGH Figures Are Not Available
    THE HOME OF THE ROYAL SOCIETY OF EDINBURGH Figures are not available Charles D Waterston The bicentennial history of the Royal Society of Edinburgh1, like previous accounts, was rightly concerned to record the work and achievements of the Society and its Fellows. Although mention is made of the former homes and possessions of the Society, these matters were incidental to the theme of the history which was the advancement of learning and useful knowledge, the chartered objectives of the Society. The subsequent purchases by the Society of its premises at 22–28 George Street, Edinburgh, have revealed a need for some account of these fine buildings and of their contents for the information of Fellows and to enhance the interest of many who will visit them. The furniture so splendidly displayed in 22–24 George Street dates, for the most part, from periods in our history when the Society moved to more spacious premises, or when expansion and refurbishment took place within existing accommodation. In order that these periods of acquisition may be better appreciated it will be helpful to give a brief account of the rooms which it formerly occupied before considering the Society's present home. Having no personal knowledge of furniture, I acknowledge my indebtedness to Mr Ian Gow of the Royal Commission on the Ancient and Historical Monuments of Scotland and Mr David Scarratt, Keeper of Applied Art at the Huntly House Museum of Edinburgh District Council Museum Service for examining the Society's furniture and for allowing me to quote extensively from their expert opinions.
    [Show full text]
  • Dalrymple Crescent a Snapshot of Victorian Edinburgh
    DALRYMPLE CRESCENT A SNAPSHOT OF VICTORIAN EDINBURGH Joanne Lamb ABOUT THE BOOK A cross-section of life in Edinburgh in the 19th century: This book focuses on a street - Dalrymple Crescent - during that fascinating time. Built in the middle of the 19th century, in this one street came to live eminent men in the field of medicine, science and academia, prosperous merchants and lawyers, The Church, which played such a dominant role in lives of the Victorians, was also well represented. Here were large families and single bachelors, marriages, births and deaths, and tragedies - including murder and bankruptcy. Some residents were drawn to the capital by its booming prosperity from all parts of Scotland, while others reflected the Scottish Diaspora. This book tells the story of the building of the Crescent, and of the people who lived there; and puts it in the context of Edinburgh in the latter half of the 19th century COPYRIGHT First published in 2011 by T & J LAMB, 9 Dalrymple Crescent, Edinburgh EH9 2NU www.dcedin.co.uk This digital edition published in 2020 Text copyright © Joanne Lamb 2011 Foreword copyright © Lord Cullen 2011 All rights reserved. No part of this publication may be reproduced, stored or transmitted in any form without the express written permission of the publisher. ISBN: 978-0-9566713-0-1 British Library Cataloguing-in-Publication Data. A catalogue record for this book is available from the British Library Designed and typeset by Mark Blackadder The publisher acknowledges a grant from THE GRANGE ASSOCIATION towards the publication of this book THIS DIGITAL EDITION Ten years ago I was completing the printed version of this book.
    [Show full text]
  • The Falls of Tivoli with the Temple of Vesta POA REF:- 360368 Artist: WILLIAM WYLD R.I
    The Falls of Tivoli with the Temple of Vesta POA REF:- 360368 Artist: WILLIAM WYLD R.I. Height: 91.7 cm (36") Width: 120.3 cm (47 1/4") Framed Height: 103 cm (40 1/2") Framed Width: 140.5 cm (55 1/4") 1 https://johnbennettfinepaintings.com/the-falls-of-tivoli-with-the-temple-of-vesta 26/09/2021 Short Description The Falls of Tivoli with the Temple of Vesta M H Grant, in his Dictionary of English Landscape Painters, writes of William Wyld that: “A notable painter who passed his life in Paris, where he influenced greatly the French artists around him.” Wyld was born to a family of comfortable means and influence having been well-to-do merchants for several generations. A young uncle, who had instilled an interest in painting in the child William, left his artist’s materials to him upon his premature death. The six year old displayed a precocious and prodigious talent for drawing but it was clear that his family had a diplomatic service career in mind for him as he was sent to Calais in 1826 to become secretary to the British Consulate, working under Lord Granville. The posting proved to be fortuitous for Wyld as he met there the French watercolourist and teacher of Richard Parkes Bonington, François Louis Thomas Francia. Francia, who had come to London as an émigré and had exhibited at the Royal Academy while he was resident there. Francia was a great admirer of the important English painter Thomas Girtin and agreed to take on Wyld as a pupil.
    [Show full text]
  • SCOTTISH ARTIST, 1856-1936F May C. Fenoulhet
    JOHN HENRY LORIMER, SCOTTISH ARTIST, 1856-1936f A Critical Biography by May C. Fenoulhet. VOLUME TWO M. Litt. UNIVERSITY of EDINBURGH 1990 CONTENTS Volume Two Pages List of Plates liii - lvii Plates LIST of PLATES All in oils unless otherwise stated. Plate Catalogue No. Appendix Number 1. "John Henry Lorimer" self-portrait. Undated. NTS, Kellie Castle. 1 (71) 2. "Benedicite - F^te de Gran'mere" 1893 Louvre 1 (62) 3. "Christmas Roses" 1874 Lorimer Family 1 (1) 4. "Professor James Lorimer" 1878 Edinburgh University 1 (9) 5. "Sir Robert Lorimer" (as a boy of 10) 1874/5 Tate Gallery, London. 1 (4) 6. "Sir Robert Lorimer" (as a boy of 12) 1876 Lorimer Family 1 (5) 7. "Sir Robert Lorimer" (as a young man of 22) 1886 SNPG, Edinburgh. 1 (42) 8. "Robbie reading 'Guy Mannering' to the Prof." Pencil drawing, 1878 Unlocated. 5 (5) 9. "Louise Lorimer" 1893 Lorimer Family. 1 (61) 10. "Homage to Music" Pencil drawing, 1876 NTS, Kellie Castle 5 (4) 11. "Drum Castle, Aberdeenshire" Watercolour 1887 H.M. The Queen 3 (2) 12. Postcard of Kellie Castle, Pittenweem, front view. 13. Postcard of Kellie Castle and Gardens, Pittenweem, rear view. 14. "Isobel Scott-Elliot" 1879 Lorimer Family. 1 (12) 15. CHRISTMAS ROSES Undated Lorimer Family 1 (17) 16. "Jeannie Gray" 1880 NTS, Kellie Castle 1 (11) 17. "Farewell" 1880 Unlocated 1 (16) 18. "Mrs. Margaret Robertson" 1881 Unlocated 1 (21) 19. "Patrick Chalmers" 1886 Unlocated 1 (39) 20. "Colonel J. Anstruther Thomson" 1890 Private collection, Scotland 1 (51) PAGE liii Plate Catalogue No. Appendix Number 21.
    [Show full text]
  • The Cockburn Association Edinburgh and East Lothian
    THE COCKBURN ASSOCIATION EDINBURGH AND EAST LOTHIAN DOORSDAYS OPEN SAT 29 & SUN 30 SEPTEMBER 2018 Cover image: Barnton Quarry ROTOR Bunker. EDINBURGH DOORS OPEN DAY 2018 SAT 29 & SUN 30 SEPTEMBER SUPPORT THE COCKBURN ASSOCIATION AND EDINBURGH DOORS OPEN DAY Your support enables us to organise city WHO ARE WE? wide free events such as Doors Open Day, The Cockburn Association (The Edinburgh bringing together Edinburgh’s communities Civic Trust) is an independent charity which in a celebration of our unique heritage. relies on the support of its members to protect All members of the Association receive and enhance the amenity of Edinburgh. We an advance copy of the Doors Open Day have been working since 1875 to improve programme and invitations throughout the built and natural environment of the city the year to lectures, talks and events. – for residents, visitors and workers alike. If you enjoy Doors Open Days please We campaign to prevent inappropriate consider making a donation to support our development in the City and to preserve project www.cockburnassociation.org.uk/ the Green Belt, to promote sustainable donate development, restoration and high quality modern architecture. We are always happy If you are interested in joining the Association, visit us online at www.cockburnassociation. to advise our members on issues relating org.uk or feel free to call or drop in to our to planning. offices at Trunk’s Close. THE COCKBURN ASSOCIATION The Cockburn Association (The Edinburgh Civic Trust) For Everyone Who Loves Edinburgh is a registered Scottish charity, No: SC011544 TALKS & TOURS 2018 P3 ADMISSION BALERNO P10 TO BUILDINGS BLACKFORD P10 Admission to all buildings is FREE.
    [Show full text]
  • Download Download
    CONTENTS OF APPENDIX. Page I. List of Members of the Society from 1831 to 1851:— I. List of Fellows of the Society,.................................................. 1 II. List of Honorary Members....................................................... 8 III. List of Corresponding Members, ............................................. 9 II. List of Communications read at Meetings of the Society, from 1831 to 1851,............................................................... 13 III. Listofthe Office-Bearers from 1831 to 1851,........................... 51 IV. Index to the Names of Donors............................................... 53 V. Index to the Names of Literary Contributors............................. 59 I. LISTS OF THE MEMBERS OF THE SOCIETY OF THE ANTIQUARIES OF SCOTLAND. MDCCCXXXL—MDCCCLI. HER MAJESTY THE QUEEN, PATRON. No. I.—LIST OF FELLOWS OF THE SOCIETY. (Continued from the AppenHix to Vol. III. p. 15.) 1831. Jan. 24. ALEXANDER LOGAN, Esq., London. Feb. 14. JOHN STEWARD WOOD, Esq. 28. JAMES NAIRWE of Claremont, Esq., Writer to the Signet. Mar. 14. ONESEPHORUS TYNDAL BRUCE of Falkland, Esq. WILLIAM SMITH, Esq., late Lord Provost of Glasgow. Rev. JAMES CHAPMAN, Chaplain, Edinburgh Castle. April 11. ALEXANDER WELLESLEY LEITH, Esq., Advocate.1 WILLIAM DAUNEY, Esq., Advocate. JOHN ARCHIBALD CAMPBELL, Esq., Writer to the Signet. May 23. THOMAS HOG, Esq.2 1832. Jan. 9. BINDON BLOOD of Cranachar, Esq., Ireland. JOHN BLACK GRACIE, Esq.. Writer to the Signet. 23. Rev. JOHN REID OMOND, Minister of Monfcie. Feb. 27. THOMAS HAMILTON, Esq., Rydal. Mar. 12. GEORGE RITCHIE KINLOCH, Esq.3 26. ANDREW DUN, Esq., Writer to the Signet. April 9. JAMES USHER, Esq., Writer to the Signet.* May 21. WILLIAM MAULE, Esq. 1 Afterwards Sir Alexander W. Leith, Bart. " 4 Election cancelled. 3 Resigned. VOL. IV.—APP. A 2 LIST OF FELLOWS OF THE SOCIETY.
    [Show full text]
  • A Winter in Russia
    THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES I j^ e^^i>2>t / (r^ A «- <^ / z<^^^ /z- ^^^ I c /' /^'^ ^ ' ^y / <5^ «^' '^ <^ ^^ ^ r t. «- <r ^ /;^7V A Winter in Russia FROM THE FJiENCS OF THf:OPHILE GAUTIER BY M. M. RIPLEY Tratislator ofMadame Craven's '' Fletirange''^ NEW YORK HENBY HOLT AND COMPANY 187.t /^.**-«. 1'rz^l^t'->. oj-: iJep^^ ^y Entered accortUng txj Act of Congress, in the year 1874, by HENRY HOLT, In the Office of the Librarian of Congress, at Washington. John F. Trow & Son, Printers, 205-213 East i2TH St., New York. Maclauchlan, Storeotypor, 145 & 147 Mulberry St., near Grand, N. Y. PK TO E. M. C. i.»<^fVvviG5x —— CONTENTS OnAPTER TAQB I, —Beblin 1 II.—IlAMBXIRa 13 III. —SCHLESWIG 23 rV,—LUBECK 44 v.—CBossiNa THE Baltic 56 VI.—St. Petersbueg 66 VIL—Winter.—The Neva 88 VIII.—Winter 100 IX. Races on the Neva 115 X. Details op Interiors 125 XI.—A Ball at the Winter Palace 136 XII. —The Theatres 145 XIII.—The Tchoukine-dvor 154 Xrv.—ZiCHY 103 XV.—St. Isaac's 187 XVI.—Moscow 236 XVn.—The Kremlin 2G1 XVIII.—Troitza 279 XIX.—Byzantine Art 298 XX. Eeturn to France 324 A WINTER IN RUSSIA. BEKLKSr. seem scarce!}^ to have started, and yet already WE inter- France lies far behind lis. Concerning the mediate space traversed in his flight by the nocturnal hijipogriff, I shall say nothing. Imagine me at Deutz, across the Ehine, contemplat- ing from the end of the bridge of boats that silhouette of^Cologne, which the Jean-Marie Farina boxes have rendered so familiar, now outlined against the splendors of a sunset sky; The bell of the Rhenish railway strikes.
    [Show full text]